Posted in 2010-2019, Film Review

Searching (2018)

Image is property of Sony Pictures, Bazelevs Company, Screen Gems and Stage 6 Films

Searching – Film Review

Cast: John Cho, Debra Messing, Michelle La, Joseph Lee

Director: Aneesh Chaganty

Synopsis: After a young woman vanishes without a trace, her fraught father tries to piece together clues that could explain her disappearance…

Review: There’s no hiding from the fact that in this era we are living in, that technology is driving a considerable proportion of how we live our day-to-day lives. So much of our time, be it at work or at home, involves computers and smart phones. One such aspect of our digital lives that has become prominent, especially in the lives of young people, is social media. Given how much these devices drive of many aspects of our lives, to tell a story in its entirety through technology and social media is an inspired and refreshing new approach to a story to a very realistic story, and one that would be any parent’s absolute worst nightmare.

At the centre of this all is David Kim (Cho) a father who has to endure the most heart-breaking of circumstances in his family life whilst raising his daughter Margot (La). All seems well after some father-daughter time until Margot disappears with little information available to David as to what possibly could have happened to her. Using any information he can find from his own computer as well as Margot’s, David begins to piece together clues that could lead to anything that could uncover new details. As he receives help in the investigation from Detective Vick (Messing), what begins to become apparent is quite simply unimaginable for him.

Making his directorial debut, Chagnanty and co-writer Sev Ohanian, utilise family videos to establish the early stages of Margot’s life through family videos and what she and her father have been through. It’s simple but it does the job of establishing their relationship, and just how much did David actually know about his daughter and her life? The means of telling this story could become stale very quickly, but it never becomes overbearing or annoying. If anything it makes it feel fresh and unique, and crucially makes the audience care for David’s plight. What’s more, it captures how if a story such as this was on the news, the social media aspect of such a story would be very prominent, and that makes it feel all the more real.

In what may be some of his best work, Cho gives a superb performance. Though he is faced with a horrendous situation, he goes about trying to find anything he can with resolute determination, even though you can feel the pain he is feeling during the investigation and in the years prior to it.  In a thriller such as this, it is critical that the audience is kept on the edge of their seats, and as we follow this investigation, it does exactly that as you are never sure which way the investigation is going to turn next, keeping you very much in suspense right throughout the film’s run time.

It is frustrating however that once we reach the climax of this investigation, the resolution does feel a little bit rushed and a few things could have been explained in a bit more detail. However, though the Internet is a wonderful thing that is capable of enthralling and delighting us, there is an extremely dangerous side to it. In the age of social media where people can share quite a bit about themselves, this film serves as a reminder that like the internet itself, social media certainly has its upsides, but the perils of it are all too real.

With a powerful lead performance from John Cho, bolstered by its innovative and fresh approach to a subject matter that we so often see on the news, it makes the film feel uncomfortably grounded in reality.

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Posted in 2010-2019, Film Review

BlacKkKlansman (2018)

Image is property of Legendary and Focus Features

BlacKkKlansman – Film Review

Cast: John David Washington, Adam Driver, Topher Grace, Laura Harrier

Director: Spike Lee

Synopsis: Suspecting that the Klu Klux Klan is planning an attack, black undercover police officer Ron Stallworth infiltrates the KKK and establishes contact, whilst another officer (Driver) poses as Stallworth when they meet face-to-face…

Review: It is scary to think that a film set in the 1960s could be a reflection of 21st century USA. Yet, Kathryn Bigelow’s Detroit was exactly that, as it spoke volumes about the horrendous treatment of black people at the hands of police officers, something that is still horrifyingly relevant in 21st century USA. It is therefore all the more shocking that another filmmaker has come along, with another film (also based on true events) that also starkly reminds us just how racism and bigotry is startlingly prevalent in modern US society. Enter director Spike Lee, a man who isn’t afraid to speak his mind.

The setting this time is 1979, as Ron Stallworth (Washington) joins the Colorado Springs Police and is soon appointed to become an undercover officer. When he finds a leaflet for the local KKK organisation, he bravely establishes contact over the phone and almost instantaneously strikes up a connection. To maintain the ruse another officer, Flip Zimmerman, assumes Stallworth’s identity whenever the organisation meets up whilst the actual Ron works behind the scenes, looking for any indication as to what the organisation could be planning.

To think that this is based on real life events is just completely astonishing for one thing. But also, to think that such acts of blatant racism and bigotry are still prevalent is equally nauseating, given that the very idea of one race being superior to the other, is to put it bluntly, absolute bullshit. Washington is superb in this lead role, clearly showing the talent that runs in his family. He portrays Stallworth as a guy who is intelligent and immediately likeable and you watch in anxiety as he goes about this extremely risky endeavour. As after a few exchanges, it comes across pretty quickly that, the members of the KKK are deeply unpleasant people and the risk of this operation going sour is very high right from the very first meeting.

Though having said that, there are moments of humour throughout which in such a heavy film, could be a huge risk, yet it all flows pretty seamlessly.  Lee chooses to tell this story in a manner that emphatically pulls no punches whatsoever, though there are some moments in which the pacing does suffer. Subtlety in such a heavy hitting story like this would not have been a wise decision, and thankfully Lee doesn’t choose to go down this route. There are of course two sides to this story as the story focuses on the Black Panther Party, and there are some intriguing moments in which the two movements are essentially shown side by side. While some stylistic choices are inspired, others are a little bit perplexing.

Spike Lee is a man who has not been afraid to speak his mind when it comes to the current White House incumbent and his inability to make a stand in the face of hate and division. And with this movie, and in particular the closing credits scene that utilises real life footage of the horrific events in Charlottesville last year. It is extremely thought-provoking and deeply moving imagery that will stir up the emotions. This bigotry and hate is something that should have been long since consigned to the history books. Yet unfortunately the famous saying “those who do not learn history are doomed to repeat it” rings true now more than ever. Lee’s message is furious, it is loud, and it is crystal clear.

To think how relevant a film like this is, is frightening but the well balanced script, combined with excellent performances from Washington and Driver, make this an essential piece of cinema for this day and age.

Posted in 2010-2019, Film Review

A Quiet Place (2018)

Image is property of Paramount Pictures and Platinum Dunes

A Quiet Place – Film Review

Cast: Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Director: John Krasinski

Synopsis: In a desolate post apocalyptic future, creatures that hunt based on sound are roaming killing anything that makes a sound, one family must live in absolute silence in order to survive…

Review: If one were to somehow measure the decibel level of Planet Earth, one would imagine that it would likely be quite loud. As a species, it would be fair to say that humanity makes quite a lot of noise as we live our day-to-day lives. Therefore to live in a post-apocalyptic world where making even the slightest of peeps will likely be a fatal mishap, seems an extremely daunting prospect. For one family dwelling in a desolate US city, this is a predicament they find themselves in.

It is 2020, and with many of humanity presumed to have suffered a terrible fate at the hands of our nameless antagonists, we meet the Abbott family who are desperately fighting to stay alive in this dire situation. As well as directing and writing, Krasiniski stars as Dad Lee, and Mum Evelyn (played by real life wife Emily Blunt), and their children Regan (Simmonds) and Marcus (Jupe).

We are thrown right in the thick of this crisis, and with a mere few shots and not a single line of dialogue, it becomes crystal clear that this world is a terrifying place to inhabit. It is a brave choice to have pretty much no dialogue for the first half of your film. In so doing, the film relies on sound to convey the imminent danger facing the family, and thanks to some sterling work from the sound department, that danger posed by these ghastly monsters is almost instantaneously, and brutally, established.

Don’t. Make. A. Sound….

The post-apocalyptic world is a very familiar scenario for sure, but the screenplay, written by Krasinski, along with Scott Beck and Bryan Woods, gives the film a very unique and fresh feel to it. To say it is suspenseful, would be quite the understatement. The world that these characters are inhabiting is an extremely tough situation in which to try and stay alive. Consequently, right from the very first shot the tension begins to build, and despite a few lapses, the tension remains high throughout.

To write, direct and play a lead role in the film is a lot of work but Krasiniski does all three to wonderful effect. Equally terrific, as she almost always tends to be, is Blunt as his wife. Their chemistry is very strong, which isn’t surprising given they’re married in real life! What’s equally strong is the relationship they have with their children, the standout of whom is Millicent Simmonds as their deaf daughter, the fact that the actress herself is deaf adds a great deal of authenticity to this story of one family’s struggle to survive.

It is not easy to convey fear and every other emotion without making a sound but all of the family members pull it off tremendously well. Krasiniski might be best known for his comedic acting chops, but his direction is meticulous in its execution. Every time one of our family find themselves in danger,  the tension is racketed up a few levels and the audience feels that as they watch these characters desperately try to survive. In addition, the score provided by Marco Beltrami also plays its part to help build that tension.

Though it is a little slow in the initial stages, the film manages to be a very innovative piece of horror/thriller cinema, all while racketing up the tension without a great deal of dialogue being uttered, an achievement well worth shouting about, just not in this world.

A simple premise, but one that feels refreshingly original and excruciatingly tense almost from the first shot, with excellent performances across the board. Whisper it quietly, but we might just see future ventures into this genre from Krasinski.

Posted in 2010-2019, Film Review

Ant-Man and the Wasp (2018)

Image is property of Marvel Studios

Ant-Man and the Wasp – Film Review

Cast: Paul Rudd, Evangeline Lilly, Michael Douglas, Hannah John-Kamen, Judy Greer, Michael Peña, Laurence Fishburne, Michelle Pfeiffer

Director: Peyton Reed

Synopsis: With Scott Lang (Rudd) still under house arrest, Hope van Dyne (Lilly) and her father Hank Pym (Douglas) believe that they may have uncovered a clue as to how retrieve Hope’s mother from the Quantum realm…

Review: Sometimes you have to wonder, is Marvel intentionally picking on the smallest hero they have to follow and pick up the pieces in the wake of a cinematic juggernaut? It was 2015, when we were first introduced to Scott Lang, and his chance encounter that led him to becoming the titular hero, all while following in the wake of Age of Ultron. Now three years later, and the torch is once again passed to Ant-Man once again who must step up, in the aftermath of the earth-shattering events of Infinity War.

However, as was the case in 2015, turning attentions on its smallest (and sometimes biggest) hero provides a much welcome comic relief that helps lighten the mood. We find Scott, after running away to join Cap in Civil War has consequently been put under house arrest. However, his quantum realm foray in the last film triggers a potential lead to Hope’s mother, long since believed to be lost there several decades ago. Scott finds himself teaming up with Hank and Hope once again in a bid to find her. All the while, new threats emerge hoping to steal some of Pym’s rather fantastic tech for their own mischievous purposes.

You all look like insects from this height…

The film does follow its predecessor in a lot of ways, not least of which is how zany it is. Same universe though it may be, it feels like it is another world away from the likes of Black Panther. The story is also similar, lots of chit-chat about ants, as well as some science-y lingo and of course, as you would expect at this point from Marvel, lots of humour. When you have an actor well known for his comedic chops like Paul Rudd as your leading man, you know that you’re going to get a charismatic and funny performance, and once again Rudd delivers exactly that.

Evangeline Lilly and Michael Douglas are also on excellent form once more, with the former finally able to get her wings as the new Wasp and take some bad guys down. Though not all of the humour works unfortunately, Michael Pena’s very funny flashbacks from the first film are once again called upon, but this time it feels a bit forced for the sake of an extra laugh or two.

What Edgar Wright would have brought to this franchise, we will almost certainly never know. Nevertheless, Peyton Reed proved he was an assured choice to direct the first film and once again, he directs the action sequences with a zippy energy that keeps the plot moving along at a steady pace. However while it should keep the attention throughout, there is nothing here that will likely stick in the mind of the audiences once we hit the credits. The story does try to have a more personal edge to it, but this again is a bit hit-or-miss. And while there is an attempt to flesh out chief villain Ghost (John-Kramen), she does unfortunately fall into the category of somewhat disposable MCU villains, likewise for Walton Goggin’s smarmy businessman.

For the most part, the film stands on its own two feet (or should that be wings). It is an undeniable blast of colourful and fun insect sized entertainment, there is nothing here to leave a lasting impression. As for where it stands in relation to the seismic events of Infinity War, make sure you stick around for the mid credit scene, as that is one that is likely to have a very significant impact for MCU films to come.

Retaining the eccentric humour of the first film, competently acted and directed by all concerned, but ultimately, there is not enough sting in this one to rank it up there with the very best film to come out of the Marvel Cinematic Universe.

Posted in 2010-2019, Film Review

Mission Impossible: Fallout (2018)

Image is property of Paramount, Bad Robot Productions and Skydance Media

Mission Impossible: Fallout – Film Review

Cast: Tom Cruise, Rebecca Ferguson, Simon Pegg, Alec Baldwin, Ving Rhames, Vanessa Kirby Michelle Monaghan, Henry Cavill, Sean Harris, Angela Bassett

Director: Christopher McQuarrie

Synopsis: When the IMF learns of an organisation in possession of some deadly nuclear weapons, they face a race against time in order to prevent global catastrophe…

Review: Though the word Impossible is in the title, the Mission Impossible franchise continues to prove that nothing is impossible when it comes to creating mind boggling stunts, and combining that with very well crafted and compelling stories. The remarkable stunts however are in no small part down to the incredible work of Tom Cruise who goes all out in terms of giving the audience the perfect, adrenaline fuelled thrill ride. And with each new entry into this franchise, it continues to offer that, and in jaw-dropping and spectacular fashion.

With this being the sixth entry into the franchise, this can be the point where things start to run out of steam, but this can definitely not be said for Mr Cruise who is showing no signs of slowing down even well into his fifties, and long may that continue. In the wake of the events of Rogue Nation, after a mission goes awry, a sinister group threatens to unleash global nuclear catastrophe. Consequently, the IMF once again finds itself in a desperate mission to save the world once more. However, it wouldn’t be a MI film if there weren’t some solid characters, a bunch of agendas flying around, people being double-crossed, and some people with some sinister motivations.

Bit high up here, isn’t it?

Cruise, as he has been across all 6 films, is once again terrific as Ethan Hunt, likewise for his IMF companions in Luther (Rhames) and the tech wizard Benji (Pegg). Though the absence of Jeremy Renner’s Brandt is never really explained. Also making her return is Ilsa (Ferguson), mysterious as ever, and out on her own mission that threatens to get in the way of Hunt’s. This in turn drags Sean Harris’s nefarious Solomon Lane back into the picture, which isn’t really good news for anyone. As for the newbies, Henry Cavill, and his well publicised moustache, certainly gives Hunt another headache that he could really do without. Fresh from her work on The Crown, Vanessa Kirby’s mysterious role was an interesting one, but sadly she is somewhat underused as is Angela Bassett as the new director of the CIA.

For each new entry into the franchise, a new director accepted the mission to helm the project. However, this time McQuarrie is once again writing and directing.  Given the slick style of action that he brought to the table, it is a welcome one to see him return. This film has almost every action set piece you can think of, and it’s just absolutely glorious to watch. There are some necessary breathers, which is helpful because by the time we reach the final action set piece, it really goes up a notch. The word tense REALLY just doesn’t do it justice, especially if you are afraid of heights. Sometimes you do wonder how on earth they accomplished what they did, this is action film-making at its absolute best.

The franchise has certainly seen absolutely batshit stunts like the thrilling Burj Khalifa scene in Ghost Protocol, but here Cruise might have just outdone himself with some of the stunts that are on show here, particularly in that enthralling final action scene. With each entry, this franchise just continues to just be a source of spectacular and electrifying entertainment, and arguably getting better with each instalment. The fallout of the film-making brilliance that you see on screen here means that should anyone choose to accept the mission to direct any future instalments, that itself is going to be its very own impossible mission. Good luck to whomever decides to take that challenge on.

A very well crafted and engaging story, fused with excellent action set pieces and some absolutely jaw-dropping stunts once more. Please fasten your seat-belts, you’re in for a pulsating ride. 

Posted in 2010-2019, Film Review

Incredibles 2 (2018)

Image is property of Disney and Pixar Animation Studios

Incredibles 2 – Film Review

Cast:  Craig T Nelson, Holly Hunter, Samuel L Jackson, Sarah Vowell, Huck Milner, Bob Odenkirk, Catherine Keener

Director: Brad Bird

Synopsis: With the world still distrustful of superheroes,  Elastigirl is recruited in a secret mission in order to win back the public’s trust, all the while Mr Incredible must manage their super-powered children.

Review: Cast your minds back to 2004, a time before superhero films were billion dollar cinematic universe juggernauts, cropping up here there and everywhere. like they do today. As such when the first Incredibles film debuted, it was released in a market nowhere near as competitive as it is today. Therefore how do you ensure that you stand out from the crowd?  For returning writer/director Brad Bird, the answer is, stick to your guns.

Given the amount of time that has passed between the two movies being released, that a similar amount of time would have passed in the lives of the Parrs, thus putting a new  on the tale of this family. However, this this film dives straight back in, picking up pretty much almost immediately where the last film left off, with the family facing off against the dastardly Underminer.

All the while despite their heroism, superheroes are still illegal putting them in a tricky predicament. This is until a chance to win back the faith of the public opens itself up to Elastigirl (Holly Hunter). All the while Mr Incredible (Craig T Nelson) must look after their 3 children, a task that is the trickiest of tests even for a superhero Dad. Teenage daughter temper tantrums, problems with homework, and a baby whose powers are frighteningly, but at the same time, hilariously unpredictable.

The real strength of this film lies in its action sequences, which are just as enthralling as those of its predecessor. What’s more, given that her role the first time around was not as front and centre as her husband. Seeing Elastigirl taking the lead role, is undeniably awesome to see. In the void that was left behind by Syndrome, the villain here is one who goes by the name of the Screenslaver, intensely critical of humanity’s incessant screen addiction. This is certainly an interesting plot thread but it is disappointingly not explored to the extent that you would have liked the film too, and given the sheer quality of a villain like Syndrome, the antagonist here is nowhere near as compelling as Syndrome was. Furthermore their motivations are a bit flimsy, and the direction they go in can be spotted from a mile off.

The film’s pacing is a little sluggish at times, but when the action is going down, it is extremely entertaining. Given Brad Bird made a Mission Impossible film, in between his Incredible endeavours, there is a strong MI vibe present here, and all the better for it. On top of that, with the central theme of the importance of the family definitely reinforced once again, it neatly ties itself in with the first film. There is no emotional gut punch that previous Pixar efforts such as Inside Out or Coco provided.

However, it more than makes up for that dearth of emotional drama. Given that the first film is regarded by many as being one of Pixar’s finest works, topping that was never going to be easy for Bird, but after such a long wait he delivers a sequel, that while is not as incredible as its predecessor, comes mighty damn close.

A long time in the making, but worth the wait to see this super family back in action, delivering superb action scenes and a great barrel of laughs along the way courtesy of baby Jack-Jack. Incredible by name, incredible by nature.

Posted in 2010-2019, Film Review

Sicario 2: Soldado (2018)

Image is property of Lionsgate

Sicario 2: Soldado – Film Review

Cast: Josh Brolin, Benicio Del Toro, Matthew Modine, Catherine Keener, Isabela Moner

Director:  Stefano Sollima

Synopsis: As the drug war at the US-Mexico border rages on, and with the cartels now transporting terrorists across the border, the US government recruits Matt Graver (Brolin) and Alejandro (del Toro) to fuel tensions between rival cartels…

Review:  Every once in a while, a film comes along that is so gritty and grounded in terms of its execution, that you could be forgiven for thinking that it was a real life drama that was unfolding in front of you. One such film that falls into this category is 2015’s Sicario. The scope of this film focused on the battle on the drug trafficking across the US-Mexico border, and the murky boots-on-the-ground mission that ensued. It was a simple story, but one that was told magnificently through superb cinematography and directing, and a compelling lead performance from Emily Blunt.

So for this next mission, unfortunately all of those three aforementioned components are gone. Blunt’s Kate Macer is out of the picture and out go Denis Villenueve and Roger Deakins as director and cinematographer, and in come Stefano Sollima and Dariusz Wolski respectively. Brolin and del Toro return as does Taylor Sheridan on screenplay duties. This particular story is one that feels very timely as the cartels are smuggling terrorists across the border and so in an attempt to retaliate, the US Government wants to put petrol on the fire and ignite a war amongst the cartels.

Taking the reins from Villeneuve is a big ask, but Sollima’s direction is assured and retains that gritiness and horrifying realism that the first film captured. In addition, with Brolin and del Toro, you know you’re going to get confident performances from these two. However, as good as these guys are, the absence of Blunt feels like a missed opportunity as no one really steps up to fill that important moral compass role that she represented, even in such a murky and dangerous world. Because these guys are not heroes, not in a million years.

And it’s good night for this person…

With the high of his directorial debut Wind River, Taylor Sheridan again pens the script. Though he has written four stellar screenplays, this is his first major misstep. Though this film is a lot more complex than the first film as it tries to weave several different strands together, but this results in a very messy and meandering story that just does not mesh those strands together well enough, and is really unfocused. What’s more the characters of Matt and Alejandro are barely developed from the first film, which is a real shame as for Alejandro especially, given the enthralling and deeply personal arc that his character went on in the first film. There is an attempt to expand on that arc, but it is minimal at best.

That is not to say, there are one or two moments in the film that really ground the film in reality, especially a scene near the beginning that bluntly remind the viewer that this is a dangerous conflict that we face in the world today. Hildur Guðnadóttir’s score is assured, but nowhere near on the level of the brilliant, incredibly tense score that Johann Johannsson (RIP) provided for the first film. There is an argument to be made that a sequel was certainly not needed for this film, and when you take away the elements that made that first film great, it should come as no surprise that you’re going to get a film that despite the best efforts of everyone involved, is really lacking the quality that made its predecessor such a riveting piece of cinema.

Retaining the dark and gritty nature of Sicario, Soldado tries to deliver a more complex story, but its messy screenplay severely lacks the spark and emotional punch that its predecessor delivered. 

Posted in 2010-2019, Film Review

Jurassic World: Fallen Kingdom (2018)

Image is property of Universal, Amblin Entertainment and Legendary Pictures

Jurassic World: Fallen Kingdom – Film Review

Cast: Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pineda, James Cromwell, Toby Jones, Ted Levine, Jeff Goldblum, B. D. Wong

Director: J.A. Bayona

Synopsis: Years after the destruction of the Jurassic World theme park, with the island’s volcano about to explode, a rescue operation is launched to save the island’s dinosaur population from almost certain extinction…

Review: There is a seemingly undying fascination that humanity as a species has with dinosaurs. With museums that boast fascinating old skeletons of these creatures to a series of films that began all the way back in 1993 with Steven Spielberg’s Jurassic Park, a film that changed the movie industry forever as for the first time on the big screen, dinosaurs came to life. Though the 1997 and 2001 sequels never quite lived up to the majesty of the original, the fascination never died. Indeed, when Jurassic World came along in 2015 to try and reintroduce the franchise to a new generation, the box office roared accordingly, to the tune of $1.6 billion, and so this franchise finds a way to keep on going.

With the Jurassic World theme park having met a predictable fate, following some disastrous dino-experimentation, the dinosaurs that are still on Isla Nublar are in immediate danger due to the island’s volcano which is threatening to erupt. So Claire (Howard) re-teams with Owen (Pratt) to mount a rescue operation to save the pre-historic beasts. However, there is the question of whether these creatures should be saved, or should nature just take its course? With Colin Trevorrow now solely on writing credits along with Derek Connolly, in comes The Impossible director J.A.Bayona who injects some of his disaster movie expertise into the film. In doing so, providing some especially haunting shots of the now desolate park and one scene in particular that is especially melancholic.

Hold on to your butts, and run for your life!

Bayona does his best to replicate the visual majesty of the original, and while topping that is an almost impossible task, he does bring some really stellar action scenes to the mix. Yet the script could easily have done with having some of the DNA of the first film injected into it, as there is a severe lack of development on many of the humans. Chris Pratt and Bryce Dallas Howard once again both give solid performances as our two main characters, but the development their characters is very limited. It is a similar story for those that are in the supporting roles, as they’re just not as memorable as say a John Hammond or Ian Malcolm. Speaking of, the Goldblum makes a welcome return, but his appearance is fleeting at best.

With Bayona bringing the visual splendour, Trevorrow and Connolly’s script doesn’t quite match up to that. The plot certainly goes in a very interesting direction, and it is very much a tale of two halves. One being the mission to the island, and the other being that mission’s aftermath. Plaudits must be given for them for trying something a bit different, but having said that, it is hard to ignore the similarities that this film has with its predecessors, and there are specific elements that you will look at think that you have seen this before, because we have.

What is cooked up by Bayona and Trevorrow delivers both what a sequel should do, but in other cases should not do. There is a much stronger attempt to bring a more coherent narrative to the story, which does bring more spectacle and emotion. What’s more, Bayona’s horror routes really shine through in a number of places. Yet the lack of development on many of the characters and the rehash of familiar plot elements is a massive frustration as we have seen franchises in the past take things in a brand new direction before. Blending classic Jurassic franchise tropes with some new elements, almost like trying to cook up the perfect dinosaur. The results are not catastrophic, but definitely nothing extraordinary.

The addition of Bayona as director provides some visual majesty that Spielberg would be proud of, but a tonally inconsistent script results in a dinosaur romp that will entertain, terrify and bemuse in equal measure.  

Posted in 2010-2019, Film Review

Solo: A Star Wars Story (2018)

Image is property of Disney and Lucasfilm

Solo: A Star Wars Story – Film Review

Cast: Alden Ehrenreich, Donald Glover, Woody Harrelson, Emilia Clarke, Thandie Newton, Paul Bettany, Joonas Suotamo

Director: Ron Howard

Synopsis: Charting the origins of a young Han Solo as he escapes a desolate planet and finds a calling as a pilot and a smuggler, which sends him on an adventure where he meets a few familiar faces…

Review: Whenever a discussion regarding the greatest characters to have graced the big screen get discussed, one name that is very likely to crop up is everyone’s favourite stuck-up, half-witted, scruffy-looking nerf herder, AKA Han Solo. Right from his very first appearance in the franchise, he just charmed his way into the affection of legions of fans across the galaxy.  So in the wake of the extremely successful Rogue One, comes the latest chapter in the Anthology franchise, taking a look at a much younger Han, and how he came to be the cocky smuggler we know and love

It is no secret that the production of this film ran into a few problems somewhat when original directors Phil Lord and Chris Miller were given their marching orders, perhaps they made the mistake in shooting first? With the duo ejected off the project, Ron Howard was handed the keys to the ship. It is not known how much Lord and Miller had filmed before their exit, nor to what extent their efforts are what we see in the finished product. Given those well documented production problems, there were some concerns about how the film would turn out. Though Rogue One also had some well document production problems of its own, the finished product stayed on target to deliver the goods. Unfortunately the same can’t be said for Solo.

The start of a beautiful furry friendship…

The adventure that Star Wars veteran writer Lawrence Kasdan and his son Jonathan take us on explores the early stages of Han’s life, how he forged a friendship with a certain Wookie and the beginnings of his life as a smuggler as he gets dragged into a mission alongside said Wookie, and a group of fellow smugglers. However the film severely suffers with its pacing as the initial stages really drag. Furthermore, once the plot finally goes into lightspeed, it is just extremely bland and not memorable in the slightest.

Though it might take some time to adjust to him, Alden Ehrenreich does a solid job as the young Han. Though it has to be said, there are plenty of actors who could have assumed that role and done an equally splendid job. In spite of that, and the enormous shoes that he had to fill, he does do his best to capture that roguish streak that made him such a memorable presence in the original trilogy. There is certainly enjoyment to be had in looking at how this unlikely pair became the duo we know they come to be, as is exploring the early relationship between Han and Lando, who is perfectly portrayed by Donald Glover. Certain characters get introduced and the audience is barely given a chance to get to know them before the plot moves forward.

Apart from Han and Lando, there is severe lack of development on many of these characters. And for the ones that do get some development, like Emilia Clarke’s Qi’ra, it is flimsy at best. One thing that has so often been a staple of Star Wars films of the past was the presence of a strong compelling villain. There is a villain here, but due to a severe lack of development, he does not get the chance to leave a solid impression. Ultimately, this is also applicable for much of the rest of the cast, which is a shame when you consider the real talent of the actors involved. On that note, some of the cinematography on show here is really murky and just looks awful, which is baffling when you realise that the DP is Bradford Young, the man who was behind the lenses to the superb Arrival. And while everything is competently made, the direction from Howard is solid if unspectacular.

Usually with every SW film, there is at least one shot or scene that sticks in the mind, but with Solo these are few and far between. Furthermore, the the generic nature of the plot and its by-the-numbers execution leaves a lot to be desired, particularly when it is compared to the recent Star Wars films, both of the main new trilogy and the first Anthology film. With Han Solo, a character who never likes to be told the odds, the odds were stacked against this film, and sadly despite a super talented cast and production crew, it fell short of those lofty expectations that many perhaps expect from a Star Wars adventure. Don’t punch it Chewie, where’s that escape pod?

There is fun to be had, but the presence of the Star Wars name cannot disguise the very bland and forgettable nature of the story, even with a super talented cast and director.

Posted in 2010-2019, Film Review

Deadpool 2 (2018)

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Deadpool 2 – Film Review

Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Zazie Beetz, Brianna Hildebrand, Julian Dennison, TJ Miller

Director: David Leitch

Synopsis: When the menacing mutant Cable travels back in time and threatens the life of a troubled young mutant, Deadpool must bring together a team of heroes and to stop him.

Review: The journey for Wade Wilson AKA Deadpool to get to the big screen for his first outing a couple of years ago was a troubled one. Yet when he finally arrived in all of his red spandex glory, it smashed all sorts of records and changed the game as far as comic book and superhero films go. Though in Deadpool’s case, the hero “tag” is perhaps not one he is best suited to. Nevertheless, the fans responded and, with his katana in hand, the Merc with a mouth cut box office records cut in half, and it was inevitable that a sequel would be given the thumbs up.

While the first film was your classic origins story about how the man became the Merc. This time around, we meet Wade trying to balance his Deadpool duties with his personal life with Vanessa. This is until his path crosses with Russell, a mutant with some fire abilities, and the villainous Cable, who travels back from the future with the sole goal to kill this boy. Part of what made the first film the juggernaut of the success it was its routine fourth wall breaking, pop culture references, quite excessive uses of profanity and upping the violence factor considerably. If the first film was not your thing, chances are this film will not bring you over. The story does go in interesting and ballsy directions that keeps things moving swiftly along in a gleefully bloody direction.

Just casually jumping out of a plane, as you do…

Every once in a while, when an actor takes on a superhero role, they are just such a perfect fit that you just cannot see anyone else stepping into their shoes, and Reynolds fits into this description with his performances, gone be the memories of the first time he stepped into the role of this character. Likewise to that other time he took on the mantle of a different hero. Aside from the returning Colossus and Negasonic Teenage Warhead, there are a plethora of new characters this time around. Though many are just filler, the main ones to focus on are the lucky superhero Domino (Beetz) and Josh Brolin’s Cable, clearly having not filled his villainous boots after going after those Infinity Stones as Thanos.

The film boasts considerably more action than its predecessor, and having suited up John Wick for the first time (in addition to having killed his dog), former stuntman David Leitch takes over from Tim Miller as director. Like he demonstrated with John Wick, the action scenes are slickly produced and just extremely entertaining to watch. Though the film is for the most part extremely entertaining with some excellent gags to some classic Hollywood cinema (one will stick out in your mind in particular) the plot while undoubtedly entertaining, does run out of steam in a few places, and is a little bit thin on the ground.  Furthermore, you will find it difficult to look at certain plot points and think back to certain films of the past.

In any case, with the memories of the ill-fated first time he stepped into the role, it is great to see Reynolds seemingly have such an absolute blast with the role that he has completely made his own. In this era of superhero and comic book genre dominance, it is refreshing to see this type of superhero film that just honestly doesn’t give a shit and just wants to serve the audience up with a quality sized slice of hilarious, fourth-wall breaking and crude entertainment. If that is what you’re after, then Mr Deadpool is the man to provide that, in hilarious and extremely bloody fashion too.

As crude as its predecessor, all while delivering much bigger action set pieces and some very amusing gags, all while building depth to the Merc with a Mouth’s character. Maximum effort, maximum enjoyment.