Knives Out – Film Review

Cast: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer

Director: Rian Johnson

Synopsis: After a family patriarch dies in mysterious circumstances, a highly renowned private investigator is hired to lead the police inquiry…

Review: After making one of the most polarising blockbusters of all time in The Last Jedi, Rian Johnson would have been forgiven for taking a break from film-making, given the fierce, at times toxic, reaction that his Star Wars film generated. Yet, Johnson was having none of that and has wasted no time getting back into the game. After conceiving the idea of a murder mystery following the release of Looper, he takes obvious inspiration from the likes of Agatha Christie to give his own unique take on the “Whodunnit” genre, with extremely enthralling results.

As with all entertainment that centres on a murder mystery, it pays to know as little as possible about any plot details before diving head first into the madness. Therefore, vagueness is the name of the game from this point onwards. As he celebrates his 85th birthday party with his family, a family patriarch dies. Sensing something suspicious about the circumstances of the death, an official investigation is opened. As the tagline reads: “Hell, any of them could have done it.” As such, with everyone who attended the party a suspect, the detectives must interview the family members, and use those “little grey cells” in a bid to piece together the clues and to try and crack the case.

With such a stacked, A-list, ensemble cast, to give everyone their moment to shine would be extremely difficult. However, with a sharp and brilliantly witty script, Johnson does exactly that, and it enables him to get excellent performances out of everyone. Every member of this family is given fascinating, fleshed out back stories, which enables the audience to try and establish their potential motivations. Though, like all great murder mysteries, the audience is kept on their toes. Though, to go into too much detail about who gives the best performances is running the risk of getting into spoiler territory. With that in mind, let’s just say that, apart from Daniel Craig’s brilliant turn as the lead detective channelling his inner Poirot (if Poirot ever became a gruff Southern sleuth), the characters who wind up being at the centre of this investigation, are the best of a truly outstanding bunch.

There’s some ingenious subtext to the story that could have been a massive turn-off. However, it’s written so cleverly into the plot that makes it relevant and extremely entertaining. With every line of dialogue, Johnson’s passion for the genre comes across effortlessly, and he proves that he is a master of his craft. There’s also the distinct possibility that with some of the lines that these characters spit venomously at each other, that it’s Johnson’s subtle way of firing back, following the vitriol that was aimed in his direction following his Star Wars venture. For a film that centres on a murder investigation, it seems absurd that there’d be so many hilarious moments throughout. They are plentiful and they never feel out of place as the jokes keep the plot moving along at such a thrilling, kinetic pace. It ensures that not a single moment of the film’s run-time is wasted.

Bolstered by some immaculate, very colourful production design, this was the perfect film for Johnson to “bounce back” from the endless mire of the The Last Jedi backlash. It proves, if it were somehow ever in doubt that, Johnson’s mastery of the craft remains intact, and that he’s at the very top of his game as a writer and a director. Furthermore, it’s evident from every frame, that the cast are having a blast with this script, and there’s a good chance that this feeling will be reciprocal for the audience. It will make them want to grab their deerstalker hat and magnifying glass, and strive to  solve the riddle at the centre of this enthralling mystery.

A razor sharp, ingenious screenplay, backed by an impeccable ensemble cast ensures that Johnson’s modern update on the Whodunnit genre is an audacious, riveting spectacle.