Baby Driver – Film Review
Cast: Ansel Elgort, Kevin Spacey, Lily James, Jamie Foxx, Jon Hamm, Jon Bernthal, Eiza González
Director: Edgar Wright
Synopsis: Whilst working for a ruthless crime boss, a young get away driver becomes one of the best in the business. When he meets a woman, he sees a chance to make his escape, but not before one last job…
Review: Whenever there’s a film that is released in the middle of the crowded summer movie season, that boasts a wholly original and extremely intriguing premise, that is always something to savour. Furthermore when you find out that said original film is from the man who gave the world the glorious Cornetto trilogy, that immediately is something to look forward to.
This is a project that Edgar Wright had in the works for well over two decades now. Yet it was only until after a messy exit from Marvel’s Ant-Man which he had been scheduled to direct, he turned his attentions back to his passion project, and hit the accelerator. Focusing on Baby (Elgort) a supremely talented get away driver who plays music via an iPod to drown out the tinnitus he suffered following a childhood accident. He’s one of the best in the business and Doc, the crime boss running the operations (Spacey), knows it. However when Baby falls head over heels for a waitress named Debora (James) he sees his chance to make his escape from the lifestyle. Unfortunately, Doc has other ideas, and one last heist beckons.
Leading the way in an impeccably acted cast, Elgort is immediately very likeable in the lead role as Baby. You have sympathy for him and his circumstances, and he has the charisma to carry the film on his shoulders. Likewise for Lily James as Debra, the two of them build a relationship and the chemistry between them is excellent. As the head honcho crime boss, Spacey too bosses every second of screen time he has, with the usual authority he brings to his roles, yet he can also show his more compassionate side. Jamie Foxx, for a man named Bats feels somewhat appropriate as he’s the most batshit crazy one of the group. Completing the core gang is Jon Hamm’s Buddy and Eiza González’s Darling, neither of whom have a great amount of backstory and character development, but are effortlessly watchable.
Wright’s screenplay does occasionally meander, there are moments where you feel like it could be something of a dead end, but everything is eventually steered back on course. The Cornetto trilogy demonstrated great humour throughout and there’s just the right amount of humour to be found here. With a premise that focuses on heists and getaways, it’s a given that there’s going to be some rather high octane action scenes, and that is most certainly the case. Wright steers these scenes superbly, the editing is slick and the action is so fast paced, there’s a very good chance that the audience is going to be on the edge of their seats throughout. Sure we have had heist movies in the past with a great get away driver, but Wright pulls it off in a manner that makes it feel fresh. Furthermore, the accompanying soundtrack, is one of, if not the best we have had so far in 2017.
The first two acts keep things for the most part at a steady pace, yet the third act is when things really move into the fast lane. It’s something to to savour, and could also lay claim to the best third act we have seen so far this year. It is breathless stuff that hits top speed in no time at all and barely slows down until the final credits. This might be a movie almost twenty years in the making, and to see it come to fruition in such spectacular style, is extremely satisfying, especially when it’s a movie that takes a very familiar concept, and makes it feel so unique and original, that has to be applauded.