Posted in 2010-2019, Film Feature

90th Academy Awards: Predictions

Hollywood’s biggest night is upon us once again, and the Academy celebrates it’s 90th birthday. For such a significant milestone in the Academy’s history, it is extremely fitting then there is a plethora of really good films that are up for the big prizes this year. A story about a woman who falls in love with a fish man, a film about the power of advertising, a return to the world of replicants, a journalism drama, the story of the Dunkirk evacuation, a love story set in 1980s Italy and a film about a dress designer that marks the final on screen performance of the legendary Daniel Day Lewis. Of course, for all the great films there can only be one winner in every category and so it is time to predict the winners in the majority of the categories (I have not seen the documentaries and animated shorts) and chime in with my own thoughts on who should take home that coveted golden statue come the end of the night.

Best Actor in a Leading Role

  • Timothée Chalamet Call Me by Your Name
  • Daniel Day-LewisPhantom Thread
  • Daniel Kaluuya Get Out
  • Gary Oldman Darkest Hour
  • Denzel WashingtonRoman J. Israel, Esq.

It is looking likely that this will be the occasion that Gary Oldman finally strikes Oscar gold, for a transformative, mesmerising turn as Winston Churchill. He’s been sweeping the board throughout this awards season and it would be more than deserved. At times, you forgot it was him under all that make up, his captivating performance binds the whole film together, and it would be a major surprise if Oldman is not victorious.

Will Win: Gary Oldman

Should Win: Gary Oldman

Best Actress in a Leading Role

  • Sally Hawkins The Shape of Water
  • Frances McDormandThree Billboards Outside Ebbing, Missouri
  • Margot Robbie I, Tonya
  • Saoirse RonanLady Bird
  • Meryl StreepThe Post

It’s a similar story with the leading actress category as McDormand has also been sweeping the board with her terrific and heartbreaking work as a mother desperately seeking answers over her child’s murder. That being said, Saorise Ronan could be something of an underdog with her beautiful performance. What’s more to say, for a film in which she has no dialogue, Sally Hawkins should also not be ruled out. A victory for any of these three would be more than worthy but the writing is on the billboard for McDormand and she should take home her 2nd Oscar.

Will Win: Frances McDormand

Should Win: Sally Hawkins

Could have been nominated: Vicki Krieps for Phantom Thread

Best Supporting Actor

  • Willem Dafoe – The Florida Project
  • Woody Harrelson – Three Billboards Outside Ebbing, Missouri
  • Richard Jenkins – The Shape of Water
  • Christopher Plummer – All the Money in the World
  • Sam Rockwell – Three Billboards Outside Ebbing, Missouri 

Billboards’s domination should continue here as much like the preceding two categories, Rockwell has been cleaning house and is the hot favourite to win his first Oscar. His work in Billboards was extraordinary and despite the excellent efforts of all the gentlemen nominated in this category with him, this is most definitely Rockwell’s to lose.

Will Win: Sam Rockwell

Should Win: Sam Rockwell

Could have been nominated: Harrison Ford for Blade Runner 2049

Best Supporting Actress 

  • Mary J. Blige – Mudbound
  • Allison Janney – I, Tonya
  • Lesley Manville – Phantom Thread
  • Laurie Metcalf – Lady Bird
  • Octavia Spencer – The Shape of Water

The last acting category and another very likely triumph, this time for Alison Janney. Her work as the vicious mother of Tonya Harding was uncompromising, yet at the same time very funny. Yet one could feel that Laurie Metcalf’s work opposite Saoirse Ronan in Lady Bird was the much more sincere performance as a mother who also wants what’s best for her daughter but tries to be a little bit more compassionate about it. Like the previous acting categories, Janney has definitely got this one wrapped up.

Will Win: Allison Janney 

Should Win: Laurie Metcalf

Could have been nominated: Holly Hunter for The Big Sick

Best Director

  • Christopher NolanDunkirk
  • Jordan PeeleGet Out
  • Greta GerwigLady Bird
  • Paul Thomas AndersonPhantom Thread
  • Guillermo del ToroThe Shape of Water

Meshing three inter-weaving storylines and making them all flow seamlessly is an extraordinary feat of directorial mastery, and for that Nolan could yet take his FIRST Oscar (err what?!!?). Yet this one is seemingly heading towards Del Toro. Though that would not be an undeserving win for an extraordinary film-maker, there is fierce competition from both Greta Gerwig and Jordan Peele, both of whom made their directorial debuts in almighty style. But the odds are in Del Toro’s favour.

Will Win:  Guillermo del Toro 

Should Win: Christopher Nolan

Could have been nominated: Denis Villeneuve for Blade Runner 2049

Best Original Screenplay 

  • The Big Sick – Emily V. Gordon and Kumail Nanjiani
  • Get Out – Jordan Peele
  • Lady Bird – Greta Gerwig
  • The Shape of Water – Guillermo del Toro and Vanessa Taylor
  • Three Billboards Outside Ebbing, Missouri – Martin McDonagh

Five very strong screenplays, any of these would be a worthy winner, but it seems as though it’s a race between Get Out and Three Billboards. Peele’s screenplay is razor sharp in terms of its humour and very relevant social commentary that makes it a hot favourite, and deservedly so. That being said, Three Billboards Outside Ebbing, Missouri also balances the extremely dark nature of its subject matter, and injects it with extremely black humour that hits the mark. It could be a very close call.

Will Win:  Get Out

Should Win:  Three Billboards Outside Ebbing, Missouri

Could have been nominated: Coco

Best Adapted Screenplay

  • Call Me by Your NameJames Ivory 
  • The Disaster ArtistScott Neustadter and Michael H. Weber
  • LoganScott Frank, James Mangold and Michael Green
  • Molly’s GameAaron Sorkin
  • MudboundVirgil Williams and Dee Rees

Call Me By Your Name has been pretty much sweeping this category across this awards season and so its success here is looking almost guaranteed. It is somewhat surprising to see a superhero film nominated, but that is a testament to the sheer quality of Logan’s screenplay that it deserves its place here and in another year, might have even taken home the gold.

Will Win:  Call Me by Your Name 

Should Win: Logan

Could have been nominated: Blade Runner 2049

Best Animated Feature Film 

  • The Boss Baby
  • The Breadwinner
  • Coco
  • Ferdinand 
  • Loving Vincent 

In contrast to last year, this is something of a weak category for animation. The power of Pixar will get Coco through here. Though the omission of the Lego Batman Movie proves that the Academy must have a vendetta against Lego for some strange reason.

Will Win:  Coco

Should Win: Coco

Should have been nominated: The Lego Batman Movie

Best Original Score 

  • DunkirkHans Zimmer
  • Phantom ThreadJonny Greenwood
  • The Shape of WaterAlexandre Desplat
  • Star Wars: The Last JediJohn Williams
  • Three Billboards Outside Ebbing, MissouriCarter Burwell

Zimmer’s score certainly helped to add massive amounts of tension to Dunkirk. But the work of Desplat goes hand in hand with the beautiful work that you see on screen. Though Jonny Greenwood’s work on Phantom Thread is equally mesmerising so it’s by no means a foregone conclusion.

Will Win:  The Shape of Water

Should Win: The Shape of Water

Could have been nominated: Blade Runner 2049

Best Original Song 

  • “Mighty River” from Mudbound – Music and Lyrics by Mary J. Blige, Raphael Saadiq and Taura Stinson
  • “Mystery of Love” from Call Me by Your Name – Music and Lyrics by Sufjan Stevens
  • “Remember Me” from Coco – Music and Lyrics by Kristen Anderson-Lopez and Robert Lopez
  • “Stand Up for Something” from Marshall – Music by Diane Warren; Lyrics by Common and Diane Warren
  • “This Is Me” from The Greatest Showman – Music and Lyrics by Benj Pasek and Justin Paul

This seems to be a battle between “This is Me” and “Remember Me” though “Mystery of Love” could certainly pull off an upset. With music being a central part of Coco, that could give it an edge but “This is Me” seems the most likely to triumph

Will Win:  “This is Me” from Greatest Showman

Should Win: “Remember Me” from Coco

Best Sound Editing

The sound categories this year seem to be a battle between the slick and stylish work of Baby Driver versus the heart-pounding intensity of Dunkirk. The work done by both these teams is very impressive, but Dunkirk‘s technical mastery should be enough to get it home with the Oscar in tow.

Will Win:  Dunkirk

Should Win: Dunkirk

Best Sound Mixing

  • Baby Driver Julian Slater, Tim Cavagin and Mary H. Ellis
  • Blade Runner 2049Ron Bartlett, Doug Hemphill and Mac Ruth
  • DunkirkMark Weingarten, Gregg Landaker and Gary A. Rizzo
  • The Shape of WaterChristian Cooke, Brad Zoern and Glen Gauthier
  • Star Wars: The Last JediDavid Parker, Michael Semanick, Ren Klyce and Stuart Wilson

As with the Sound Editing category, it is Dunkirk VS Baby Driver and as before, though either would be more than a worthy winner, Dunkirk’s sound wizardry is second to none.

Will Win:  Dunkirk

Should Win: Dunkirk

Best Production Design 

  • Beauty and the Beast – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
  • Blade Runner 2049 – Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola
  • Darkest Hour – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
  • Dunkirk – Production Design: Nathan Crowley; Set Decoration: Gary Fettis
  • The Shape of Water – Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

To take the world of Los Angeles in the future and have it look so dazzlingly authentic gives Blade Runner 2049  a real shot at winning. However in a similar vein, fusing the fantastical elements of the story with the gritty nature of 1960s Cold War America gives Shape of Water a real chance of taking the award out of the hands of those replicants.

Will Win:  Blade Runner 2049

Should Win: Dunkirk

Best Cinematography

  • Blade Runner 2049Roger Deakins
  • Darkest HourBruno Delbonnel
  • DunkirkHoyte van Hoytema
  • MudboundRachel Morrison
  • The Shape of WaterDan Laustsen

Simply put, #DeakinsorRiot. One of the finest cinematographers ever is due on Oscar and this better be the one that gives him the damn statue after 14 previous attempts.

Will Win:  Roger Deakins

Should Win: Roger Deakins

Best Makeup and Hairstyling 

  • Darkest Hour Kazuhiro Tsuji, David Malinowski and Lucy Sibbick
  • Victoria & AbdulDaniel Phillips and Lou Sheppard
  • WonderArjen Tuiten

As previously mentioned, the extraordinary work that helped transform Mr Oldman into Mr Churchill should ensure Darkest Hour is triumphant.

Will Win:  Darkest Hour

Should Win: Darkest Hour

Best Costume Design 

  • Beauty and the BeastJacqueline Durran
  • Darkest HourJacqueline Durran
  • Phantom ThreadMark Bridges
  • The Shape of Water Luis Sequeira
  • Victoria & AbdulConsolata Boyle

The dresses that were on display in Phantom Thread were sumptuous in their design and while the work done by Jacqueline Durran in Darkest Hour and Beauty and the Beast deserves plaudits, this one belongs to Phantom Thread.

Will Win:  Phantom Thread

Should Win: Phantom Thread

Best Film Editing

  • Baby Driver Paul Machliss and Jonathan Amos
  • DunkirkLee Smith
  • I, TonyaTatiana S. Riegel
  • The Shape of WaterSidney Wolinsky
  • Three Billboards Outside Ebbing, MissouriJon Gregory

When you take a film that intertwines 3 differing story-lines and it is all edited so brilliantly that should be more than enough to ensure that Dunkirk flies home with this Oscar.

Will Win:  Dunkirk

Should Win: Dunkirk

Best Visual Effects

  • Blade Runner 2049 John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover
  • Guardians of the Galaxy Vol. 2Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick
  • Kong: Skull IslandStephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus
  • Star Wars: The Last Jedi Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould
  • War for the Planet of the ApesJoe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

Aside from the fact that the remarkable work Andy Serkis has done with this revived Apes trilogy should have ensured he at the very least got nominated, the work that is done on these films has been extraordinary and deserves to be recognised. That being said, Blade Runner 2049 will probably take this one home. Also why on earth is Kong: Skull Island here?

Will Win:  Blade Runner 2049

Should Win: Blade Runner 2049

Could have been nominated: Thor: Ragnarok

And last but certainly not least….

Best Picture

  • Call Me by Your Name Peter Spears, Luca Guadagnino, Emilie Georges, and Marco Morabito
  • Darkest HourTim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten, and Douglas Urbanski
  • Dunkirk Emma Thomas and Christopher Nolan
  • Get Out Sean McKittrick, Jason Blum, Edward H. Hamm Jr., and Jordan Peele
  • Lady BirdScott Rudin, Eli Bush, and Evelyn O’Neill
  • Phantom Thread JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi
  • The PostAmy Pascal, Steven Spielberg, and Kristie Macosko Krieger
  • The Shape of WaterGuillermo del Toro and J. Miles Dale
  • Three Billboards Outside Ebbing, MissouriGraham Broadbent, Pete Czernin, and Martin McDonagh

Click here to see my ranking of the Best Picture contenders.

An incredibly stacked year, full of some terrific works and usually there is one film that is a clear runaway favourite, but not so this year as there are a few that have a legitimate shot at taking home the biggest prize of the night.  Three Billboards will undoubtedly be buoyed by its BAFTA and SAG victories but success for The Shape of Water at the Critics Choice and Producer’s Guild of America Awards, highlights the unpredictability of this year’s crop. Though usually it requires a Best Director nomination to stand a good chance of scooping Best Picture, Three Billboards might just defy that expectation and become only the fifth film to win without a Best Director nomination. However, my hope is that The Shape of Water will emerge triumphant, it would go nicely with Del Toro’s probable victory in the director category, but this is extremely close to call.

Will Win:  Three Billboards Outside Ebbing, Missouri

Should Win: The Shape of Water

Could have been nominated: Blade Runner 2049

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Posted in 2010-2019, Film Review

Best Films of 2017

2017 might be best remembered as the year when certain people in Hollywood and their unpleasant behaviour was finally made public. With luck, it will hopefully shine a strong spotlight on this sort of behaviour to ensure it is stamped out for good. But anyway, aside from all that unpleasantness, this year also brought us a plethora of exciting films. A female led superhero film, a return to the world of replicants, a couple of incredible true stories about war, the end of one man’s remarkable portrayal of a character that he has played for nearly two decades, and of course the continuation of the new trilogy of adventures taking place in a galaxy far far away. Lots of great films, and so it is now time for me to cast my eye back on the last 12 months of so of film and select what for me ranks as the best of the best of the ones that I have seen.

A few things to note. There are certain releases on this list that you might be thinking were released in 2016. well certain films didn’t reach UK shores until 2017 and so that makes them eligible for this year’s list. But as is the case every year there are a select few films that get their main release in early January and if I get a chance to catch these in the first few weeks of the month, they will qualify for this year’s list. Also I unfortunately didn’t see every film that was released this year so apologies if your favourite film didn’t make my list as I may not have seen it. Lastly, anything that is released from this point onwards (e.g. Phantom Thread, Lady Bird) will be considered for the best films of 2018. These studios and their bizarre release dates…

Second, grades here have little impact on the ranking of these films. One film may get a higher grade or the perfect grade, it will not necessarily mean that film will be the best film of the year, this is my list of my favourite movies that I had the most fun with or enjoyed the most.  Before I get into the body of my list I do have some honourable mentions, films that were awesome and that didn’t quite make the list with there being 10 spaces, but were still a lot of fun. First up…

mother! (review) if ever there was one film that divided audiences right down the middle, this would be one particular example. Darren Aronofsky’s tale about a woman whose home is invaded was riddled with metaphors aplenty that explored a collection of really interesting and thought-provoking themes. Yet there were some scenes that were just downright messed up (if you have seen the film, you’ll likely know what I’m referring to.) Despite that, it was refreshing to see such a completely original concept be brought to the big screen, and this is a film that will be analysed for years to come.

Star Wars: The Last Jedi (review) Yes I know I can hear the shockwaves around the galaxy already as to why this hasn’t made the actual list. It was a great addition to the saga as it took the characters that were introduced to us in The Force Awakens and took them in interesting new directions. For many fans, the big problem with Force Awakens was the fact that it felt too similar to A New Hope. As such director Rian Johnson was clearly trying to take the franchise in new directions, and while not everything was perfect, it was an enjoyable ride and sets up nicely for Episode IX.

Wind River (review) Taylor Sheridan made his directorial debut good and proper telling the story of the investigation surrounding the death of a young woman in the brutal Wyoming winter. Jeremy Renner perhaps gives his best performance as a hunter who discovers the young woman’s body and Elizabeth Olsen as the FBI agent leading the investigation. It’s a tense film that keeps you on the edge, particularly when we reach that third act and the action is turned up to the maximum.

Molly’s Game (review) Telling the true story of Molly Bloom, the woman who ran elite high stakes poker games, until she ran into a bit of bother with the law. In a superb leading performance, Jessica Chastain carries the film on her shoulders as we watch her go the crushing lows that wrecked early career aspirations to the ensuing trouble that surrounds her poker career. Under the stewardship of master screenwriter Aaron Sorkin, who also makes his directorial debut, in triumphant style.

The Big Sick (review). When there’s a lot  of films in one particular genre that are very similar, it runs the risk of all just becoming a bit stale. Thankfully every once in a while, one comes along that is a breath of fresh air. Based on the true story of Kumail Nanjiani who despite his parents attempts to arrange a marriage for him, falls for a woman, except when she falls ill, it really tests their relationship. With sincere heartfelt performances at its core, alongside tremendous comedic turns from Holly Hunter and Ray Romano. A very refreshing new take on the rom-com genre.

Honourable mentions done, time to crack on with the main list and we begin with…

10. Wonder Woman

Full Wonder Woman review

Just what the doctor ordered for the DCEU. Fans might have had little hope of seeing a great DCEU film after experincing a rough start. This is until Diana of Themyscira came along. Telling the origins story of Wonder Woman and how she came to be the all powerful hero we know and love. It was so thrilling to see a female led superhero film, the first one that we have really had since the genre has been thriving since the mid to late 2000s, be such an exciting blast.

Gal Gadot picked up where she left off from BVS and delivered a truly exceptional performance. Chris Pine was also in excellent form as Steve Trevor, Diana’s love interest. The action, particularly that superb No Man’s Land sequence was enthralling. While the last act did drag the film down a bit, it was still a wonderful breath of fresh air for the superhero genre, and one would hope that more female driven superhero films will follow.

9. Darkest Hour

Full Darkest Hour review

The film that is surely going to end Gary Oldman’s long wait for that first elusive Oscar. With the country, indeed the entire continent of Europe at war, the United Kingdom needed a leader, and that man was Winston Churchill. The rest, as they say, is history. Oldman gives such a convincing and authentic performance and he carries the film tremendously well as he battles with those who are desperate to undermine him and his position.

Oldman is strongly  supported by the likes of Kristen Scott Thomas and Lily James. With excellent production design and cinematography that captures 1940s London superbly, with a stirring screenplay from Anthony McCarten. This is another fascinating insight into one of the most intense periods of British history.

8. Baby Driver

Full Baby Driver review

One of the main contenders for the coolest characters of 2017 is Ansel Elgort as the lead character in Edgar Wright’s latest film, which was perhaps the most stylish film that has been released all year, as well as being a rare piece of completely original story-telling. Elgort was electric in the lead role as the getaway driver who works for a mob boss in order to pay off a debt. The action scenes were so well cut together and with an absolutely stellar soundtrack to boot, it made for some superb edge-of-your-seat entertainment.

With an equally stellar supporting cast including great turns from Lily James, Jamie Foxx, Jon Hamm and he-who-shall-not-be-named. It was a heist film with a lot of heart and one of Wright’s finest films.

 

7. Three Billboards Outside Ebbing, Missouri

Full, Three Billboards Outside Ebbing, Missouri review

When someone you love passes away, the grief and sadness can be extremely difficult to recover from. So what do you do when that someone is murdered but there have been no arrests? Well one woman’s answer is to rent the use of three billboards outside her town to force the authorities into action. Written and directed by Martin McDonagh, this is an extremely dark comedy focusing on one woman’s relentless mission to get justice. With a stunning performance from Frances McDormand and tremendous turns from Woody Harrelson and Sam Rockwell, it is a film that will keep you on your toes from beginning to end.

6. Thor: Ragnarok

Full Thor: Ragnarok review

Third time was certainly the charm for the God of Thunder. His first two films while enjoyable were not exactly the cream of the MCU crop. However in comes New Zealand director Taika Waititi to give us by far and away the best Thor film, and also the funniest and maybe even the funniest MCU film we have had yet. As the villainous Hela comes back to claim the throne of Asgard, Thor finds himself in a mission with everyone’s favourite green rage monster in a mission to reclaim the throne.

Waititi fuses his delightful brand of humour, in a film that is buddy cop comedy meets superhero. Hemsworth is once again brilliant as Thor, likewise for Tom Hiddleston as Loki. In addition, we got introduced to Jeff Goldblum basically playing himself in a fancy costune, and Tessa Thompson as the badass Valkyrie. It’s vibrant, colourful and oh yeah, it has one of the best MCU side characters ever in Korg who steals every minute of screen time he has. Korg solo film anyone?

5. Dunkirk

Full Dunkirk review

Christopher Nolan is without a doubt one of the finest directors working today. His films are always so immaculately well made and he has almost never disappointed. Here with his latest, he continues that trend and gives us a truly superb war film that tells the story of the Dunkirk evacuation. Telling this story in three separate strands and weaving them together so expertly is a ballsy move, but Nolan made it work. The use of practical effects in as many scenes as possible added so much authenticity to the film.

A gripe that many seemed to have was the lack of character development on any of the characters, and it would be fair to say that while this was in short supply, the acting was superb from just about everyone and it made it such a hard-hitting, emotional watch to the extent that the impact of the film is vast and along with another war film that is yet to appear on this list, it will go down as one of the most breath-taking war films ever made. With yet another nearly flawless film added to his filmography, it makes you wonder is there any genre that Nolan cannot conquer?

4. War for the Planet of the Apes

Full War for the Planet of the Apes review

APES. TOGETHER. STRONG. After two stunning films in this rebooted franchise, the stage was set for the perfect film to close out this superb trilogy and boy did director Matt Reeves do just that, and in incredible style too. Andy Serkis’s work in bringing Caesar to life is just simply extraordinary and it’s about damn time his work was recognised with an Oscar nod. Despite the film’s title, there isn’t much of a war to be found in terms of all out guns blazing warfare. Given how we have watched Caesar grow from a young chimp to be this battle hardened leader of the Apes, to see him at the end of his tether here made for some insanely riveting viewing.

Nevertheless the film still managed to be a gripping story this is still a superb film about family, conflict and your place in a very chaotic world. Caesar once again stole the show, but Woody Harrelson deserves praise for his work as the vicious Colonel. Though more films are bound to follow, this closed the book on what is an absolutely fantastic trilogy.

3. Logan

Full Logan review

Every once in a while, a superhero film comes along that becomes so much more than just your regular superhero flick. A film that becomes something more, a deeply personal story that transcends the comic book genre, and that is precisely what Logan is. Right from the off, you just know that is going to be a very different type of Wolverine film than what we had previously seen. The violence is turned up to the maximum, which made absolutely perfect sense given the nature of the character.

Hugh Jackman has made this role his own, and given that it was his last time playing the role after 9 films and 17 years, he couldn’t have gone out on a better note, it might just be his best ever turn in the role. Likewise for Sir Patrick Stewart as Charles Xavier. It was a tough watch to see these two guys at pretty much their lowest ebb as they work to protect a young mutant named Laura played superbly by Dafne Keen. The prospect of a solo film with her is certainly a very intriguing one.

2. Blade Runner 2049

Full Blade Runner 2049 review

After directing the exceptional Sicario and Arrival, up next for Denis Villeneuve was the sequel to one of the most influential films of the sci-fi genre maybe ever. It was an enormous challenge and fans might have wondered if it was ever going to live up to the original. Thankfully, this is one of the finest sequels ever made and a perfect companion piece to Ridley Scott’s 1982 masterpiece. It honoured what came before it, but also created a truly riveting and compelling story to tell, with some of the most beautiful cinematography that has graced the big screen this whole year. Each frame of this film was just dripping with breath-taking visuals that were dazzling to the eyes. Seriously give Roger Deakins a damn Oscar already!

Ryan Gosling was superb as K, and Harrison Ford once again excelled in the role of Deckard. It was everything fans of the original could have hoped for and delivered an exceptional film that might just be even better than the original, and that is a remarkable accomplishment. Villeneuve emphatically proved that as a director he is at the very top of his craft and it will be fascinating to see what project he takes on next.

And so my #1 film of 2017 is

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1. Hacksaw Ridge

Full Hacksaw Ridge review

I won’t beat around the bush here. No film that I saw in 2017 had a bigger impact on me than Hacksaw Ridge, and no film left me just completely speechless walking out of it as this film did. As a history student, the Second World War was always one of my favourite periods to study, and the fact that I hadn’t come across this story just astounded me as it is one of the most inspirational stories of the war. Telling the story of Desmond Doss, a man who wanted to serve his country but due to his religious beliefs, refused to carry a gun. It seems ludicrous to even do such a thing but the film does an exceptional job of making you understand why Doss believes the way he does.

It’s once we get to Hacksaw Ridge itself is where the film completely changes its focus and becomes an absolutely brutal war film, with some of the most pulsating action sequences in perhaps any war film since Saving Private Ryan. The violence here isn’t glorified, it just feels so frighteningly realistic and it makes you realise that war is brutal. Andrew Garfield as Doss gave a career best performance that for my money should have won him an Oscar. I won’t reveal the true extent of this man’s heroics in case you don’t know, but the fact he did what he did, all while refusing to carry a gun is just absolutely incredible. It is one of the best war films ever made and is my number 1 film of 2017. After I saw it, I wondered if anything would top it all year long, but nothing managed to displace it.

That is a wrap on my list of the best films of 2017. What are your top 10 best films of 2017?  Be sure to follow my Twitter and don’t forget to like Through the Silver Screen on Facebook to ensure you never miss another review of mine! Let us hope that we are treated to more cinematic gold on the big screen in 2018.

Posted in 2010-2019, Film Review

Baby Driver (2017)

Image is property of Tristar Pictures, Working Title Films and Big Talk Productions

Baby Driver – Film Review

Cast: Ansel Elgort, Kevin Spacey, Lily James, Jamie Foxx, Jon Hamm, Jon Bernthal, Eiza González

Director: Edgar Wright

Synopsis: Whilst working for a ruthless crime boss, a young get away driver becomes one of the best in the business. When he meets a woman, he sees a chance to make his escape, but not before one last job…

Review: Whenever there’s a film that is released in the middle of the crowded summer movie season, that boasts a wholly original and extremely intriguing premise, that is always something to savour. Furthermore when you find out that said original film is from the man who gave the world the glorious Cornetto trilogy, that immediately is something to look forward to.

This is a project that Edgar Wright had in the works for well over two decades now. Yet it was only until after a messy exit from Marvel’s Ant-Man which he had been scheduled to direct, he turned his attentions back to his passion project, and hit the accelerator. Focusing on Baby (Elgort) a supremely talented get away driver who plays music via an iPod to drown out the tinnitus he suffered following a childhood accident. He’s one of the best in the business and Doc, the crime boss running the operations (Spacey), knows it. However when Baby falls head over heels for a waitress named Debora (James) he sees his chance to make his escape from the lifestyle. Unfortunately, Doc has other ideas, and one last heist beckons.

Leading the way in an impeccably acted cast, Elgort is immediately very likeable in the lead role as Baby. You have sympathy for him and his circumstances, and he has the charisma to carry the film on his shoulders. Likewise for Lily James as Debra, the two of them build a relationship and the chemistry between them is excellent. As the head honcho crime boss, Spacey too bosses every second of screen time he has, with the usual authority he brings to his roles, yet he can also show his more compassionate side. Jamie Foxx, for a man named Bats feels somewhat appropriate as he’s the most batshit crazy one of the group. Completing the core gang is Jon Hamm’s Buddy and Eiza González’s Darling, neither of whom have a great amount of backstory and character development, but are effortlessly watchable.

The coolest get away driver in the world…

Wright’s screenplay does occasionally meander, there are moments where you feel like it could be something of a dead end, but everything is eventually steered back on course. The Cornetto trilogy demonstrated great humour throughout and there’s just the right amount of humour to be found here. With a premise that focuses on heists and getaways, it’s a given that there’s going to be some rather high octane action scenes, and that is most certainly the case. Wright steers these scenes superbly, the editing is slick and the action is so fast paced, there’s a very good chance that the audience is going to be on the edge of their seats throughout. Sure we have had heist movies in the past with a great get away driver, but Wright pulls it off in a manner that makes it feel fresh. Furthermore, the accompanying soundtrack, is one of, if not the best we have had so far in 2017.

The first two acts keep things for the most part at a steady pace, yet the third act is when things really move into the fast lane. It’s something to to savour, and could also lay claim to the best third act we have seen so far this year. It is breathless stuff that hits top speed in no time at all and barely slows down until the final credits. This might be a movie almost twenty years in the making, and to see it come to fruition in such spectacular style, is extremely satisfying, especially when it’s a movie that takes a very familiar concept, and makes it feel so unique and original, that has to be applauded.

Stylish, with slickly made action scenes that are pulsating to watch accompanied by a stellar soundtrack, fasten your seat-belts ladies and gentlemen, you’re in for one hell of a ride!