Tenet – Film Review
Cast: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Michael Caine, Aaron Taylor-Johnson,
Director: Christopher Nolan
Synopsis: A CIA Agent is recruited into a top secret program of international espionage on the trail of the possession of technology that can invert time…
Review: 2020 will certainly go down as one of the most unprecedented years in recent memory, as cinemas and many other businesses lay empty for many months. However, in those long months that the projectors were switched off and the screens remained dark, there was one film that was continuously being talked about as the film that would trigger a revival for the cinema industry. The new film, from a director who is a firm champion of the big screen, was being pitched as the film to goad audiences back to the cinema. While its taken its time to arrive, with a few shuffled release dates en route, in a world that will remain uncertain for the foreseeable future, one thing remains abundantly clear. Christopher Nolan hasn’t lost his ability to create a completely unique piece of cinema.
In a world of international espionage, the Protagonist (Washington), armed with only the use of a single word “Tenet”, must venture into this dangerous and complex world, with the goal of preventing a global catastrophe from occurring. While this sounds like your typical spy/espionage thriller, but in Nolan’s hands this is anything but. The key twist is that in this world, it’s one where cutting edge technology to invert objects through time has been invented, threatening the world with as one character says “something worse” than a nuclear Armageddon.
With Nolan’s previous filmography, he has shown a liking for dabbling with the concept of time and all of the mind-bending possibilities that these offer. Memento was his original head-scratching masterpiece, and amid further exploration of time with the ambitious Interstellar, and the ingenious inter-weaving of three inter-connected events of Dunkirk. Though with Tenet, this is perhaps is most ambitious exploration of time to date, if this was somehow even possible. Packing a lot into its running time, the plot keeps things moving at a fairly brisk pace. However, there are times when so much happening at once that the audience barely has time to stop for breath. Hence, keeping up with the film’s super complex time-bending narrative will almost certainly be a challenge.
Yet, for all the complexities that Nolan’s script throws at the audience, it is a challenge, but it is a rewarding one. The director’s previous films have certainly gone ambitious with many of its action set pieces, and Nolan does his best to outdo himself with a number of extremely ambitious, and well-directed set pieces that’s certainly going to get the pulses racing, and make the audiences’ brains go haywire. In terms of his cast, Nolan has once again delivered an exquisite collection of characters. Following his star turn in BlacKkKlansman, John David Washington delivers another excellent leading performance as the film’s Protagonist. Possessing his father’s charisma in abundance, he brings his own suave almost 007-esque charm to this leading role in a tentpole blockbuster, that will only further his reputation as a leading man. Alongside him, Robert Pattinson continues to forge his own exciting career path. Much like Washington’s Protagonist, he carries a likeable presence, whilst boasting charisma and charm to boot.
While the protagonists certainly carry likeable auras, Kenneth Branagh’s turn as the intimidating Russian oligarch who’s seeking the time-twisting technology, is anything but likeable. His performance is fittingly ominous and menacing, there’s a dark and scary history to this man, which is substantially explored in his abusive relationship with his wife Kat (Elizabeth Debicki). On paper, This is a role that could have been extremely problematic, as it runs the risk of making her into a tired and cliched damsel-in-distress. However, with an actor of Debicki’s immense talent, she gives an excellent performance. There’s no shortage of substance to her character and she’s thankfully given enough material so that she has doesn’t fall into that damsel-in-distress cliche.
With long time collaborator Hans Zimmer unavailable, Ludwig Goransson steps in to fill that void, and he does so in spectacular style with a score that fits the fast paced nature of the film. Though impressive as it maybe, it can at times be almost too overpowering, making the dialogue difficult to understand in places. While its plot is undeniably complex, with a lot to digest, there’s no denying that Christopher Nolan remains one of the most unique and visionary directors working today. When the day comes that we’re all freely able to go back to the cinema without any risk, the work of these visionaries must be supported and championed. We’ll just need to make sure we don’t run into any time inverted traps along the way.