Phantom Thread – Film Review
Cast: Daniel Day-Lewis, Lesley Manville, Vicki Krieps
Director: Paul Thomas Anderson
Synopsis: Reynolds Woodcock is an accomplished dress designer, with a set daily routine and some extremely wealthy clientele. When he meets Alma, a strong willed woman, his daily life and routine is turned upside down.
Review: When it comes to actors and method acting, there is perhaps no one who does this better than the one and the only Daniel Day-Lewis. With every role he takes on, he goes to extraordinary lengths to get into character, and he has done so across his career. It is an approach that has served him well, becoming the only man to win three Best Actor gongs. Reuniting with his There Will Be Blood director Paul Thomas Anderson, for one last hurrah after he announced he would retire from the profession, it is safe to say that one of the most legendary actors to ever grace our screens has gone out on a very high note indeed.
Telling the story of meticulous fashion designer Reynolds Woodcock, living in 1950s London. He is a man who lives his life with a very strict routine and any break from that routine is most certainly not welcome. Yet whilst on a break from his daily life he meets a woman named Alma (Krieps) and falls head over heels for her. Before long the two of them are in a relationship with Alma assisting Reynolds as he makes his luxury garments. Yet while Alma’s arrival is initially a joyful one, things soon start to turn a little difficult as Alma’s presence starts to interrupt his fastidious way of life.
With this his swansong performance, he once again adopted his meticulous approach to the roles he takes on, as he learned how to create and design a dress all on his own, and it adds so much sincerity and conviction to his performance, you really get the impression that he’s a man who not only knows his craft, but is one of the best in the business. Of course by being so good at what he does, it does mean he comes into friction with people when his routine is disturbed. These people are mainly of course Alma, and his sister Cyril (Manville) who is an instrumental part of why Reynolds’s business is the success it is.
Opposite Day Lewis, who of course has landed a final nomination, both women really shine in excellent performances that earned Manville an Oscar nomination. Both have to wrestle with Reynolds’s stubborn mannerisms, but Krieps can count herself really unfortunate to not have landed one as well as it’s her relationship with Reynolds that becomes the spotlight of the picture. To hold her own opposite Day Lewis, and perhaps maybe even outshine him is an extraordinary feat that should see more scripts get pushed in her direction.
Like the process of designing and making an extravagant gown probably is, the film is written and directed meticulously and superbly by Anderson. He takes his time with his three principal characters and gives each of them their moment to really shine. All three are extremely well fleshed out and strong-willed and so to see the sparks fly between these very fierce personalities clash is almost always utterly compelling.
Something would have gone very badly amiss if the costumes on display weren’t absolutely sumptuous, rest assured that is simply not the case. The production design likewise is immaculate, as is the beautiful cinematography and Jonny Greenwood’s score is both beautiful and haunting in equal measure. The film does maybe suffer from a few pacing issues in part, but it remains an exquisite piece of cinema and if this is to be Daniel Day Lewis’s final bow, then this truly magnificently talented man has ensured that he leaves behind a legacy to the art form of cinema that will never diminish.