Posted in 2010-2019, Film Feature

92nd Academy Awards: Best Picture (Collaboration)

The biggest night in showbiz is once again upon us, and I have once again teamed up with a group of awesome fellow film bloggers as we try and foresee the future by predicting who will be triumphant by the time the 91st Academy Awards have come to a close. We will be discussing the nine films that are up for Best Picture, giving you our rankings of all the films that we have seen, and making our case for what film should be clutching that Oscar, come the end of the evening. As a reminder, here are the nominees for Best Picture:

  • Ford v Ferrari
  • The Irishman 
  • Jojo Rabbit
  • Joker
  • Little Women
  • Marriage Story
  • 1917
  • Once Upon a Time in Hollywood
  • Parasite

Out, of those nine, what film should emerge victorious? Here’s my two cents:

As av  history student I am, I gravitate to war films. But this is not the reason why Sam Mendes’s magnum opus is my pick for the Best Picture of 2019. It’s for the fact that it is an astounding cinematic achievement that just floored me in every way. Filmed to look as if it is one continuous tracking shot, it should clean house in the technical categories, and ensure that the legend that is Roger Deakins picks up another Oscar. But all that technical mastery would count for nothing, if the story being told in front of the camera was not compelling and emotionally investing, which it absolutely is.

Focusing on two young English soldiers who must go behind enemy lines to deliver a message to call off an attack to prevent an absolute slaughter. The premise is simple but it’s extremely effective, and that’s down to the extraordinary performances of Dean-Charles Chapman, and especially George MacKay who demonstrate they are far more than just the uniforms they are wearing. From the first minute, I was thoroughly invested in their mission, and the extraordinary camerawork fully immerses you in the time and the place. You do feel like you are on the ground with these men, and it never let up throughout the tense two hour run time.

For my full ranking of this year’s nominees, please click here.

Here’s what my awesome contributors had to say:

Maddy: @madelexne

“Parasite is easily the best film I have seen in years. Every inch of it is polished to perfection in a wholly authentic way, and I am in awe of what Bong Joon Ho has created alongside a sensational cast and crew. It’s the most deserving winner of Best Picture in years.”

  1. Parasite
  2. Marriage Story
  3. Little Women
  4. Jojo Rabbit
  5. The Irishman
  6. Once Upon a Time in…Hollywood
  7. 1917
  8. Joker

Nathan: @__Nathan

“If not now, when? As foolish as it may sound, Best Picture means more than simply being the most well-made film of the year. All good winners of the Academy’s highest accolade, in my opinion, should be saying something about the world we live in; while it isn’t exactly necessary, a film’s social value makes a winner stand out. ParasiteBong Joon-Ho’s social satire on class (we won’t say more, as it’s best appreciated blind), touches upon so many genres, incorporates so many tones and speaks so deeply about the way we interact as humans, that it’s something of a miracle that it works – never mind as masterfully and as confidently as it does.

Joon Ho’s layered screenplay and precise direction, the jaw-dropping production design, combined excellence of its well-dialled ensemble and razor-sharp editing have created something truly special in Parasite.
Never has a foreign language film been so accessible; never in my recollection has a movie earned such adoration across the board; and never has a film with this much hype actually lived up to it. It’s unlikely that a film as wildly entertaining, emotionally stirring, thematically sharp and just as consistently brilliant as Parasite will grace our cinemas for some time, so we should embrace it now.

The Academy has the opportunity to introduce one of the very greatest films of the century into a most elite club on Sunday. In the words of Bong Joon-Ho (and his interpreter for the award trail, Sharon Choi), let’s hope that voters can overcome the “the one-inch barrier of subtitles” and give the year’s best picture the Best Picture trophy.”

For Nathan’s full ranking of this year’s nominees, please click here.

Plain, Simple Tom: @PlainSimpleTom

Looking at 2019’s Best Picture nominees, there are only really three of them that I’d count as being truly special: 1917, Marriage Story and Joker – no, I haven’t had the chance to see Parasite yet – and out of the three of them, I’d guess that 1917 would be the likeliest to win, though I have no idea what the general consensus is on who the frontrunner is and maybe the critically adored Parasite will surprise everyone by being the first foreign language film to win. But there’s something to like in all the nominees and, with the exception of Once Upon a Time in Hollywood and Jojo Rabbit, I’d be perfectly satisfied if any of them won, though my preference would be 1917 and I’d love to see Joker win so that I can see Twitter explode.

And my ranking of the eight that I’ve seen would be:

  • 1917
  • Marriage Story
  • Joker
  • Ford vs. Ferrari/Le Mans ’66
  • The Irishman
  • Little Women
  • Once Upon a Time in Hollywood
  • Jojo Rabbit

Please find the links below to the other pieces written by these awesome film bloggers:

Posted in 2010-2019, Film Feature

92nd Academy Awards: Best Picture Nominees Ranked

The time has come for Hollywood to pay tribute to the best of the best that 2019’s cinematic offerings had to offer. With that comes a plethora of films competing for glory. With a total of nine films up for the big prize this year including a look at one of the most notorious villains in comic book history, a gripping war epic, another adaptation of a beloved novel, a thrilling satire at a capitalist society, and a love letter to the Golden Age of Hollywood.

There’s lots of quality to be found in this year’s bunch, but only one will walk away with the trophy. So the time has come to rank these from worst to best (per my opinion of course) starting with….

9. Joker

Full Joker review here

By far and away, Joker is the most divisive film among this year’s nominees. Every there’s always at least one film that I feel doesn’t deserve to be in the lineup, and this is that film for me. There’s no question it has plenty of admirers, most notably winning the Golden Lion at the Venice Film Festival. On the flip side, it has no shortage of of detractors. While Joaquin Phoenix’s performance is superb and is likely to win him the Best Actor Oscar, the film has attracted plenty of criticism for being a poor imitation of the films that have quite clearly acted inspiration for the film, (namely Martin Scorsese’s Taxi Driver and The King of Comedy).

Now, I’m not of the opinion that Joker is a bad film. However, it should not be in the Best Picture conversation. Phoenix’s performance elevates it considerably beyond its pretty mediocre script, (as well as a great Hildur Guðnadóttir score) Furthermore, there’s nothing really remarkable about it. As well as arguably being a poor imitation of those aforementioned Scorsese films, it has plenty of problematic elements. Most notably, its depiction of mental health which leaves a lot to be desired and the fact that it felt as though it couldn’t make up its mind as to whether it was demonising its lead character, or heralding him as a hero against the backdrop of a broken society.

Now for these next eight that do (at least for my money) deserve to be in the conversation….

8. Little Women

Full review here

Even with the great calibre of all the other eight nominees, it feels like a disservice putting such a good film so low. However, it’s indicative of the quality of the eight remaining nominees that a film as good as this comes in eighth place. However, take nothing away from Greta Gerwig and what she has accomplished with only her second feature film. Having made something so wonderfully original for her directorial debut, her follow up reiterates what a talent she is both as a writer and a director. This beloved novel has had many adaptations in the past, but Gerwig puts her own stamp on the source material, with glorious results.

A key ingredient of why this film works is the brilliant work of each of the actresses playing the March sisters. The chemistry that they share feels so warm and affectionate. Like all siblings, they frequently go between loving each other, to loathing each other. What’s more, each sister brings something unique to the story. With every aspect of the production design and costumes on point, and another delightful Alexandre Desplat score, the entire ensemble cast all give excellent performances. Though the show is definitely stolen by Saorise Ronan and Florence Pugh, the latter of whom certainly made 2019 a year to remember with her first Oscar nomination.

 

7. Ford v Ferrari

Full review here

The mark of a truly great sports film is one that invests you in its story from the get-go, even if you’ve never heard of said event before. This is something that Ford V Ferrari does so brilliantly, but this is more than just a film about the 24 Hour Race at Le Mans in 1966. The intense battle between two men both striving for greatness in their fields, and the battle between them and the giant corporate machine that threatens to stomp all over their work is what keeps this well oiled machine of a film running smoothly.

As well as this absorbing drama, the work of the sound teams brings the film’s racing scenes to life in an exhilarating manner. With a truly excellent cast full of excellent performances, the best work comes from Matt Damon, and especially Christian Bale. Mixing in the back and forth between company head honchos and the absorbing, immaculately crafted racing scenes ensures that makes for extremely compelling storytelling, that helps this film race past the finishing line in flying colours.

6. Marriage Story

Full review here

Marrying someone you love can sometimes be a long-lasting and blissful experience that lasts the rest of your life. However, for others, it will sometimes end in heartbreak, causing the two people to go their separate ways. Noah Baumbach captures the pain of the divorce process with such raw emotion, which is lifted in part from his own experiences following his divorce from actress Jennifer Jason Leigh.

If I had my way, Scarlett Johansson and Adam Driver would be winning Best Actress and Best Actor for their heart-breaking, powerful and emotional performances. With every moment, you feel the affection that they have for each other, and both strive to make this process as amicable as possible for the benefit of their son. But at the same time, there are moments where you feel the pain and rage that they’re both going through at that particular moment. In such a heavy drama, it’s a testament to Baumbach’s strong screenplay that he weaves some humorous moments expertly into the script, but it never negates the emotional weight of the story.

 

5. Once Upon a Time… in Hollywood

Full review here

Quentin Tarantino films are so often known for two things: sharp, well written dialogue and some stylistic violence. And while his latest film ticks both those boxes, it definitely features more of the former than the latter. There’s something that feels very personal, almost fairytale like about this film, and it’s something that sets is apart from the rest of his filmography. It’s the director’s very personal love letter to the Golden Age of Hollywood, that so very obviously inspired him as a director.

Recruiting two of the most charismatic actors in the business definitely works in the film’s favour. The duo of Leo DiCaprio’s Rick Dalton and Brad Pitt’s (likely) Oscar winning turn as stuntman Cliff Booth serve up a delightful bromance that I could watch all day long. While Margot Robbie as Sharon Tate was criminally underutilised, what screen time she had, she used effectively. Tarantino films of the past (mainly Inglorious Basterds) certainly demonstrate his fondness to rewrite the history books. With that, he takes us on an exciting journey through 1960s Hollywood, and provides us a very very satisfying pay off.

4. Jojo Rabbit

Full review here

The second Best Picture nominee to have created a fierce divide between audiences. Taking on subject matter like this is a brave decision for any film-maker. It could have all gone horribly wrong, but if anyone was able to take on this sort of premise and make it work, then Taika Waititi was the man to do that. And that’s just what he did, in spectacular, and truly hilarious, style.

In a similar vein to Marriage Story, there was a risk that the sharp and relevant satire could have negated the more intense dramatic moments of the film. Yet Waititi walks this line masterfully, combining the comedy and the devastating drama, whilst introducing the world to the star in the making that is Roman Griffin Davis. At a time when toxic ideologies have reared their ugly head, and have not been consigned to the history books where they belong, it’s a damning indictment on society that a film like this and its central message, of love triumphing over hate, feels all the more relevant in today’s society.

3. The Irishman

Full review here

Martin Scorsese and gangster movies are just a match made in heaven. Every time this legendary director ventures into the world of gangster film-making, it always seems to be a recipe for greatness and this is no exception. One of the most expensive Netflix productions to date, telling the fascinating story of delivery driver turned hitman Frank Sheeran and how he rose through the ranks of the mob, leading him to meeting charismatic Union Leader Jimmy Hoffa.

Under the expert vision of Scorsese, and long-time editor Thelma Schoonmaker, the three and a half hours fly by as Scorsese absorbs you into this compelling and fascinating story that spans over multiple decades. Getting the best performances in years out of DeNiro and Pacino, whilst bringing Pesci out of retirement for one last hurrah. All three men are on stellar form, and DeNiro was inexcusably left out of getting a deserved Best Actor nomination, alongside Pesci and Pacino in the Supporting category. If this is Scorsese’s last venture into the world of mobster/crime films, then the Godfather of the genre has certainly bowed out in the finest way possible.

2. Parasite

Full review here

South Korean filmmaker Bong Joon-ho is a name that might not be as instantly recognisable as a Tarantino or a Scorsese, but after watching his latest film, you’ll be hard pressed not to be utterly speechless by the brilliant work that the South Korean director has put together. Like last year with Roma, the fact that it stands a legitimate shot at becoming the first film not in the English language to win the top prize speaks volumes as to how well liked this film is, and it well deserved.

Looking at a case of one family living at the bottom of the barrel of society, who find a way to improve their situation by gaining employment with a family steeped in wealth. Filled to the brim with sharp, relevant commentary about the capitalist society that dominates many countries around the world, that simultaneously weaves in some brilliant humour into this story. This is just the tip of the iceberg as to the brilliance of this story that Bong Joon-ho has constructed, combine that with razor sharp performances from every member of this cast, and the end result is something that is a layered, enthralling piece of storytelling that you’ll want to revisit many times over.

1. 1917

Full review here

Being the history student I am, I gravitate to war films. But this is not the reason why Sam Mendes’s magnum opus is my pick for the Best Picture of 2019. It’s for the fact that it is an astounding cinematic achievement that just floored me in every way. Filmed to look as if it is one continuous tracking shot, it should clean house in the technical categories, and ensure that the legend that is Roger Deakins picks up another Oscar. But all that technical mastery would count for nothing, if the story being told in front of the camera was not compelling and emotionally investing, which it absolutely is.

Focusing on two young English soldiers who must go behind enemy lines to deliver a message to call off an attack to prevent an absolute slaughter. The premise is simple but it’s extremely effective, and that’s down to the extraordinary performances of Dean-Charles Chapman, and especially George MacKay who demonstrate they are far more than just the uniforms they are wearing. From the first minute, I was thoroughly invested in their mission, and the extraordinary camerawork fully immerses you in the time and the place. You do feel like you are on the ground with these men, and it never let up throughout the tense two hour run time. One of the finest war films ever made, not only is 1917 my favourite film of 2019, after multiple viewings, it has now cemented itself as one of my favourite films of all time.

—————————————————————————————

Could/should have been nominated…

Unlike last year, this year nine films have been chosen for the top honour. Yet once again, I find myself asking, why not just make it a perfect ten and nominate one extra film to have the honour of being in the company of these (mostly) great films. What could have joined their company? If I had my way, out would go Joker, and then choose from any of the following three films to make it a perfect ten:

Knives Out (review): After getting all that vitriol for Star Wars: The Last Jedi, it is delightful to see that Rian Johnson is now officially an Academy Award nominee, and very much deservedly so. Giving the Whodunnit genre a 21st century do-over, and the end result was an utter blast from beginning to end, with one of the best ensemble casts of the year.

Avengers: Endgame (review): Is this me being super biased towards one of my favourite franchises of the last decade? Perhaps, but the fact remains that this film marked the crowning glory of an extraordinary ten year journey, the like of which has never been seen in cinema before. Akin to Return of the King being very deservedly bestowed with a record-breaking number of Oscars for its extraordinary work, the extraordinary work that has gone into this franchise deserved to be recognised with a Best Picture nominee. The Academy definitely nominated the wrong comic book movie.

The Farewell (review): Honestly, how this film got completely overlooked baffles me. Telling a deeply personal story that draws from director Lulu Wang’s own background, it’s a story that anyone no matter where they are from, or where they grew up can connect with. On top of that, it boasts an Oscar worthy performance from Awkwafina.

Posted in 2010-2019, Film Feature

Best Films of 2019

It is fitting in many ways, that as we reach the end of the decade, that a number of the franchises that have had a massive impact in the last ten years of cinema have been brought to a close. 22 films of the Marvel Cinematic Universe gave a very satisfying pay off, the curtain closed on the Skywalker saga for the final time, and the less said about that Game of Thrones finale, the better. Meanwhile, Netflix continues to assert itself in the industry producing some stellar content, all while an exhaustive amount of discourses and debates on a variety of subjects relating to film have raged all year long. It was certainly an eventful year of cinema to close out the decade, and so the time has come for me to rank all that 2019 had to offer on the big screen, at least of the films I saw.

Due to staggered UK release dates, it can be extremely messy to determine what film belongs in what year. Therefore regarding the eligibility of films for this list, I always aim to include films that are listed as 2019 releases on IMDB. Also, some of the films listed here haven’t yet made their way into UK cinemas, but since I was fortunate to be able to catch some of these films at London Film Festival this year, they are eligible for inclusion. On the other hand, there’s a 2019 release that doesn’t get its UK wide release until February 2020, so that film will be deferred for my 2020’s list, and I am absolutely certain that will make an appearance.

Secondly, the grade a film receives does not necessarily determine its place on the list. Getting the perfect grade does not mean it will rank higher than a film that got a lower grade. This is, as is the case for all of us who review films, our one chance to be completely biased about the films that we enjoyed the most, and these are the films that I will remember from 2018.  Before I get into the main list, some honourable mentions need to have their time to shine. These films are excellent that you should definitely check out, but they just didn’t quite make the list. First up…

Ad Astra [review] Many films have illustrated just how terrifying the eternal chasm that is space, and Brad Pitt’s enthralling turn as an astronaut who must venture deep into space in search of his long lost father is another example. It’s a slow burner, but well worth the investment.

Harriet [review] Harriet Tubman’s story is nothing short of inspirational, a woman born into slavery who escaped and then daringly made several missions to free people from this appalling institution. This biopic, while told in a very conventional manner, tells her story with sincerity, and boasts a magnificent performance from Cynthia Erivo, whose career as an actor is going from strength to strength.

A Beautiful Day in the Neighbourhood [review coming soon] Tom Hanks is simply put, one of the most charismatic answers in the business, and so the decision to cast him as the legendary TV children’s presenter Fred Rogers was an utter masterstroke. As you’d expect Hanks’s performance is wonderful and Marielle Heller’s direction is so charming, that it’s guaranteed to give you a warm feeling by the time the credits have begun to roll.

Hustlers [review] For women who work in a strip club, it can be a difficult situation to find themselves in. For one group of women however, it’s a situation they choose take full advantage of, by devising a scheme to get back at the wealthy patrons of the strip club that employs them. With an excellent group of actresses at its core, and a fascinating story, the entire show is stolen by an electric, awards worthy performance from Jennifer Lopez.

Toy Story 4 [review] After Toy Story 3 wrapped up one of the best animated trilogies ever, in beautiful and heart-wrenching fashion, many were left wondering, was there any need for another Toy Story? Fears that this would prove to be a cynical cash grab were soon dismissed as Pixar, as they so often do, delivered the goods with a fourth film that absolutely needed to be told. It doesn’t quite match the lofty standards set its predecessors, but it comes mighty close.

Captain Marvel [review] It shouldn’t have taken as long as it did, but 2019 marked the first time that the Marvel Cinematic Universe had a female led film, and it was certainly worth the wait. While the story was certainly a tad formulaic, it was extremely entertaining and flew its way to a billion dollars at the Worldwide Box Office, firmly shutting up those individuals that tried to derail the film prior to its release.

Little Women [review] Making yet another adaptation of the classic novel by Louisa May Alcott seemed to be a tad unnecessary. However, in the wake of her stunning directorial debut. Greta Gerwig took this beloved novel and put her own take on it, and in so doing may have created the definitive big screen adaptation.

Honourable mentions have been honoured, time to crack on with the main list, which due to the vast number of great films we have had this year I’ve made it into a top 15 list, and we begin with…

15. Official Secrets

review

Working for the government can put any employee in a difficult position, especially when they handle such confidential information. For one employee, deciding that a confidential memo demands to become public information, she bravely takes on her government by leaking the aforementioned memo to the Press.

The intrigue is maintained throughout thanks to some excellent writing and a sensational lead performance from Keira Knightley who carries the film on her shoulders magnificently. There’s a very important message at the centre of this gripping film that remains very relevant to the world we live in today, namely that governments need to be held to account when they try to sweep such damning information under the rug.

14. Midsommar

review

After terrifying audiences with his debut feature Hereditary, Ari Aster has reinforced his growing reputation as a horror maestro with his sophomore feature. Telling the story of a woman goes with her boyfriend to a Swedish Pagan festival, and some dark and disturbing events soon start to unfold.

With a magnificent, haunting, awards worthy lead performance from Florence Pugh, that captures raw grief and pain in such a powerful manner. One of the best directed films of the year, filled with some thought provoking themes and imagery, with plenty of scenes that I will certainly not be forgetting in a hurry.

13. Ford V Ferrari

review

The mark of a great film, especially one about a sporting event, is that you shouldn’t have to be the most devout follower of said sport to be thoroughly invested in it. The 24 Hour Race of Le Mans isn’t the most glamorous, or indeed the most iconic of sporting events, but that didn’t prevent James Mangold from crafting an extremely compelling film about it.

With a truly excellent cast full of excellent performances, the best work comes from Matt Damon, and especially Christian Bale. Mixing in the back and forth between company head honchos and the absorbing, immaculately crafted racing scenes ensures that makes for extremely compelling storytelling, that helps this film hit race past the finishing line in flying colours.

12. Marriage Story

review

The day the two people tie the knot is so often the happiest day of those people’s lives, but sometimes, that loving relationship can be soured, causing people to go their separate ways. The pain of the divorce process is captured so powerfully by director Noah Baumbach, as two people go through a problematic and painful divorce that will push both both parents to the limits, whilst trying to do what’s best for their son.

With awards worthy performances from just about everyone, though without any doubt, the spotlight shines brightest on Scarlett Johansson and Adam Driver. The performances of these two are arguably the best performances of the year. To go from a funny moment, to a remorseful moment in a heartbeat is a skill, and it’s a testament to the strength of Baumbach’s screenplay that he combines these two contrasting emotions so strongly, without tainting the experience.

11. The Farewell

review

Family, an institution that can mean so much to so many of us. When such sorrowful news about a loved one’s declining health reaches our ears, it can be difficult news to take. Especially when, the traditions between generations and cultures can be such a stark contrast.

The film is such a surprise with how much humour it finds in this situation, but Lulu Wang expertly balances the delightful moments, with ones that are just raw with emotion. At the centre of all, Awkwafina gives the performance of her career as a woman who’s caught between two different customs and traditions. No matter who you are or where you’re from, you’ll connect with this film in some capacity.

Now for the top 10…

Posted in 2010-2019, Film Feature

Most Anticipated Films of 2019

Happy new year cinephiles! It is 2019, and another year of film is upon us, and it is shaping up to be quite the year for films as we round out the 2010s. There’s lots to look forward to. So without further ado, I present to you my picks for my top 10 most anticipated films that are set to hit UK cinemas in 2019.

Just a quick note to say that certain films that have marketed 2018 releases such as Green Book, Vice etc will not be counted here, even though they are set to arrive into UK cinemas this year. Before we get into the main body of the list, I have a few honourable mentions, that I am looking forward to, but they just didn’t quite make the list. These are:

Dark PhoenixUnpopular opinion coming at you, I don’t think 2016’s X Men Apocalypse was that bad. For sure it wasn’t as good as Days of Future Past, but it was a fun (if a little nonsensical) romp. Which brings me to Dark Phoenix, a film that focuses on a premise I’m sure we have seen before, but cannot remember where (!). Now the continual push backs of this film are a little worrisome, likewise with The New Mutants, but with everyone from Apocalypse back as well as Jessica Chastain in a mysterious role, you have my interest.

Spider-Man: Far From Home,The sequel to 2017’s Homecoming, and yes it is hard to escape that Spider-Man was one of the unfortunate ones who did not escape Thanos’s snap. Yet the presence of this film would suggest he comes back in the Infinity War sequel (more on that later). Tom Holland is once again everyone’s favourite neighbourhood Spider-Man with Jake Gyllenhaal as the villain Mysterio.

Lion King, The Disney mission to remake all their animated classics has now turned its attention to arguably its best. The 1994 animated film is one of the best animated films, ever made. Therefore director Jon Favreau has a simple job of translating this live action remake (if it can really be called that) to the big screen. Whilst the CGI does look great, and the cast is excellent, this remake does seem a bit redundant, but if this takes it place in The Circle of Life and blows audiences away once again, then Hakuna Matata I suppose.

Glass, M. Night Shyamalan’s career has been a strange one, starting out promisingly with early cinematic gold before making a few, pretty terrible films, but he came back to form with Split which leads us to the third film in a shared universe that connects the aforementioned Split, with Shyamalan’s 2000 hit Unbreakable. 

The Irishman, Martin Scorsese, a director who needs no introduction, and the director is returning to what people may know him for best, a film focusing on gangsters. His collaboration with Netflix is the most expensive of his career to date, and sees him reunite with Robert De Niro for an incredible ninth collaboration between the duo. If it is as gritty, and as entertaining as his previous ventures into this genre, we could have another classic gangster flick on our hands.

Honourable mentions have been honoured, let’s see what cracked my top 10:

10. Us

Release date: 15th March

For so long, Jordan Peele was one half of the very successful comedy duo, Key & Peele, then he went and made the remarkable and unsettling Get Out, which won him an Oscar. Now for his next film, Peele is going down the horror route once again in this film that looks deeply unnerving to say the least if the new trailer is anything to go by, which hints at a terrifying plot involving some sinister doppelgangers.

That premise alone is very intriguing, but with an exciting cast that includes Lupita Nyong’o, Winston Duke and Elisabeth Moss, only adds to the excitement/dread that audiences are likely to be greeted with when this one hits cinemas.

 

9. John Wick 3: Parabellum

Release date: 17th May

If you piss off John Wick AKA The Bogeyman, then you better start saying your prayers, cos he WILL make you pay for it. Keanu Reeves’s work as this badass assassin has made Wick one of his most compelling and badass characters, it’s certainly a role he seems to have had a lot of fun with. However, after he broke the absolute unbreakable rule of murdering someone on the grounds of the assassin underworld hotel, it cost John the access he had to the Assassin underworld and all of the accompanying perks. On top of that, he now has a large bounty on his head, which will likely put pretty much every hitman in the world on his trail.

Reeves is once again suiting up as Wick, and Chad Stahelski is back as director. Stahleski has promised that the death count will be considerably higher for this one. The action in the previous two films was as stylish as it was slickly choreographed, and promotional images have seen Reeves riding a horse! What more could you want? Expect the bullets to fly and the bodies to hit the floor cos John Wick is back for one last bloody hurrah.

8. Toy Story 4

Release date: 21st June

“So long, partner,” as Woody uttered those words at the end of Toy Story 3, it undoubtedly caused many tears to be shed by audiences as Woody and co said a fond farewell to their owner Andy for the last time, seemingly closing the book on the Toy Story franchise. It is still one of the best trilogies ever, and so talks of a fourth film were naturally met with some trepidation. However, as Pixar has so often not disappointed, most recently delivering one of their best with Coco, and giving The Incredibles a worthy sequel. One would assume that they know what they’re doing.

A fun mini teaser released late in 2018 confirmed that all of the familiar faces will be back, but what exactly they’re up to remains a complete mystery. But if reports are to be believed, the cast were crying and struggled to record their lines for the ending, which if you have ever seen a Pixar film ever, you’ll know that they have the power to reduce anyone to an absolute emotional wreck. So get the tissues ready cos this is likely to be another tearjerker.

7. Joker

Release date: 4th October

The Joker is one of the most iconic comic book villains, and he has had some memorable portrayals on the big screen from actors like Jack Nicholson and the great performance from Heath Ledger who stole the entire show in The Dark Knight, not forgetting the great work that Mark Hamill has done from an animated perspective to bring the Crown Prince of Crime to the big screen. However, the future of the character in the DCEU is a little bit uncertain since his debut didn’t quite go to plan. Hence, Warner Bros has given the green light for a solo Joker film separate from the DCEU.

We have seen a fair bit of production photos courtesy of director Todd Phillips, which has included Joaquin Phoenix in full costume as the Joker (see above). It all looks super dark and mysterious. Phoenix’s talents as an actor are undisputed and when you have a supporting cast that includes Hollywood legend Robert De Niro, that only adds to the gleeful anticipation as to what mayhem this Joker will unleash upon audiences when it debuts, not expecting any pencils through any eyeballs though…

 

6. Godzilla: King of the Monsters

Release date: 31st May

The MonsterVerse has not exactly got off to the greatest start, beginning with 2014’s Godzilla and continuing with 2017’s Kong: Skull Island. Both the aforementioned films suffered in similar respects, some decent action but were bogged down by concentrating too much on the humans and not enough screen time for the titular titans, though the former was much stronger than the latter when it came to the action. A gargantuan clash between these two is expected to stomp into cinemas next year, but before that, Godzilla has got other monsters to deal with.

This new film looks as though it will remedy that problem with a handful of new Titans battling it out for Titan Supremacy, namely Mothra, Rodan, and Godzilla’s arch nemesis, the deadly three headed King Ghidorah. A bunch of new humans have joined the cast including Stranger Things star Millie Bobbie Brown, Charles Dance, Vera Farmiga and Kyle Chandler. Yet, one would hope that this is the film that sees the monsters take centre stage good and proper, and as the trailer teased, we have some exciting battles coming our way.

5. How to Train Your Dragon: The Hidden World

Release date: 1st February

Outside of Disney and Pixar, Dreamworks Animation Studios have arguably been the studio to compete with when it comes to top tier animation, and and nothing is greater proof of that than the How to Train Your Dragon series. Thus far, this franchise has produced two absolutely stellar pieces of work, and they have a chance to complete their trilogy that, if all goes to plan, would be up there with the likes of the Toy Story trilogy as one of the finest animated trilogies out there.

This new adventure certainly seems to have upped the ante for our characters with Hiccup now the leader of the clan (mighty fine beard and all) facing down a terrifying new threat that puts humans and dragons at risk. Toothless’s attention meanwhile is on a Light Fury dragon he is trying to woo. The trailer promises those epic stakes that the second instalment brought, as well as those really hard hitting emotional moments.

 

4. Once Upon A Time in Hollywood

Release date: 26th July

Quentin Tarantino, like Martin Scorsese, is one of those names who just immediately catches the attention of most cinema goers, and for good reason, he makes damn good films. If the man’s name alone wasn’t enough to get people to the cinema, then the cast of his ninth feature film surely will. The likes of Margot Robbie, Brad Pitt, Leo DiCaprio all snag leading roles, but the cast list is quite extensive, with Tarantino alumni such as Tim Roth, Michael Madsen, Bruce Dern and Kurt Russell all involved. It’s a cast to die for, and given what we know about the plot, and who some of the cast are playing, it’s gonna get a little bit unpleasant.

Not much else is known about the plot, other than it being centred on the Manson Family Murders, but if there’s one thing to expect from a Tarantino flick, it’s some sharply written dialogue, and juuuuuuuuuust a little bit of violence thrown in there for good measure. With his terrific body of work that he has assembled prior to this, this is looking like it will be another piece of glorious, as well as bloody, piece of work from the director in what might just be his penultimate directorial effort.

 

3. Captain Marvel

Release date: 8th March

The Marvel Cinematic Universe will finally give the world the first MCU female led superhero film in 2019. That superhero in question is Carol Danvers, an air force pilot who becomes the seemingly incredibly powerful Captain Marvel. Though before she can help save the world in the sequel to Infinity War (more on that later), we must venture back in time to the 1990s to see how Captain Marvel came to be.

The presence of Oscar winner Brie Larson in the titular role alone is enough to draw excitement, but she is the lead of an extremely exciting cast that includes Jude Law, Ben Mendelsohn, Gemma Chan and a de-aged Samuel L Jackson as a Nick Fury (also sans eye patch) as well as a de-aged Clark Gregg as Phil Coulson, with Lee Pace returning as Ronan, AKA the villain from Guardians of the Galaxy. Also who knew Nick Fury was a cat person? Maybe it’s that cat that takes his eye out after all….

 

2. Star Wars: Episode IX

Release date: December 20th

The concluding chapter to the new trilogy of films ever since Disney seized control of the franchise from George Lucas. Unless you have been living under a rock, you will know that the preceding chapter, The Last Jedi, caused quite the divide among the population of the world. Some absolutely adored it, hailing it as the best film in the franchise ever, and some absolutely detested it with every fibre of their being. No pressure then JJ Abrams.

As one would expect, the plot details surrounding this new film are a complete mystery, but what is for sure, is the events of The Last Jedi, whether you liked the film or not, are going to have substantial repercussions for the world of Star Wars going forward. The intrigue to see how they close the book on the stories of Rey, Finn, Poe and Kylo Ren will be enormous. Furthermore, it will be extremely interesting to see how the tragic passing of Carrie Fisher will have an impact on the story given she was set to play a big role in this closing chapter. Furthermore, in the wake of the box office disappointment of Solo: A Star Wars Story, Disney really could do with a home run to round out this trilogy. Lightsabres crossed that JJ can steer this ship home to safety.

 

And, my #1 most anticipated film of 2019 is……………………………………………………

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1. Avengers: Endgame

Release date: 26th April 

Had to be didn’t it? In the same vein that Episode IX will bring the curtain down on the new Star Wars trilogy, Endgame is going to be the culmination of everything that the Marvel Cinematic Universe has been building towards across a remarkable 22 films. With their Cinematic Universe, Marvel really has made cinematic history with what they have achieved, it really is like nothing we have ever really seen before, and after delivering the stunning and heart-breaking Infinity War, the Russo brothers have the mammoth task of giving closure to these characters that for some we have spent a decade following.

Of course, that earth-shattering ending of Infinity War turned half of our heroes into dust after the Mad Titan Thanos collected all six of the Infinity Stones to bring balance to the Universe. Yet, even with that gut punch of an ending, it seems pretty certain that those who disintegrated away at the end will come back somehow. The real question is how? The Russos have hinted that this film could be in the realm of three hours long, and I am more than okay with that.

Yet if it indeed does come to pass that all those who were disintegrated return, who will definitely bite the dust this time around? It seems somewhat unlikely that everyone will return and that will be that and it will be sunshine and rainbows. One particular Titan in particular would be a bit pissed that all of his work would be undone. Some actors (not naming names) have hinted that this is their last hurrah so expect some fireworks as this chapter of the MCU will be brought to what will hopefully be an epic and emotional close.

Thus concludes my picks for the most anticipated films of 2019, What are your most anticipated films for this year? Let me know in the comments below or you can find me on: Twitter, Facebook or Letterbox’d

Thanks for reading and here’s to another great year of cinema!