Posted in 2020-2029, Film Review

The Suicide Squad (2021)

© Warner Bros and DC Films

The Suicide Squad  – Film Review

Cast: Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, Sylvester Stallone, Viola Davis, Jai Courtney, Peter Capaldi, David Dastmalchian, Daniela Melchior

Director: James Gunn

Synopsis: A team of high-powered supervillains are recruited into Task Force X, for a mission that takes them to a South American island to learn more details about a top secret scientific programme…

Review: It would be fair to say that the excitement for 2016’s Suicide Squad was palpable. An assortment of bad guys on a bonkers mission, from a director with proven experience under his belt, several excellent casting choices and some excellently cut trailers. It all looked so promising, and well, to say that the film didn’t work out as planned would be a massive understatement. Hence, anyone could have been forgiven for keeping their excitement in check when it was revealed that DC’s collection of B list supervillains/douchebags were getting a new big screen adaptation, courtesy of James Gunn. Would the man who successfully brought Marvel’s ragtag collection of loveable arseholes to life, be able to do justice to the DC equivalent on the big screen? Thankfully this time around, the answer is an emphatic YES.

Task Force X, led by the absolutely ruthless Amanda Waller (Davis), is once again recruiting high powered supervillains to to complete seemingly impossible missions, in order to get time off their prison sentences. Missions that will almost certainly lead to their deaths. This time around, the Task Force are sent to the South American island of Corto Maltese, where it’s believed that the Government is developing some kind of weapon that is known only as “Project Starfish.” Familiar faces Harley Quinn, Colonel Rick Flagg and Captain Boomerang are joined by an extremely eclectic range of bad guys on this dangerous mission. A mission where bloody and absolutely glorious mayhem ensues.

While this new version barely references the 2016 version, returning faces Margot Robbie and Viola Davis once again excel as Harley Quinn and Amanda Waller respectively. Robbie especially has arguably never been better in the role than she is here, and in both cases, it’s difficult to imagine anyone else portraying those characters. Of all the new recruits, and there are a fair few of them, in Will Smith’s place as the team’s commander/sharpshooter, comes Idris Elba’s Bloodsport. His deadliness with firearms puts him at odds with John Cena’s Peacemaker, think Captain America but with an enormous ego and absolutely no morals whatsoever. As Peacemaker is also quite handy when it comes to guns, the testosterone-fuelled banter that constantly zips back and forth between these two is the source for much of the film’s uproarious comedy. Once you see David Dastmalchian’s Polka Dot Man, you won’t have to connect too many dots to figure out what his powers are. Meanwhile fan favourite King Shark, thanks to the voicework of Sylvester Stallone, is so wonderfully brought to life. However, the heart of the film very much lies in Daniela Melchior’s Ratcatcher 2, who has the ability to control rats.

As one might suspect from the film’s title, it’s safe to assume that there are going to be casualties, and they would be wise to have that assumption. Gunn really makes it feel like no one is safe, and that anyone could very easily meet their demise at any moment. As his early films as a director were very much rooted in the horror genre, he is clearly having lots of fun with the manner in choosing how to pick off certain characters. Though as he probably was restrained from turning up the dial on the violence factor for the Guardians films, he completely turbocharges the violence, with blood and guts galore. This is probably just as well given that there’s a humanoid shark present who has a craving for human flesh and has no qualms about tearing people apart limb from limb.

It is not news that audiences have in recent years become inundated with the plethora of superhero films. While so many have been undeniably extremely entertaining, there are plenty that have, in some cases through no fault of their own, failed to make themselves stand out from the crowd. This is something that this version of DC’s collection of supervillains avoids, in no small part, thanks to the R rating, the action sequences and the performances of all the cast. The absurdity of the mission, along with the humour and bickering that ensues between the characters, and the gravity of the situation is a tough balancing act for Gunn, but it’s one that they get (apart from one or two minor pacing issues) damn near perfectly right. What you’re left with after all that is, to put it simply: best DC Extended Universe film so far.

A riotous blast of fun from start to finish filled to the brim with well-rounded characters, a hilarious team dynamic and glorious action. James Gunn, it is good to have you back!

Posted in 2020-2029, Film Review

Luca (2021)

© Disney and Pixar Animation Studios

Luca  – Film Review

Cast: Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Saverio Raimondo, Maya Rudolph, Marco Barricelli, Jim Gaffigan, Sacha Baron Cohen

Directors: Enrico Casarosa

Synopsis:  In a picturesque town on the Italian Riviera, two young sea monsters go on a sun filled summer adventure above the waves…

Review: The summer, the time of year that promises super long days (depending on where you live), gloriously warm weather, and the prospect of making new friends and having an experience that you will never forget. However, what if say you’re a creature who lives beneath the waves, who desires to break free from his overly protective parents, and who yearns to experience live on the land that we humans dwell on? The answer lies in the form of the 24th feature film from Pixar Animation Studios.

Set in the picturesque town of Portorosso on the Italian Riviera, there are stories of terrifying sea monsters that lurk beneath the waves that have the residents of this town spooked. One such sea monster is Luca (Tremblay), who is categorically forbidden by his parents from ever venturing to the surface. His parents do not trusts those creatures that dwell on the land, and as it turns out, the feeling is mutual as the humans have a distrust for sea creatures. However, when Luca meets another young adventurous sea monster named Alberto (Grazer), the two of them form a friendship and head for the town for an adventure unlike anything that they have ever experienced before.

In any adventure/coming-of-age type story that features two characters going on a life-changing journey, the dynamic the two lead characters is fundamental as to whether this adventure sinks or swims. Fortunately, it’s the former as the voice performances of Jacob Tremblay and Jack Dylan Grazer are perfect, as they help to establish the friendship that quickly forms between these two young friends. These two are merely out to have the best time of their lives whilst they are living with the humans, and away from all they have ever known in their lives beneath the big ocean blue. Through all of this adventure, Luca and Alberto have their eyes on one prize, to own a Vespa, and this dream leads to Giulia (Berman), one of Portorosso’s residents who befriends Luca and Alberto. Instantaneously, there’s a connection between the three of them, as she is someone who is looked down by certain sections of the town.

Throughout all of their films, Pixar’s animation style has always been tremendous, and that streak continues with Luca. As Pixar has taken audiences on a couple of trips beneath the waves before, one could almost expect a similar style of animation when compared to those two films. Yet, the animation style feels much more different than not just the two Finding films, but rather any previous Pixar film in general. In many respects, what director Enrico Casarosa has crafted feels more reminiscent of Studio Ghibli than it does Pixar. The ensuing adventure that takes place between Luca, Alberto and Giulia is one that audiences will enjoy. The film is awash with plenty of laughter, emotion and familiar beats of not being afraid to be who you are. However, given that this studio has become known for those moments that pack the strongest of emotional punches to leave the audience’s emotions in pieces, there’s nothing of that nature to be found in this Italian Riviera themed adventure.

There is perhaps an assumption that any film that carries the Pixar name will have deeply philosophical themes throughout. Furthermore, given many of their prior films have for instance, touched on deep questions about life and the passions we have, our deep connection with life and music, or the emotions that guide us through life. Indeed, when their films attempt to answer these philosophical questions, is arguably where Pixar have excelled the most, whilst reducing audiences to emotional wrecks. On the one hand, it is the case that due to this lack of emotional depth, Luca is unable to surpass those films that have come before it. Yet on the other hand, it is perhaps a bit unfair to expect every Pixar film to tackle these existential themes every time is perhaps a bit unfair. Luca promises a sun soaked adventure filled with laughs, friendship and, yes, dreams about one day owning a Vespa, and that’s what it delivers. Magnifico!

It may be more simplistic and formulaic than many of previous Pixar films, yet thanks to the performances of its three leads, and a vibrant style of animation, this sun-soaked adventure will warm your heart.

Posted in 2020-2029, Film Review

Black Widow (2021)

© Marvel Studios

Black Widow  – Film Review

Cast: Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenle, William Hurt, Ray Winstone, Rachel Weisz

Directors: Cate Shortland

Synopsis: Set between the events of Captain America: Civil War and Avengers: Infinity War, something from Natasha Romanoff’s past draws her back to her early days as a KGB assassin and her training in the ominous Red Room…

Review: Since making her MCU debut back in 2010, it didn’t take long for Natasha Romanoff to establish herself as an integral part of the MCU and its core group of badass superheroes who will stop at nothing to save the world. Even if it comes at great personal cost for the hero, as Natasha’s MCU journey brought was brought to a devastating conclusion where in 2019’s Avengers: Endgame, she heroically sacrificed herself to ensure that all those who were snapped away, were eventually able to come back. Given that tragic fate in Endgame, it does seem a bit odd to have a Black Widow solo film be released now. However, even though it has definitely come a few years too late, it is joyous to see this beloved character finally get her own moment in the spotlight.

Picking up just after the events of Captain America: Civil War, Natasha is on the run from the authorities having violated the Sokovia Accords. She is laying low in some picturesque terrain, in the middle of nowhere, planning her next move. When she receives a package from someone in her past that connects to her training in the mysterious Red Room and the Black Widow programme, she heads to Budapest. Whilst there, she reunites with her “sister”, and fellow Black Widow recruit, Yelena Belova (Pugh). When deadly forces come after them, they resolve to find the Red Room, and bring down the man behind it, the villainous Dreykov (Winstone).

Given that she has played this role for over a decade, Scarlett Johansson once again shines as Natasha/Black Widow, in what is in all likelihood, her last ever appearance in this role. Though given we know what ultimately happens to her character, the journey that screenwriter Eric Pearson takes her on for this film gives the audience an understanding of certain events in Natasha’s past that previous MCU films had only given the most brief of references to. While Johansson has plenty of moments to shine, Florence Pugh as Yelena is the one who ends up stealing the show. Given the MCU’s use of humour, a lot of these moments come about in interactions between Yelena and Natasha, as well as their adoptive parents Alexei (Harbour) and Melina (Weisz), the former of whom is clearly having a lot of fun in this role as Red Guardian, the Russian equivalent to Captain America.

With so many MCU films having come before it, it’s almost an expectation at this point that the film will be accompanied by exhilarating action scenes, which this film has. While they are unquestionably exciting to watch and competently directed, action scenes like this have become so commonplace that you have to make something special to stand out, and unfortunately, the action scenes here are very much run-of-the-mill for the MCU. While the performances of all the main cast shine, what is often a big problem for MCU films is their villains are disappointing, and sadly the film’s antagonists very much fall into that bracket. While Winstone is menacing as Dreykov, his iffy Russian accent leaves a lot to be desired. Likewise, for the film’s secondary villain Taskmaster. Those who have played the PS4 Spider-Man game will know what this character can be like, and unfortunately, this on screen iteration of Taskmaster feels but a poor imitation of what had the potential to be a very intriguing antagonist.

While the second and third acts are thrilling to watch due to its strong themes of female empowerment, and the Captain America: Winter Soldier-esque espionage thriller elements that are at play, there’s unfortunately one inescapable fact that this film cannot shake off. Namely that, as this new phase of Marvel kicks off, the films and TV shows becoming inter-twined, the potential impact that a Black Widow solo film could have had on this franchise has been lost due to the time in which it has taken for it to come to fruition.  Due to the knowledge that we have as to where this character’s arc ultimately concludes, releasing it as the first film to launch Phase 4 means that the lack of stakes present here really hamper the potential that it had to become a top-tier, game-changing MCU film. What might have been had the film been released during Phase 3 instead?

The wait for a solo Black Widow film limits its overall impact on the MCU in general. However, thanks to its strong story and the introduction of some exciting new characters, Johansson’s swansong in this role does justice to this beloved character that played such an integral role in the MCU over many years.

Posted in 1990-1999, 2000-2009, 2010-2019, Ranking

Pixar Films: Ranked

When you think of animation studios that combines superb animation and compelling well-rounded characters who come in all sorts of lifeforms, there aren’t many studios out there who do it better than Pixar Animation Studios. Ever since they released their first film to the world in 1995, they have consistently crafted breath-taking and emotional stories that almost never fail to tug on the heartstrings of audience members everywhere. Furthermore, it would be fair to say that Pixar revolutionised the animation industry, as their debut feature film was the first entirely computer animated featured film. In the years since, the studio has only gone from strength to strength, crafting some of the finest animated films to have graced the big screen over the last three decades.

Earlier this year, the studio celebrated its 35th birthday this year. And in honour of that occasion, and with their new film Luca now out on Disney+, I’m going to take a look at all of their feature films that they have released thus far, and rank them all from worst to best. To Infinity and Beyond!

23. Cars 2

The only film on this list that is truly terrible. Was anyone really asking for a sequel to a film that, even at the time, was one of the studio’s lesser efforts? To give the film the tiniest minuscule of credit, it did try to do something different with an international espionage side plot, that felt like something out of James Bond or Mission Impossible. However, this is decidedly ruined by numerous jokes that seemed to be primarily aimed at younger audiences. But, by far and away, the biggest misstep is the filmmakers’ baffling decision to make Tow Mater a central part of this premise. As a supporting character, he was just about bearable, but as the main character, the hazard lights should have been blinking from the word go. Even with Sir Michael Caine lending his voice to a British secret agent, that is not nearly enough to save this severely lacklustre sequel from its place on the scrapheap.

22. Cars

Speaking of the studio’s lesser efforts, comes the first film in a franchise that somehow spawned two sequels. Sentient cars seems an extremely bizarre concept on paper, but in the hands of Pixar, it just about worked. By this point, the studio hadn’t really put a foot wrong, but it had to come to a point when one film that didn’t quite hit those lofty standards, and Cars is very much that film. It is your average run-of-the-mill story about an egotistical character, in this case, Lightning McQueen, who is brought back into the slow lane when he comes across a down-on-its-luck town. The film is not nearly as memorable as those that came before it, yet, it does the of keeping you entertained. Though this is one of those films that, like this film’s sequel definitely felt as though it was geared more towards the younger generation.

21. Monsters University

Before they became best friends and co-workers at Monsters Inc, there was a time before Mike Wazowski and James P. Sullivan were rivals, as they learnt the ropes of how to become a top scarer at Monsters University. This uni’s modus operandi is to teach budding young monsters how to become a good scarer, so that they’re ready for life at Monsters Inc. The only prequel that the studio has thus far created, it is fun and enjoyable enough, with some good ideas in concept. Unfortunately, while seeing Billy Crystal and John Goodman return to their iconic roles is a joy, the plot, and the majority of the supporting characters, are pretty forgettable.

20. Cars 3

After the horror story that was this film’s predecessor, the bar was set very low for the third adventure featuring Lightning McQueen. Thankfully, this was a step up from Cars 2, but then again, that wasn’t too hard. The film takes the decision to stick more closely to the first entry into the franchise, where instead of looking at McQueen’s early journey into the world of racing, it goes the opposite direction. When a younger and newer race car starts to compete and become a serious threat to McQueen’s chances of success, McQueen has to reinvent himself to stay relevant. There’s plenty of familiar tropes found in lots of sports movies here, but it’s decent enough entertainment, and easily the best film in the franchise.

19. The Good Dinosaur

It’s common knowledge that several million years ago, an asteroid caused the extinction of the dinosaurs. But what might have happened had that asteroid instead missed the planet and dinosaurs continued to roam the Earth? When he gets separated from his family, young dinosaur Arlo must find his way home, and finds himself accompanied by a Neanderthal human child whom Arlo must try to reunite with his family. The Good Dinosaur boasts some spectacular animation, but given that just about every other film on this list also boasts stellar animation, that isn’t nearly enough. The film has a sweet sentiment about the importance of one’s family, but when you look at the film, and certain events that take place, it’s hard to not see the very obvious similarities between this and a certain Disney film involving lions.

18. Brave

After seeing Disney Animation Studios’ great success with the Princess genre over the years, Pixar clearly fancied taking a leaf out of their sister studio’s book, with their own version of a Princess tale. The results were decidedly a mixed bag. What Brave has going in its favour is the feisty, flaming haired protagonist Merida, a Princess who is a dab hand with a bow and arrow and definitely does not conform to what society expects from her, which puts her on a collision course with her mother. The big creative direction that the film chooses to go in, is an odd choice, and while it does provide for some laughs, and a touching look at the relationship between mother and daughter, it sadly feels like too much of a creative misstep.

17. A Bug’s Life

If you’re a studio that absolutely revolutionises the animation industry with your very first film, whatever your next film happens to be instantly has an uphill task to match those lofty heights. Following in the wake Toy Story was always going to be a tough act for any film to follow, but A Bug’s Life has plenty of things going for it that make it a strong film in its own right. The story about about an underdog (or should that be under-ant?) who has to prove his worth to his people has admittedly been done numerous times. However, there’s lots to like about lead protagonist Flik, as well as the leader of the colony Princess Atta. Additionally, there’s plenty of humour to be found with the colourful troupe of Circus bugs that enter on the scene to defeat those dastardly grasshoppers.

16. Finding Dory

After playing her part to reunite Marlin with Nemo in Finding Nemo, for the sequel to Pixar’s adventure through the big ocean blue, the loveable Blue Tang Dory became the centrepiece of the sequel. Which, thankfully, was not just a cynical cash grab. When Dory remembers something of her past that could lead her to her long lost parents, she sets off on another adventure in a bid to reunite with them. There aren’t any appearances from Bruce and co, and those pesky (yet hilarious) seagulls are only given the most fleeting appearances. Though in their place, are an equally amusing collection of characters, including a hilarious pair of sea lions and a grumpy but loveable octopus. Note to Cars 2, this is how you take a supporting character from one film, and successfully utilise them as a main character in a sequel film that is not extremely annoying.

15. Soul

After going deep into the emotions of the emotions that define who we are as people for his last film, Pete Docter went one step further with his next film. Taking a deep psychological look at humanity, the essence of what makes us who we are and our existence as human beings, and asking what is it we were put on this Earth to do? Focusing on Joe Gardner, the very first Pixar film to feature a Black lead character, who is deeply passionate about jazz music. After suffering a fatal accident right after landing his dream gig, Joe ends up at the Great Beyond, where souls who have lived their lives ascend.

Convinced though he has more to give, he ends up at The Great Before, where fledgling souls get their personalities before heading to Earth. The film is bold in its attempts to tell a very existential story, that will surely speak to anyone who has a passion for something, and for that it is to be commended. However, the film lacks that emotional punch that so many films before it have. Furthermore, what positive steps forward it makes for representation is hindered somewhat by a problematic creative decision that could have very easily been avoided.

14. Incredibles 2

Another sequel a long time in the making. The Incredibles was a game changer for the superhero genre, as it came out at a time when superheroes and superhero films were not quite the dominating force that they have since become. Hence, the sequel to Pixar’s answer to Marvel’s first family wasn’t quite as revolutionary. Nevertheless, it proved to be a worthy successor to the ingenuity of the first film. It took a risk by picking up straight after the events of the first film, but it was a risk that paid off. With superheroes still unable to come out of hiding, a corporation offers superheroes the chance to regain the public’s trust, which has Elastigirl front and centre, leaving Mr Incredible on parenting duties. And little baby Jack Jack almost steals the entire show.

13. Toy Story 4

After the third instalment of Pixar’s most lucrative franchise wrapped everything up in a beautiful and emotional manner, questions would have undoubtedly been to whether there was really any need for a fourth entry into this franchise. Would this be a worthwhile sequel that earnt its place, or a cynical cash grab of the nostalgia of fans who grew up with these characters? Thankfully, it was definitely the former as it earnt its place as a worthy continuation of this beloved franchise. While the majority of the old gang were side-lined, the film tells a story worth telling, most notably for Woody as he has an important decision to make, after having been reunited with Bo Peep. While it was a shame to see the rest of the old gang side-lined, the film introduces a bright and memorable collection of new characters including the voice talents of Keanu Reeves, Keegan Michael-Key and Jordan Peele, and yes, even a loveable plastic fork named Forky.

12. Monsters, Inc.

Every night before bed as children, we may have been told of a story by our parents about the supposed monster that was hiding under our beds. Well what if there was, and these monsters were just looking to utilise the screams of terrified children as a means to power the city that the monsters live in? On that description, that does sound completely terrifying, but leave it to Pixar to take that premise and turn it into a winning formula. Focusing on the small and not very intimidating Mike Wazowski and his best friend, the much more intimidating James P. Sullivan. These two are together are the top scarers at Monsters Inc. Everything is going well for them, this is until an adorable little child named Boo comes along to challenge the perception that these monsters have about human children. Much like Woody and Buzz, what makes Monsters, Inc. roar is the winning dynamic between Mike and Sully, which is no small part due to the excellent voice work of Billy Crystal and John Goodman.

11. Onward

Imagine a world where the wonder of wizardry and magic, co-exist with the modern technology that we have in the world today. When two brothers receive a gift from their late father that they barely got to know before he passed away, they set off on a magical quest to bring him back to life for a day via some magical wizardry. The ensuing adventure is extremely funny and exciting, but the heart of the film lies in the relationship dynamic between the brothers (wonderfully voiced by Tom Holland and Chris Pratt) that really pulls on the heartstrings. Even in the face of such devastating personal tragedy, such as the loss of a parent at a young age, the love and support that one can find from a brother can be an emotional and unbreakable bond, especially for an older sibling that they looked up to and relied on to get them through those difficult years. This film wonderfully celebrates that.

And so we come to the top 10, and believe me when I say that ranking these movies was extremely hard. As in all honestly, all these films are as close to perfect as a film can get, but as this is a ranking list, they must be ranked, and so on we go with….

10. Ratatouille

There’s some extremely satisfying about tucking into a delicious meal that was lovingly prepared by someone. Yet it takes a certain kind of skill to take ingredients of a dish and turn it into a culinary masterpiece. We may go to fancy restaurants to have the pleasure of the finest chefs in the world serve up a delicious meal. So the idea of one of those chefs being a rat that has a real culinary talent, sounds like a repulsive idea in real life. Yet, under the vision of Brad Bird, it works an absolute treat.

Inspired by his hero Gusteau, Remy dreams of becoming a world renowned chef. The problem is that given who he is, it seems an impossible goal. This is until he meets Linguini, a bumbling garbage boy at a nearby restaurant who works with Remy to help them both achieve their goals.  It may be a familiar story of not being afraid to be who you are, but with under Bird’s direction, and a wonderful Michael Giacchino score, the end result is Chef’s kiss, a five star delight. Bonus points for the extremely clever pun in its title.

9. Toy Story 2

Given the phenomenal success that Toy Story enjoyed, a sequel was bound to happen at some point, and it really set the benchmark for the studio on how to craft a sequel that goes very very close to matching its predecessor. When Woody is toy-napped by a collector, he finds out he was once the star of a much beloved children’s TV show, along with a handful of new toys, namely Jessie the Cowgirl, Stinky Pete the Prospector, and Bullseye the Horse. With plans for Woody and his new friends to be sold to a museum in Japan, Woody’s loyalty is torn in two directions, between his new gang, or being loyal to his beloved owner Andy.

Picking up on the first film’s themes of what is the true purpose of a toy, whilst continuing to explore Woody’s relationships with his friends, both old and new. The film is once again filled with plenty of heart, emotion (see Jessie’s When She Loved Me moment) and brilliantly humorous moments, such as the traffic cone sequence, and of course the wonderful references to The Empire Strikes Back. And to think, originally, the film was planned to be a straight to home video release!

8. Up

There’s no way anyone can talk about this film without talking about the opening 10 minutes. Without a single word of dialogue, and just that beautiful score from Michael Giacchino, the heart-breaking montage captures blissful young love and marriage, before transitioning into the devastation of miscarriage, and the sobering fact of mortality. And that’s just the first ten minutes!

The opening montage is undoubtedly the film’s strongest asset, and if someone makes it through that montage without sobbing their eyes out, I would genuinely worry that their soul is missing. The ensuing adventure that follows after the montage is also extremely entertaining. Focusing on an elderly Carl who’s determined to fulfil his last wish to his beloved Ellie by fulfilling their dream to relocate to the picturesque Paradise Falls in South America. Throw in an eccentric collection of creatures, the plucky young Wilderness Explorer Russell, and the late Christopher Plummer in the role of the villain, and you have the only film on this list that secured a Best Picture nomination!

7. Finding Nemo

The ocean, a vast, deep, dark, terrifying, and seemingly never-ending place. It’s not the sort of place that you would want to have to venture across to try and find your son. However, that’s exactly the task that clownfish Marlin faces. As a single father due to a traumatic incident in his past, he’s overly-protective of his son Nemo. However, after he’s fish-napped by scuba divers he must venture across the ocean to reunite with him. Thankfully, for him he’s not alone in this task as he’s accompanied by Dory, the forgetful Blue Tang fish.

Pixar’s animation is almost always on point, but the work that is accomplished to capture the depth and vastness of the ocean is an extraordinary accomplishment. As well as Marlin and Dory, the film is filled with an eclectic bunch of characters, from friendly(ish) sharks, to super laid-back sea turtles, to those ominous seagulls (mine!). The film demonstrates the unshakable love that a parent has for their child, and one who will stop at nothing to be reunited with them, the love of a parent who will stop at nothing to be reunited with their child. But most of all, you must remember: “Fish are friends, not food!”

6. WALL-E

It says a lot about any film that if it can absorb its audience into the world its created, all without any character uttering a single word of dialogue, at least for the first 30 minutes or so, that is an extremely impressive achievement. In the far future, Planet Earth has been long abandoned by humanity due to excessive consumerism and climate change. One of the last beings left to clean what has been left behind is a Waste Allocation Load-Lifter: Earth-class robot (or WALL-E).

This bot’s existence is a very lonely one, until a very sleek futuristic looking robot named EVE shows up, looking for signs of life on the surface of the planet. As the two central characters, WALL-E and EVE sharing such heart-warming chemistry, the film is proof that any love story, even if it is one about two robots, can melt your heart if done well. Despite being released in 2008, the film has only become more relevant in recent years with the acceleration of climate change that represents an existential threat to our planet, and our very way of life.

5. The Incredibles

Cast your minds back to 2004, a time before the landscape of superheroes and Hollywood was forever changed by the Marvel Cinematic Universe and the gigantic money making behemoth that it is today. Superhero films were being made, but they didn’t quite enjoy the popularity they do now. So in many ways writer/director Brad Bird was ahead of the curve, with this thrilling superhero flick, that one could argue is the best un-official Fantastic Four film that has been made to date.

When superheroes are declared illegal and must adopt regular lives, the lives of the Parr family are forever changed. This is until Bob (AKA Mr Incredible) gets a chance to don his superhero outfit for a secret mission, in the hopes that it will enable supers, like his family to come out of retirement. Though behind the scenes, the dastardly plans of arguably Pixar’s best villain Syndrome, force this super-family to suit up to save the world. Thanks to its exhilarating action scenes, an entertaining dynamic between the titular family and a fantastic array of supporting characters, this is one of the best superhero films ever made. Incredible by name, incredible by nature.

3= Toy Story 3

It is a rare feat for a third film in a franchise that can lay a legitimate claim to be the best film in the franchise, but it’s a testament to the magic that director Lee Unkrich brought to the table for this entry into the studios’ most successful franchise, that no one could really argue if anyone said this is the best of the franchise.

After an 11 year absence, Woody, Buzz and all of the gang returned for what was meant to be the last hurrah for these beloved characters. With Andy now heading off to college, having long moved on from playing with his toys, they are all left are left with a heart-breaking dilemma as to what to do. Believing that they’ll be better off at a day care where toys are constantly played with find themselves, life appears to be rosy for them, until it decidedly isn’t. This culminates in a thrilling Shawshank Redemption-esque prison break, and the hilariousness of Spanish Buzz. And to cap it all off, not one but two extremely tear-jerking moments that should have had anyone who grew up with this franchise sobbing their eyes out.

3= Toy Story

The one that started it all, and the film that made history as the first fully computer animated film, and it certainly set the bar very high for the franchise and for animated films in general. We may have always wondered as kids what happens to our toys when we leave the room, what if they came alive? Working on that genius premise of the lives our toys live when we’re not at home, the film is filled to the brim with an array of colourful characters, and the studio arguably created their most memorable characters in the lovable cowboy doll Woody (voiced wonderfully by Tom Hanks) who gets jealous when his owner Andy, gets a shiny new toy, Buzz Lightyear, to usurp him as Andy’s favourite toy.

The lovable nature of Woody may or may not be down to the man that lends his voice to him, but just about every character here is memorable, and the dynamic between Woody and Buzz cemented these two as one of the most iconic duos in cinematic history. Even decades and multiple films later, the one that started it all off, is still one of the best films that Pixar has made.

2. Inside Out

The human brain is a wonderful thing, and as we go about our lives, the emotions we feel at any given moment, make us who we are. But what if the emotions in our brains also had emotions? Focusing on the five emotions in the head of 11 year old Riley as she is uprooted from her cosy Minnesota life to California, and the adjustment that she, and her emotions go through during this time. The premise of this film is quite simply, from the mind of Pete Docter, is a work of absolute genius. Furthermore, it matches that extraordinary innovation with an extremely witty, and emotional story.

Furthermore, with one of Pixar’s most memorable voice cast including Amy Poehler, Phyllis Smith, Mindy Kaling, Bill Hader and Lewis Black as Joy, Sadness, Disgust, Fear and Anger respectively. Each actor perfectly brings their emotion to life in a hilarious and emotional manner. While these five are great, one must not forgetting Richard Kind’s beautiful performance as Bing Bong. It’s a film that definitely feels more geared to older audiences with some of its ideas, whilst serving an important reminder to us all that while we may dislike feeling sad, it is acceptable to let that emotion overwhelm you, because it’s an emotion that plays an integral role in our lives.

1. Coco

As this list has demonstrated, Pixar have no shortage of incredible films that are filled with beautiful storytelling, excellent characters, and absolutely stunning animation. However, on a personal level, nothing has captured the beauty, and the wonder of their work, quite like this beautiful look at the culture of Mexico and the celebration of Día de Muertos, or The Day of the Dead festival. For young Miguel, he aspires to be a musician and play for the world, but due to an incident in his family’s past, music is outright banned. Determined to not let his family’s hatred of music stop him from pursuing his ambition, he mistakenly finds himself in the Land of the Dead, and must get home safely before it’s too late.

Touching on so many deep themes including, family, music, grief and the need to remember loved ones after they’ve moved on from this world, it’s all just captured with so much beauty and emotion. Pixar’s animation is often just absolutely mesmeric to look at, however the animation here, particularly in the Land of the Dead, is some of the best animation I’ve ever seen. And for a film where music is such an integral part of the story, the music is so immaculately beautiful and emotional. Just typing the words “Remember Me” is just making me want to break down crying. I genuinely don’t think I’ve cried quite as much whilst watching a film at the cinema, as I did with Coco. I adored this film so much but what makes it hit even harder is that just a week or so after seeing this film, my grandmother (the only grandparent I ever knew) passed away. Every time I watch this film, and hear those beautiful lyrics, I always think of her and my late mother. For these reasons, Coco holds such a special place in my heart and it is my favourite Pixar film.

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And that concludes my ranking for each and every Pixar film, thank you so very much for reading, especially if you read all the way through! What did you think of my list? Do you agree or disagree my choices? Please comment below and let me know.

You can connect with me on any of the following platforms: Twitter, Facebook or Letterbox’d, cos you’ve always got a friend in me!

Posted in 2020-2029, Film Review

In the Heights (2021)

© Warner Bros

In The Heights  – Film Review

Cast: Anthony Ramos, Corey Hawkins, Leslie Grace, Melissa Barrera, Olga Merediz, Daphne Rubin-Vega, Gregory Diaz IV, Jimmy Smits

Director: Jon M. Chu

Synopsis: In the Washington Heights area of New York City, the owner of a bodega aspires to one day relocate to the Dominican Republic to fulfil a childhood dream…

Review: Whenever someone mentions the name Lin-Manuel Miranda, many will undoubtedly immediately think of his work with the hugely popular musical Hamilton. Winner of an incredible 11 Tony Awards, thanks to a release of a recording of the show on Disney+ last year, it gave those who hadn’t had the chance to see it revel in its wonderful performances and irresistibly catchy tunes. Yet, Hamilton was not Miranda’s first foray into the world of musicals. Before he enjoyed phenomenal success with his adaptation of the life of one of the founding fathers of the United States, there was In the Heights, a musical penned by Miranda about the place where he grew up. Now, in the hands of director Jon M. Chu, comes an adaption that, it will not shock you to learn, is an absolutely euphoric blast of sun-soaked joy.

For any musical, the opening number is arguably the most important one of them all, as it has the task of setting the scene and getting the audience in the mood. Through this absolute bop of an opener, we meet our protagonist Usnavi (Ramos) the owner of a bodega in the Washington Heights area of New York City. Usnavi has fond memories of his childhood and the beach bar in the Dominican Republic that was once run by his father. With the bodega, and a handful of other businesses in the area at risk of going out of business, he becomes determined to raise enough money to leave New York behind and return to the Dominican Republic to reopen his family’s bar. But over the course of one summer in this vibrant Latino community in Washington Heights, as Usnavi meets with old friends and makes some new connections, there’s every chance that this will be a special, unforgettable summer.

The opening musical number introduces us to an array of the people and their livelihoods in this particular neighbourhood in the Big Apple. From Usnavi’s cousin Sonny (Diaz) who helps him run the bodega, Abuela Claudia (Merediz), the neighbourhood’s matriarch who played an integral role in raising Usnavi, Kevin the owner of a nearby business and his daughter Nina who’s returned to the area after a year in college, her relationship with Benny (Hawkins), to finally Vanessa (Barrera) an aspiring fashion designer, who Usnavi has developed a massive crush on. For each and every single person in this neighbourhood, they are all motivated by their own “sueñitos”(little dreams).

As the film’s central character, Usnavi is immediately a very charming and likeable presence. Following on from his role in Hamilton, this is Anthony Ramos’s shot at a leading role, and he does not throw it away. He’s constantly thinking about his sueñito, to run that beach bar that was such an integral part of his life growing up. Yet he’s reminded of just how special this area of New York, and the people who make it home are to him. Chief among these people is his crush Vanessa. For her, her sueñito is to become a fashion designer, and Barrera’s performance is equally impressive and emotionally heartfelt in a terrific cast. There is not a false note to be found anywhere in any of their performances.

As one comes to expect when Lin-Manuel Miranda pens the music, the soundtrack is packed to the brim with irresistibly catchy and joyful songs that will be filling your eardrums for weeks afterwards. As well as the irresistibly catchy music, what is equally impressive is the choreography that accompanies each and every musical number. Furthermore, each song and musical number has its own unique vibe, which comes from the variety of backdrops for each song, and the excellent use of lighting and camerawork that director Jon. M. Chu utilises. The screenplay by Quiara Alegría Hudes touches on a number of very topical themes like family, identity, aspirations, and what it means to be a part of a community. Given that the original musical was written in 2005, Hudes’s screenplay has made some important changes to the plot that makes it in tandem with modern day events, such as the aspirations of the Dreamers. This crucially lends an extra weight to the stories of the people that are being brought to life on screen, because they will undoubtedly reflect many of the hopes and dreams of the people in this community.

While each and every song here are certified jams, the film is just ever slightly let down by some pacing issues in and around the middle act of the film. However, if you’re going to pick a soundtrack to be the music to your summer, you’re unlikely to find a more vibrant, soulful and downright joyous than this one. It might have taken a while for this adaptation of this musical to lift our spirits and infect our eardrums with its joyful tunes. After the difficult time that has been had by all over the last year or so, this is the perfect blast of euphoric enjoyment that we all need and deserve, and it was certainly worth the wait.

Filled with a plethora of wonderful characters, and some certifiable bops jammed packed throughout, In The Heights is the positive, life-affirming blast of joy that the world needs right now.

Posted in 2020-2029, Film Review

The Father (2021)

© Lionsgate, Film4 and Canal+

The Father  – Film Review

Cast: Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell, Olivia Williams

Director: Florian Zeller

Synopsis: An elderly man suffering from dementia refuses any assistance from carers or his family as he ages. As his condition begins to worsen, he tries to make sense of his situation…

Review: As human beings, we go through our lives so often surrounded by our loved ones, and for many, nothing can beat the warm embrace that family and friends can provide for us. But, what if one day, someone who you’re very close to, suddenly turned around had no idea who you are, or what they used to do for a living? There’s no getting away from the fact that dementia can have a devastating effect on a person’s mind. It is estimated that around 54 million people around the world currently living with dementia. Through his directorial debut, Florian Zeller provides a unique look at this disease can have on not just the sufferer, but their closest relatives as well.

Anthony (Hopkins) is a man who is suffering from dementia and is slowly starting to lose his grip on reality. His daughter Anne (Colman) tries to plead with her father to get him a professional carer to help him with his condition. However, Anthony point blank refuses, as he believes there is nothing wrong with himself, and is determined to live his life on his own terms. Consequently, by rebuffing her offers of assistance, it begins to erode Anne’s patience with her father, which has a knock-on effect on Anne’s relationship with her husband, especially as all is not what it seems in Anthony’s mind. As his grip on reality slowly starts to dissipate with each passing day.

Adapted from the play “Le Père“, approaching a film that deals with such delicate subject matter is always a challenge for the filmmakers. However, the screenplay by Zeller (who also wrote the play) and Christopher Hampton takes an extremely innovative approach in how it tells its story. Namely, it chooses to frame the film entirely from the perspective of its lead character. By doing this, it lets the audience into the mind of Anthony himself, to see how living with this disease can have such a debilitating effect on the person’s day to day life. Day-to-day conversations are continuously changing. One minute, there’s someone on screen informing Anthony (and the audience) as to who they are. Yet in the very next scene, they might be someone completely different. Through Zeller’s brilliant direction, you wonder are they who they say they are? And crucially, the audience gets a glimpse of what living with this disease must be like.

Anthony Hopkins is an actor who needs no introduction. With his distinguished career whose career is now in its seventh decade, he has given so many brilliant performances across a lifetime of wonderful work. Yet with this heart-breaking performance, it’s easily the best performance he has given in a very long time. He starts off the film in a very buoyant mood, but with each passing scene, it becomes clear that this disease is taking an immeasurable toll on his well being. Given that his character shares his name with the actor portraying him, it is evident that Zeller had Hopkins in mind when bringing this performance to life, and it pays off massively with an astonishing performance. Alongside him, Colman’s role of Anne is more subdued, but we sympathise with her as she tries to show love towards her father, even if that is starting to wear extremely thin as Anthony’s condition takes hold, and his stubborn refusal to accept her help.

This is far from an easy watch, but what Zeller has accomplished through this study of this disease, is an emotionally powerful film that will hopefully be extremely effective in increasing awareness about this disease. Given that it is estimated that the number of people suffering from dementia across the world will rise to 130 million by 2050, this is fast becoming a very serious issue that demands our increased awareness as a society. For the simple reason that it is entirely possible that we, or that someone we love, may well suffer from this disease at one point in our lives.

A careful approach to its subject matter, extremely innovative direction, and an absolutely heart-breaking lead performance from Hopkins, all combine to make The Father an extremely moving, and unforgettably devastating drama.

Posted in 2020-2029, Film Review

A Quiet Place Part II (2021)

© Paramount Pictures and Platinum Dunes

A Quiet Place Part II  – Film Review

Cast: Emily Blunt, Millicent Simmonds, Noah Jupe, Cillian Murphy, John Krasinski, Djimon Hounsou

Director: John Krasinski

Synopsis: The surviving members of the Abbott family, now armed with the knowledge as to how to defeat the terrifying creatures that have hypersensitive hearing, head out into what remains of civilisation…

Review: There’s something that feels rather eerie about a film that features a world that’s forever changed by a deadly event, especially when you consider when it was poised to be released to the world. The time was March 2020, the premiere had taken place, and the film was due to be released to the world, until it was forced to be delayed due to the global pandemic that was sweeping the planet. Additionally, for a film that has a premise that centres on a world where being silent is of the utmost importance, it was reminiscent of when in those early months of the pandemic, those usually packed streets that we see across the world, became eerily quiet for an extended period of time. As such, there’s much about this franchise that feels very relevant for the tough times that we have been experiencing in the past year.

Following an extended, and thrilling, prologue that shows the very first day when these terrifying creatures began to wreak unspeakable devastation on our very noisy world, things fast forward to the present day of this world. We pick up right where they left off for the Abbott family. Following the events of the first film, Evelyn (Blunt), their new born son, deaf daughter Reagan (Simmonds), and son Marcus (Jupe) depart from their now destroyed home, in search of a new place to find shelter away from the monsters. Their search leads them to a base that’s currently occupied by  Emmett (Murphy), a man whose experiences in this apocalyptic world have made him very suspicious of what remains of humanity.

A key element of what made the first film the unique and nerve shredding experience it was, was the marvellous way the film uses sound to put the audience on the ground with these characters.  Going into the sequel, one might have wondered if Krasinski and his sound team had caught lighting in a bottle, and would be unable to repeat their feat this time around.  However, not only have they managed to recapture that brilliance, they have arguably gone better with their sound work. Through Krasiniski’s screenplay, that tension that was expertly crafted into the first film is brilliantly recaptured here, keeping the audience on the edge of their seat as they, like the characters on screen, strive to not make a sound. Krasinski builds on his brilliant directorial debut, opting in numerous instances to use multiple long takes, showing the audience truly just how perilous this world is, and how even the slightest misstep could spell be your downfall.

Much like the first film, the performances from all of the cast are excellent. Though she has a much more withdrawn role this time around, Emily Blunt is once again as the parent who must take care of a new born infant, and at the same, time defend her family. Though given the tragic fate that her husband Lee in the first film, there’s a void to be filled there, and Millicent Simmonds is the one who steps up to fill that void. This sequel shifts its focus from the older generation to the younger, and Simmonds steps up to the challenge, and gives the best performance in the film. Given that she herself is deaf, it adds so much authenticity to the character and the challenge that she faces to protect her family in this perilous world. With Blunt in a more withdrawn role, this gives Cillian Murphy’s Emmett the lead role amongst the adult cast, and he seizes that opportunity with both hands.

Given how much of a success the first film turned out to be, Krasinski would be forgiven if he had taken a silent moment before committing to making a sequel to A Quiet Place. Therefore, it is testament to him that with two extremely well made horror films now under his belt, he has cemented his growing reputation as a director to watch. After the extremely tough year that cinemas have had to endure since were first forced to shut their doors, films like A Quiet Place Part II serve as a powerful reminder of the power that cinema can have, especially when it’s seen on the big screen.

A marvellous continuation into this terrifying world that expertly recaptures that builds upon the aspects of what made the first film such a special and unnerving experience. A perfect example of how to pull off a riveting sequel.

Posted in 2020-2029, Film Review

Godzilla vs Kong (2021)

Image is property of Warner Bros and Legendary

Godzilla vs Kong  – Film Review

Cast: Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Kyle Chandler, Demián Bichir, Kaylee Hottle

Director: Adam Wingard

Synopsis:  When the Monarch corporation seeks to use Kong for a secret mission, their plan puts Kong on a direct collision course with Godzilla, and almighty battle for monster supremacy ensues….

Review: It feels like that for as long as cinema has been around, the cinematic powerhouses of King Kong and Godzilla have roared and stomped their way to establish themselves as iconic pop culture titans. Titans that in years gone by, would have no problems drawing massive crowds into packed cinemas across the world. While the former made his first big screen appearance in 1933, and the latter in 1954, their first on screen meeting came in 1962. Yet, ever since the wheels of the MonsterVerse were first put back in motion in 2014, it feels like the franchise has been building towards another clash between these two legendary monsters. Nearly half a century after their first meeting, and armed with the wonders that modern CGI can produce, these two cinematic behemoths are once again, scrapping it out for titan supremacy.

The film picks up a number of years since the events of King of the Monsters. In that time, the Monarch corporation has been observing Kong at his home on Skull Island. A team of scientists led by Nathan Lind (Skarsgard) and Illene Andrews (Hall) are seeking to locate what they believe to be some kind of unique power source that supposedly can be found in a mythical location, somewhere on the planet. For this mission to succeed, they believe that Kong is best placed to guide them to this mystical location. However, before they can get started with their mission, they cross paths with Godzilla who is seemingly being provoked into hurting people, which may or may not be connected to something another sinister corporation’s mysterious activities. So when these two cross paths, a gargantuan clash between two of cinema’s greatest titans erupts.

When it comes to these films, the audience is there for one thing, and that is to see giant monsters beat the ever living shit out of each other. To their credit, all of the films have had their satisfying moments with these enormous showdowns, though admittedly some have done it better than others.  With Godzilla Vs Kong, the battle scenes depicted here are potentially some of the best that this franchise has ever produced, as they are extremely entertaining to watch, and the work that is done by the visual effects artists is extraordinary. With these monsters movies, a sense of scale is imperative, you need to feel the size and the scale of these monsters, and with the enthralling showdowns that the film gives us, they succeed whilst making us humans feel like teeny ants by comparison.

For all the fun and exhilaration that the gargantuan showdowns, this franchise has (with the odd exception) had a difficult ability to craft human characters that are well developed and to really make the audience care about them. Once again, for the most part, the human characters have the most minimal amount of development, and exist in this franchise to mainly serve up exposition to the audience. It has been a common theme in this franchise to have such talented actors involved, only for them to be serviceable pieces to the plot, when they have the potential to be so much more. While the overwhelming majority of the human characters here, both old and new, are once again serviceable to the plot at best, the one exception to this is the connection that Kong has with Jia, a young deaf girl. The arc of her character ensures that she is, by far and away, one of the most well developed human characters this franchise has produced.

The plot concerning the human characters is extremely silly, and one can definitely question whether any aspect of the screenplay makes one iota of sense. However, that isn’t strictly necessary when it comes to a film that features a giant ape and a giant lizard squaring off against one another. You come to watch two cinematic titans having a good old scrap, and that is exactly what this film delivers. Furthermore, in a year that has been turbulent for the big screen experience that has seen cinemas for the most part stay shut, this is the sort of film that audiences need to just sit back, relax and enjoy the ride that is depicted on screen. As Ishirō Serizawa (Ken Watanabe) said way back in 2014’s Godzilla said, “Let them fight,” and watch the monster mayhem unfold in all of its glory.

While beset with the familiar issue of (mostly) uninteresting and disposable human characters, when it comes to the main event of titans engaging in a fight to the death, this epic showdown is a roaring success.

Posted in 2020-2029, Film Review

The Mitchells vs. the Machines (2021)

© Netflix, Columbia Pictures and Sony Pictures Animation

The Mitchells vs. the Machines  – Film Review

Cast: Danny McBride, Abbi Jacobson, Maya Rudolph, Michael Rianda, Eric Andre, Olivia Colman, Fred Armisen, Beck Bennett, John Legend, Chrissy Teigen, Blake Griffin, Conan O’Brien

Directors: Michael Rianda and Jeff Rowe

Synopsis: When a robot uprising occurs during a family road trip, one dysfunctional family becomes the last hope for humanity…

Review: It isn’t exactly news that humanity as a species have become rather obsessed with all gadgets of various shapes and sizes that have a screen in them. Whether it be phones, laptops, tablets or TVs, if we’re not working, chances are high that we will have our eyes glued to those gadgets that are “bathed in ghoulish blue light”. But what if those machines that we are so dependent on, instead decided to do away with humanity as a species and rule this planet for themselves? While humanity’s over-reliance on technology is far from an original concept, in the hands of Phil Lord and Christopher Miller, the duo who helped to bring the visual wizardry of Spider-Man: Into the Spider-Verse to life, they’ve turned that concept into this bonkers, but uproariously entertaining adventure.

Katie (Jacobson) is as an aspiring filmmaker, who is one step closer to her dream job after being accepted into a film school. Her ambitions don’t sit well with her technophobe father Rick (McBride). Due to her ambitions and his own issues with technology, he struggles to connect with Katie. Fearing that they may drift apart for good once Katie has settled into college, Rick decides to take the entire the family go on a cross-country road trip, which is meant to be in theory one last family outing. Unfortunately for the Mitchell family, their family trip coincides with the beginning of a robot uprising determined to eradicate humanity from the face of the Earth. Consequently, this quirky, oddball family find themselves as the last hope for humanity to stop the robot apocalypse.

While many may well see Disney and its subsidiary Pixar as the top dogs of animation movie making, there are certainly plenty of studios that are producing some stellar animation flicks that are certainly capable of challenging Disney and Pixar’s status as animation top dogs. For Sony Pictures Animation, Into The Spider-Verse was the perfect example of an innovative, unique stunningly crafted piece of film-making that really pushed the boundaries of what this medium could accomplish. Under the direction of first time directors Michael Rianda and Jeff Rowe, this enthralling adventure continues that trajectory with a unique and exhilarating blend of 2D and 3D animation styles.

As with the animation, the voice work of the cast is exceptional across the board. As the film’s central protagonist, much is resting on Katie’s shoulders and through the excellent voice work by Abbi Jacobsen, she carries the film marvellously well. There will be many out there who empathise with Katie as a quiet somewhat introverted individual who’s passionate about what she does, and Jacobson imbues Katie with a fiercely independent, yet extremely likeable personality. Due to his difficult relationship, and his immense disdain for technology, the strained relationship between Rick and Katie features at the centre of the film. McBride excels as a father who strives to find the balance between being the stern parent trying to steer his children away from the allure of the screens, whilst simultaneously trying to do his best for his daughter.

While the voice talents of Jacobsen and McBride are given most of the spotlight, the performances of Maya Rudolph and co-director Michael Rianda are perfect as mother Lin and Katie’s brother Aaron, are given plenty of screen time to flesh out their characters. Though, like with any film that features a robot apocalypse, the need for a strong villain is imperative. In this instance, that antagonist is PAL, a super intelligent AI who’s basically like if the personal assistant in your phone went rogue and tried to kill you and all of humanity in the process. Proving that the no one plays an antagonist better than the British, the casting of Olivia Colman in this menacingly evil, and simultaneously hilarious role, is an absolute masterstroke.

At 113 minutes, the film is certainly longer than average when compared to most animated adventures. However, from the word go, the momentum that’s generated from the film’s wild and exhilarating story ensures that at no point does the film lose the momentum that it has generated. It moves from fun road trip film to a battle for humanity’s survival with effortless ease, as a wild mixture of hilarious gags and thrilling action help to keep the plot going at a frenetic and exhilarating pace. Furthermore, it packs plenty of heart-warming character moments in between absolutely thrilling action scenes that will definitely be appreciated by man and machine-kind alike in equal measure.

With its perfect combination of bonkers and hilarious action and sincere heartfelt character moments, the latest Lord/Miller collaboration sets the bar high for the rest of 2021’s animated offerings.

Posted in 2020-2029, Film Review

Nomadland (2021)

© Searchlight Pictures

Nomadland  – Film Review

Cast: Frances McDormand, David Strathairn, Linda May, Charlene Swankie, Bob Wells

Director: Chloé Zhao

Synopsis: After the death of her husband and the loss of her job, a woman purchases a van to live as a modern day nomad…

Review: Home, is where the heart is. Yet, for each and every one of us, this is a word that can mean many different things. For some, it could be that place you grew up, or a place that’s significant in your lives, or it could be where a person’s family resides. No matter what this word may mean to each and every one of us, there’s a moment early on in this beautiful film from director Chloe Zhao that perfectly captures the essence of this story. As a character is talking with Fern (McDormand) about a tattoo she has:”Home, is it just a word? Or is it something you carry within you?” With just this one simple song lyric, from “Home is a Question Mark” by The Smiths, it encapsulates the heart that is beating at the centre of the film.

Years prior to the events of the film, Fern lived and worked in Empire, Nevada, with her husband. They both had jobs working in a US Gypsum plant, and it’s immediately apparent that these were joyful years for Fern. Yet, times have sadly changed. As a result of the Great Recession of 2008, the plant that was essentially the glue that held together Empire’s economy closed, and Fern has lost her job. But the most devastatingly blow of all, is the death of her husband. Following the collapse of the town’s economy, Empire has become a ghost town and all of the residents have since moved on. With all the attachments she once had to Empire now gone, she sells most of her belongings and purchases a van and starts a new life for herself as a modern day nomad roaming the heart of the American West, taking seasonal work wherever she can find it.

Adapted from the non-fiction novel Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder, the premise of the film is simple, but sometimes there is beauty in the simplicity of life, and the film celebrates this. Thanks to the absolutely stunning cinematography from Joshua James Richards, the film shines a light on a way of life that many will no doubt be extremely unfamiliar with. There will be many who are no doubt accustomed to the metropolitan lifestyle of a city that never sleeps. The bright lights and the constant noise of the urban metropolis. A world where chatter is constant, life is almost always continually moving. There is none of that in this nomad lifestyle, just the quiet, peaceful atmosphere of the open road. Although such a lifestyle does come with its challenges, most notably the isolation.

It’s in no small part down to the extraordinary performance of Frances McDormand that pulls you into this story. Having won an Oscar a few years for her portrayal as a fierce and pissed off mother on the search for justice in Three Billboards Outside Ebbing, Missouri, this is a very different kind of role for the veteran actor. It’s much more withdrawn and subdued, and yet like the great actor she is, McDormand rises to the challenge in spectacular fashion. Aside from McDormand’s wonderful work, and an equally sincere performance from David Strathairn, as Dave, a fellow nomad who strikes up a close friendship with Fern. The rest of the film’s cast consists of real life nomads, and what could have been a somewhat risky move, instead turns out to be a masterstroke by Zhao. By choosing to have real life nomads, most of whom are portraying a fictionalised version of themselves, it lends an air of authenticity to the events that are being depicted on screen, which consequently helps you to sympathise with the people in this community, and the lives they lead.

The story does sometimes feels a bit aimless, and the pacing does stutter in one or two places. Yet, there’s a touching moment of poignancy throughout the film, that signifies the importance of remembering someone. An importance which is especially emotionally resonant for a community that could feel like it has been left behind by our modern day Capitalist society. In a similar vein to The Smiths lyric that is mentioned at the beginning, there’s another quote that feels especially emotionally resonant. “what’s remembered, lives.” Due to these emotionally trying times that we’re living in, where lots of people may have been feeling isolated and lonely, there’s a lot can be learned in being kind to one another, especially for those who may have a different lifestyle than what most people do.

Poignant and quietly moving, with a subdued but touching leading performance from McDormand, Nomadland is an emotional and celebratory study at an underrepresented way of life.