Posted in 2010-2019, Film Feature

90th Academy Awards: Predictions

Hollywood’s biggest night is upon us once again, and the Academy celebrates it’s 90th birthday. For such a significant milestone in the Academy’s history, it is extremely fitting then there is a plethora of really good films that are up for the big prizes this year. A story about a woman who falls in love with a fish man, a film about the power of advertising, a return to the world of replicants, a journalism drama, the story of the Dunkirk evacuation, a love story set in 1980s Italy and a film about a dress designer that marks the final on screen performance of the legendary Daniel Day Lewis. Of course, for all the great films there can only be one winner in every category and so it is time to predict the winners in the majority of the categories (I have not seen the documentaries and animated shorts) and chime in with my own thoughts on who should take home that coveted golden statue come the end of the night.

Best Actor in a Leading Role

  • Timothée Chalamet Call Me by Your Name
  • Daniel Day-LewisPhantom Thread
  • Daniel Kaluuya Get Out
  • Gary Oldman Darkest Hour
  • Denzel WashingtonRoman J. Israel, Esq.

It is looking likely that this will be the occasion that Gary Oldman finally strikes Oscar gold, for a transformative, mesmerising turn as Winston Churchill. He’s been sweeping the board throughout this awards season and it would be more than deserved. At times, you forgot it was him under all that make up, his captivating performance binds the whole film together, and it would be a major surprise if Oldman is not victorious.

Will Win: Gary Oldman

Should Win: Gary Oldman

Best Actress in a Leading Role

  • Sally Hawkins The Shape of Water
  • Frances McDormandThree Billboards Outside Ebbing, Missouri
  • Margot Robbie I, Tonya
  • Saoirse RonanLady Bird
  • Meryl StreepThe Post

It’s a similar story with the leading actress category as McDormand has also been sweeping the board with her terrific and heartbreaking work as a mother desperately seeking answers over her child’s murder. That being said, Saorise Ronan could be something of an underdog with her beautiful performance. What’s more to say, for a film in which she has no dialogue, Sally Hawkins should also not be ruled out. A victory for any of these three would be more than worthy but the writing is on the billboard for McDormand and she should take home her 2nd Oscar.

Will Win: Frances McDormand

Should Win: Sally Hawkins

Could have been nominated: Vicki Krieps for Phantom Thread

Best Supporting Actor

  • Willem Dafoe – The Florida Project
  • Woody Harrelson – Three Billboards Outside Ebbing, Missouri
  • Richard Jenkins – The Shape of Water
  • Christopher Plummer – All the Money in the World
  • Sam Rockwell – Three Billboards Outside Ebbing, Missouri 

Billboards’s domination should continue here as much like the preceding two categories, Rockwell has been cleaning house and is the hot favourite to win his first Oscar. His work in Billboards was extraordinary and despite the excellent efforts of all the gentlemen nominated in this category with him, this is most definitely Rockwell’s to lose.

Will Win: Sam Rockwell

Should Win: Sam Rockwell

Could have been nominated: Harrison Ford for Blade Runner 2049

Best Supporting Actress 

  • Mary J. Blige – Mudbound
  • Allison Janney – I, Tonya
  • Lesley Manville – Phantom Thread
  • Laurie Metcalf – Lady Bird
  • Octavia Spencer – The Shape of Water

The last acting category and another very likely triumph, this time for Alison Janney. Her work as the vicious mother of Tonya Harding was uncompromising, yet at the same time very funny. Yet one could feel that Laurie Metcalf’s work opposite Saoirse Ronan in Lady Bird was the much more sincere performance as a mother who also wants what’s best for her daughter but tries to be a little bit more compassionate about it. Like the previous acting categories, Janney has definitely got this one wrapped up.

Will Win: Allison Janney 

Should Win: Laurie Metcalf

Could have been nominated: Holly Hunter for The Big Sick

Best Director

  • Christopher NolanDunkirk
  • Jordan PeeleGet Out
  • Greta GerwigLady Bird
  • Paul Thomas AndersonPhantom Thread
  • Guillermo del ToroThe Shape of Water

Meshing three inter-weaving storylines and making them all flow seamlessly is an extraordinary feat of directorial mastery, and for that Nolan could yet take his FIRST Oscar (err what?!!?). Yet this one is seemingly heading towards Del Toro. Though that would not be an undeserving win for an extraordinary film-maker, there is fierce competition from both Greta Gerwig and Jordan Peele, both of whom made their directorial debuts in almighty style. But the odds are in Del Toro’s favour.

Will Win:  Guillermo del Toro 

Should Win: Christopher Nolan

Could have been nominated: Denis Villeneuve for Blade Runner 2049

Best Original Screenplay 

  • The Big Sick – Emily V. Gordon and Kumail Nanjiani
  • Get Out – Jordan Peele
  • Lady Bird – Greta Gerwig
  • The Shape of Water – Guillermo del Toro and Vanessa Taylor
  • Three Billboards Outside Ebbing, Missouri – Martin McDonagh

Five very strong screenplays, any of these would be a worthy winner, but it seems as though it’s a race between Get Out and Three Billboards. Peele’s screenplay is razor sharp in terms of its humour and very relevant social commentary that makes it a hot favourite, and deservedly so. That being said, Three Billboards Outside Ebbing, Missouri also balances the extremely dark nature of its subject matter, and injects it with extremely black humour that hits the mark. It could be a very close call.

Will Win:  Get Out

Should Win:  Three Billboards Outside Ebbing, Missouri

Could have been nominated: Coco

Best Adapted Screenplay

  • Call Me by Your NameJames Ivory 
  • The Disaster ArtistScott Neustadter and Michael H. Weber
  • LoganScott Frank, James Mangold and Michael Green
  • Molly’s GameAaron Sorkin
  • MudboundVirgil Williams and Dee Rees

Call Me By Your Name has been pretty much sweeping this category across this awards season and so its success here is looking almost guaranteed. It is somewhat surprising to see a superhero film nominated, but that is a testament to the sheer quality of Logan’s screenplay that it deserves its place here and in another year, might have even taken home the gold.

Will Win:  Call Me by Your Name 

Should Win: Logan

Could have been nominated: Blade Runner 2049

Best Animated Feature Film 

  • The Boss Baby
  • The Breadwinner
  • Coco
  • Ferdinand 
  • Loving Vincent 

In contrast to last year, this is something of a weak category for animation. The power of Pixar will get Coco through here. Though the omission of the Lego Batman Movie proves that the Academy must have a vendetta against Lego for some strange reason.

Will Win:  Coco

Should Win: Coco

Should have been nominated: The Lego Batman Movie

Best Original Score 

  • DunkirkHans Zimmer
  • Phantom ThreadJonny Greenwood
  • The Shape of WaterAlexandre Desplat
  • Star Wars: The Last JediJohn Williams
  • Three Billboards Outside Ebbing, MissouriCarter Burwell

Zimmer’s score certainly helped to add massive amounts of tension to Dunkirk. But the work of Desplat goes hand in hand with the beautiful work that you see on screen. Though Jonny Greenwood’s work on Phantom Thread is equally mesmerising so it’s by no means a foregone conclusion.

Will Win:  The Shape of Water

Should Win: The Shape of Water

Could have been nominated: Blade Runner 2049

Best Original Song 

  • “Mighty River” from Mudbound – Music and Lyrics by Mary J. Blige, Raphael Saadiq and Taura Stinson
  • “Mystery of Love” from Call Me by Your Name – Music and Lyrics by Sufjan Stevens
  • “Remember Me” from Coco – Music and Lyrics by Kristen Anderson-Lopez and Robert Lopez
  • “Stand Up for Something” from Marshall – Music by Diane Warren; Lyrics by Common and Diane Warren
  • “This Is Me” from The Greatest Showman – Music and Lyrics by Benj Pasek and Justin Paul

This seems to be a battle between “This is Me” and “Remember Me” though “Mystery of Love” could certainly pull off an upset. With music being a central part of Coco, that could give it an edge but “This is Me” seems the most likely to triumph

Will Win:  “This is Me” from Greatest Showman

Should Win: “Remember Me” from Coco

Best Sound Editing

The sound categories this year seem to be a battle between the slick and stylish work of Baby Driver versus the heart-pounding intensity of Dunkirk. The work done by both these teams is very impressive, but Dunkirk‘s technical mastery should be enough to get it home with the Oscar in tow.

Will Win:  Dunkirk

Should Win: Dunkirk

Best Sound Mixing

  • Baby Driver Julian Slater, Tim Cavagin and Mary H. Ellis
  • Blade Runner 2049Ron Bartlett, Doug Hemphill and Mac Ruth
  • DunkirkMark Weingarten, Gregg Landaker and Gary A. Rizzo
  • The Shape of WaterChristian Cooke, Brad Zoern and Glen Gauthier
  • Star Wars: The Last JediDavid Parker, Michael Semanick, Ren Klyce and Stuart Wilson

As with the Sound Editing category, it is Dunkirk VS Baby Driver and as before, though either would be more than a worthy winner, Dunkirk’s sound wizardry is second to none.

Will Win:  Dunkirk

Should Win: Dunkirk

Best Production Design 

  • Beauty and the Beast – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
  • Blade Runner 2049 – Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola
  • Darkest Hour – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
  • Dunkirk – Production Design: Nathan Crowley; Set Decoration: Gary Fettis
  • The Shape of Water – Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

To take the world of Los Angeles in the future and have it look so dazzlingly authentic gives Blade Runner 2049  a real shot at winning. However in a similar vein, fusing the fantastical elements of the story with the gritty nature of 1960s Cold War America gives Shape of Water a real chance of taking the award out of the hands of those replicants.

Will Win:  Blade Runner 2049

Should Win: Dunkirk

Best Cinematography

  • Blade Runner 2049Roger Deakins
  • Darkest HourBruno Delbonnel
  • DunkirkHoyte van Hoytema
  • MudboundRachel Morrison
  • The Shape of WaterDan Laustsen

Simply put, #DeakinsorRiot. One of the finest cinematographers ever is due on Oscar and this better be the one that gives him the damn statue after 14 previous attempts.

Will Win:  Roger Deakins

Should Win: Roger Deakins

Best Makeup and Hairstyling 

  • Darkest Hour Kazuhiro Tsuji, David Malinowski and Lucy Sibbick
  • Victoria & AbdulDaniel Phillips and Lou Sheppard
  • WonderArjen Tuiten

As previously mentioned, the extraordinary work that helped transform Mr Oldman into Mr Churchill should ensure Darkest Hour is triumphant.

Will Win:  Darkest Hour

Should Win: Darkest Hour

Best Costume Design 

  • Beauty and the BeastJacqueline Durran
  • Darkest HourJacqueline Durran
  • Phantom ThreadMark Bridges
  • The Shape of Water Luis Sequeira
  • Victoria & AbdulConsolata Boyle

The dresses that were on display in Phantom Thread were sumptuous in their design and while the work done by Jacqueline Durran in Darkest Hour and Beauty and the Beast deserves plaudits, this one belongs to Phantom Thread.

Will Win:  Phantom Thread

Should Win: Phantom Thread

Best Film Editing

  • Baby Driver Paul Machliss and Jonathan Amos
  • DunkirkLee Smith
  • I, TonyaTatiana S. Riegel
  • The Shape of WaterSidney Wolinsky
  • Three Billboards Outside Ebbing, MissouriJon Gregory

When you take a film that intertwines 3 differing story-lines and it is all edited so brilliantly that should be more than enough to ensure that Dunkirk flies home with this Oscar.

Will Win:  Dunkirk

Should Win: Dunkirk

Best Visual Effects

  • Blade Runner 2049 John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover
  • Guardians of the Galaxy Vol. 2Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick
  • Kong: Skull IslandStephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus
  • Star Wars: The Last Jedi Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould
  • War for the Planet of the ApesJoe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

Aside from the fact that the remarkable work Andy Serkis has done with this revived Apes trilogy should have ensured he at the very least got nominated, the work that is done on these films has been extraordinary and deserves to be recognised. That being said, Blade Runner 2049 will probably take this one home. Also why on earth is Kong: Skull Island here?

Will Win:  Blade Runner 2049

Should Win: Blade Runner 2049

Could have been nominated: Thor: Ragnarok

And last but certainly not least….

Best Picture

  • Call Me by Your Name Peter Spears, Luca Guadagnino, Emilie Georges, and Marco Morabito
  • Darkest HourTim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten, and Douglas Urbanski
  • Dunkirk Emma Thomas and Christopher Nolan
  • Get Out Sean McKittrick, Jason Blum, Edward H. Hamm Jr., and Jordan Peele
  • Lady BirdScott Rudin, Eli Bush, and Evelyn O’Neill
  • Phantom Thread JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi
  • The PostAmy Pascal, Steven Spielberg, and Kristie Macosko Krieger
  • The Shape of WaterGuillermo del Toro and J. Miles Dale
  • Three Billboards Outside Ebbing, MissouriGraham Broadbent, Pete Czernin, and Martin McDonagh

Click here to see my ranking of the Best Picture contenders.

An incredibly stacked year, full of some terrific works and usually there is one film that is a clear runaway favourite, but not so this year as there are a few that have a legitimate shot at taking home the biggest prize of the night.  Three Billboards will undoubtedly be buoyed by its BAFTA and SAG victories but success for The Shape of Water at the Critics Choice and Producer’s Guild of America Awards, highlights the unpredictability of this year’s crop. Though usually it requires a Best Director nomination to stand a good chance of scooping Best Picture, Three Billboards might just defy that expectation and become only the fifth film to win without a Best Director nomination. However, my hope is that The Shape of Water will emerge triumphant, it would go nicely with Del Toro’s probable victory in the director category, but this is extremely close to call.

Will Win:  Three Billboards Outside Ebbing, Missouri

Should Win: The Shape of Water

Could have been nominated: Blade Runner 2049

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Posted in 2010-2019, Film Feature

90th Academy Awards Predictions: Best Original Screenplay

 

It’s the biggest night for Hollywood and myself and a few film bloggers have gathered together to give our own take on each of the categories and provide our thoughts on who should emerge victorious. So without further ado, let’s take a look at the nominees for the Best Original Screenplay. The nominees are:

  • The Big Sick – Written by Emily V. Gordon and Kumail Nanjiani

  • Get Out – Written by Jordan Peele

  • Lady Bird – Written by Greta Gerwig

  • The Shape of Water – Screenplay by Guillermo del Toro and Vanessa Taylor; Story by Guillermo del Toro

  • Three Billboards Outside Ebbing, Missouri – Written by Martin McDonagh

————————————————————————————————————————————————-

Once again it is a very strong year in terms of the screenplay categories, both in this category and in the adapted category, with five really strong screenplays. It’s tough picking a winner as any one of these would be more than a worthy winner.

There’s much to love about The Big Sick, in terms of how it really is a romantic comedy with a very unique premise that is both very funny and very heartfelt.

Get Out marks an astonishing directorial debut for Jordan Peele, and with a screenplay that is razor sharp in terms of its humour and very relevant social commentary that makes it a hot favourite, and deservedly so.

Lady Bird is a coming-of-age drama unlike any other that brilliantly and beautifully captured what it means to be a teenager.

The Shape of Water is an absolutely beautiful love story that has powerful themes of redemption and acceptance at its core.

Three Billboards Outside Ebbing, Missouri balances the extremely dark nature of its subject matter, and injects it with extremely black humour and it’s the perfect recipe for a wonderful film that really goes to show the power of advertising.

This is perhaps one of the categories that is not a nailed on victory and while it seems as though it is a race between Three Billboards and Get Out, there could yet be a shock in store

Predicted winner…

Get Out

Should win…

Three Billboards Outside Ebbing, Missouri

Click the links below to view our thoughts on the other categories:

Posted in 2010-2019, Film Feature

90th Academy Awards Predictions: Cinematography

 

Continuing in the coverage of the biggest night for Hollywood. Myself and a few film bloggers have gathered together to give our own take on each of the categories and provide our thoughts on who should emerge victorious. So let’s take a look at the nominees for the Best Cinematography. The nominees are:

  • Blade Runner 2049 – Roger Deakins

  • Darkest Hour – Bruno Delbonnel

  • Dunkirk – Hoyte van Hoytema

  • Mudbound – Rachel Morrison

  • The Shape of Water – Dan Laustsen

————————————————————————————————————————————

The cinematographers, the geniuses who give the film each its own unique look, and yet again four supremely talented men and for the first time ever, a woman (about damn time!) are up for recognition for their work.

The overwhelming favourite to take home the trophy is Roger Deakins for his work with Denis Villenueve in Blade Runner 2049. Simply put, as a cinematographer he is one of the best in the business but that Oscar has somehow eluded him over the years, but given his mesmerising work in Blade Runner, one of the most breathtakingly beautiful films ever made, it looks as though this will be the time for Deakins to finally claim that long overdue Oscar.

That being said, there is still a chance that Hoyte van Hoytema could sneak a win as Dunkirk is an impressive cinematic achievement in its own right. The camera work really makes you feel like you’re on that beach with those soldiers.

Likewise, the work from Dan Lausten on The Shape of Water is also mesmerising to look at and next to Blade Runner possess the most vivid colour palette among this year’s nominees.

Darkest Hour also boasts some excellent visual splendour, but it’s unlikely to emerge victorious.

While history was made with Rachel Morrison becoming the first female cinematographer ever to pick up a nomination for Mudbound. Time’s certainly are changing in Hollywood, and while Morrison winning would be a wonderful surprise, it is time the Academy recognised the extraordinary talents of a man who’s been the brains behind some of the most stunning visual films in recent years.

Predicted winner…

Blade Runner 2049

Should win…

Blade Runner 2049

Click the links below to view our thoughts on the other categories:

Posted in 2010-2019, Film Feature

Ranking the 2018 Best Picture Nominees

The Academy Awards celebrates its 90th birthday this weekend and to celebrate this significant milestone in the Academy’s history, it is only fitting that there is an excellent selection of films that are up for the most prestigious award of the night, this of course being the Best Picture. A total of nine films have been selected for the prize, but only one film will walk away victorious. The films up for this prize are certainly an interesting bunch. A story focusing on some brave journalists, a couple of love stories, a visceral telling of the evacuation at Dunkirk, a deeply unsettling tale of racism and one woman’s quest for justice. There was a lot to love about these films and so it is time to rank them from worst to best, starting with…

9. Call Me By Your Name

Now, I know that many people around the world have fallen head over heels in love with this film, I sadly am not one of these people. Something about this film just didn’t land with me as much as it did with many a film critic. It was undoubtedly a beautifully shot film, with lush cinematography and a terrific score. What really drags this film down for me is the story. Though both Armie Hammer and Timothée Chalamet both give solid performances, with it being a love story, I just was not invested enough in their romance. The film’s pacing is severely slow and it means the film drags. Though it does have an extremely powerful closing scene that is memorable and very emotional, the rest of the film in my mind, sadly is not.

8. The Post

Full review here

Steven Spielberg as director? Check. Tom Hanks and Meryl Streep on board? Check. A film about a time when journalists and the White House clash over top secret documents? Check. All the ingredients for greatness, but sadly there’s something about this Spielberg picture that just doesn’t quite hit its mark. Given the current incumbent in the White House, it’s little wonder Spielberg fast-tracked it into production. The themes of this film are really relevant in this “fake news” era, but the film really struggles to get going in the first half, before finally giving a tense second half. You would expect something more from a director as gifted as Spielberg, but it just never matched those lofty expectations.

7. Phantom Thread

Full review here

Daniel Day Lewis is one of the greatest actors to have ever lived. The only man to win three Best Actor awards and for one final bow, back with Paul Thomas Anderson in this beautiful tale about a dress designer who falls in love with a woman, and the sometimes loving, sometimes extremely testing relationship that plays out on screen. As a film it is masterfully directed and the three central performances of the film bind it all together. Day Lewis is of course superb, but it’s the work of Vicky Krieps that captures the most attention. Going toe-to-toe with Day-Lewis is not easy, but she pulls it off, and it’s a fascinating relationship to watch. The costumes are stunning and the music is equally so. A worthy send off for a sublime actor.

6. Darkest Hour

Full review here

World War II. Britain at war with a tyrannical man threatening to wreak havoc on the continent. It was truly a desperate situation, and one man stepped up when his country needed him most. That man was Winston Churchill and what maybe a career defining performance, and one that is looking extremely likely to bag Gary Oldman the Best Actor gong this year. The actor is barely recoginseable under the make up, but it helps make his performance feel so powerful and authentic. You just see Churchill on screen and not the actor, and that is worthy of praise. With an impeccably acted cast, as Churchill faces a race against time to evacuate British soldiers from Dunkirk (more on that later). It manages to inject humour into this bleak situation, and serves a reminder of that indomitable British spirit that help this nation through the Second World War.

5. Get Out

If ever a film that was released in 2017 that felt timely, it was Get Out. A year that saw some horrifying events take place in America, hence making the directorial debut from Jordan Peele an extremely relevant and important piece of cinema. Fusing comedy and horror is walking a very fine line, but given Peele’s comedy roots, he absolutely walks that line perfectly. In that one minute it’s a happy scene and the next it’s utterly horrifying. Daniel Kaluuya is perhaps the best he has ever been in the lead role in a film that has such significant and relevant social commentary.  It’s a remarkable achievement for Peele and all the more impressive that it has stayed in the Awards conversation all this time,  despite coming out in February in the States.

4. Lady Bird

Full review here

Growing up, something we have all got to go through at one point in our lives, and though this is not anything new in movie making and story telling, nothing has captured it quite as well as this film. Written and directed by Greta Gerwig, also making her directorial debut along with Jordan Peele, this film just captures those struggles that we all go through as teenagers so affectionately, that it made it really unlike any other coming-of-age drama. Saorise Ronan’s magnetic performance at the heart of it all is the reason why it all just clicks. Like with Oldman, you don’t see the actress only the character that she has become, likewise with Laurie Metcalf as her mother. Likewise with Peele, Gerwig’s debut behind the camera means that she has a very bright future ahead of her.

3. Three Billboards Outside Ebbing, Missouri

Full review here

Much like Get Out, when you fuse two genres that are so different like comedy and horror, the result can be a gigantic mess. Similalrly fusing comedy and tragedy can be equally problematic. Yet again this tale of a woman grieving over her daughter’s murder and her fury with the inaction by the authorities is both dark and in places deeply tragic. Yet it manages to be extremely funny, finding humour in the most unlikely of places. Frances McDormand has been winning plaudits left, right and centre, and much like Oldman, it would be an enormous surprise if she is not clutching that trophy by the end of the  night, likewise for Sam Rockwell in the Best Supporting Actor category.

2. Dunkirk

Full review here

Christopher Nolan, a director whose name will immediately capture the attention of cinema goers across the world. Dabbling in history for this film about the Miracle of Dunkirk, proved that as a director, he can take any genre and make an extremely compelling, magnificently crafted film. The film-making on show here is flawless, the use of practical models adds so much authenticity to the story and from a technical standpoint it’s just astounding to watch. Though there’s not much dialogue, and the characters do not have much in the way of character development, the story that Nolan crafts is edited, fusing three varying narratives into one so faultlessly.  In terms of the technical categories, this film is bound to pick up a few awards in that area.

1. The Shape of Water

Full review here

Of all the things you can say about Guillermo del Toro, one thing is for sure, this man is a visionary director, and no film better exemplifies this than this absolutely stunning film. If you tell someone the basic premise of this film they would probably look at you in utter bemusement that a film like this could be so emotive and so heartfelt, but it is that and then some. McDormand is favourite but as a mute woman who falls in love with this creature, Sally Hawkins is mesmerising which is so remarkable given that she has no dialogue in the film, and is superbly supported by Octavia Spencer, Michael Shannon, Michael Stulbarg and Richard Jenkins especially. It’s soaked in absolutely gorgeous visuals and the cinematography is equally dripping in breath-taking beauty. A truly magnetic and immersive piece of cinema and one of del Toro’s best without any question of a doubt.

Could/should have been nominated…

While for the most part, all of these films deserve to be awarded with this recognition, there are a few films that for my money could have been included. Here are three that for my money could have joined the above:

Blade Runner 2049 (review) – The sequel to the film that shaped science fiction, that in turn was a worthy companion piece and one of the best films of 2017. Denis Villeneuve’s film was technically astounding with breath-taking cinematography and a really emotionally investing story. While it’s technical brilliance has been recognised and one that should see Roger Deakins finally win the Oscar, it deserved a Best Picture nomination (#DeakinsorRiot).

The Big Sick (review) – Romantic comedies can sometimes be so generic, basically retelling the same story over and over, but The Big Sick certainly isn’t that. It was a tremendously funny film about the real life exploits of its star Kumail Nanjiani, who despite pressure from his parents falls in love with an American woman, who develops a very serious illness. It was a very sincere story, told with heart and though its original screenplay nomination is well deserved, it could have got a lot more than that.

Coco (review) – Pixar is synonymous with telling emotional stories that leave its audience members to absolute blubbering messes, and its latest is no exemption. This was a beautifully told story about one boy’s passion for what he wants to do despite being completely forbidden from doing so by his family. The animation is magnificent and the music is delightful. Incredibly only three animated films have ever been nominated for Best Picture (Beauty and the Beast, Up and Toy Story 3) and Coco had more than enough quality to join that category.

Posted in Film Feature, Ranking

Ranking 2017 Superhero Films

Another year passes, and another collection of superhero ensembles and solo flicks have graced the big screen once again. It certainly was an interesting year with Marvel continuing to dominate the market. Meanwhile, DC trying to get their Extended Universe back on track, as well as one beloved character bowing out after a staggering amount of time in the role. It was quite the year but what stood out among the best of the best?

Anyway, with that said and done, it’s now time to grab the Lasso of Truth (well kind of) and rank 2017’s superhero flicks from worst to best, starting with…

7. Justice League

Click here for my Justice League review

It’s fair to say that five films in, the DC Extended Universe hasn’t exactly been a roaring success that it would have hoped to be. Though Wonder Woman certainly helped get things on track, the familiar feel of production problems certainly effected DC’s answer to the Avengers. With director Zack Snyder stepping down from the post production process due to a family tragedy, Joss Whedon was brought in to finish the film and oversee some reshoots. Though the film has polarised both fans and critics alike (not for the first time for DC) there is much to like about this. For one it does combine Snyder’s flair for visuals with Whedon’s ability to create funny dialogue. And seeing the team unite for the first time was undeniably a pleasure to watch, with memorable turns from Wonder Woman and a very exciting debut for Ezra Miller as Barry Gordon AKA The Flash. It’s not on the same level as The Avengers, but it does represent a step in the right direction for DC.

6. Spider Man Homecoming

Click here for my Spider-Man Homecoming review

Having made his glorious MCU debut in Captain America: Civil War, a solo Spidey film with him very much a part of the MCU was almost inevitable. As such, with a little bit of reorganisation, Spider-Man got his big screen MCU bow in the middle of the third phase of its cinematic universe. Tom Holland once again gave a superb performance as everyone’s friendly neighbourhood web-crawler, giving the character that real high school authenticity that had been somewhat lacking from the likes of Tobey Maguire and Andrew Garfield. While the story doesn’t exactly break any new ground in terms of what we have seen on the big screen for Spider-Man,  Spidey battles Adrian Toombes AKA the Vulture. Given the MCU’s well documented trouble with villains, he was certainly one of the better ones we have seen, as you understood his motivations and he had a connection to Peter that made it all the more interesting to watch. It doesn’t top the first two Raimi Spidey flicks, but it’s certainly a vast upgrade on everything that came after those two films.

5. Lego Batman Movie

Click here for my Lego Batman review

In the wake of the extremely entertaining Lego Movie, comes a spin off movie of equally hilarious Batman shaped proportions. With plenty of visual references to Batman and all of his previous incarnations, this film is paradise for all who are fans of Batman, which let’s be honest who isn’t, if someone says they’re not, don’t believe them cos they’re only kidding themselves. Will Arnett returns to voice this animated version of the Caped Crusader and Zach Galfianakis as the latest incarnation of the Joker, and considerably more well received than poor Jared Leto’s take on the character. The animation is great and the plot is extremely entertaining, albeit  it does get a little bit on the silly side at times, but when it’s this much fun to watch, no one is really going to mind.

4. Guardians of the Galaxy vol 2

Click here for my Guardians of the Galaxy vol 2 review

When 2014’s Guardians of the Galaxy came along, it was such a wonderful breath of fresh air for the MCU, giving us a look at new characters the overwhelming majority of us had likely never even heard of. It was fun, hilarious and overall just really enjoyable. So it’s little surprise that for the sequel, James Gunn chose to replicate the formula that worked to such great effect the first time around. However, while that still makes for an entertaining flick, it doesn’t have quite the same impact as the first Guardians movie. That being said, all of the team remain very fun to watch, it continues the humour from the first film, and yes Baby Groot is freaking adorable. The story is entertaining but certain elements do bog it down, and furthermore it doesn’t retain that freshness and originality that the first movie brought.

3. Wonder Woman

Click here for my Wonder Woman review

DC’s cinematic universe wasn’t exactly going well prior to the release of this film, Suicide Squad and BVS had endured rough reactions from fans and critics, and well it wasn’t looking good for the future of the DCEU. Enter Patty Jenkins to tell the story of Wonder Woman, and give us by far and away the best film that the DCEU has brought us and one that will hopefully open the floodgates for more female led superhero movies. Gal Gadot proved to be the perfect choice to play our titular heroine, she had the necessary charisma to carry the film on her shoulders, brilliantly combining such ferocity with compassion and a strong willed desire to do the right thing. With Chris Pine in equally superb form, watching Wonder Woman enter the battlefield in the heart of the First World War, and be an absolute badass particularly in the No Man’s Land sequence made for one of the standout moments of cinema in 2017 for sure.

2. Thor: Ragnarok

Click here for my Thor: Ragnarok review

Thor Ragnarok marked the staggering 17th film in the Marvel Cinematic Universe, and it without doubt takes its place as one of the best. Marking Thor’s 3rd solo film, it defied the notion that the third film is always the worst in the trilogy as this is by far better than the previous two films. Setting up events that are very much likely to play a part in next year’s Infinity War. Directed by the delightful Taika Waititi, this film was humorous right from the word go and it never lets up. This was the MCU’s version of a buddy cop film but instead starring Thor and Bruce Banner, and one of the FUNNIEST characters that the MCU has ever given us in Korg, the loveable bunch of rocks ably voiced by Waititi himself, battling against the villainous Hela played tremendously well by Cate Blanchett. It was exciting, funny, extremely colourful and exhilarating to watch.

1. Logan

Click here for my Logan review

What a way to bow out of a role and a franchise that for 17 years you have made your own. Logan marked the last time that Hugh Jackman will play the iconic character of Wolverine, and he couldn’t have gone out on a better note. Immediately director James Mangold lets you know what kind of film you’re about to watch. Right from the off, this was a much darker, and considerably more violent portrayal of the character than we have ever seen previously with quite a bit more blood and vulgarity, and all the better for it. As Logan must look after the ailing Professor X and young Laura who has some mysterious people after her. It’s a mash up between Wolverine and The Last of Us, and it’s by far and away the only superhero film that could have a legitimate shot and picking up some acting nods at this year’s Oscars. That could be wishful thinking but with an ending that will almost certainly leave you a blubbering mess, the work that Jackman has done with this character has been so extraordinary over all this years. As such, it will be an almighty task for anyone to take on this role in the future.

Agree with my picks? Disagree? Let me know what your ranking would be by commenting below or tweeting me at @thrsilverscreen.

Posted in Film Feature, Ranking

Ranking Christopher Nolan Filmography (Collaboration)

In terms of directors working today who have had quite the considerable impact of modern day films and film-making, one name that would surely come to mind would be one Christopher Edward Nolan. Since making his directorial debut in 1998, he has made 10 feature films, and through his fine filmography, he has covered a wide range of subjects in his movies, and his films certainly have the tendency to really challenge their audiences and get the mind working.

With the director’s next film, Dunkirk now in cinemas, it begs the question, what is Nolan’s best film? I have assembled a team of fine film folk to collectively rate and slate all of Nolan’s current filmography, ranking them from worst to best: These fine folks are: Plain, Simple Tom, Nathan, Markus, Angus, QuickFire Reviews, RyanMaddy and yours truly. Please be sure to give all those great people a look see via the hyperlinks in their name! Without further ado, let’s get cracking, and see our individual thoughts on each of Nolan’s films:

Following (1998)

Maddy: There is something immediately fascinating about this film. It’s a little bit student film-like, with performances that certainly aren’t great, yet the overall film has such a unique style to it that it was undoubtedly going to put Nolan on the road to success. Not his best, but definitely worth a watch to see where it all began. (6/10)

Tom: A simple yet intriguing story, Nolan starts his foray into the film world with this overlooked film, using the homes of friends and family in which to shoot in.Not extraordinary but always intriguing. Plus, a bat symbol on one of the doors. #foreshadowing. (7/10)

Markus: Following is an ambitious ham sandwich budget debut feature from Christopher Nolan. And for the most part it paid off. Not perfect, but definitely a good way for Nolan to get his foot in the industry. (8/10)

QuickFire Reviews: Made on a budget of $6000, Nolan’s directorial debut – for the limits and restraints in received in production – turns out superbly. From the very start Nolan as a director clearly has an eye for detail, crafting an exceptionally intimate, stylish and engaging character study. (8.5/10)

Ryan: Christopher Nolan’s underground debut feature may not be a perfect film, but it’s a faultless prelude to his now world famous filmography. You can see him beginning to toy with narrative, you can sense his recognisable character types beginning to emerge. It under 70 minutes, Following comes at you quickly but doesn’t skimp on the goods – a solid debut feature with more than enough to chew on. (8/10)

Memento (2000)

Tom: Another unique premise brought to life by a clever script and a handful of fascinating performances. (9/10)

Martin: Almost unlike anything that has ever been to screen before, and since its release, there has never been a film quite like Memento. Riveting storytelling, with a very unique premise and one of the best ever performances that Guy Pearce has given across his career. And for the Love of God, PLEASE don’t remake this movie Hollywood!! (10/10)

Nathan: While Memento succeeds through its direction, with an impressive use of dual narratives coalescing terrifically, the narrative is somewhat repetitive and really challenges your concentration levels come the middle third. That said, it is largely enjoyable and serviceable in delivering us the Nolan we know and love today. (6.5/10)

Markus: Nolan manages to create a fiendishly clever story with Memento, making perfect use of it’s fractured narrative and forgetful protagonist. Guy Pearce gives a fantastic performance that often gets overlooked by people. This movie is far from forgettable. (10/10)

Angus:  The film that is known for being backwards, ‘Memento’ does a fantastic job at keeping your interest within its unusual structure. The film will have you continuously guessing what has happened in what is arguably Guy Pearce’s best performance. A great concept with interesting characters make this film perhaps Nolan’s most unique. (9.25/10)

Ryan: How many film makers create something as good as Memento so early in the career? The film may benefit more from its structure than I’d care to admit (when watched in chronological order, a lot of the magic is lost) but Nolan’s exploration of time and memory is the film’s selling point. Why mark a film down for something it technically hasn’t done? Memento is smart, intricate storytelling and one of Nolan’s strongest scripts. (9.5/10)

Maddy: Massively impressed by this film. It’s so similar to Following but with a Hollywood upgrade, & it pays off really well. Love how we see the same scenes repeated over & linked & slowly pieced together, we don’t know who to trust or what to make of things: exactly what Leonard’s life is like. It’s clever in an effortless manner. (7/10)

Insomnia (2002)

Ryan: Insomnia is my least favourite of Nolan’s films. The performances are strong and the film’s atmospheric work is immersive, but there’s something missing from this one. A bold twist, a new direction for the film to take. Insomnia isn’t a bad film by any means, but it’s Nolan’s most forgettable work by a wide margin. (7.5/10)

Tom: A neat thriller with a fine cast, especially Robin Williams who gives one of his best ever performances. 7/10

Markus: Insomnia is Nolan’s most underrated movie. It’s an incredibly captivating murder mystery that takes a few interesting twists and turns. Pacino delivers a fantastic performance. I love it. (10/10)

Angus: Insomnia brings great performances from Al Pacino and Robin Williams as the cat and mouse game provides gripping entertainment. The struggle from Pacino’s character works very well alongside the mystery aspect of the film that is worth revisiting. (8/10)

Maddy: It’s not written by Nolan so it doesn’t have the same layout or rhythm of his other films, yet through his direction his unmistakable vibe is there. The acting really is first class here, with Al Pacino, Robin Williams & Hillary Swank all brilliant as you’d expect three Oscar winners to be. The audience is given everything but in a manner that seems to gradually distort along with Pacino’s character’s mentality – it’s clever, but easier watching than some of Nolan’s other work. (7/10)

Batman Begins (2005)

QuickFire Reviews: A comic-book franchise opener like no other Batman Begins matches Nolan with an equally talented cast to create a deeper, darker and downright thrilling portrayal of The Dark Knight, without ever becoming stale or monotonous. (9/10)

Maddy: This is how you do a superhero origin story. What I adore about the Nolan Batman trilogy & why I think it remains so successful is how much reality he gave it. Whereas in the past we’d seen Batman prancing around in his grey spandex with cheesy fight sound effects, this grounded the vigilante character & created a much darker & tangible take on the classic. Christian Bale makes a brilliant debut as both Bruce Wayne & Batman, & with Michael Caine at his side in what will forever be the perfect Alfred portrayal, this really was a hell of a start to a great trilogy; dark & intense without becoming overwhelming. (8/10)

Tom: Nolan reboots the Batman film universe in spectacular fashion with this exciting, cool, exquisitely designed film. It’s an excellent origin story with a superb cast and a great plot. (9/10)

Martin: The rebirth of the Batman, after the character died in ignominious circumstances. Told through Nolan’s brilliant vision with an exciting look at The Caped Crusader and his origins, magnificently acted by its super talented cast, and a truly gripping story of one man’s journey from man to symbol. (8.5/10)

Nathan: Batman Begins is a sluggish start for the rebooted Batman but helps sets the wheels in motion for an otherwise impressive franchise of films. The performances are decent but the chosen story is weak and, surprisingly, forgettable. (6.5/10)

Ryan: I didn’t realise how much I would enjoy a Batman trilogy when I first saw Batman Begins. The film is well crafted and suitably dark, telling the Bruce Wayne story in a harsher way than before, but it perhaps gets too bogged down in its “origin story” style to break away from the mould entirely. Still, it’s a stronger superhero film than anything we’ve had in the last four years. (8/10)

Angus: In my opinion, this is the best superhero origin story that does great at establishing the famous character. The Batman series needed rebooted badly and Nolan’s darker, more realistic take makes for a great viewing. The film balances its characters very well especially with its villains making Nolan’s first superhero film a successful one. (8.75/10)

Markus: After the Batman movie franchise was more or less killed off by Schumacher’s movies, Nolan managed to revitalise it with Batman Begins. An exciting action-drama that gives us a fascinating and fresh look at the characters and the world they inhabit. It also helps that the performances are top-notch. (10/10)

 

The Prestige (2006)

Martin:  Everyone loves a good magic trick, and for Nolan, this enthralling tale of two rival magicians trying to outdo the other makes for some spellbinding entertainment that will keep your eyes transfixed on screen right from the first shot all the way to the last. With two terrific performances from Bale and Jackman, as well as the late David Bowie, and one heck of an ending. (9/10)

Tom: With two charismatic performances at the centre, this film has an intriguing story that constantly keeps you guessing. A tantalising mystery with some neat visuals and a fine ending. (8/10)

Nathan: The Prestige is an absorbing and somewhat hypnotising picture, bolstered by two terrific central performances and Nolan’s reliably impressive direction. Most admirable though is that there is nothing quite like this film, demonstrating Nolan’s ability to make ground-breaking and innovative cinema. (7.5/10)

Markus: Layered, complex, and filled with twists and turns, The Prestige shows Nolan at his most fiendishly clever. Tricking you at every moment it can, like a good magic trick, The Prestige is one that shouldn’t be overlooked by anyone. (10/10)

Angus: A film about two magicians trying to one up one another is full of twists and turns that will make sure that you are watching every second until the credits role. And then after that, you will be thinking about what has actually just happened and how they pulled it off. This is a film that will stay with you for days and changes the way you watch it the second time around. There are so many layers to this film that make it special, magical if you will. (9.25/10)

Ryan: There’s a cult of film fans who loudly herald The Prestige to be Nolan’s best film and, while I don’t agree, it isn’t tough to see why. This is a starkly original work from Nolan, one that benefits from countless rewatches to fully comprehend not only the story it tells but the way it tells it. The final twist is certainly of the “make it or break it” kind, but if you fit in the former category it’ll turn a good film into a great one. (9/10)

The Dark Knight (2008)

Markus: The Dark Knight isn’t just a showcase for one of the best performances of 2008 (Heath Ledger), but it’s also a layered and suspenseful crime-drama filled with plenty of awesome moments. It’s also beautifully shot and features an excellent score from Hans Zimmer and James Newton Howard. (10/10)

Tom: Surely Nolan’s magnum opus, The Dark Knight earns its place as one of the best superhero films ever. Amazing set pieces, a thrilling score, cool bat-action, a solid script and all round excitement. Oh yeah and there’s this guy called the Joker and he’s played by Heath somebody; apparently he’s awesome.  (9/10)

Angus: The finest superhero movie ever made is always closely linked to Heath Ledger’s stunning performance as The Joker. However, there is a lot more to the film as its filled with many great moments making ‘The Dark Knight’ a modern classic and the best within its genre. Aaron Eckhart’s performance as Harvey Dent/Two Face is also magnificent as his character development throughout the film is exceptional. The opening heist scene and interrogation scene between Christian Bale and Ledger are two particular highlights. (9.5/10)

Martin: In short, one of, if not THE, best superhero movies ever made, and what a sequel should do. Taking it in dark, mysterious and exhilarating new directions. A masterclass performance from Heath Ledger as the Clown Prince of Crime, among a plethora of wonderful performances and just some darn good action sequences! Now there’s a truly great Batman movie! (10/10)

Nathan: The Dark Knight is masterful in almost every sense of the word: as a superhero film, as a blockbuster, as an action-thriller, as a character study, The Dark Knight is perfect. Combining Nolan’s magnificent direction, a wonderful script and incredible ensemble performances (particularly from the late Heath Ledger), The Dark Knight is everything we love to see in cinema. (9.5/10)

QuckFire Reviews: It’s difficult to say the perfect film exists – but if it did it would look like this. From the visceral action sequences, razor edge tone and score, stunning cinematography and a script that elevates the material to what was previously viewed as unreachable heights, The Dark Knight also features my favourite and one of the all-time greatest acting performances in Heath Ledger’s menacing, complex and often funny turn as the Joker. A truly unforgettable viewing experience, destined to forever be a classic. (10/10)

Ryan: How many sequels not only improve on their predecessor, but actually grow to become recognised as a classic? The Dark Knight is a masterpiece of superhero cinema, and when people throw it around it conversations of the greatest films of all time, its inclusion in such discussion doesn’t feel unearned. Led by an unforgettable performance from Heath Ledger and a narrative as momentous as it is explosive, The Dark Knight will sit at the top of the superhero throne for a very long time – one might even argue forever. (10/10)

Maddy:  Nine years on & nothing has changed in how brilliant this film is. Without a doubt the greatest superhero movie, & one of the best performances of all time from Heath Ledger as the Joker. It’s unlike anything else – seamlessly continuing the trilogy whilst building on it, making it broodier & more gripping. Maggie Gyllenhaal taking over the role of Rachel from Begins’ Katie Holmes transforms the character into something far greater than a damsel in distress. And Heath Ledger – where do you even start? He to date is the best Joker, exactly as the character was intended to be. He is truly unpredictable in the most unsettling & jaw dropping way, & in an exceptional way seduces every viewer with his ever changing anecdotes & sick jokes. Another realm of film-making. (10/10)

Inception (2010)

Nathan: Inception may be too complex for its own good at times, but its mind-bending premise, terrific ensemble cast and brilliant visuals are all helmed by Nolan with aplomb and sophistication. It may be the smartest, most innovative film of the decade and one that deserves to be remembered for years/decades to come. (9/10)

Tom: A unique, mind-bending concept, spectacular visuals and a flawless ensemble cast. Surely one of Nolan’s most ambitious films – you ain’t never seen anything like this before! (9/10)

Martin: Dreams, within dreams, within dreams. Crikey what a mind-boggling premise, and one that in the wrong hands could have been an enormous bloated mess, but yet again Nolan makes it all work, with a first class screenplay, utterly bonkers but quite brilliant visuals, another top notch ensemble cast, and absolutely mind-bending action sequences. (9.5/10)

Markus: Taking an idea as complex as Inception’s could turn out really convoluted and bad, but Nolan manages to make it all work. The cast is fantastic, and the score by Hans Zimmer might be the best he’s ever done. Complex, exciting, and epic, Inception is my personal favorite of Nolan’s movies. (10/10)

Angus: I believe this to be Nolan’s best film as it succeeds on so many levels. Thoroughly entertaining whilst being a film that really makes you think makes this truly remarkable. The story is solid and is helped by breathtaking visuals and a phenomenal cast which is the best ensemble that Nolan has worked with. ‘Inception’ is innovative and clever whilst maintaining an exhilarating feeling throughout the whole of the runtime. Again, this is a film that gets better with repeat viewings as you start to pick up little details you may have missed at first glance. Nolan’s finest work to date. (9.75/10)

QuickFire Reviews: With a memorable score, an impeccable cast, stunning visuals and a director that compliments the larger than life concepts, Inception is sleek, engaging and mind-bending all at once, without ever being over convoluted. Though I have never been the greatest fan of this movie, I laud it for being what it is – a thoroughly intelligent blockbuster. (8/10)

Ryan: I won’t beat around the bush here – Inception is my favourite film. It’s the one that drew me into the world of the film, the one that opened my eyes as to the limitlessness of cinema. The film’s action sequences are exhilarating and the narrative structure is sensational, but it’s Inception’s emotional core that mesmerises me with every rewatch. Benefitted further by Hans Zimmer’s masterpiece of a soundtrack, I doubt I will ever love another film in the ways that I love Inception. (10/10)

Maddy: This seemed like Nolan’s real breakout into high budget films he set out to make. Inception is so difficult to explain, but so brilliantly told that you don’t realise that it is confusing (if that makes sense at all). Leonardo DiCaprio is phenomenal in the lead, with more excellent performances from Ellen Page, Tom Hardy, Cillian Murphy & more. (8/10)

The Dark Knight Rises (2012)

Maddy: I know that The Dark Knight is the best film in this trilogy, & the best comic book movie of all time. But I think Dark Knight Rises is my favourite; it’s the only one I saw in theatres after my Uncle introduced me to the films one weekend in the summer. I am utterly in love with Anne Hathaway as Selina Kyle, & Joseph Gordon Levitt being revealed as a sneaky Robin was the greatest thing that ever happened to me. Following in the footsteps of an iconic performance as an iconic villain was hard for this film, but Tom Hardy as Bane is a fantastic villain & Marion Cotillard is genius. And then just go round it off, we have Gary Oldman & Michael Caine being absolute sweethearts & making you want to weep from it all. (8/10)

Tom: Concluding the Dark Knight trilogy, Tom Hardy makes for a . . . unique . . . Bane but the overall story is often muddled and unfathomable. Regrettably a bit disappointing. Then again, The Dark Knight was nigh-on impossible to top. (7/10)

Martin: With two excellent films in his trilogy completed, wrapping up the trilogy in the wake of The Dark Knight and Heath Ledger’s death was always going to be tough. The story is far from perfect, but a plethora of intriguing new addition, the highlight being Anne Hathaway as Catwoman, mixed in with familar faces, and some absolutely batshit (pun not intended!) action scenes, with Tom Hardy truly menacing as Bane, ensure it was a fitting end to Nolan’s Dark Knight Legend. (8.5/10)

Nathan: The Dark Knight Rises may not match the success of its predecessor but it marks a vast improvement on the first in the series, presenting a satisfying and enjoyable conclusion to one of the most acclaimed trilogies of our cinematic time. (8/10)

Markus: Filled with spectacle and a good sense of finality, The Dark Knight Rises is a solid end to Nolan’s Dark Knight trilogy. There are moments of “Eh” at a few points throughout, but overall this is a great movie. (9/10)

Angus: The Dark Knight trilogy ended with its weakest film as ‘The Dark Knight Rises’ did feel a level below Nolan’s usual standard of work. This is a fun film for sure as it is packed with some great action and moments. Tom Hardy is great as Bane, posing a true physical threat to Batman whilst being incredibly clever. However, I feel the film dips in quality after the first encounter between Batman and Bane. At this point there are many questionable and convenient moments that have many problems. However, I can’t deny that this is still a fun blockbuster to watch. (7.75/10)

QuickFire Reviews:  Ambitious, haunting yet also immensely crowd-pleasing, Rises is not quite as refined as its predecessors, but is an overly satisfying conclusion, to Nolan’s revolutionary trilogy. (8.5/10)

Ryan: Is The Dark Knight Rises a perfect film? No. In fact, it isn’t even a perfect conclusion to the trilogy. But it’s big, and big is good enough when surrounded by as many strong components as this film has. Some sloppy fight scenes and questionable plot holes aside, The Dark Knight Rises is a climactic and emotional trilogy closer, a film that coasts on its ambition and ends up as more than the sum of its parts. (9.5/10)

Interstellar (2014)

 Tom: Undeniably ambitious and impressive with its visuals and score but hindered by a cumbersome sentimentality that holds it back while it’s trying to be a big sci-fi epic. As Danny Leigh said: “like trying to land a 747 in someone’s back garden.” (7/10)

Angus: This sci-fi film really brings emotion mainly due to McConaughey’s performance and his character Coop’s relationship with his daughter Murph. This is a truly beautiful film with great sets and special effects showing how well Nolan can work with the latest technology. ‘Interstellar’ showcases Nolan’s creativity as he looks for new ways to get his ideas onto the big screen. The ending didn’t work entirely for me and I do feel that the effects overshadowed the story in this film making it weaker than most of Nolan’s previous endeavours. A film that I would definitely recommend all to watch at least once as its provides a great experience. (8.25/10)

Martin: A very ambitious film to say the least, but if anyone could pull it off, Nolan could and he did. A deeply powerful, human story at its core mixed in with the usual top calibre of performances, some truly stunning visual effects, and a spine-tingling score from Mr Hans Zimmer. (9/10)

Maddy: I was late to the Interstellar game, but oh boy was it worth the wait. I started crying about twenty minutes in & didn’t stop until long after the credits rolled – & at it’s two hour forty nine minute run time that really means something. Every single actor gives it their all, making this futuristic & unrelatable scenario absolutely emotionally touching from the get go. Matthew McConahay, Jessica Chastain & Anne Hathaway are simply phenomenal, the score is beautiful & the entire story is uniquely effecting. I can’t fault it. (10/10)

Nathan: Interstellar is a smart and engaging slice of science-fiction that unfortunately crumbles in its third act; complex ideas progress into conceited ones, twists develop unsatisfyingly, with a few uneven performances in the mix – but with Nolan at the helm, it is still worth a watch. (7.5/10)

Markus: With an almost three long hour run-time and a focus on philosophical themes, Interstellar is a movie that will test some viewers’ patience. Patient moviegoers on the other hand will be rewarded with an intriguing, if mildly up it’s own ass idea, great performances, great music, and fantastic visuals. Also, Matthew McConaughspace. (9.5/10)

QuickFire Reviews: Interstellar is wonderfully filmed, both incorporating aspects of old Hollywood genre film-making, with Nolan’s stamp of uniqueness. It loses a lot of is steam and begins to pander to the extent that I fail to call this a great movie, but it is still as well-crafted as it is ripe with gorgeous visuals and emotion. (8.5/10)

Ryan: Much like his previous film, Nolan took on a lot with Interstellar. The film’s final act will always be divisive, but I hold no restrains in admitting my love for it. The film is visually stunning, but its conclusion takes an already bold film and twists it into something staggeringly ambitious – and, in my eyes, it nails it. Interstellar is one of those films that I love – and always will love – unequivocally, but for those that really don’t get on board with it? I hear ya. Interstellar is a funny one, but it works for me. (9.5/10)

Dunkirk (2017)

Our thoughts on Dunkirk will be added to this post in the coming days, watch this space!

Now that we’ve all had our minds blown by the remarkable filmography of Christopher Nolan, how do we collectively rank his films when we average out all of our scores? Here are the results:

9. Following: 7.5

8. Insomnia: 7.9

7. The Dark Knight Rises: 8.3

6. Batman Begins: 8.5

5. Interstellar: 8.7

4. Memento: 8.75

3. The Prestige 8.8

2. Inception 9.2

 1. The Dark Knight: 9.75

And there we have it, it seems we as a team share the perspective of many a film fanatic out there, with the Dark Knight ranking as our favourite Nolan film combined. For many people, there is a belief that Nolan has not made a bad movie, and if our scores are any indication, we would also probably agree with that sentiment! How would you rank Nolan’s films? Comment below and let us know!

 Massive thanks to my awesome contributors!

Posted in Film Feature

Star Wars: Top 5 Imperial Officers of the Empire

Written by Dominic Evans

We all know the stories of the “Rebel scum” in a galaxy far, far away, but what of the achievements and accomplishments of the Imperial Officers of the Empire? The bad guys we love to hate! Who were the officers who fought those insurgents, maintained order to the galaxy through fear and helped stabilise the first Galactic Empire? It would have been impossible for Emperor Palpatine and Lord Vader alone to maintain control and security, and I don’t think you would see the Sith undertaking any of the admin work! Prepare the single reactor ignition… You may fire when ready!

5. Colonel Yularen

 

Blink while watching the first meeting of the high ranking Imperial personnel aboard the first Death Star in A New Hope and you will miss him. The old man of experience (donning a crisp white tunic) began his Star Wars story as an unnamed background character that first got his name through a customisable card game! Wulff Yularen has since been handed a rich backstory.

Beginning as an admiral in the Republic Navy, he served gallantly in the Clone Wars, commanding a Cruiser while serving General Anakin Skywalker. A man who respects command and an admirer of bravery and public duty, Yularen became Colonel of the Imperial Security Bureau (ISB) at the rise of the Empire, exposing instances of sedition in the Imperial Senate and later identifying and rooting out rebel spies. One adventure (season 3 of Star Wars: Rebels) had him on board the Chimaera with a blue-faced, red-eyed Chiss, exposing the rebel spy known as “Fulcrum”, Agent Kallus.

His presence was demanded on the Death Star to allay concerns of the station’s security because those pesky Rogue One Rebels stole the battle station’s technical plans. Colonel Wulff Yularen perished on board the Death Star on its destruction at the Battle of Yavin.

4.Grand General Tagge

“If the Rebels have obtained a complete technical readout of this battle station it is possible –however unlikely – that they might find a weakness and exploit it”.

General Cassio Tagge, General and Chief of the Imperial Army, was the only Imperial that took the threat posed by the Rebels seriously, following the theft of the Death Star plans. How right he was! In A New Hope, during the joint chiefs meeting, Tagge’s concerns about the Rebels building support in the Imperial Senate were dismissed heavily by Admiral Motti (who was thereafter choked out by Darth Vader who found “his lack of faith disturbing”). Tagge was not aboard the Death Star upon its destruction (as he was investigating Princess Leia’s false claims of a Rebel base on Dantooine) and was later praised for his foresight by the Emperor himself. He was promoted to Grand General and placed in charge of the Imperial military, charged with the Imperial’s expansion of the Outer Rim.

After the Battle of Yavin, due to the increasing disappointment the Emperor had in Vader, the part-man, part-machine was placed under Tagge’s command. Tagge was an effective and methodical analyst who was very critical of “Tarkin’s Folly” (the Death Star). He pondered on the amount of Super Star Destroyers the Empire could have built instead. Frightening thought! Commander of the Annihilator, Tagge’s power and authority grew, but so did his overconfidence. Holding the well-known Imperial trait, his arrogance blinded his belief that he could wield Vader as his own personal attack dog. How wrong he was after being so right! Vader ultimately killed Tagge the second after he was demoted following an attempted coup.

3. Director Krennic

Cunning. Ambitious. Unpredictable. Volatile. Devoid of compassion, mercy and regard for innocent lives. A working-class man who rose through Imperial ranks thanks to his ruthlessness to earn respect, his determination to make a name for himself and his born-given talent of being a master manipulator. Orson Krennic, Director of the Advanced Weapons Research division of the Imperial militarily and think-tank behind the might of the Death Star, ultimately fell under his own arrogance and obsessions. He was also the only man in the Empire who insisted on wearing a white cape!

After rising to the fore within the Republic Corps of Engineers, following his education within the exclusive Galactic Republic’s Future Program (where he met Galen Erso, the man behind the exhaust port), Krennic manipulated Galen into advancing the research on weaponising kyber crystals for the Death Star’s energy weapon. Working beyond his command, Krennic single-handedly orchestrated the creation of the battle station, utilising smugglers across the galaxy to supply the precious resources, turning them over to the Empire once finished. He was well-known for possessing memorable sarcastic tones: “Oh, look! Here’s Lyra. Back from the dead. It’s a miracle” when Lyra Erso appears with a blaster after Galen had said she died, and “Are we blind?!” following explosions across Scarif.

However, his downfall begun and ended with his grand rival, Grand Moff Tarkin. Krennic cunningly sprung a long-fought battle on Tarkin in the Salient system while he advanced Project Celestial Power behind his back to gain more favour with the Emperor. It therefore came as a shock to him, following the successful test on Jedha City, that Tarkin now claimed responsibility of the Death Star: “We stand here amidst MY achievement! NOT yours!“. Director Krennic was summoned to Vader’s castle on Mustafar in Rogue One. Obsessed with retaining control, he used this as a last-ditch attempt to manipulate Vader into organising an audience with the Emperor so as to recognise his achievements, despite his great fear of the mysterious Dark Lord. Even after being choked by the Force, knowing that he was still in charge of the Death Star’s operations brought a beaming smile to his face. He met his end (choking on his own aspirations!) at the Battle of Scarif, where Tarkin deployed the Death Star to eliminate the Empire base before the plans were extracted by the Rogue One Rebels. Krennic was ultimately killed by his obsession; somewhat poetic! I guess you now know why there was an empty chair at the joint chief meeting in A New Hope.

2. Grand Admiral Thrawn

“To defeat an enemy, you must know them. Not simply their battle tactics, but their history, philosophy, art”.

His name is Mitth’raw’nuruodo. Who? More commonly known as Grand Admiral Thrawn (the blue-skinned, red-eyed Chiss who made his debut in season 3 of Star Wars: Rebels), ultimate commander of the Chimaera . He was the only alien within the Empire’s chain of command that was exclusively made up of humans. He is THE master of strategy, tactics and war through the deconstruction of his enemies’ art. Art?! Thrawn’s obsession was based on the notion that in order to truly defeat one’s enemy, one must be mindful of the importance of understanding an enemy’s culture, art and philosophy, allowing him to delve into the psyche of the people he wished to destroy. Being a brilliant military strategist earned him countless victories over smugglers, spies, pirates and that pesky Rebellion. Because of his successes in utterly wiping out his opponents, Thrawn was not known to the rebellion at large, something he used to his advantage: “I will start my operations […] and pull the rebels apart piece by piece. They will be the architects of their own destruction”.

To gain access to the Empire, Thrawn faked his exile and bamboozled Stormtroopers into taking him before the Emperor (although his true purpose was to deduce the Empire’s potential might as an ally in combating the impending doom emanating from the Unknown Regions –theorised to be the threat of Snoke!). Thrawn’s ingenuity and tactical prowess caught the attention of the Emperor as well as his knowledge of the Unknown Regions (a dangerous and unchartered area of space where the Emperor believed to be the location of secret discoveries of the dark side). Thrawn’s knowledge was in part used to travel there, where the Empire’s remnants re-organised into the First Order.

His calm and collected demeanour, as well as his suave and sophisticated mannerisms masked his ambition and ruthlessness: “I do not require glory, only results for the Emperor”. The obsession with total annihilation of his enemies makes him very dangerous and his ultimate future is yet to be determined (season 4 of Star Wars: Rebels will map that out). But, where he has efficient and effective tactical precision, brilliant military prowess and considerable skill in hand-to-hand combat in the bucket loads, he has a great gap: political astuteness (believing it not to necessary in his attempt of perfecting the art of war). He therefore lost out on #1 to someone who had the entire package…

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1. Grand Moff Tarkin

The measuring stick for all Imperial Officers to follow. The poster boy! The perfect blend of ambition, ruthlessness, tactical and military prowess and arrogance which allowed him to shape his legacy within the Galactic Empire. Born into a wealthy family on Eriadu, Wilhuff Tarkin from the age of 11 was sent on his own into the untamed Carrion Plateau at months at a time to hone his predatory skills. To Tarkin, respect, discipline and obedience were of the utmost importance, and he learnt that everything could be taken away from him in a blink of an eye, even if he had spent a lifetime trying to obtain it. Life to Tarkin was a constant struggle for survival.

As a young man, his devotion to service and loyalty meant that he (on the advice of his mentor, Naboo politician Sheev Palpatine) pursued a path in both law enforcement and government. During the Clone Wars, he served as a Republic Captain under Jedi Master Even Piell. He was captured by Separatists after the Battle of Murkhana and taken to Lola Sayu, home to the impenetrable prison known as the Citadel (designed to hold renegade Jedi), only to be rescued by Obi-Wan Kenobi, Anakin Skywalker and Ashoka Tano. Tarkin was always sceptical about the Jedi fronting the Republic forces: “I find their tactics ineffective. The Jedi Code prevents them from going far enough to achieve victory, to do whatever it takes to win”.

At the birth of the Empire, Tarkin was one of its strongest supporters and helped consolidate control through the use of ruthless tactics, overseeing mass arrests and executions. Tarkin was elevated to Grand Moff (the Empire’s first) and became regional Governor of the Outer Rim after uncovering a conspiracy involving political dissidents in a “Route 66”-like team-up with Darth Vader. As Grand Moff, he did not tolerate failure and often had ineffectual officers executed. He also became one of the only people to have correctly deduced the identity of Vader.

After being suitably impressed with the successful demonstration of the destructive power of the Death Star as it devastated the Holy City of Jedha, Tarkin (with his chilling smirk) utilised his political astuteness and immediately assumed complete authority of the battle station, despite the boisterous protests of Director Krennic. He thereafter developed a simple and brutal philosophy: fear of the Death Star’s planet killing super-weapon would suppress all resistance to the Empire. Tarkin demonstrated his cold and calculating mannerisms by blowing up Alderaan to demonstrate its “full power”, despite learning the location of the Dantooine rebel base.

But, even with his brilliant military strategic mind and unparalleled devotion and ruthlessness to the Empire, Tarkin’s “Folly” ultimately blinded him: “Evacuate? In our moment of triumph? I think you over-estimate their chances!” Convinced of the battle station’s invulnerability until his end, Tarkin died on the Death Star, not solely because an unknown farm boy from the back water planet of Tatooine made the impossible shot, but because of his own arrogance.

So, after learning of the “heroics” of the most influential officers of the Empire, it is now over to you! Who is your favourite Imperial, and how would you rank them? Comment below! If you enjoyed reading this, please give the Facebook page a like and follow @ThrSilverScreen on Twitter.

Posted in 1990-1999, 2000-2009, 2010-2019, Film Feature

Ranking the Star Wars movies

Image is property of Lucasfilm

Is there a franchise across the galaxy that has made such an impact on popular culture than Star Wars? Right from its inception in 1977, it has seeped its way into almost any and every aspect of our daily lives, so much so that a good four decades after the first film was released in cinemas, it has continued to enjoy almost unparalleled levels of popularity. You ask anyone you meet on the street if they know Star Wars, it would be quite incredible if you encountered someone who genuinely has no idea what the hell you’re on about.

Anywho, for a great many years it did look as though there was no force left in the world of Star Wars, since its creator George Lucas had originally planned for two trilogies. However, since Disney bought Lucasfilm back in 2012, the franchise has enjoyed a new lease of life. The new trilogy is up and running and an anthology film is in the bag with many more planned. But the force has not always been strong with this franchise, and so it’s time to take a trip to a galaxy far far away and rate the Star Wars films from worst to best. Time to get started, and make that jump to hyperspace! Punch it Chewie!

9. Episode II: Attack of the Clones

Read my original review here

The whole purpose of the prequel movies was to witness the transition of Anakin Skywalker from extraordinary Jedi to badass Sith, however he was far from a compelling character and here he’s nothing but a whiny pain in the arse! It is fair to say that Episode I wasn’t quite as well received as the 3 films that had come before it, so after some negative feedback you’d have thought George Lucas would have made some improvements in the 2nd outing in his prequel trilogy, and well in short he didn’t.

The dialogue is dreadful, with Hayden Christensen and Natalie Portman not possessing a single bit of chemistry between them just makes it so painful to watch. Romantic dialogue at its absolute worst. “I don’t like sand. It’s coarse and rough and irritating and it gets everywhere” is a line that will live forever in film infamy. The film tries to make things exciting with Obi Wan’s adventure, but even that is just ridiculously bloated and nonsensical. At a point it just becomes a chore to finish the movie as you’re just not invested in the adventure one bit. Even with less of one of the most infuriating characters ever brought to screen, it’s an excruciating watch, even with some lightsabre battles involved.

8. Episode I: The Phantom Menace

Read my original review here

Ahem, speaking of said infuriating character: JAR JAR BINKS. One word: WHYYYYYYYYY????? What on earth was Lucas thinking when he came up with the idea for this character ? He’s annoying to watch/listen to, and it’s not surprising that some thought the character was deeply offensive, regardless of whether he was written to be for children, he did not need to be so infuriating to watch. He’s perhaps the most hated movie character ever, and justifiably so too. But that’s just one facet of what’s wrong with The Phantom Menace. Right from the opening crawl, upon watching this, something is not right. Trade negotiations??!! Peace treaties??!! Star Wars, this is not!

Again just what was Lucas thinking?! When you watch this you wonder is this the same man who created this wondrous universe? Cos here it certainly doesn’t feel like it. Lucas clearly became drunk with CGI, as there’s a ton of it on show here, and while some scenes are cool, the majority of these effects are horrifically dated. The script, much like Clones, is also abysmal, as is the acting. What puts Phantom Menace above Clones is Duel of The Fates, Darth Maul and the ending lightsabre battle, cos that’s just cool, but it’s not enough to save the movie from the mediocre snoozefest it really is, and that’s an almighty shame.

7. Episode III: Revenge of the Sith

Read my original review here

AT LAST! WAR! After two for the most part painful movies, we finally got the prequel movie we signed up for! Right from the opening space battle, we immediately get the feel of old school Star Wars, and the Clone Wars that we were promised. More importantly, we watch as the Dark Side gnaws away at Anakin, eventually leading to his full turn to the Dark Side. Rise, Lord Vader! Christensen is for the most part, much better here in his performance, but there are still some lines that are just painful to watch. But it must be said, the acting went up a couple of good pegs, largely courtesy of Ewan McGregor who really shines as Obi-Wan. Not more so in the destined duel between Master and Padawan. You really feel the emotion, the pain and anguish of these two former friends now ferociously trying to kill the other. It’s also much funnier than the first two movies, largely courtesy of R2D2.

The action is also much better, from the opening battle to the battle against General Grievous (also the best villain of the prequel trilogy). There’s a handful of some great battle scenes, such as Yoda VS Palpatine and the climactic battle between Obi Wan and the newly turned Lord Vader is certainly gripping, if a little overlong. But by far one of the most excruciating scenes to come out of the prequels was Order 66! It made any Star Wars fan’s stomach churn watching the grim destiny of the once highly lauded Jedi Order. Yet, there are some scenes that much like its predecessors are truly head scratching, dying of a broken heart? I mean, really? And that really dumb “Noooooooooo” right at the end, just well erm, no. No thank you Lucas. At least this film ended the trilogy and the franchise (or so we thought at the time) on a positive note.

6. Episode VI: Return of the Jedi

Read my original review here

The one that originally closed the book on the franchise, and although in terms of quality it doesn’t quite match up to its predecessors, there was much enjoyment to be had in this final instalment of the original trilogy. The Battle of Endor is really well done and features one of the most memorable lines in cinematic history, courtesy of Admiral Ackbar (you know the one!). But the main focus of this tale is Luke’s mission to rescue his father from the evil Emperor’s clutches, and try and restore him to the good side. Their climactic final battle carries a lot of emotional weight, and is also very gripping to watch: “I am a Jedi, like my father before me”.

Now on the other hand, there’s the small matter of the Ewoks, you either love or you hate these little bears, but either way the idea of them being able to topple the Empire’s troops is a bit silly and very perplexing. That being said, despite these furry bears, Jedi has enough enjoyment in it to give the original trilogy the satisfying conclusion it really deserved, but as we know, this was not the final chapter in the adventures of the trinity: Luke, Han and Leia.

5. Rogue One: A Star Wars Story

Read my original review here

Despite being called “Star Wars”, there hadn’t really been a moment where these films really felt like proper war movies, this is of course until Rogue One blasted its way onto the big screen, in the first of the anthology films that Disney had been developing since it seized control of the franchise. Taking place right before Episode IV kicks off, the focus is on a group of rebels who make a daring mission to steal the plans for the Empire’s deadly planet destroying space station, the Death Star, and it really does bring the war element to the franchise in a way that we had not seen before.

No Jedi to be found here, and in Felicity Jones’s Jyn Erso the franchise has another very compelling female lead (more on that later,) the assortment of characters that are recruited are enjoyable to watch, Donnie Yen’s Chirrut Imwe for instance, and new droid K2SO is VERY funny. Yet there is a bit of an irksome lack of development on some of these characters, aside from Jyn and the relationship she has with her father Galen. However, when we get to that third act, it is breathless entertainment, not to mention one of Darth Vader’s best ever moments in the franchise. It is a perfect companion piece to Episode IV.

4. Episode VIII: The Last Jedi

Read my original review here

The newest entry into the beloved franchise, and one that chose to go in interesting new directions for these characters, for both new players in this galaxy, and for those who have been through quite a bit in their lifetime alike. Director Rian Johnson wasn’t afraid to take some risks here, and it’s clear that intriguing new direction had his seal of approval written all over it. choose to take for these characters were certainly bold choices, and it certainly made for some intriguingly interesting moments between characters most notably Daisy Ridley’s Rey and Adam Driver’s Kylo Ren. Meanwhile Mark Hamill’s latest turn as Luke Skywalker marks what might just be his best ever performance in the role.

Many accused The Force Awakens of playing things safe, but Johnson’s decision to take risks is admirable, though of course there are obvious nods and references to things from films gone by, which given that we’re eight films into the series by now, is kind of hard not to do. The action was exhilarating to watch and visually tremendous once again. However, n

3. Episode VII: The Force Awakens

Read my original review here

There has perhaps been no movie this decade that carried more hype going into it than for the first Star Wars film since 2005. By this point, the franchise had now firmly made the decision to move forward with its own ideas, and as such Lucas’s suggestions were left by the wayside, much to his dislike. After the prequels had for the most part left fans vastly disappointed, much was riding on this film to match those lofty expectations, and for the most part, it delivered.

Now there has been much criticism hurled at this movie for being essentially a carbon copy of the original. While admittedly there are lots of visual nods and throwbacks, JJ Abrams and his team delivered a film and a story that felt so much more like a homage to those original movies we know and love. Rey is a very compelling and interesting character that is so effortlessly watchable in spite of the fact that we know so little about her, and given the fact she is the central character of the new trilogy, is critical. John Boyega also gives a top notch performance as FN-2187 (Sorry, I mean Finn), a Stormtrooper gone rogue and Oscar Isaac’s Poe Dameron certainly carries that Han Solo esque aura about him.  Speaking of Han, this film gives him and Leia so much more backstory and fleshes their characters out in ways we hadn’t seen before.

In Adam Driver’s Kylo Ren, the series has another superbly portrayed antagonist who in spite of knowing the bare minimum about his backstory (other than also being Ben Solo), is very compelling to watch in the same way that Rey is. He’s in many ways a wounded soul, but one you absolutely do not dare mess with. Some would even argue that he become most menacing when he removed his terrifying mask while interrogating Rey, placing his mask on the ashes of his Jedi victims, only to reveal a young boy, corrupted and twisted by the dark ways of the Force.

There’s flesh on the bones of these characters in a way that was pretty much non-existent across the prequel trilogy, thus you’re invested in them, leaving you wanting more. Also, the movie makes a bold choice by leaving the film on a cliffhanger, leaving fans with many questions that meant they had to wait until the next instalment for answers.

2. Episode IV: A New Hope

Read my original review here

The start of truly something special, a film that revolutionised the industry in pretty much every way, and created a franchise that to this day enjoys galactic world domination. It would be fair to say that there was something of a struggle to bring this to the big screen. Production problems, difficulties in funding the film, and even some cast members thought the film would be a massive failure. Mark Hamill commented that on the first day of filming in Tunisia, cameramen were laughing at his costume. How wrong they were!

Right from the opening moments, this film just captivates you, the effects at the time were dazzling and they still hold up to this day (well for the most part!). The characters are all very intriguing and much like The Force Awakens, you wanted to spend more time with these characters, characters who have left their mark on pop culture forever. Luke, initially a bit whiny, really grows into the role of the main protagonist. Han Solo is your cocky, brash but lovable smuggler, and in Princess Leia, you have a female protagonist that is up there with the very best that have ever been put to screen. Equally in Grand Moff Tarkin and Darth Vader, you have two of the most memorable antagonists cinema has seen.

Despite all the production problems, the struggles were not in vain, and the final product is cinematic gold in every sense. The start of a franchise that has reigned across the galaxy for decades now and will in all probability continue to do so for decades to come.

 1. Episode V: Empire Strikes Back

Read my original review here

Sequels have very much become a staple of modern cinema, sometimes they improve on their predecessor, and sometimes they just don’t. Empire is most definitely the former, in this instance, but it’s more than just a great sequel, it is one of the best films of all time. Period.

With the first film we got introduced to our key characters and at the same time, introduced to a plethora of planets to explore and a very intriguing and well told story to boot. This film takes those characters and develops their relationships in very unique ways, whilst also making plot choices that are bold to say the least. While the action in A New Hope was something to behold, here it is even better. The Battle of Hoth is mesmerising to watch, whilst the climatic final battle between Luke and Vader (who’s also an absolute boss with no Tarkin to hold him back) just mercilessly dropping his own men dead in the quest to find Luke. What’s more if you had no knowledge of the prequels (lucky bastards) as people in 1980 did, then the twist that happens in this battle is so well executed that you just never saw it coming.

The tone is also much MUCH darker, especially given the fates that befall some of our heroes, and the direction and the cinematography are just BEAUTIFUL to look at. There’s not a single thing wrong with this movie, and with the introduction of Yoda, you again have one of the best characters to have ever graced the silver screen, and some of the best cinematic insults too. It remains to this day the best film in the franchise, and it will take something truly special to beat it.

So, after making that jump though hyperspace through all of the major cinematic Star Wars films, it is now over to you! Which is your favourite Star Wars film, and how would you rank these films? Comment below and let me know! If you enjoyed reading this, I’d be very grateful if you gave my Facebook page a like and connect with me on Twitter: @ThrSilverScreen.

May the Force be With you all!

Posted in 2010-2019, Film Feature

Top 10 Films of 2016

Another year passes, and another year of big blockbusters, smaller films and more sequels and reboots than perhaps we want. Yet nevertheless, it has been an interesting year for cinema. While 2016, might be most remembered for the alarming amount of beloved celebs who we lost, it was still an interesting year for cinema goers all around the world. We had superhero squabbles, private detectives in 1977 Los Angeles, the true story of the 2010 BP oil disaster, hiking in the New Zealand wilderness, and some heart-warming musicals. Of course some films on this list did arrive in 2017 in the UK (my humble abode), but I am counting the ones that I have seen as 2016 releases, as per IMDB. With that said, I now give you my picks for the 10 best movies of the year. I should note that for films like Hacksaw Ridge, Lion and Moonlight, that I have not been able to catch these before writing this list. As such, they will instead be eligible for 2017’s list instead as they have yet to reach UK shores.

One thing to bear in mind, is that grades here do not matter, a film may get a higher grade or the perfect grade, it will not necessarily mean that film will be the best film of the year, this is my list of my favourite movies that I had the most fun with or enjoyed the most.  Before I get into the body of my list I do have some honourable mentions, films that were awesome and that didn’t quite make the list with there being 10 spaces, but were still a lot of fun. And first up is…

Moana (review), this was another superb year for Walt Disney Animation Studios, with two absolutely stellar films being released and Moana was just so much fun. You expect gorgeous animation from Disney, but Moana’s animation was just almost on another level, the music is great, the character of Moana is great and it was just a fantastic adventure.

Deadpool (review), superhero films are really popular currently, but we were yet to be treated to be a proper R rated one, until the Merc with a Mouth came along. Hilarious, with a terrific turn from Reynolds, and quite possibly the best opening credits scene EVER, it was a welcome breath of fresh air for the genre, and with its success, it shall be interesting to see if other studios follow suit in making their superhero movies a bit more edgy and violent

Sing Street (review coming soon) movies about music can be terrifying (e.g. Whiplash) but this movie from writer and director John Carney was simply a blast. From start to finish, it was just so much fun to watch as this kid who has his eye on a girl does his best to woo her by forming a band. The acting was great, the music was also so well realised, if you haven’t seen this film, it is on UK Netflix now, do give it a look see, you won’t be disappointed.

Silence (review), Martin Scorsese is unquestionably one of the finest film-makers in history and we’re lucky that he’s still making incredible pieces of cinema. This was a gripping tale of two priests journeying to a country where their religion was totally banned, and the punishments for following it were severe. It’s acted beautifully and the dialogue is extremely well written, and harrowing to watch at times.

Star Trek Beyond (review). Justin Lin took the reins from JJ Abrams after he directed the first two films in this reboot of the long running franchise, and continued down the path of excellence that Abrams started. Once again the action is so much fun to watch, but what makes this franchise so great is its characters, Kirk, Spock, Uhura, Bones, Scotty, Sulu, Chekov (RIP Anton Yelchin) and a great new addition in Sofia Boutella’s Jaylah. The franchise is certainly living long and prospering, even with the sad deaths of both Yelchin and the great Leonard Nimoy. And finally…

Spotlight (review), yes I know this is technically a 2015 release but it didn’t reach the UK till late January hence why I am including it here. This true story about the Boston Globe journalists who uncovered the horrendous abuse scandal that went on in the Catholic Church was utterly riveting to watch and acted beautifully particularly from Rachel McAdams and Mark Ruffalo, it’s a story that needed to be told and by the time the credits begin to roll, it will leave you speechless.

Honourable mentions concluded, time for the big guns, the top 10 and we start with…

10. Hell or High Water

My Hell or High Water review

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When you get Chris Pine, Jeff Brides and Ben Foster in a movie, particularly in a Western kind of setting, you’re probably going to be in for some greatness, and that is precisely what Hell or High Water gives you. Hailing from Scotland, David Mackenzie brought a thrilling tale of two brothers who resort to robbing banks as a means to stay afloat financially. Throw Jeff Bridges in as your gruff Texas Ranger in very much Rooster Cogburn mode, and the end result is one thrilling Western heist movie with some of 2016’s best acting from all three of its lead actors, and a damn fine spectacle.

9. Deepwater Horizon

My Deepwater Horizon review

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The 2010 BP Oil Disaster was a terrible disaster that claimed 11 lives, and for director Peter Berg, it must have been quite the challenge to make the film that pays tribute towards those who died whilst telling the true to life story of how the worst ever environmental disasters in US history, in a gripping manner, and my oh my was this film gripping! You know going in that the disaster is lurking around the corner, but when the shit hits the fan and it all goes south, this film really goes up a couple of exciting pegs. With an excellent Mark Wahlberg performance at its core, this film will almost certainly shake you to your core, and leave you wondering how on earth such a monumental disaster was allowed to happen, and how no criminal charges were filed.

8. Rogue One: A Star Wars story

My Rogue One: A Star Wars story review

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Another trip to a galaxy far far away, except this time not focusing on the main saga. The first of three (at least for now) Anthology films focusing on the daring mission executed by the rebels to steal the plans for the Death Star, fitting in just nicely right before A New Hope kicks off. Edwards helmed this film beautifully with some absolutely brilliant action sequences, particularly that third act, and my oh my, that Vader hallway scene, you know the one I am talking about, was just an absolute blast to watch. Sure for some of the new characters, their development was not as much as you would like, but the franchise has another awesome female heroine in Felicity Jones’s Jyn.  The Star Wars renaissance thanks to Disney is blooming, and long may it continue.

7. Hidden Figures

My Hidden Figures review

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The beauty of film is that it can bring to the attention to a substantial audience a story that has really not seen the light of day, such is the case with this true story of the inspirational women who worked behind the scenes at NASA to make the US space missions of the 1960s a reality. The three central women are all beautifully acted by Octavia Spencer, Taraji P Henson and Janelle Monae, and it demonstrated that although because of their skin colour and their gender, that even though pretty much everyone in society looked down on them, they were able to make a real difference to their industry, despite the attempts to put them in their supposed place.

6. Hunt for the Wilderpeople

My Hunt for the Wilderpeople review

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Taika Waititi is a director to certainly keep a close eye on, certainly with Thor: Ragnarok due to be released in cinemas later this year, and this film will have certainly cemented his growing reputation. A film that is so unique, so original and utterly hilarious to watch, yet made very little at the box office (more on that later). It is just pure gold to watch as this troublesome foster kid and his new guardian have themselves a little adventure in the New Zealand wilderness. Sam Neill is brilliant but newcomer Julian Dennison absolutely steals the show. These two as a comedic duo, simply just hilarious to watch as they go on about their wildnerness adventure, all the while being chased by the authorities. Mayhem in the New Zealand forest, and just non stop entertainment.

5. Zootopia (Zootropolis)

My Zootopia/Zootropolis review

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The 1st film to be released by Disney Animation Studios in 2016, and one of the best animated films to emerge from the Mouse House in recent years. In an animal metropolis where animals live and work, seemingly in harmony, but only on the surface. For an animation, this film has a lot of really deep and significant undertones that will really get the adult viewers who watch the film really thinking about what is has to say and the messages it gives off. With some great little easter eggs to some classic movies thrown in for the adults to enjoy, as well as some great jokes, and a really great leading duo, this proves that Disney studios have certainly not lost their magic when it comes to making great entertainment that is a lot of fun for both kids and adults to enjoy, as well as a thumping good tune from Shakira!!

4. Captain America: Civil War

My Captain America: Civil War review

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This was the thirteenth entry into the Marvel Cinematic Universe array of movies. Unlucky? Not a chance! This was another truly superb comic book movie that proved Marvel is still leading the way in terms of their extended cinematic universe over DC, by A LOT. When looking at the film’s promo, it certainly seemed as though this wasn’t Captain America 3, but Avengers 2.5. Well without spoiling too much, its most definitely a Captain America film, despite the massive ensemble of heroes which included terrific first appearances by Chadwick Boseman as T’Challa AKA Black Panther, and Tom Holland as Spider-Man. The story is told tremendously well and it does a tremendous job of splitting your loyalties and it’s not a simple case of one being right, and the other being wrong, it is much more complicated than that. And that airport battle was simply put, one of the best superhero battles ever put on the big screen EVER.

3. La La Land

My La La Land review

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Much like with Sing Street, this is another musical picture that was just an absolute bundle of joy to watch, from the opening spontaneous song and dance number on a LA Freeway to the very end. Damien Chazelle is a writer and director who certainly takes great inspiration in musicals as Whiplash and this film demonstrate, and he might just be the best director currently working in this genre. The music does not feel overbearing or annoying, every time a character sings or breaks out and dances, it feels like it’s necessary to the scene, to the development of the characters, and with Stone and Gosling both on outstanding form. Everyone has had a dream at some point in their life, and this film’s message about dreams will undoubtedly resonate with all who watch it.

2. Arrival

My Arrival review

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Sci-Fi movies do like to have big explosions, aliens and a cool battle where the aliens and the humans face off, but there is none of that here in Denis Villeneuve’s latest film. One of the smartest, most inventive pieces of story-telling to emerge in recent years, with a screenplay that really gets the brain working, and will blow your mind. Focusing on 12 alien ships who have arrived on Earth, a linguistics professor is recruited to help understand who these aliens are and their purpose on Earth. Villeuneve,  is fast become one of the hottest properties in Hollywood, and after watching this film, it is easy to see why. At its core is a truly superb performance from Amy Adams,in a role that could land her some Oscar gold at long last. A film to really get the mind working, it’s a very human story with a lot to say for itself, and not to mention some of the  best visual effects in 2016, and some gorgeous cinematography to go with it.

And my #1 favourite film of 2016 is……………………….

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1. The Nice Guys

My The Nice Guys review

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Ryan Gosling is clearly doing something right! So many films this year are continuation of franchises, sequels, reboots and so on. Yet every year, there are plenty of original pieces of work that are brought to the big screen, yet sometimes this new and fresh ideas, despite great critical receptions, absolutely tank at the box office, and no film typifies this more than Shane Black’s The Nice Guys. Russell Crowe and Ryan Gosling as two PIs in 1970s Los Angeles, with a story focused on a missing girl, and the porn industry. I mean how the fuck did more people not go to see this film??? The action is great, the chemistry between Crowe and Gosling is fantastic and there’s a great break out performance from Angourie Rice. This film is hilarious, the dialogue is great and Black is doing what he knows best. It is no wonder studios focus their efforts on properties audiences know and are aware of, because they make more money, and no one chooses to watch new and original content. Yet if you’re reading this, and you have not seen this movie, I implore you to go seek this film out via any legal means you can, rent it, buy it on DVD or Blu Ray because this film is a gem, and more films like this need to get made. It is by far my favourite film of 2016, and although Hollywood these days is dominated by sequels, I would love to see a sequel to this movie.

So there you have it! My top 10 picks for the best films of 2016. But what are your top 10 best films of 2016? Let me know in the comments below. Or you could hit me up on my Twitter and don’t forget to like Through the Silver Screen on Facebook to ensure you never miss another review of mine! Let us hope that we are treated to more cinematic gold on the big screen in 2017, and for the must see movies coming out this year, be sure to give my Top 10 most anticipated films of 2017 a look see!

Posted in 2010-2019, Film Feature

Top 10 Most Anticipated Films of 2017

Hello 2017!! 2016 was a year that might be more remembered as the year the world went a bit mad, as well as for the multitude of beloved celebrities that sadly passed away. It is also  a year that cinema goers across the world were given, let’s be honest, a bit of an underwhelming year for movies. Sure there were a few gems, but there were more than a few colossal disappointments, and films that just didn’t quite deliver on epic trailers that they teased. However, a new year promises well more superheroes, more reboots and sequels, and the odd original piece of film making in there too for good measure. So it is that time of the year where I look ahead to see what I’m most looking forward to to hit the big screen in 2017.

As seems to be the case every year in the UK, there are a number of limited 2016 releases such as La La Land and Hacksaw Ridge,  that arrive in cinemas in January here, but they will not be on here as I count these as 2016 releases, and will be on my best of 2016 list, should they be good enough of course, which will be published mid to late January. But there are more than a few films in this year that do look very intriguing to see and so let’s get cracking with the list. The release dates you see below are these films respective UK release dates, as such they might be different if your humble abode is not in the UK like me, but anyway, let us begin as usual with the honourable mentions:

Justice League, Suicide Squad and Batman V Superman were both on my list anticipated list of 2016, and they had the hopes and dreams of every DC fan riding on them to set up the DC extended universe, and unfortunately, neither film met those lofty expectations that many people placed on them. Both had their moments, but both had their fair share of problems too, BVS more than Suicide Squad for me, and for that reason, Justice League is only an honourable mention, as I worry if Zack Snyder will have learnt from his mistakes. Time will tell but for now I am cautious…

Ghost in the Shell, The premise for this movie is certainly extremely intriguing and the from the trailer this world certainly looks great and Scarlett Johansson is a very capable actress, who can do great action scenes as her role as Black Widow in the MCU has demonstrated for many years now. However, criticism of a white actress in the lead role has resulted in some very fierce criticism of more Hollywood whitewashing. This is justifiable but hopefully this adaptation can be translated well for the big screen.

The Dark Tower, Stephen King novels being brought to the big screen has produced some of cinema’s greatest films, and this is the latest one to come out, and so automatically that captures intrigue. Thrown in Oscar winner Matthew McConaughey and Idris Elba in lead roles and this is immediately one of to watch for when it arrives in cinemas in July of this year.

Lego Batman Movie, Back in 2014, if you had proposed that a movie based on the popular toy Lego would be an absolute smash hit with film goers and critics, people would probably have laughed at you. But that happened alright and 2017 will go back to that crazy world of Lego, for a spin off film featuring one of the Lego Movie’s standouts, Lego Batman getting his own movie, and it looks to be just as entertaining as the first film.

Beauty and the Beast, love them or hate them Disney’s campaign to bring some of their most beloved animated films the live action treatment shows no signs of slowing down, and following on from Cinderella, and 2016’s surprisingly decent The Jungle Book. this is the next film to get the live action treatment. Emma Watson as Belle and Dan Stevens and The Beast are the leads among a very talented cast. The trailers certainly looked to have captured the magic of the animated classic and many people will be eager to be a guest when this arrives in cinemas.

Now that the honourable mentions are done, let’s get cracking with this list:

10. Spider Man: Homecoming

Release date: 7th July

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One of the many awesome things that emerged from Captain America: Civil War was the introduction of Tom Holland as Spider-Man, who FINALLY made his MCU debut after Sony and Marvel thrashed out a deal to allow him to appear, and Holland might just be the best on screen version of the web-crawler to date, so to see him put on the Spidey suit again should be a lot of fun to watch. In his first solo film inside the MCU, we get to see Peter still in high school taking on ex Batman Michael Keaton’s Vulture with assistance from Tony Stark himself once again. After the overall mediocre tales that were Marc Webb’s Amazing Spider-Man movies, hopefully this reboot gets the franchise back up and running again.

9. Wonder Woman

Release date: 2nd June

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Prior to the arrival of BVS, many wandered if Gal Gadot was the best actress they could have picked to play Diana Prince, and as we all saw, she was (along with Ben Affleck’s Batman) one of the saving graces of BVS. For all of the MCU’s greatness, they have yet to have a film that’s lead by a female superhero, though one is currently on the production schedule, DC is taking a lead in this respect. The action from the two trailers we have had looks great, Chris Pine as Steve Trevor is an excellent addition to the cast. DC fans must be hoping that this film is the one that finally achieves proper lift off for the DCEU, and give it its first truly great film after their 2016 efforts didn’t quite do so.

8. Kingsman: The Golden Circle

Release date: 29th September 

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One of the absolute surprise hits of 2015 was Kingsman: The Secret Service, an extremely funny take on the spy/espionage genre, with a superb break out performance from Taron Egerton in the lead role as this down on his luck kid who becomes the ultimate badass, and they’re certainly upping the stakes considerably for this sequel. As this one will feature the Kingsman’s US counterparts, the Statesman to help save the world. The cast looks incredible with Julianne Moore following in Sam L Jackson’s footsteps as the bad guy, with a cast that also includes Channing Tatum, Jeff Bridges, Pedro Pascal and Colin Firth again (WHATTTTTTTTTTT?????)

7. Thor: Ragnarok

Release date: 27th October

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Thor is undeniably a popular Avenger, but his solo outings have been a bit hot and cold so far. Thor was a fun time if a little bit rushed in places, whilst its sequel The Dark World was fine, but nothing truly spectacular when compared to Civil War or Guardians of the Galaxy. Hopefully this will change with Thor’s third outing. With Taika Waititi directing, the man behind this year’s extraordinary Hunt for the Wilderpeople, and a superb cast that includes Jeff Goldblum, Tessa Thompson, Karl Urban, Cate Blanchett as the villain and Mark Ruffalo back as everyone’s favourite green rage monster, along with of course Tom Hiddleston back as Loki, this has every potential to be the best Thor film yet.

6. Blade Runner 2049

Release date: 6th October

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The sequel to Ridley Scott’s 1982 classic is getting a sequel after development began back in 1999, and the project is in the hands of arguably the hottest director in Hollywood right now, Denis Villeneuve, who blew everyone’s minds this year with one of the smartest pieces of science fiction storytelling with Arrival. Harrison Ford is back as Deckard and with a stacked cast that includes Ryan Gosling, Jared Leto and Robin Wright. This sequel has all the potential to be just as good as its predecessor, almost three decades after the original came out!

5. Logan

Release date: 3rd March

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When you think of the character of Logan/Wolverine, you think of Hugh Jackman and the incredible work he has done bringing this character to the big screen for well almost TWO DECADES now is remarkable but sadly all good things must come to an end and this is Jackman’s last hurrah as Wolverine. In what many could argue is one of 2016’s finest trailers, Wolverine looks a little bruised and beaten, and the suggestion is that this will be an adaptation of the Old Man Logan storyline, with a Last of Us kind of vibe as well.  With Patrick Stewart also back as Professor X, this has all the makings to give Jackman the swansong he deserves before he hangs up the claws for good.

4. Dunkirk

Release date: 21st July

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Has Christopher Nolan made a bad film? For many the answer to that question is a resounding no, and it’s easy to see why, he has forged his name as a superb director over these last few years. And his latest film, Dunkirk is looking like it could very well continue that path of excellence. Set in the heart of the Second World War, the film focuses on the Allied operation to evacuate soldiers on the beaches of Dunkirk (shocker!) With an absolutely amazing cast that includes some Nolan veterans such as Tom Hardy and Cillian Murphy, as well as some newbies such as Oscar winner Mark Rylance and Kenneth Branagh along for the ride too. World War II films are not exactly in short supply so it will be interesting to see what Nolan can bring to the table. Furthermore, it will be intriguing to see if Harry Styles’s acting is better than his singing….

3. War for the Planet of the Apes

Release date: 14th July

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APES ON HORSES!! Director Matt Reeves  is back with his 2014 sequel Dawn of the Planet of the Apes to 2011’s Rise of the Planet of the Apes. Dawn was an absolutely stellar film that managed to build on the first film and make it even better, and Reeves is once again behind the camera for the third film is this rebooted franchise. As the title suggests it is all out war between the humans, now led by Woody Harrelson’s The Colonel and Caesar, once again mo-capped by Andy Serkis, who has seriously earned an Oscar nomination for his incredible work that he has done in motion capture over many many years, particularly for his work as Caesar. The teaser trailer that recently dropped was excellent, and if the film can deliver on that promise, then we could be looking at a very solid and well made trilogy of movies that have given this franchise a lease of life.

2. Guardians of the Galaxy Vol 2

Release date: 28th April

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No one could have possibly predicted that when 2014’s Guardians of the Galaxy was set to be released what an enormous hit it was going to be, or how fucking amazing it was! The characters were great, the dialogue outstanding, the action was excellent and that soundtrack was just perfection. So James Gunn is back for more madness from the Guardians, with a few secrets set to be revealed such as who is Star Lord’s father. The movie could honestly be just be two hours of Rocket and Groot arguing and I am sure many people would pay to see that! If the latest teasers are anything to go by, it looks to be more of the same explosive fun that the first movie was, and Baby Groot might just be the cutest thing ever…

And my #1 most anticpated film of 2017 is……………………………………………………

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1. Star Wars: Episode VIII

Release date: 15th December

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Was there ever really any doubt? After the enormous successes of The Force Awakens and Rogue One, excitement is understandably at galactic levels for another trip to a galaxy far far away. This film’s plot is so far being kept closely under wraps but director Rian Johnson is taking the directorial reins from JJ Abrams in a continuation of the story with Rey, Finn, Poe, BB8 taking on Kylo Ren and Supreme Leader Snoke. And having had what amounts to a cameo in Episode VII, Mark Hamill will hopefully have some lines as Luke Skywalker in this next chapter, and certainly when he find out about the fate that befell his old friend Han Solo in episode VII. Of course there are many more questions that need answering so hopefully those the answers we seek will be delivered.  Johnson is a very capable pair of hands, having made an incredibly smart sci-fi back in 2012 in Looper, so may the force be with him to deliver more greatness to this franchise! With the incredibly sad death of Carrie Fisher, fans will certainly hope that this film gives one of cinema’s most badass female characters a truly fitting send off!

And there we have it, my top 10 most anticipated films that are set to be released in 2017. What are your most anticipated films for this year? Let me know in the comments below or hitting me up on Twitter. Don’t forget to give my Facebook page a like! Through the Silver Screen on Facebook Thank you for reading and here’s to hopefully a great year for cinema!