Posted in 2010-2019, Film Review, London Film Festival 2019

Harriet (2019)

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Harriet – Film Review

Cast: Cynthia Erivo, Joe Alwyn, Leslie Odom Jr, Janelle Monáe, Clarke Peters

Director: Kasi Lemmons

Synopsis: A look at the life of Harriet Tubman, who after escaping the cruelty of slavery, becomes a leading figure in the fight against its abolition…

Review: There’s no getting away from the fact that slavery in the 1800s represents one of the darkest points in human history. While this period was full of appalling atrocities committed against human beings, even in such troubling times, such powerful and uplifting stories can be brought to light. Stories of amazing courage and perseverance, stories that deserve and, arguably need to be brought to a wider audience, and one such example of this, is the amazing inspirational story of Harriet Tubman.

Having spent her entire life in slavery, Harriet strives to breath the free air. When an attempt to secure her freedom, via legal methods, is vehemently rejected, she senses that she might face severe punishment for trying to secure her freedom. Fearing for her safety, she decides to take matters into her own hands. She bravely runs away in a desperate bid to secure her freedom, which proves to be successful. Upon gaining her freedom, she makes it her mission to liberate slaves from their masters, and becomes a leader in the abolitionist movement to end this cruel and barbaric practice.

Having burst onto the scene in 2018 with Widows and Bad Times at the El Royale, Cynthia Erivo demonstrated her considerable talents to audiences the world over. However with this role, she produces an astonishing, career best performance. She imbues Harriet with a strong willed fearlessness, and a resolute determination in her mission to win her freedom. This doesn’t waiver in her later exploits, as she uses this tenacity and bravery to go out and strive to position to free as many of the people that have fallen into slavery as she possibly can. It is her movie and she carries it magnificently. Outside of Erivo’s sublime performance, Leslie Odom Jr is solid as an abolitionist ally and Joe Alwyn as Harriet’s slave master, has the callous and nasty personality you’d expect from a slave master. On the other hand, though she’s also is on reliably good form, Janelle Monae’s character could definitely have done with more screen time.

The screenplay’s approach to its subject matter, written by Lemmons and Gregory Allen Howard, doesn’t really break any new ground for the biopic genre. However, this doesn’t act as a hindrance to the film, simply because, the incredible circumstances that surround the story of this remarkable woman are more than enough to craft a compelling story on their own merit. With a story that consistently manages to be riveting throughout, the approach taken by Lemmons through the script and her direction, does Harriet Tubman’s remarkable story justice. When a story has this much power behind it, it doesn’t need to reinvent the biopic genre, but instead honours this remarkable woman whose exploits deserve to be well known across the world.

With films such as 12 Years A Slave and now Harriet, these powerful dramas serve to remind everyone about the painful nature of the horrors that this institution brought upon so many people. However, they also serve as a powerful reminder that through sheer perseverance, grit and determination, anyone, no matter who they are, can accomplish anything they set their mind to. Furthermore, truly remarkable feats that end up changing the course of human history will absolutely stand the test of time.

With a sublime lead performance from Cynthia Erivo at its core, Harriet is a compelling and rewarding drama that pays tribute to an influential figure in American history, and honours her extraordinary legacy.

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