Posted in 1990-1999, 2000-2009, 2010-2019, Ranking

Pixar Films: Ranked

When you think of animation studios that combines superb animation and compelling well-rounded characters who come in all sorts of lifeforms, there aren’t many studios out there who do it better than Pixar Animation Studios. Ever since they released their first film to the world in 1995, they have consistently crafted breath-taking and emotional stories that almost never fail to tug on the heartstrings of audience members everywhere. Furthermore, it would be fair to say that Pixar revolutionised the animation industry, as their debut feature film was the first entirely computer animated featured film. In the years since, the studio has only gone from strength to strength, crafting some of the finest animated films to have graced the big screen over the last three decades.

Earlier this year, the studio celebrated its 35th birthday this year. And in honour of that occasion, and with their new film Luca now out on Disney+, I’m going to take a look at all of their feature films that they have released thus far, and rank them all from worst to best. To Infinity and Beyond!

23. Cars 2

The only film on this list that is truly terrible. Was anyone really asking for a sequel to a film that, even at the time, was one of the studio’s lesser efforts? To give the film the tiniest minuscule of credit, it did try to do something different with an international espionage side plot, that felt like something out of James Bond or Mission Impossible. However, this is decidedly ruined by numerous jokes that seemed to be primarily aimed at younger audiences. But, by far and away, the biggest misstep is the filmmakers’ baffling decision to make Tow Mater a central part of this premise. As a supporting character, he was just about bearable, but as the main character, the hazard lights should have been blinking from the word go. Even with Sir Michael Caine lending his voice to a British secret agent, that is not nearly enough to save this severely lacklustre sequel from its place on the scrapheap.

22. Cars

Speaking of the studio’s lesser efforts, comes the first film in a franchise that somehow spawned two sequels. Sentient cars seems an extremely bizarre concept on paper, but in the hands of Pixar, it just about worked. By this point, the studio hadn’t really put a foot wrong, but it had to come to a point when one film that didn’t quite hit those lofty standards, and Cars is very much that film. It is your average run-of-the-mill story about an egotistical character, in this case, Lightning McQueen, who is brought back into the slow lane when he comes across a down-on-its-luck town. The film is not nearly as memorable as those that came before it, yet, it does the of keeping you entertained. Though this is one of those films that, like this film’s sequel definitely felt as though it was geared more towards the younger generation.

21. Monsters University

Before they became best friends and co-workers at Monsters Inc, there was a time before Mike Wazowski and James P. Sullivan were rivals, as they learnt the ropes of how to become a top scarer at Monsters University. This uni’s modus operandi is to teach budding young monsters how to become a good scarer, so that they’re ready for life at Monsters Inc. The only prequel that the studio has thus far created, it is fun and enjoyable enough, with some good ideas in concept. Unfortunately, while seeing Billy Crystal and John Goodman return to their iconic roles is a joy, the plot, and the majority of the supporting characters, are pretty forgettable.

20. Cars 3

After the horror story that was this film’s predecessor, the bar was set very low for the third adventure featuring Lightning McQueen. Thankfully, this was a step up from Cars 2, but then again, that wasn’t too hard. The film takes the decision to stick more closely to the first entry into the franchise, where instead of looking at McQueen’s early journey into the world of racing, it goes the opposite direction. When a younger and newer race car starts to compete and become a serious threat to McQueen’s chances of success, McQueen has to reinvent himself to stay relevant. There’s plenty of familiar tropes found in lots of sports movies here, but it’s decent enough entertainment, and easily the best film in the franchise.

19. The Good Dinosaur

It’s common knowledge that several million years ago, an asteroid caused the extinction of the dinosaurs. But what might have happened had that asteroid instead missed the planet and dinosaurs continued to roam the Earth? When he gets separated from his family, young dinosaur Arlo must find his way home, and finds himself accompanied by a Neanderthal human child whom Arlo must try to reunite with his family. The Good Dinosaur boasts some spectacular animation, but given that just about every other film on this list also boasts stellar animation, that isn’t nearly enough. The film has a sweet sentiment about the importance of one’s family, but when you look at the film, and certain events that take place, it’s hard to not see the very obvious similarities between this and a certain Disney film involving lions.

18. Brave

After seeing Disney Animation Studios’ great success with the Princess genre over the years, Pixar clearly fancied taking a leaf out of their sister studio’s book, with their own version of a Princess tale. The results were decidedly a mixed bag. What Brave has going in its favour is the feisty, flaming haired protagonist Merida, a Princess who is a dab hand with a bow and arrow and definitely does not conform to what society expects from her, which puts her on a collision course with her mother. The big creative direction that the film chooses to go in, is an odd choice, and while it does provide for some laughs, and a touching look at the relationship between mother and daughter, it sadly feels like too much of a creative misstep.

17. A Bug’s Life

If you’re a studio that absolutely revolutionises the animation industry with your very first film, whatever your next film happens to be instantly has an uphill task to match those lofty heights. Following in the wake Toy Story was always going to be a tough act for any film to follow, but A Bug’s Life has plenty of things going for it that make it a strong film in its own right. The story about about an underdog (or should that be under-ant?) who has to prove his worth to his people has admittedly been done numerous times. However, there’s lots to like about lead protagonist Flik, as well as the leader of the colony Princess Atta. Additionally, there’s plenty of humour to be found with the colourful troupe of Circus bugs that enter on the scene to defeat those dastardly grasshoppers.

16. Finding Dory

After playing her part to reunite Marlin with Nemo in Finding Nemo, for the sequel to Pixar’s adventure through the big ocean blue, the loveable Blue Tang Dory became the centrepiece of the sequel. Which, thankfully, was not just a cynical cash grab. When Dory remembers something of her past that could lead her to her long lost parents, she sets off on another adventure in a bid to reunite with them. There aren’t any appearances from Bruce and co, and those pesky (yet hilarious) seagulls are only given the most fleeting appearances. Though in their place, are an equally amusing collection of characters, including a hilarious pair of sea lions and a grumpy but loveable octopus. Note to Cars 2, this is how you take a supporting character from one film, and successfully utilise them as a main character in a sequel film that is not extremely annoying.

15. Soul

After going deep into the emotions of the emotions that define who we are as people for his last film, Pete Docter went one step further with his next film. Taking a deep psychological look at humanity, the essence of what makes us who we are and our existence as human beings, and asking what is it we were put on this Earth to do? Focusing on Joe Gardner, the very first Pixar film to feature a Black lead character, who is deeply passionate about jazz music. After suffering a fatal accident right after landing his dream gig, Joe ends up at the Great Beyond, where souls who have lived their lives ascend.

Convinced though he has more to give, he ends up at The Great Before, where fledgling souls get their personalities before heading to Earth. The film is bold in its attempts to tell a very existential story, that will surely speak to anyone who has a passion for something, and for that it is to be commended. However, the film lacks that emotional punch that so many films before it have. Furthermore, what positive steps forward it makes for representation is hindered somewhat by a problematic creative decision that could have very easily been avoided.

14. Incredibles 2

Another sequel a long time in the making. The Incredibles was a game changer for the superhero genre, as it came out at a time when superheroes and superhero films were not quite the dominating force that they have since become. Hence, the sequel to Pixar’s answer to Marvel’s first family wasn’t quite as revolutionary. Nevertheless, it proved to be a worthy successor to the ingenuity of the first film. It took a risk by picking up straight after the events of the first film, but it was a risk that paid off. With superheroes still unable to come out of hiding, a corporation offers superheroes the chance to regain the public’s trust, which has Elastigirl front and centre, leaving Mr Incredible on parenting duties. And little baby Jack Jack almost steals the entire show.

13. Toy Story 4

After the third instalment of Pixar’s most lucrative franchise wrapped everything up in a beautiful and emotional manner, questions would have undoubtedly been to whether there was really any need for a fourth entry into this franchise. Would this be a worthwhile sequel that earnt its place, or a cynical cash grab of the nostalgia of fans who grew up with these characters? Thankfully, it was definitely the former as it earnt its place as a worthy continuation of this beloved franchise. While the majority of the old gang were side-lined, the film tells a story worth telling, most notably for Woody as he has an important decision to make, after having been reunited with Bo Peep. While it was a shame to see the rest of the old gang side-lined, the film introduces a bright and memorable collection of new characters including the voice talents of Keanu Reeves, Keegan Michael-Key and Jordan Peele, and yes, even a loveable plastic fork named Forky.

12. Monsters, Inc.

Every night before bed as children, we may have been told of a story by our parents about the supposed monster that was hiding under our beds. Well what if there was, and these monsters were just looking to utilise the screams of terrified children as a means to power the city that the monsters live in? On that description, that does sound completely terrifying, but leave it to Pixar to take that premise and turn it into a winning formula. Focusing on the small and not very intimidating Mike Wazowski and his best friend, the much more intimidating James P. Sullivan. These two are together are the top scarers at Monsters Inc. Everything is going well for them, this is until an adorable little child named Boo comes along to challenge the perception that these monsters have about human children. Much like Woody and Buzz, what makes Monsters, Inc. roar is the winning dynamic between Mike and Sully, which is no small part due to the excellent voice work of Billy Crystal and John Goodman.

11. Onward

Imagine a world where the wonder of wizardry and magic, co-exist with the modern technology that we have in the world today. When two brothers receive a gift from their late father that they barely got to know before he passed away, they set off on a magical quest to bring him back to life for a day via some magical wizardry. The ensuing adventure is extremely funny and exciting, but the heart of the film lies in the relationship dynamic between the brothers (wonderfully voiced by Tom Holland and Chris Pratt) that really pulls on the heartstrings. Even in the face of such devastating personal tragedy, such as the loss of a parent at a young age, the love and support that one can find from a brother can be an emotional and unbreakable bond, especially for an older sibling that they looked up to and relied on to get them through those difficult years. This film wonderfully celebrates that.

And so we come to the top 10, and believe me when I say that ranking these movies was extremely hard. As in all honestly, all these films are as close to perfect as a film can get, but as this is a ranking list, they must be ranked, and so on we go with….

10. Ratatouille

There’s some extremely satisfying about tucking into a delicious meal that was lovingly prepared by someone. Yet it takes a certain kind of skill to take ingredients of a dish and turn it into a culinary masterpiece. We may go to fancy restaurants to have the pleasure of the finest chefs in the world serve up a delicious meal. So the idea of one of those chefs being a rat that has a real culinary talent, sounds like a repulsive idea in real life. Yet, under the vision of Brad Bird, it works an absolute treat.

Inspired by his hero Gusteau, Remy dreams of becoming a world renowned chef. The problem is that given who he is, it seems an impossible goal. This is until he meets Linguini, a bumbling garbage boy at a nearby restaurant who works with Remy to help them both achieve their goals.  It may be a familiar story of not being afraid to be who you are, but with under Bird’s direction, and a wonderful Michael Giacchino score, the end result is Chef’s kiss, a five star delight. Bonus points for the extremely clever pun in its title.

9. Toy Story 2

Given the phenomenal success that Toy Story enjoyed, a sequel was bound to happen at some point, and it really set the benchmark for the studio on how to craft a sequel that goes very very close to matching its predecessor. When Woody is toy-napped by a collector, he finds out he was once the star of a much beloved children’s TV show, along with a handful of new toys, namely Jessie the Cowgirl, Stinky Pete the Prospector, and Bullseye the Horse. With plans for Woody and his new friends to be sold to a museum in Japan, Woody’s loyalty is torn in two directions, between his new gang, or being loyal to his beloved owner Andy.

Picking up on the first film’s themes of what is the true purpose of a toy, whilst continuing to explore Woody’s relationships with his friends, both old and new. The film is once again filled with plenty of heart, emotion (see Jessie’s When She Loved Me moment) and brilliantly humorous moments, such as the traffic cone sequence, and of course the wonderful references to The Empire Strikes Back. And to think, originally, the film was planned to be a straight to home video release!

8. Up

There’s no way anyone can talk about this film without talking about the opening 10 minutes. Without a single word of dialogue, and just that beautiful score from Michael Giacchino, the heart-breaking montage captures blissful young love and marriage, before transitioning into the devastation of miscarriage, and the sobering fact of mortality. And that’s just the first ten minutes!

The opening montage is undoubtedly the film’s strongest asset, and if someone makes it through that montage without sobbing their eyes out, I would genuinely worry that their soul is missing. The ensuing adventure that follows after the montage is also extremely entertaining. Focusing on an elderly Carl who’s determined to fulfil his last wish to his beloved Ellie by fulfilling their dream to relocate to the picturesque Paradise Falls in South America. Throw in an eccentric collection of creatures, the plucky young Wilderness Explorer Russell, and the late Christopher Plummer in the role of the villain, and you have the only film on this list that secured a Best Picture nomination!

7. Finding Nemo

The ocean, a vast, deep, dark, terrifying, and seemingly never-ending place. It’s not the sort of place that you would want to have to venture across to try and find your son. However, that’s exactly the task that clownfish Marlin faces. As a single father due to a traumatic incident in his past, he’s overly-protective of his son Nemo. However, after he’s fish-napped by scuba divers he must venture across the ocean to reunite with him. Thankfully, for him he’s not alone in this task as he’s accompanied by Dory, the forgetful Blue Tang fish.

Pixar’s animation is almost always on point, but the work that is accomplished to capture the depth and vastness of the ocean is an extraordinary accomplishment. As well as Marlin and Dory, the film is filled with an eclectic bunch of characters, from friendly(ish) sharks, to super laid-back sea turtles, to those ominous seagulls (mine!). The film demonstrates the unshakable love that a parent has for their child, and one who will stop at nothing to be reunited with them, the love of a parent who will stop at nothing to be reunited with their child. But most of all, you must remember: “Fish are friends, not food!”

6. WALL-E

It says a lot about any film that if it can absorb its audience into the world its created, all without any character uttering a single word of dialogue, at least for the first 30 minutes or so, that is an extremely impressive achievement. In the far future, Planet Earth has been long abandoned by humanity due to excessive consumerism and climate change. One of the last beings left to clean what has been left behind is a Waste Allocation Load-Lifter: Earth-class robot (or WALL-E).

This bot’s existence is a very lonely one, until a very sleek futuristic looking robot named EVE shows up, looking for signs of life on the surface of the planet. As the two central characters, WALL-E and EVE sharing such heart-warming chemistry, the film is proof that any love story, even if it is one about two robots, can melt your heart if done well. Despite being released in 2008, the film has only become more relevant in recent years with the acceleration of climate change that represents an existential threat to our planet, and our very way of life.

5. The Incredibles

Cast your minds back to 2004, a time before the landscape of superheroes and Hollywood was forever changed by the Marvel Cinematic Universe and the gigantic money making behemoth that it is today. Superhero films were being made, but they didn’t quite enjoy the popularity they do now. So in many ways writer/director Brad Bird was ahead of the curve, with this thrilling superhero flick, that one could argue is the best un-official Fantastic Four film that has been made to date.

When superheroes are declared illegal and must adopt regular lives, the lives of the Parr family are forever changed. This is until Bob (AKA Mr Incredible) gets a chance to don his superhero outfit for a secret mission, in the hopes that it will enable supers, like his family to come out of retirement. Though behind the scenes, the dastardly plans of arguably Pixar’s best villain Syndrome, force this super-family to suit up to save the world. Thanks to its exhilarating action scenes, an entertaining dynamic between the titular family and a fantastic array of supporting characters, this is one of the best superhero films ever made. Incredible by name, incredible by nature.

3= Toy Story 3

It is a rare feat for a third film in a franchise that can lay a legitimate claim to be the best film in the franchise, but it’s a testament to the magic that director Lee Unkrich brought to the table for this entry into the studios’ most successful franchise, that no one could really argue if anyone said this is the best of the franchise.

After an 11 year absence, Woody, Buzz and all of the gang returned for what was meant to be the last hurrah for these beloved characters. With Andy now heading off to college, having long moved on from playing with his toys, they are all left are left with a heart-breaking dilemma as to what to do. Believing that they’ll be better off at a day care where toys are constantly played with find themselves, life appears to be rosy for them, until it decidedly isn’t. This culminates in a thrilling Shawshank Redemption-esque prison break, and the hilariousness of Spanish Buzz. And to cap it all off, not one but two extremely tear-jerking moments that should have had anyone who grew up with this franchise sobbing their eyes out.

3= Toy Story

The one that started it all, and the film that made history as the first fully computer animated film, and it certainly set the bar very high for the franchise and for animated films in general. We may have always wondered as kids what happens to our toys when we leave the room, what if they came alive? Working on that genius premise of the lives our toys live when we’re not at home, the film is filled to the brim with an array of colourful characters, and the studio arguably created their most memorable characters in the lovable cowboy doll Woody (voiced wonderfully by Tom Hanks) who gets jealous when his owner Andy, gets a shiny new toy, Buzz Lightyear, to usurp him as Andy’s favourite toy.

The lovable nature of Woody may or may not be down to the man that lends his voice to him, but just about every character here is memorable, and the dynamic between Woody and Buzz cemented these two as one of the most iconic duos in cinematic history. Even decades and multiple films later, the one that started it all off, is still one of the best films that Pixar has made.

2. Inside Out

The human brain is a wonderful thing, and as we go about our lives, the emotions we feel at any given moment, make us who we are. But what if the emotions in our brains also had emotions? Focusing on the five emotions in the head of 11 year old Riley as she is uprooted from her cosy Minnesota life to California, and the adjustment that she, and her emotions go through during this time. The premise of this film is quite simply, from the mind of Pete Docter, is a work of absolute genius. Furthermore, it matches that extraordinary innovation with an extremely witty, and emotional story.

Furthermore, with one of Pixar’s most memorable voice cast including Amy Poehler, Phyllis Smith, Mindy Kaling, Bill Hader and Lewis Black as Joy, Sadness, Disgust, Fear and Anger respectively. Each actor perfectly brings their emotion to life in a hilarious and emotional manner. While these five are great, one must not forgetting Richard Kind’s beautiful performance as Bing Bong. It’s a film that definitely feels more geared to older audiences with some of its ideas, whilst serving an important reminder to us all that while we may dislike feeling sad, it is acceptable to let that emotion overwhelm you, because it’s an emotion that plays an integral role in our lives.

1. Coco

As this list has demonstrated, Pixar have no shortage of incredible films that are filled with beautiful storytelling, excellent characters, and absolutely stunning animation. However, on a personal level, nothing has captured the beauty, and the wonder of their work, quite like this beautiful look at the culture of Mexico and the celebration of Día de Muertos, or The Day of the Dead festival. For young Miguel, he aspires to be a musician and play for the world, but due to an incident in his family’s past, music is outright banned. Determined to not let his family’s hatred of music stop him from pursuing his ambition, he mistakenly finds himself in the Land of the Dead, and must get home safely before it’s too late.

Touching on so many deep themes including, family, music, grief and the need to remember loved ones after they’ve moved on from this world, it’s all just captured with so much beauty and emotion. Pixar’s animation is often just absolutely mesmeric to look at, however the animation here, particularly in the Land of the Dead, is some of the best animation I’ve ever seen. And for a film where music is such an integral part of the story, the music is so immaculately beautiful and emotional. Just typing the words “Remember Me” is just making me want to break down crying. I genuinely don’t think I’ve cried quite as much whilst watching a film at the cinema, as I did with Coco. I adored this film so much but what makes it hit even harder is that just a week or so after seeing this film, my grandmother (the only grandparent I ever knew) passed away. Every time I watch this film, and hear those beautiful lyrics, I always think of her and my late mother. For these reasons, Coco holds such a special place in my heart and it is my favourite Pixar film.

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And that concludes my ranking for each and every Pixar film, thank you so very much for reading, especially if you read all the way through! What did you think of my list? Do you agree or disagree my choices? Please comment below and let me know.

You can connect with me on any of the following platforms: Twitter, Facebook or Letterbox’d, cos you’ve always got a friend in me!

Posted in 2020-2029, Awards Season, Ranking

93rd Academy Awards: Best Picture Nominees Ranked

After what is one of the longest awards seasons in living memory, it is finally time for Hollywood to pay tribute to the best cinematic offerings of 2020/21. It was certainly a strange year that forced cinemas to stay shut for many months, hence the slight delay to the main event this weekend. But that didn’t prevent a number of outstanding films from being released. With a total of eight films up for the big prize this year: including the behind the scenes of how one of the most iconic films of all time came to be, a couple of heart-warming tales about life in America (from two very different perspectives), a gripping and timely courtroom drama, a heart-breaking character study of a man suffering from a terrible disease, an urgent film about an overlooked figure of history, and a dark and thrilling tale of revenge.

There’s lots of quality cinema in this year’s crop, but only one scoop that Best Picture crown. So, without further ado, let us rank these from worst to best (as always per the opinion of yours truly), starting with….

8. Mank

It seems like every year there’s always one film, no matter who you are, that you just don’t get the fuss about, and this year Mank is that film. I never thought a film by David Fincher would be the bottom of this list, yet here we are. When you have get a maestro like Fincher directing a film, that covers how the script of one of the most influential films of all time Citizen Kane came to be, expectations are going to be set high. Having watched (and loved) Citizen Kane for the first time just before watching Mank, it raised my expectations even higher. Furthermore, with a cast that is packed with talent like Gary Oldman, Amanda Seyfried and Charles Dance, surely that’s a sure-fire hit for cinematic gold. Yet, sadly for me, this film just didn’t match those lofty expectations.

To give credit where credit is due, Fincher directs the film beautifully. The production design, costumes and cinematography are all absolutely stunning, and the performances across the board are all very good, with Amanda Seyfried being a particular highlight. What let the film down for me is the script, it had its moments, but I just wasn’t as intrigued by the film as I wanted/expected to be, and that is really disappointing.

7. Minari

Full review here

For generations and generations of people looking to migrate to the United States, the notion of the American Dream to achieve economic success has been the source of their desire to move to the country. Yet, that desire to achieve that dream is not always so straightforward, and in this semi-autobiographical film from Lee Isaac Chung, Minari captures one family’s trials and tribulations as they bid to achieve that dream by opening and running their own farm in 1980s Arkansas.

The cast is filled with impeccable performances, from Steven Yeun’s loving but stern portrayal as the family’s patriarch, to Youn Yuh-jung’s likely Oscar winning turn as the family’s Grandmother. The interaction between her and little David (Alan Kim) is extremely heart-warming, but also extremely amusing. While the film focuses on the lives of this one family, the themes about finding identity in what can be at times (especially right now), a very unforgiving world, is something that we can all relate to.

 

6. The Father

Full review coming soon

Sir Anthony Hopkins is an an actor whose career started all the way back in 1960. Over the years, he’s given us plenty of extraordinary performances. Yet, as his career reaches its seventh decade, it is quite the accomplishment to say that a film released in 2020/21, could arguably be the greatest performance that he has given across his glittering career. In this heart-breaking film from Florian Zeller, it might just have got the best ever performance out of this veteran actor, or at least his best performance since his memorable Oscar winning turn in Silence of the Lambs.

The way in which Zeller directs this film is extremely innovative, and it pays off as it is clearly to try and establish to the audience just how much of an effect a disease like dementia can have on the human brain. As well as Hopkins’s absolutely devastating performance, special mention must go to Olivia Colman’s tender performance as the daughter of Hopkin’s character. It cannot be easy to watch someone you love go through this terrible condition, and who is put in the most uncomfortable position of watching her father’s condition slowly deteriorate. The way the film is told from his perspective enables the audience to go into his mind as his grip on reality slowly begins to unravel, and it’s truly harrowing to watch, especially if someone you love has been affected by this terrible disease.

 

5. Nomadland

Full review coming soon

The Economic Crash of 2008 was undoubtedly an extremely tough time for lots of people. Countless jobs lost, lives and economic livelihoods shattered. For one woman, having lost everything that tied her to a town where she spent many happy years of her life, it leads her to selling most of her belongings and starting a new life as a modern day nomad, living in a caravan in the American West.

Written, directed, edited and produced by Chloe Zhao, Nomadland’s beauty lies in the depiction of the nomad lifestyle. It is a lifestyle that undoubtedly comes with its challenges, but due to the inspired casting of some real life nomads, it brings their lifestyle to life in a manner that is poignant and emotional. The beauty of the film shines through, in part thanks to the gorgeous cinematography, which makes it feel like a world away from the constant noise of the capitalist world that seemingly (at least pre the COVID-19 pandemic) never stops turning. At the centre of all of it, is a subdued, but wonderful performance from Frances McDormand. While it is not my favourite film of this year’s crop, it would be a very worthy winner if, as expected, it takes home the top prize on Oscar night.

 

4. Sound of Metal

Full review here

Imagine if you’re a musician, music is your passion and you live for the thrill of playing music to live crowds. But what if one day, you begin to realise that you are rapidly losing your hearing and your entire future career as a musician is in jeopardy? It’s a position that no one would want to be in, yet it is a position that Ruben (an extraordinary Riz Ahmed) finds himself in. Faced with an impossibly difficult decision, he must decide how to handle the devastating loss of one of his senses, and he seeks assistance from a centre for the deaf, led by a very compassionate recovering war veteran.

Directed beautifully by Darius Marder in a passionate directorial debut, the film shines a light on the deaf community in an extremely touching manner. Bolstered by some absolutely extraordinary sound work, the film’s heart comes from the time that Ruben spends with the deaf community. And most importantly of all, the film is a lesson about coming to term’s with one’s circumstances, whilst reminding the world that deafness is not a disability.

 

3. Trial of the Chicago 7

Full review here

There are certain names that automatically just capture attention whenever they’re brought up in discussions, and Aaron Sorkin is certainly one of those names. Having written a plethora of memorable screenplays over the years, he made a seamless transition to directing. for his second film, he writes and directs once again, to tremendous effect to tell the story of the Chicago 7, who were essentially put on trial in front of the whole world in the build up to the 1968 Democratic Convention.

The film draws a strong correlation between the protests that occurred in the 1960s over the Vietnam War to the protests that erupted across America in response to systemic racism, in a year that felt extremely politically charged due to the 2020 US Presidential Election, and the previous four years under an administration that sought to swiftly quash any dissent and protest. Filled to the brim with top performances, there’s so many that could have got nominations, but in the end it was Sacha Baron Cohen’s excellent turn as Abbie Hoffman that took the deserved plaudits. Once seen as perhaps the frontrunner, it might have lost a bit of steam since its release last October, but it still remains a powerful piece of filmmaking from Aaron Sorkin.

 

2. Promising Young Woman

Full review here

Rape and sexual assault are never comfortable subjects to talk about, but in the years since the Me Too Movement spoke out, it has forced the world to have an urgent conversation about these subjects, and how women are too often subjected to this kind of horrific abuse. In her bold and daring directorial debut, Emerald Fennell tackles these themes head on, and in so doing has created a film that holds a mirror to society in an extremely arresting manner.

At the centre of this thrilling tale of revenge is Carey Mulligan’s Cassie. A woman who once had a bright and promising future, but due to this traumatic incident, her once bright future has faded. Instead, she is focused purely on her revenge mission. Mulligan’s tour-de-force performances keeps you hooked from the get go as you watch her go about her mission to extract revenge against those who caused her that trauma all those years ago. The film keeps you guessing right until its ending, which has, and will undoubtedly continue to generate much discussion in the coming years.

1. Judas and the Black Messiah

Full review here

When you look back at how the Civil Rights movement is taught, there are certain powerful historical figures that are universally recognised all over the world. Names such as Martin Luther King Jr, Rosa Parks, Malcolm X to name but a few. Yet the name of Fred Hampton is not one that is nearly well known, probably because it is barely taught at all, and that is staggering. As when you watch this extraordinary film, it is incomprehensible to work out why this man’s name is not mentioned in the same breath as those other names.

What makes this film so relevant and so extremely powerful is the unmistakeable parallels between the time that Fred Hampton campaigned against injustice, and in the 21st century. To put it bluntly,  not a lot has happened in all those years as the systemic racism that Hampton rallied against is still very much present in our society, as demonstrated by the worldwide protests that took place in 2020, with people taking a stand. While LaKeith Stanfield does incredible work, it’s the absolutely scintillating performance from Daniel Kaluuya that drives the film forward as he imbues Fred Hampton with powerful leadership qualities. Every time Hampton is on screen talking, you’re listening to what he has to say.  “You can kill a revolutionary, but you can never kill the revolution.” Over fifty years later, and Hampton’s words are truer now than perhaps they’ve ever been.

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Could/should have been nominated…

Every time I come to write this list, I always ask myself why the Academy doesn’t fill take the opportunity to nominate the maximum number of 10 films for the top honour? While these eight do all (just about in the case of one film) deserve their spot for the biggest prize of the night, I always like to have a look at what could have joined their ranks to compete for the top honour. So, what could have joined their company? Well if I had my way, Mank drops out, and then I choose the following three films to make it a perfect ten:

One Night in Miami (review): Four influential figures of the Civil Rights Movement, one fictionalised evening, directed by Academy Award winner Regina King, I mean what more needs to be said? Adapted from the Kemp Power’s stage play of the same name, the film isn’t held back by its stage play roots, as the four performances of the men playing these historical figures are all extraordinary. Furthermore, the screenplay that goes deep in exploring powerful historical themes that very much related to today’s society.

Another Round (review): There’s an undeniable joy that comes when no matter what the occasion, we sit down and have a tipple or two to celebrate. Yet you’d think that no one would have a drink whilst working on their day job Yet that is exactly what a group of four schoolteachers do to try and bring a bit of excitement back in their lives. Thomas Vinterberg’s film expertly walks the line between comedy and tragedy, whilst getting one of the best performances out of Mads Mikkelsen in a long time.

Wolfwalkers (review): Seldom do animated films make the leap from the animated category to competing for the top prize. Yet in the case of Cartoon Saloon’s Wolfwalkers, this is a film that absolutely deserves to make that list. In an era where most animation studios are going for fully CGI animation, there’s something to be admired about a studio that creates hand drawn animation, and Wolfwalkers is a magically enchanting tale that continues to enhance Cartoon Saloon’s growing reputation as a powerhouse animation studio.

Posted in 2020-2029, Ranking

Most Anticipated Films of 2021

Goodbye, and good riddance to 2020. What started out like any other year quickly became anything but, as for lots of cinephiles across the world, the sad sight of cinemas being forced to shut their doors was extremely tough to take. The streaming services came to our rescue to deliver some quality films in 2020 which certainly helped with the fact that a lot of the big blockbuster releases that were planned for 2020 were delayed. Yet, with the vaccine for COVID-19 starting to be rolled out, hopefully we will be able to return to cinemas at some point in 2021.

So with that faint glimmer of optimism, let’s look ahead and see what are the films that we will (fingers, and just about everything else, crossed) be seeing on the big screen in 2021. Since many of last year’s films were delayed, a few films from last year’s last will crop up again, along with some new entries. With all those delayed films, let’s hope 2021 can be a big year for cinema. As always with these lists, there are some honourable mentions that just didn’t quite make the list, and these are:

Venom: Let There Be Carnage, If you saw my review of the first film, you’ll know that I hated it and it was one of the worst things I saw in 2018. However, with Andy Serkis attached as director, for this sequel has me intrigued. Given Serkis’s expertise with motion capture work, I hope that he can use that expertise to make something more compelling than that awful first film, and less of the horrendous cheesy dialogue would be great as well.

Godzilla VS Kong, The MonsterVerse hasn’t exactly had the easiest of starts to its existence as a cinematic universe. Both 2014’s Godzilla and 2017’s Kong: Skull Island were both beset by similar problems, namely too little screen-time for their eponymous titans, in favour of mostly very bland humans. 2019’s King of the Monsters certainly packed more action, but was bogged down by a problematic script. We go to these films to see giant monsters throw down, so if they can focus more on that and less on the humans, this titanic clash certainly could be an enthralling spectacle.

West Side Story, While I am not the most ardent musicals fan out there, I’m not averse to a decent musical every once in a while, and with Steven Spielberg attached as director of a new adaptation one of the most famous musical films ever made, well that has my attention.

The French Dispatch, Wes Anderson’s films are almost always eccentric, but that eccentricity doesn’t prevent his films from being wonderfully crafted pieces of art. After making the wonderful Isle of Dogs in 2018, the quirky director makes his return to live action. With another stacked cast including Anderson regulars like Bill Murray, Jason Schwartzman, Frances McDormand, Owen Wilson and Adrian Brody.

Shang-Chi and the Legend of the Ten Rings, The second film in Phase 4 of the MCU that if release dates hold, will follow after Black Widow. While the end of Phase 3 of the MCU saw some beloved characters say farewell, Phase 4 is looking like it will introduce lots of new characters to the MCU. Just Mercy director Destin Daniel Cretton is behind the camera, with a cast that overwhelmingly consists of actors of Asian descent. Given the much discussed “Mandarin” twist in Iron Man 3, fans will be hoping this film sees the genuine article in action.

Honourable mentions have been honoured, and since there’s quite a few films coming out this year, let’s see what cracked my top 15:  (Current UK release dates unless specified)

15. The King’s Man

Release date: 12th March 

How this film must have wished it held on to that initial November 2019 release date. No film has been delayed quite as much as this prequel film to the Kingsman series. This time around there’s no Eggsy or Harry Hart. Instead the film promises to be a look at how the Kingsman agency came to being in the first place. With Matthew Vaughn once again directing, with a packed cast including Ralph Fiennes, Matthew Goode, Tom Hollander, Charles Dance, Djimon Hounsou and Daniel Brühl.

14. Eternals

Release date: 5th November (USA)

The Infinity Saga might have wrapped up 23 films worth of MCU build up, but even after all that, the folks at Marvel are not showing any signs of slowing down. The studio has proved that it can take lesser known properties in their roster of heroes, and make extremely entertaining movies out of them. With an exciting cast, and Chloe Zhao in the director’s chair the studio will be hoping they have another Guardians of the Galaxy on their hands.

13. In The Heights

Release date: 30th July

One of the first of many films on this list that has had its release date delayed due to the COVID-19 pandemic. Lin-Manuel Miranda is synonymous with creating stories that have some excellent music, gaving written songs for Moana, as well as his starring role in the Tony award winning musical Hamilton. The latter of which was given a worldwide audience after a recording of the musical was released to Disney+ last year, to much acclaim from audiences that were stuck at home.

With In the Heights, fans will recognise Miranda’s trademark lyricism, but it promises to be a very different type of musical in comparison to Hamilton. With Crazy Rich Asians director Jon Chu on board, it promises to be a landmark moment for diversity on screen, due to its Latinx cast, and the fact that the film will be set in the Latin Washington Heights district of New York.

12. Malcolm & Marie

Release date: 5th February

John David Washington and Zendaya in a film together. I mean, is there anything more that needs to be said?

11. Nomadland

Release date: 

When you have two time Academy Award winner Frances McDormand in a starring role, that by itself should be enough to capture the attention. Added to the fact that this film has been receiving overwhelmingly positive reviews during its festival run last year, most notably for McDormand’s performance and for the direction by Chloe Zhao, both of whom are heavily tipped to be in the running for awards.

 

Please click on the next page for top 10!

Posted in 2020-2029, Ranking

Best Films of 2020

2020, a year that for reasons that do not need to be elaborated upon, was a rather tough and challenging year, to put it mildly. While it started off like any other year, with new releases aplenty. The COVID-19 pandemic soon brought the industry to a halt, and cinemas the world over were forced to shut their doors for long stretches of the year due to the ongoing pandemic. Though while the big screens went dark, new releases did come through via streaming services. These were certainly helpful to combat the many months of lockdown, alongside all the Zoom quizzes. While the big screen buzz was certainly lacking, there were numerous new releases to watch. So, let’s get down to business and  have a look see at the best films of 2020, per my opinion.

As always, when compiling this list I aim to include films that are listed as 2020 releases on IMDB on this list. However, the staggered nature of UK release dates (at least pre-COVID) that we get here in the UK can make things complicated when it comes to ranking films. Hence, there are one or two films on here that for the majority of the rest of the world, came out in 2019, but not so for us UK dwellers, hence why they will be included on here. Also, due to the pandemic, some of the films listed here haven’t yet made their way into UK cinemas, but since I was fortunate to be able to catch some of these films at the digital edition of London Film Festival this year, they are eligible for inclusion.

Secondly, as always, the placings of these films are not determined by the grade I gave them. Getting the perfect grade is not always going to guarantee that that particular film will be high on the list. As with every year, these lists represent a chance for everyone to be completely and unashamedly biased about the films that we enjoyed the most, and these are the films that I will remember from 2020.  Before I get into the main list, some honourable mentions need to have their time to shine. These films are excellent that you should definitely check out, but they just didn’t quite make the list. These are:

Ma Rainey’s Black Bottom. The first film on this list to be adapted from an award winning stage play. It is a little constrained by its stage play roots, but it packs a lot of heart and soul into its 94 minute run time. With a brilliant leading performance from Viola Davis, and a devastatingly emotional final screen performance from Chadwick Boseman, serving a heart-breaking reminder of what Boseman had to offer the world of film and a bitter blow that he is no longer with us.

Soul [review] Pixar films have so often made efforts to answer some deep existential questions across a variety of beings, from toys, to monsters, to even emotions themselves. With their latest film, from Pete Docter, the studio has produced one of their most contemplative works to date, that is while never quite hitting those emotional beats of their previous films, is bold and original.

Never Rarely Sometimes Always. Pregnancy is a wonderful procedure that after nine painstaking months, gives birth to new life. Yet through a plethora of circumstances, a pregnancy may be unplanned or unwanted. This simple, yet powerful tale of one woman (a brilliant Sydney Flanigan) and her cousin travel to New York to obtain an abortion. The way Eliza Hittman directs this film makes it feel very personal, because there’s every chance that for many young women out there, the situation that is depicted on screen is one that will hit very close to home.

One Night in Miami [review] The Civil Rights Movement of the 20th century, a movement that certainly had its fair share of charismatic leaders, determined to bring about meaningful and significant change in US society. Regina King makes her directorial debut in  stunning style, as we get a glimpse of an extraordinary night where four leaders of this movement gathered. The performances of each actor playing these figures from history are stunning, and as with the very next film, the parallels between this time period, and the one we’re living in right now, make this an essential piece of filmmaking

Queen & Slim [review] The release of this film came just a few months before the world had an urgent and much needed conversation on race and police brutality in America, and the increasing necessity for movements like Black Lives Matter to have their voices heard, and protest for meaningful and significant change to a fundamentally flawed society. Focusing on a young couple who are forced on the run following a fatal clash with the police, with devastating performances from Daniel Kaluuya and Jodie Turner-Smith, given the reckoning the world has had, this is an essential film that needs to be seen.

Pieces of a Woman [review] The most recent film that I watched on this list, and qualifies for this list as I’ve caught it in the first few weeks of the new year. The film is unquestionably a tough watch, but it shines a light on a subject matter that is rarely touched upon in film, that also has an absurd amount of taboo behind it, based on the experiences of some women in the media. Through Vanessa Kirby’s exceptional leading performance, the film presents an honest and unflinching look at the raw and unimaginable grief and heartache that anyone in that situation would experience.

Honourable mentions honoured, now let’s dive into the top 10…

 

10. Supernova

review

When someone receives a devastating, life-changing diagnosis, it is extremely tough to take for them, and their loved ones. This is the reality facing a middle-aged couple as they travel around England visiting friends and family, whilst slowly coming to terms with the fact that this trip may well be the last meaningful time that they spend together as a couple. As the couple at the centre of this heart-breaking diagnosis, Colin Firth and Stanley Tucci share wonderful chemistry together, and their performances are incredible.

9. Another Round

review

Lots of us certainly like to have a drink during the weekend, or whilst celebrating a special occasion. Yet it takes a lot of bravery to have a drink whilst working on your day job. Yet, this is precisely what four teachers, stuck in their dead-end jobs, do as they seeking to maintain a consistent level of alcohol in their blood. Simultaneously funny and heart-breaking, with an superb leading performance from Mads Mikkelsen, it pulls no punches into how devastating the consequences can be, if one becomes too dependent on a drug like alcohol.

8. Tenet

review

When it comes to directors who can sell a film based on just their name, Christopher Nolan is certainly right up there in terms of the most prominent. While his films usually have a mind-bending and complex narrative to them, Nolan consistently manages to make his films fascinating, and riveting to watch. After multiple delayed release dates, there was much uncertainty as to whether the film would even be released. It thankfully did make its way onto the big screen in 2020, and all the better for it.

There’s no getting away from the fact that the film is very hard to follow in terms of plot, even with multiple rewatches, it may well leave your brain completely and utterly fried. The sound mixing was a tad overpowering at times, yet in a year that was for the most part starved of those exhilarating and thrilling popcorn blockbusters, this was a thrilling film to experience on the big screen.

7. Da 5 Bloods

review

Spike Lee’s passionate energy against a certain stupidly haired, ridiculous world leader has helped him to create some powerful pieces of filmmaking. After bagging a much deserved Oscar for BlacKkKlansman, he follows that up with a searing and impactful war drama that focuses on 5 Vietnam War vets on two very personal missions: to recover some gold that they were protecting on their mission during the War, and to find the remains of their fallen squad leader. Brilliantly acted by its ensemble cast, it is the heart-breaking performances of Delroy Lindo and the late Chadwick Boseman that should be bestowed with award nominations. For Boseman in particular, the part he plays as the fallen squad leader to these war veterans is made all the more impactful given his tragic death, a few months after this film was released.

 

6. Onward

review

One of the last films that just about made it into cinemas, before the world shut down. As one comes to expect whenever Pixar put their name on a film, it was a deeply emotional tale. Focusing on two brothers who set off on a magical quest to meet the father that they barely got to know before he passed away. The fantasy/adventure is extremely fun and exciting, but the heart of the film lies in the relationship dynamic between the brothers (wonderfully voiced by Tom Holland and Chris Pratt) that really pulls on the heartstrings. Even in the face of such devastating personal tragedy, like the loss of a parent at a young age, the love and support that one can find from a brother can be an emotional and unbreakable bond, especially for an older sibling that they looked up to and relied on during those hard times.

 

5. Trial of the Chicago 7

review

The first of two courtroom dramas to make this list. Having mastered his talents as a prolific screenwriter, Aaron Sorkin’s second stint behind the camera is further proof that he’s as talented a director as he is a writer. Like the other courtroom drama on this list, to deliver an urgent film that spoke volumes to the increasingly bitterly divided nature of politics, especially in 2020.

Packed to the brim with outstanding performances with Sacha Baron Cohen, Mark Rylance and Yahya Abdul-Mateen II the standouts. The film is an urgent message about the power of using your voice to protest, and to stand up for what you believe in, especially in the face of a Government that wanted to punish the Chicago 7, simply for using their right to protest. This is something that that also felt very topical and relevant given the protests and demonstrations that took place one of the most turbulent years in American history.

 

4. The Invisible Man

review

After their Dark Universe died an ignominious death, Universal Studios were left to wonder where to go in terms of bringing their series of classic monsters back to the big screen. Instead of the grandiose cinematic universe, they’ve gone back to basics with a reboot of the classic HG Wells novel.  focusing on a woman that is being obsessively stalked by an invisible presence, that she is convinced is her abusive ex-boyfriend, in spite of the fact that he supposedly committed suicide.

In a world that has been forever changed by the Me Too Movement, writer/director Leigh Whannell grounds the film in the all too real horror and abuse that many women will have likely experienced at the hands of abusive partners. Tense from the off, and in Elisabeth Moss’s leading performance, she brilliantly captures the emotional trauma of the situation that she finds herself in. Performances in horror films are so often ignored when it comes to awards season, but Moss deserves to be in the conversation for awards for her stunning performance.

 

3. Mangrove

review

Alongside Queen & Slim and Da 5 Bloods, the work of Steve McQueen’s Small Axe series demonstrates that much like the US, the UK has its own problematic past with institutionalised racism and police brutality. Focusing on appalling racism that the Metropolitan police inflict on the Mangrove restaurant and the owner of this establishment, the Mangrove community take a stand against the disgusting treatment they experience at the hands of the police, which leads to a very highly public trial.

While the first half sets up the Mangrove as a vibrant place for the local community that comes under constant attack, the second half is a powerful courtroom drama. Undeniably difficult to watch at times, but it is nonetheless essential viewing. It will leave you fuming at the conduct that you’re witnessing on screen by those who are in a position of power that they should be using to protect, and equally at a justice system that is fundamentally flawed. Filled to the brim with absolutely incredible performances, the shining lights of which are Shaun Parkes and Letitia Wright, the latter of whom gives the performance of her career.

2. Wolfwalkers

review

For all the praise that audiences bestow upon animation powerhouses like Disney, Studio Ghibli, or Pixar when it comes to their animated films. There are a handful of studios who do equally great work that perhaps doesn’t get the same amount of recognition. This very much applies to Irish animation house Cartoon Saloon. With their latest, it’s another excellent addition to their filmography. Telling the story of a young girl living in 17th century Ireland who encounters a mysterious group of people rumoured to have magical abilities.

Expertly combining 17th century history with a wonderful sense of magical and mythical intrigue, packed with beautiful animation, stunning voicework, and a wonderful soundtrack that will have Aurora’s beautiful song “Running with the Wolves” in your head for days. This is a superb achievement, and will provide stern competition in the race for the Best Animated Feature in next year’s Awards season.

And so my favourite film of 2020 is

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1. Parasite

review

It legitimately doesn’t feel like that it was this year that history was made and Bong Joon ho’s masterpiece took home the big prize at the Academy Awards in February. Having caught this film at a press screening at the end of 2019, I almost included it on my best of 2019 list, but opted to defer it for my 2020 list, where I knew it would feature.

While the majority of the rest of the world got to see the film in 2019, it took until literally two days before the film made history for it to open on UK shores, and it was certainly worth the wait. Packed to the brim with stark and biting social commentary about the capitalist society that many of us live in, with a superb script that constantly leaves its audience second-guessing where it’s going to go next. A film that is funny, intense and horrifying all rolled into one, a feat that is incredibly hard to pull off, but Parasite nails it. The pandemic might have caused many of this year’s big blockbuster films to be delayed, but even if all of those films that we were anticipating this year had been released, I’m confident that nothing would have come along to dethrone Parasite as my favourite film of 2020.

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And that brings the curtain down on my list of the best that film had to offer in 2020. Thank you for reading, especially if you read all the way through! Let’s hope that it won’t be long before the cinemas reopen and we can witness more films on the big screen. What were your favourite films of 2020? Let me know in the comments below or you can find me on the following platforms: TwitterFacebook or Letterbox’d.

For my picks for my most anticipated films of 2021, please click here (coming soon).

Posted in 2010-2019, Ranking

Best Films of 2018

Another twelve months of film (or so) have whizzed by, and with that turn of the Earth’s cycle has come another plethora of exciting films. The culmination of the MCU, a fascinatingly beautiful love story, a black and white masterpiece, some incredible true stories, the sixth entry of a franchise that continues to deliver the thrills and excitement, a remake done good, and another Pixar masterpiece. It was quite the year for cinema in 2018, and it is time for me to give you my opinion as to what was the best of the best. Much as I would want to, I have not seen every film that came out this year, so if your favourite isn’t on here, I might not have seen it.

Now, to explain my somewhat unusual method of ranking these films. Rather than going by UK release date, I try to rank these films per their IMDB date. So if a film is marketed as a 2018 release, I strive to include it here. This gives me the chance to catch some 2018 films that are released in the early weeks of the year, so that they can be eligible for this list. However, some 2017 films were not released in the UK till later on in the year, hence why some films that are listed as 2017 films on IMDB are included here, as they came to UK cinemas well into 2018.  Similarly, the UK doesn’t get some films that are marketed as 2018 releases until well into 2019. Hence, anything that is released and reviewed after this post, will be deferred for the best of 2019.

Second, the grade that these films received does not dictate where they will rank. One film may get a higher grade or the perfect grade, it will not necessarily mean that film will be the best film of the year. This is, as is the case for all of us who review films, our one chance to be completely biased about the films that we enjoyed the most, and these are the films that I will remember from 2018.  Before I get into the main list, some honourable mentions need to have their time to shine. These films were very enjoyable that didn’t quite make the list, but were still very good that you should check out. First up…

The Favourite [review] Yorgos Lanthimos makes peculiar films, and he continues that trend with his latest film that fuses a period piece drama with some very black comedy about a frail Queen and the two women who are competing for her affection. The trio of mesmerising performances from the leading ladies, namely Olivia Colman, Rachel Weisz and Emma Stone, makes for some fascinating dialogue and a vast of amount of conniving and backstabbing.

First Man [review] First came Whiplash, then La La Land, and now this superb film telling the true story of how Neil Armstrong became the first man to walk on the moon, Damien Chazelle completed his hat-trick in quite some style. On a technical film, the work that Chazelle accomplishes with the space scenes, especially the all important moon landing scene is simply breath-taking. Ryan Gosling is on excellent form as Armstrong, but it’s Claire Foy who steals the show as his wife Janet.

Creed II [review], After Ryan Coogler came in and produced an absolute belter with the first Creed film, following in the wake of that was always going to be tough. But new director Steven Caple Jr does a sterling job to deliver a worthy sequel that focuses on Adonis’s deeply personal battle with Viktor Drago, the son of Ivan, the man who killed his father. For sure, it is a little by-the-numbers in terms of its plot, but the trio of performances from Sly Stallone, Michael B Jordan and Tessa Thompson ensure that it retains the heart of its predecessor.

Bumblebee [review] After five films directed by Michael Bay, things were starting to get a bit stale (or should that be rusty?) for this franchise. An injection of new blood and metal was needed, and that’s what we got with this film courtesy of Travis Knight, and in so doing gave us the best film of the series. Knight significantly dialled back the action, instead going for more emotion and 80s nostalgia, and combined that with an excellent performance from Hailee Steinfield.

Roma [review] As I mentioned, though I gave this film the highest grade I can give it, it just doesn’t quite get a spot on this list. Alfonso Cuaron’s latest film is a very personal one, that in part examines the director’s early years growing up in the Roma district of Mexico City. Though it is shot in black and white, Cuaron’s cinematography just feels so colourful and his direction is nothing short of exquisite. This film did pretty much everything it could have done perfectly, but (for me at least) it has a lack of rewatchability that just holds it back. But this is a wonderful, technically magnificent piece of cinema that I encourage you to visit if you haven’t already.

Honourable mentions have been honoured, time to crack on with the main list and we begin with…

10. Widows

Widows review

When you combine the talents of Academy Award winners Steve McQueen and Viola Davis, the chances of producing something pretty special are pretty much nailed on. When a heist goes awry, a group of women are left widowed and in a precarious predicament and must carry out their own heist to secure their own futures. In what is perhaps the best ensemble cast of the year, Viola Davis is unsurprisingly excellent but the performances of Michelle Rodriguez and Elizabeth Debicki deserve special mention. In this era of Me Too and Time’s Up, this story of some powerful women taking control of their own destinies is timely, and absolutely thrilling to watch, just as a heist film should be.

9. Black Panther

Black Panther review

The first (and not the last) MCU entry to make this list, and a landmark moment for the MCU and for superhero films in general as this was the first superhero film to feature a predominantly Black cast. Director Ryan Coogler brought the world of Wakanda to life in incredible fashion. From the costumes, to the production design, it all made Wakanda feel like a place that exists on this planet. Coogler stamps his own style firmly on this story, with themes of family, country, pride beating at the core of this emotional and personal journey for our titular hero.

Chadwick Boseman continued where he left off from Civil War, excelling once again as the titular hero. It is though the supporting cast, especially the ladies that end up stealing the show. Letitia Wright, Lupita Nyong’o and Danai Guira as the whizzkid Shuri, the fearless Nakia and Okoye, the absolute badass General of the Dora Milaje respectively. And once again, Michael B Jordan delivering an excellent performance as Killmonger, a villain you can really sympathise with.

8. A Star is Born

A Star is Born review

A remake, of a remake, of a remake. One would wonder if this latest edition of this story had anything new to really say, but Bradley Cooper’s work with this latest adaptation wonderfully hits all the right notes, and makes it extremely relevant for modern audiences. Telling the story of Cooper’s rock star whose career is winding down, while he meets Lady Gaga’s up and coming singer, whose career is rapidly on the rise.

How Cooper writes, directs, produces, stars in and sings all in one film is quite remarkable, but he does all so well that you just have got to take your hat off to him. The chemistry between these two is excellent, and both give extremely emotional and powerful performances, and yes the music involved is absolutely wonderful with arguably the best soundtrack of the year, and maybe, just maybe (read probably) the next Best Original Song winner in “Shallow.”

7. A Quiet Place

A Quiet Place review

A world in which if you make even the slightest peep, and you’re more than likely doomed is the fascinating premise of this directorial debut from John Krasinski. The film zeroes in on the lives of the Abbott family with Krasinski and real-life wife Emily Blunt as his on screen wife and mother to their children, who must live in absolute silence in order not to become food for the terrifying creatures that have caused society to collapse.

Much like Cooper, Krasinski’s direction for his debut film is excellent. There’s barely a line of dialogue in the first half of the film, and there’s not much more in the second half too. Within the first ten minutes, the audience is immersed in the harshness and brutality of this world. Furthermore, to say this is tense would be something of an understatement, as this family desperately try to stay alive whilst these ruthless creatures are hunting them. If ever there was a film that compelled you to keep your mouth shut while the film was playing, this would be that film.

6. Isle of Dogs

Isle of Dogs review

No one really makes films like Wes Anderson. After he made Fantastic Mr Fox back in 2009, the eccentric director goes back into the world of stop motion animation to tell a story about man’s best friend(s). In a futuristic Japan, the anti-dog mayor has banished our canine friends to a remote island. However, until a boy rocks up looking for his beloved mutt, and an intriguing adventure unfolds.

Packed with an excellent voice cast including some of Anderson’s regular collaborators, the story is smart and humorous, and the animation is just exquisite in its detail. For all those who love our canine friends, this is one to definitely get your paws into, and even if you’re not a dog person, you will fall in love with this particular group of canines.

With these next five, they all could honestly be #1, but as this is a top 10 list, there must be an order and so, on we go with…

5. BlacKkKlansman

BlacKkKlansman review

It is hard to get away from the fact that right now in the USA, there is something of a problem with race, which is no small part due to the current White House incumbent. That fact makes this astonishingly true story about a black police officer infiltrating the KKK in the 1970s feel so relevant to today’s society, and all the more frightening. But that’s exactly what the latest film from Spike Lee is, a man who is not afraid to let the world know what he really thinks of the current US President. With this film he unleashes that anger, which when you see some of the stuff we have seen in the USA, is understandable rage.

Anchored by a remarkable lead performance from John David Washington, with an equally terrific turn from Adam Driver as the duo who make up the combined policeman who bravely infiltrates the KKK. It seems unlikely that a film like this would find room for any humour, but Lee manages to weave it into this powerful drama tremendously well. This is until what is undoubtedly the most powerful ending of 2018, that holds nothing back drawing a comparison between the events depicted in the film, and some of the horrific events of recent times.

4. Coco

Coco review

When it comes to making animated movies that really pull hard on your heartstrings, there isn’t really anyone who does it better than Pixar. And with their 19th feature, they produced yet another animated masterpiece. Telling the story of an aspiring musician, who, in spite of his family banning music, desperately wants to pursue it. This desire takes him to the Land of the Dead, in search of his ancestor who was himself a musician. This film ventures into territory that could very easily be just a bit too macabre for kids, but as they so often do, Pixar just make it work an absolute treat.

Pixar so often fill their films with wonderful animation, however the detail in the animation is quite simply extraordinary particularly when it comes to the Land of the Dead. Themes of family, pursuing of one’s dreams, and the sheer power that music has on our lives are themes we can all relate to. The characters, whether they’re living or dead, are wonderfully brought to life. If by the time all that emotion comes to the fore in the closing moments of this wonderful work of art, you are not sobbing your eyes out, please check to see if you still have a pulse/soul.

3. Mission: Impossible – Fallout 

Mission: Impossible – Fallout review

Tom Cruise at the age of 56, is somehow still working wonders in a franchise that with its sixth entry now is finding new ways to blow audiences away with some truly breath-taking stunts and action scenes. With the severe threat of global nuclear devastation hanging over the world, the IMF must stop the impending catastrophe. That plot is familiar yes but Christopher McQuarrie once again directs this film to absolute perfection with absolutely brilliant work done on the numerous action scenes that just leave the audience breathless.

Of course the action is just one facet of what makes this film, and indeed this franchise so great, it marries that up with intriguing political and social subtext, and agendas flying back and forth. Cruise once again leads the way in an excellent cast, with able support from the usual crew of Simon Pegg and Ving Rhames, with Rebecca Ferguson once again on top form as Ilsa. It is however Henry Cavill and his well publicised moustache that generated the most headlines. ‘Tache and all, Cavill’s performance alongside Cruise is just one of the many aspects that make this exhilarating mission one that you should definitely accept. One of the best action films ever made.

2. Avengers: Infinity War 

Avengers: Infinity War review

10 years in the making, it was all building towards this. The expectations were sky high, and the Russo brothers definitely did not disappoint in delivering a grand spectacle that features just about every MCU hero we have met so far go up against the formidable Thanos and to stop him getting his hands on the Infinity Stones. There were fears before hand that with so many characters that it would just be too crowded. Fortunately all those fears were put to rest once the film finally arrived, and the fact that it does all flow together pretty seamlessly is something of a miracle. However, the film does a tremendous job of giving everyone a stand out moment, though some of those moments are more epic than others (looking at you God of Thunder.)

However the real revelation of this film was Josh Brolin’s brilliant work as Thanos. Though the MCU has certainly suffered from its fair share of poor villains, Thanos was anything but. You understood where he was coming from, and he proved to be a truly formidable foe, with one or two moments in particular that fleshed out his character perfectly. And yes, that ending, oh that ending that left audiences stunned into just utter shock at what just happened. Fans of the MCU couldn’t have asked for much more, and yes as Dr Strange said, we are most definitely in the endgame now.

And so my #1 film of 2018 is

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1. The Shape of Water

The Shape of Water review

The Best Picture winner at last year’s 90th Academy Awards, and fully deserving of the accolade, which also saw Guillermo del Toro nab the Best Director gong (also very well deserved). He dips back into the realm of fantasy with this gorgeous tale of a mute woman who falls in love with an Amphibian God being held at a covert US facility. The word beautiful really doesn’t quite do it justice but it with absolutely wonderful cinematography, the film is just awash with gorgeous visuals that just leap off the screen, combined with a moving screenplay that goes deep with its social commentary on a number of different subjects, there is so much more to the film than just “woman falls in love with a fish.”

Led by an astonishing performance from Sally Hawkins who, without saying a word, captures such raw emotion with her performance. She leads an impeccably acted cast including the likes of Octavia Spencer, Richard Jenkins, Michael Shannon and Michael Stuhlbarg, as well as Doug Jones as the mysterious creature, all of whom are equally magnificent in their performances. Alexandre Desplat’s Oscar winning score only adds to the sheer beauty and romance of the story. A very different kind of fairytale, but one that just as majestic and magical as anything that the fine folks at the Mouse House have produced in recent years. A worthy film to claim the title of my favourite film of 2018.

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Well there you have it my picks for the best films of 2018. Thank you for reading, especially if you read all the way through! What were your favourite films of 2018. Let me know in the comments below or you can find me on the following platforms: TwitterFacebook or Letterbox’d.

For my picks for my most anticipated films of 2019, please click here!  

Posted in Film Feature, Ranking

Ranking 2017 Superhero Films

Another year passes, and another collection of superhero ensembles and solo flicks have graced the big screen once again. It certainly was an interesting year with Marvel continuing to dominate the market. Meanwhile, DC trying to get their Extended Universe back on track, as well as one beloved character bowing out after a staggering amount of time in the role. It was quite the year but what stood out among the best of the best?

Anyway, with that said and done, it’s now time to grab the Lasso of Truth (well kind of) and rank 2017’s superhero flicks from worst to best, starting with…

7. Justice League

Click here for my Justice League review

It’s fair to say that five films in, the DC Extended Universe hasn’t exactly been a roaring success that it would have hoped to be. Though Wonder Woman certainly helped get things on track, the familiar feel of production problems certainly effected DC’s answer to the Avengers. With director Zack Snyder stepping down from the post production process due to a family tragedy, Joss Whedon was brought in to finish the film and oversee some reshoots. Though the film has polarised both fans and critics alike (not for the first time for DC) there is much to like about this. For one it does combine Snyder’s flair for visuals with Whedon’s ability to create funny dialogue. And seeing the team unite for the first time was undeniably a pleasure to watch, with memorable turns from Wonder Woman and a very exciting debut for Ezra Miller as Barry Gordon AKA The Flash. It’s not on the same level as The Avengers, but it does represent a step in the right direction for DC.

6. Spider Man Homecoming

Click here for my Spider-Man Homecoming review

Having made his glorious MCU debut in Captain America: Civil War, a solo Spidey film with him very much a part of the MCU was almost inevitable. As such, with a little bit of reorganisation, Spider-Man got his big screen MCU bow in the middle of the third phase of its cinematic universe. Tom Holland once again gave a superb performance as everyone’s friendly neighbourhood web-crawler, giving the character that real high school authenticity that had been somewhat lacking from the likes of Tobey Maguire and Andrew Garfield. While the story doesn’t exactly break any new ground in terms of what we have seen on the big screen for Spider-Man,  Spidey battles Adrian Toombes AKA the Vulture. Given the MCU’s well documented trouble with villains, he was certainly one of the better ones we have seen, as you understood his motivations and he had a connection to Peter that made it all the more interesting to watch. It doesn’t top the first two Raimi Spidey flicks, but it’s certainly a vast upgrade on everything that came after those two films.

5. Lego Batman Movie

Click here for my Lego Batman review

In the wake of the extremely entertaining Lego Movie, comes a spin off movie of equally hilarious Batman shaped proportions. With plenty of visual references to Batman and all of his previous incarnations, this film is paradise for all who are fans of Batman, which let’s be honest who isn’t, if someone says they’re not, don’t believe them cos they’re only kidding themselves. Will Arnett returns to voice this animated version of the Caped Crusader and Zach Galfianakis as the latest incarnation of the Joker, and considerably more well received than poor Jared Leto’s take on the character. The animation is great and the plot is extremely entertaining, albeit  it does get a little bit on the silly side at times, but when it’s this much fun to watch, no one is really going to mind.

4. Guardians of the Galaxy vol 2

Click here for my Guardians of the Galaxy vol 2 review

When 2014’s Guardians of the Galaxy came along, it was such a wonderful breath of fresh air for the MCU, giving us a look at new characters the overwhelming majority of us had likely never even heard of. It was fun, hilarious and overall just really enjoyable. So it’s little surprise that for the sequel, James Gunn chose to replicate the formula that worked to such great effect the first time around. However, while that still makes for an entertaining flick, it doesn’t have quite the same impact as the first Guardians movie. That being said, all of the team remain very fun to watch, it continues the humour from the first film, and yes Baby Groot is freaking adorable. The story is entertaining but certain elements do bog it down, and furthermore it doesn’t retain that freshness and originality that the first movie brought.

3. Wonder Woman

Click here for my Wonder Woman review

DC’s cinematic universe wasn’t exactly going well prior to the release of this film, Suicide Squad and BVS had endured rough reactions from fans and critics, and well it wasn’t looking good for the future of the DCEU. Enter Patty Jenkins to tell the story of Wonder Woman, and give us by far and away the best film that the DCEU has brought us and one that will hopefully open the floodgates for more female led superhero movies. Gal Gadot proved to be the perfect choice to play our titular heroine, she had the necessary charisma to carry the film on her shoulders, brilliantly combining such ferocity with compassion and a strong willed desire to do the right thing. With Chris Pine in equally superb form, watching Wonder Woman enter the battlefield in the heart of the First World War, and be an absolute badass particularly in the No Man’s Land sequence made for one of the standout moments of cinema in 2017 for sure.

2. Thor: Ragnarok

Click here for my Thor: Ragnarok review

Thor Ragnarok marked the staggering 17th film in the Marvel Cinematic Universe, and it without doubt takes its place as one of the best. Marking Thor’s 3rd solo film, it defied the notion that the third film is always the worst in the trilogy as this is by far better than the previous two films. Setting up events that are very much likely to play a part in next year’s Infinity War. Directed by the delightful Taika Waititi, this film was humorous right from the word go and it never lets up. This was the MCU’s version of a buddy cop film but instead starring Thor and Bruce Banner, and one of the FUNNIEST characters that the MCU has ever given us in Korg, the loveable bunch of rocks ably voiced by Waititi himself, battling against the villainous Hela played tremendously well by Cate Blanchett. It was exciting, funny, extremely colourful and exhilarating to watch.

1. Logan

Click here for my Logan review

What a way to bow out of a role and a franchise that for 17 years you have made your own. Logan marked the last time that Hugh Jackman will play the iconic character of Wolverine, and he couldn’t have gone out on a better note. Immediately director James Mangold lets you know what kind of film you’re about to watch. Right from the off, this was a much darker, and considerably more violent portrayal of the character than we have ever seen previously with quite a bit more blood and vulgarity, and all the better for it. As Logan must look after the ailing Professor X and young Laura who has some mysterious people after her. It’s a mash up between Wolverine and The Last of Us, and it’s by far and away the only superhero film that could have a legitimate shot and picking up some acting nods at this year’s Oscars. That could be wishful thinking but with an ending that will almost certainly leave you a blubbering mess, the work that Jackman has done with this character has been so extraordinary over all this years. As such, it will be an almighty task for anyone to take on this role in the future.

Agree with my picks? Disagree? Let me know what your ranking would be by commenting below or tweeting me at @thrsilverscreen.

Posted in Film Feature, Ranking

Ranking Christopher Nolan Filmography (Collaboration)

In terms of directors working today who have had quite the considerable impact of modern day films and film-making, one name that would surely come to mind would be one Christopher Edward Nolan. Since making his directorial debut in 1998, he has made 10 feature films, and through his fine filmography, he has covered a wide range of subjects in his movies, and his films certainly have the tendency to really challenge their audiences and get the mind working.

With the director’s next film, Dunkirk now in cinemas, it begs the question, what is Nolan’s best film? I have assembled a team of fine film folk to collectively rate and slate all of Nolan’s current filmography, ranking them from worst to best: These fine folks are: Plain, Simple Tom, Nathan, Markus, Angus, QuickFire Reviews, RyanMaddy and yours truly. Please be sure to give all those great people a look see via the hyperlinks in their name! Without further ado, let’s get cracking, and see our individual thoughts on each of Nolan’s films:

Following (1998)

Maddy: There is something immediately fascinating about this film. It’s a little bit student film-like, with performances that certainly aren’t great, yet the overall film has such a unique style to it that it was undoubtedly going to put Nolan on the road to success. Not his best, but definitely worth a watch to see where it all began. (6/10)

Tom: A simple yet intriguing story, Nolan starts his foray into the film world with this overlooked film, using the homes of friends and family in which to shoot in.Not extraordinary but always intriguing. Plus, a bat symbol on one of the doors. #foreshadowing. (7/10)

Markus: Following is an ambitious ham sandwich budget debut feature from Christopher Nolan. And for the most part it paid off. Not perfect, but definitely a good way for Nolan to get his foot in the industry. (8/10)

QuickFire Reviews: Made on a budget of $6000, Nolan’s directorial debut – for the limits and restraints in received in production – turns out superbly. From the very start Nolan as a director clearly has an eye for detail, crafting an exceptionally intimate, stylish and engaging character study. (8.5/10)

Ryan: Christopher Nolan’s underground debut feature may not be a perfect film, but it’s a faultless prelude to his now world famous filmography. You can see him beginning to toy with narrative, you can sense his recognisable character types beginning to emerge. It under 70 minutes, Following comes at you quickly but doesn’t skimp on the goods – a solid debut feature with more than enough to chew on. (8/10)

Memento (2000)

Tom: Another unique premise brought to life by a clever script and a handful of fascinating performances. (9/10)

Martin: Almost unlike anything that has ever been to screen before, and since its release, there has never been a film quite like Memento. Riveting storytelling, with a very unique premise and one of the best ever performances that Guy Pearce has given across his career. And for the Love of God, PLEASE don’t remake this movie Hollywood!! (10/10)

Nathan: While Memento succeeds through its direction, with an impressive use of dual narratives coalescing terrifically, the narrative is somewhat repetitive and really challenges your concentration levels come the middle third. That said, it is largely enjoyable and serviceable in delivering us the Nolan we know and love today. (6.5/10)

Markus: Nolan manages to create a fiendishly clever story with Memento, making perfect use of it’s fractured narrative and forgetful protagonist. Guy Pearce gives a fantastic performance that often gets overlooked by people. This movie is far from forgettable. (10/10)

Angus:  The film that is known for being backwards, ‘Memento’ does a fantastic job at keeping your interest within its unusual structure. The film will have you continuously guessing what has happened in what is arguably Guy Pearce’s best performance. A great concept with interesting characters make this film perhaps Nolan’s most unique. (9.25/10)

Ryan: How many film makers create something as good as Memento so early in the career? The film may benefit more from its structure than I’d care to admit (when watched in chronological order, a lot of the magic is lost) but Nolan’s exploration of time and memory is the film’s selling point. Why mark a film down for something it technically hasn’t done? Memento is smart, intricate storytelling and one of Nolan’s strongest scripts. (9.5/10)

Maddy: Massively impressed by this film. It’s so similar to Following but with a Hollywood upgrade, & it pays off really well. Love how we see the same scenes repeated over & linked & slowly pieced together, we don’t know who to trust or what to make of things: exactly what Leonard’s life is like. It’s clever in an effortless manner. (7/10)

Insomnia (2002)

Ryan: Insomnia is my least favourite of Nolan’s films. The performances are strong and the film’s atmospheric work is immersive, but there’s something missing from this one. A bold twist, a new direction for the film to take. Insomnia isn’t a bad film by any means, but it’s Nolan’s most forgettable work by a wide margin. (7.5/10)

Tom: A neat thriller with a fine cast, especially Robin Williams who gives one of his best ever performances. 7/10

Markus: Insomnia is Nolan’s most underrated movie. It’s an incredibly captivating murder mystery that takes a few interesting twists and turns. Pacino delivers a fantastic performance. I love it. (10/10)

Angus: Insomnia brings great performances from Al Pacino and Robin Williams as the cat and mouse game provides gripping entertainment. The struggle from Pacino’s character works very well alongside the mystery aspect of the film that is worth revisiting. (8/10)

Maddy: It’s not written by Nolan so it doesn’t have the same layout or rhythm of his other films, yet through his direction his unmistakable vibe is there. The acting really is first class here, with Al Pacino, Robin Williams & Hillary Swank all brilliant as you’d expect three Oscar winners to be. The audience is given everything but in a manner that seems to gradually distort along with Pacino’s character’s mentality – it’s clever, but easier watching than some of Nolan’s other work. (7/10)

Batman Begins (2005)

QuickFire Reviews: A comic-book franchise opener like no other Batman Begins matches Nolan with an equally talented cast to create a deeper, darker and downright thrilling portrayal of The Dark Knight, without ever becoming stale or monotonous. (9/10)

Maddy: This is how you do a superhero origin story. What I adore about the Nolan Batman trilogy & why I think it remains so successful is how much reality he gave it. Whereas in the past we’d seen Batman prancing around in his grey spandex with cheesy fight sound effects, this grounded the vigilante character & created a much darker & tangible take on the classic. Christian Bale makes a brilliant debut as both Bruce Wayne & Batman, & with Michael Caine at his side in what will forever be the perfect Alfred portrayal, this really was a hell of a start to a great trilogy; dark & intense without becoming overwhelming. (8/10)

Tom: Nolan reboots the Batman film universe in spectacular fashion with this exciting, cool, exquisitely designed film. It’s an excellent origin story with a superb cast and a great plot. (9/10)

Martin: The rebirth of the Batman, after the character died in ignominious circumstances. Told through Nolan’s brilliant vision with an exciting look at The Caped Crusader and his origins, magnificently acted by its super talented cast, and a truly gripping story of one man’s journey from man to symbol. (8.5/10)

Nathan: Batman Begins is a sluggish start for the rebooted Batman but helps sets the wheels in motion for an otherwise impressive franchise of films. The performances are decent but the chosen story is weak and, surprisingly, forgettable. (6.5/10)

Ryan: I didn’t realise how much I would enjoy a Batman trilogy when I first saw Batman Begins. The film is well crafted and suitably dark, telling the Bruce Wayne story in a harsher way than before, but it perhaps gets too bogged down in its “origin story” style to break away from the mould entirely. Still, it’s a stronger superhero film than anything we’ve had in the last four years. (8/10)

Angus: In my opinion, this is the best superhero origin story that does great at establishing the famous character. The Batman series needed rebooted badly and Nolan’s darker, more realistic take makes for a great viewing. The film balances its characters very well especially with its villains making Nolan’s first superhero film a successful one. (8.75/10)

Markus: After the Batman movie franchise was more or less killed off by Schumacher’s movies, Nolan managed to revitalise it with Batman Begins. An exciting action-drama that gives us a fascinating and fresh look at the characters and the world they inhabit. It also helps that the performances are top-notch. (10/10)

 

The Prestige (2006)

Martin:  Everyone loves a good magic trick, and for Nolan, this enthralling tale of two rival magicians trying to outdo the other makes for some spellbinding entertainment that will keep your eyes transfixed on screen right from the first shot all the way to the last. With two terrific performances from Bale and Jackman, as well as the late David Bowie, and one heck of an ending. (9/10)

Tom: With two charismatic performances at the centre, this film has an intriguing story that constantly keeps you guessing. A tantalising mystery with some neat visuals and a fine ending. (8/10)

Nathan: The Prestige is an absorbing and somewhat hypnotising picture, bolstered by two terrific central performances and Nolan’s reliably impressive direction. Most admirable though is that there is nothing quite like this film, demonstrating Nolan’s ability to make ground-breaking and innovative cinema. (7.5/10)

Markus: Layered, complex, and filled with twists and turns, The Prestige shows Nolan at his most fiendishly clever. Tricking you at every moment it can, like a good magic trick, The Prestige is one that shouldn’t be overlooked by anyone. (10/10)

Angus: A film about two magicians trying to one up one another is full of twists and turns that will make sure that you are watching every second until the credits role. And then after that, you will be thinking about what has actually just happened and how they pulled it off. This is a film that will stay with you for days and changes the way you watch it the second time around. There are so many layers to this film that make it special, magical if you will. (9.25/10)

Ryan: There’s a cult of film fans who loudly herald The Prestige to be Nolan’s best film and, while I don’t agree, it isn’t tough to see why. This is a starkly original work from Nolan, one that benefits from countless rewatches to fully comprehend not only the story it tells but the way it tells it. The final twist is certainly of the “make it or break it” kind, but if you fit in the former category it’ll turn a good film into a great one. (9/10)

The Dark Knight (2008)

Markus: The Dark Knight isn’t just a showcase for one of the best performances of 2008 (Heath Ledger), but it’s also a layered and suspenseful crime-drama filled with plenty of awesome moments. It’s also beautifully shot and features an excellent score from Hans Zimmer and James Newton Howard. (10/10)

Tom: Surely Nolan’s magnum opus, The Dark Knight earns its place as one of the best superhero films ever. Amazing set pieces, a thrilling score, cool bat-action, a solid script and all round excitement. Oh yeah and there’s this guy called the Joker and he’s played by Heath somebody; apparently he’s awesome.  (9/10)

Angus: The finest superhero movie ever made is always closely linked to Heath Ledger’s stunning performance as The Joker. However, there is a lot more to the film as its filled with many great moments making ‘The Dark Knight’ a modern classic and the best within its genre. Aaron Eckhart’s performance as Harvey Dent/Two Face is also magnificent as his character development throughout the film is exceptional. The opening heist scene and interrogation scene between Christian Bale and Ledger are two particular highlights. (9.5/10)

Martin: In short, one of, if not THE, best superhero movies ever made, and what a sequel should do. Taking it in dark, mysterious and exhilarating new directions. A masterclass performance from Heath Ledger as the Clown Prince of Crime, among a plethora of wonderful performances and just some darn good action sequences! Now there’s a truly great Batman movie! (10/10)

Nathan: The Dark Knight is masterful in almost every sense of the word: as a superhero film, as a blockbuster, as an action-thriller, as a character study, The Dark Knight is perfect. Combining Nolan’s magnificent direction, a wonderful script and incredible ensemble performances (particularly from the late Heath Ledger), The Dark Knight is everything we love to see in cinema. (9.5/10)

QuckFire Reviews: It’s difficult to say the perfect film exists – but if it did it would look like this. From the visceral action sequences, razor edge tone and score, stunning cinematography and a script that elevates the material to what was previously viewed as unreachable heights, The Dark Knight also features my favourite and one of the all-time greatest acting performances in Heath Ledger’s menacing, complex and often funny turn as the Joker. A truly unforgettable viewing experience, destined to forever be a classic. (10/10)

Ryan: How many sequels not only improve on their predecessor, but actually grow to become recognised as a classic? The Dark Knight is a masterpiece of superhero cinema, and when people throw it around it conversations of the greatest films of all time, its inclusion in such discussion doesn’t feel unearned. Led by an unforgettable performance from Heath Ledger and a narrative as momentous as it is explosive, The Dark Knight will sit at the top of the superhero throne for a very long time – one might even argue forever. (10/10)

Maddy:  Nine years on & nothing has changed in how brilliant this film is. Without a doubt the greatest superhero movie, & one of the best performances of all time from Heath Ledger as the Joker. It’s unlike anything else – seamlessly continuing the trilogy whilst building on it, making it broodier & more gripping. Maggie Gyllenhaal taking over the role of Rachel from Begins’ Katie Holmes transforms the character into something far greater than a damsel in distress. And Heath Ledger – where do you even start? He to date is the best Joker, exactly as the character was intended to be. He is truly unpredictable in the most unsettling & jaw dropping way, & in an exceptional way seduces every viewer with his ever changing anecdotes & sick jokes. Another realm of film-making. (10/10)

Inception (2010)

Nathan: Inception may be too complex for its own good at times, but its mind-bending premise, terrific ensemble cast and brilliant visuals are all helmed by Nolan with aplomb and sophistication. It may be the smartest, most innovative film of the decade and one that deserves to be remembered for years/decades to come. (9/10)

Tom: A unique, mind-bending concept, spectacular visuals and a flawless ensemble cast. Surely one of Nolan’s most ambitious films – you ain’t never seen anything like this before! (9/10)

Martin: Dreams, within dreams, within dreams. Crikey what a mind-boggling premise, and one that in the wrong hands could have been an enormous bloated mess, but yet again Nolan makes it all work, with a first class screenplay, utterly bonkers but quite brilliant visuals, another top notch ensemble cast, and absolutely mind-bending action sequences. (9.5/10)

Markus: Taking an idea as complex as Inception’s could turn out really convoluted and bad, but Nolan manages to make it all work. The cast is fantastic, and the score by Hans Zimmer might be the best he’s ever done. Complex, exciting, and epic, Inception is my personal favorite of Nolan’s movies. (10/10)

Angus: I believe this to be Nolan’s best film as it succeeds on so many levels. Thoroughly entertaining whilst being a film that really makes you think makes this truly remarkable. The story is solid and is helped by breathtaking visuals and a phenomenal cast which is the best ensemble that Nolan has worked with. ‘Inception’ is innovative and clever whilst maintaining an exhilarating feeling throughout the whole of the runtime. Again, this is a film that gets better with repeat viewings as you start to pick up little details you may have missed at first glance. Nolan’s finest work to date. (9.75/10)

QuickFire Reviews: With a memorable score, an impeccable cast, stunning visuals and a director that compliments the larger than life concepts, Inception is sleek, engaging and mind-bending all at once, without ever being over convoluted. Though I have never been the greatest fan of this movie, I laud it for being what it is – a thoroughly intelligent blockbuster. (8/10)

Ryan: I won’t beat around the bush here – Inception is my favourite film. It’s the one that drew me into the world of the film, the one that opened my eyes as to the limitlessness of cinema. The film’s action sequences are exhilarating and the narrative structure is sensational, but it’s Inception’s emotional core that mesmerises me with every rewatch. Benefitted further by Hans Zimmer’s masterpiece of a soundtrack, I doubt I will ever love another film in the ways that I love Inception. (10/10)

Maddy: This seemed like Nolan’s real breakout into high budget films he set out to make. Inception is so difficult to explain, but so brilliantly told that you don’t realise that it is confusing (if that makes sense at all). Leonardo DiCaprio is phenomenal in the lead, with more excellent performances from Ellen Page, Tom Hardy, Cillian Murphy & more. (8/10)

The Dark Knight Rises (2012)

Maddy: I know that The Dark Knight is the best film in this trilogy, & the best comic book movie of all time. But I think Dark Knight Rises is my favourite; it’s the only one I saw in theatres after my Uncle introduced me to the films one weekend in the summer. I am utterly in love with Anne Hathaway as Selina Kyle, & Joseph Gordon Levitt being revealed as a sneaky Robin was the greatest thing that ever happened to me. Following in the footsteps of an iconic performance as an iconic villain was hard for this film, but Tom Hardy as Bane is a fantastic villain & Marion Cotillard is genius. And then just go round it off, we have Gary Oldman & Michael Caine being absolute sweethearts & making you want to weep from it all. (8/10)

Tom: Concluding the Dark Knight trilogy, Tom Hardy makes for a . . . unique . . . Bane but the overall story is often muddled and unfathomable. Regrettably a bit disappointing. Then again, The Dark Knight was nigh-on impossible to top. (7/10)

Martin: With two excellent films in his trilogy completed, wrapping up the trilogy in the wake of The Dark Knight and Heath Ledger’s death was always going to be tough. The story is far from perfect, but a plethora of intriguing new addition, the highlight being Anne Hathaway as Catwoman, mixed in with familar faces, and some absolutely batshit (pun not intended!) action scenes, with Tom Hardy truly menacing as Bane, ensure it was a fitting end to Nolan’s Dark Knight Legend. (8.5/10)

Nathan: The Dark Knight Rises may not match the success of its predecessor but it marks a vast improvement on the first in the series, presenting a satisfying and enjoyable conclusion to one of the most acclaimed trilogies of our cinematic time. (8/10)

Markus: Filled with spectacle and a good sense of finality, The Dark Knight Rises is a solid end to Nolan’s Dark Knight trilogy. There are moments of “Eh” at a few points throughout, but overall this is a great movie. (9/10)

Angus: The Dark Knight trilogy ended with its weakest film as ‘The Dark Knight Rises’ did feel a level below Nolan’s usual standard of work. This is a fun film for sure as it is packed with some great action and moments. Tom Hardy is great as Bane, posing a true physical threat to Batman whilst being incredibly clever. However, I feel the film dips in quality after the first encounter between Batman and Bane. At this point there are many questionable and convenient moments that have many problems. However, I can’t deny that this is still a fun blockbuster to watch. (7.75/10)

QuickFire Reviews:  Ambitious, haunting yet also immensely crowd-pleasing, Rises is not quite as refined as its predecessors, but is an overly satisfying conclusion, to Nolan’s revolutionary trilogy. (8.5/10)

Ryan: Is The Dark Knight Rises a perfect film? No. In fact, it isn’t even a perfect conclusion to the trilogy. But it’s big, and big is good enough when surrounded by as many strong components as this film has. Some sloppy fight scenes and questionable plot holes aside, The Dark Knight Rises is a climactic and emotional trilogy closer, a film that coasts on its ambition and ends up as more than the sum of its parts. (9.5/10)

Interstellar (2014)

 Tom: Undeniably ambitious and impressive with its visuals and score but hindered by a cumbersome sentimentality that holds it back while it’s trying to be a big sci-fi epic. As Danny Leigh said: “like trying to land a 747 in someone’s back garden.” (7/10)

Angus: This sci-fi film really brings emotion mainly due to McConaughey’s performance and his character Coop’s relationship with his daughter Murph. This is a truly beautiful film with great sets and special effects showing how well Nolan can work with the latest technology. ‘Interstellar’ showcases Nolan’s creativity as he looks for new ways to get his ideas onto the big screen. The ending didn’t work entirely for me and I do feel that the effects overshadowed the story in this film making it weaker than most of Nolan’s previous endeavours. A film that I would definitely recommend all to watch at least once as its provides a great experience. (8.25/10)

Martin: A very ambitious film to say the least, but if anyone could pull it off, Nolan could and he did. A deeply powerful, human story at its core mixed in with the usual top calibre of performances, some truly stunning visual effects, and a spine-tingling score from Mr Hans Zimmer. (9/10)

Maddy: I was late to the Interstellar game, but oh boy was it worth the wait. I started crying about twenty minutes in & didn’t stop until long after the credits rolled – & at it’s two hour forty nine minute run time that really means something. Every single actor gives it their all, making this futuristic & unrelatable scenario absolutely emotionally touching from the get go. Matthew McConahay, Jessica Chastain & Anne Hathaway are simply phenomenal, the score is beautiful & the entire story is uniquely effecting. I can’t fault it. (10/10)

Nathan: Interstellar is a smart and engaging slice of science-fiction that unfortunately crumbles in its third act; complex ideas progress into conceited ones, twists develop unsatisfyingly, with a few uneven performances in the mix – but with Nolan at the helm, it is still worth a watch. (7.5/10)

Markus: With an almost three long hour run-time and a focus on philosophical themes, Interstellar is a movie that will test some viewers’ patience. Patient moviegoers on the other hand will be rewarded with an intriguing, if mildly up it’s own ass idea, great performances, great music, and fantastic visuals. Also, Matthew McConaughspace. (9.5/10)

QuickFire Reviews: Interstellar is wonderfully filmed, both incorporating aspects of old Hollywood genre film-making, with Nolan’s stamp of uniqueness. It loses a lot of is steam and begins to pander to the extent that I fail to call this a great movie, but it is still as well-crafted as it is ripe with gorgeous visuals and emotion. (8.5/10)

Ryan: Much like his previous film, Nolan took on a lot with Interstellar. The film’s final act will always be divisive, but I hold no restrains in admitting my love for it. The film is visually stunning, but its conclusion takes an already bold film and twists it into something staggeringly ambitious – and, in my eyes, it nails it. Interstellar is one of those films that I love – and always will love – unequivocally, but for those that really don’t get on board with it? I hear ya. Interstellar is a funny one, but it works for me. (9.5/10)

Dunkirk (2017)

Our thoughts on Dunkirk will be added to this post in the coming days, watch this space!

Now that we’ve all had our minds blown by the remarkable filmography of Christopher Nolan, how do we collectively rank his films when we average out all of our scores? Here are the results:

9. Following: 7.5

8. Insomnia: 7.9

7. The Dark Knight Rises: 8.3

6. Batman Begins: 8.5

5. Interstellar: 8.7

4. Memento: 8.75

3. The Prestige 8.8

2. Inception 9.2

 1. The Dark Knight: 9.75

And there we have it, it seems we as a team share the perspective of many a film fanatic out there, with the Dark Knight ranking as our favourite Nolan film combined. For many people, there is a belief that Nolan has not made a bad movie, and if our scores are any indication, we would also probably agree with that sentiment! How would you rank Nolan’s films? Comment below and let us know!

 Massive thanks to my awesome contributors!