Posted in 2010-2019, Film Review

John Wick: Chapter 3 – Parabellum (2019)

Image is property of Lionsgate and Thunder Road Pictures

John Wick: Chapter 3 – Parabellum – Film Review

Cast: Keanu Reeves, Halle Berry, Ian McShane, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston

Director: Chad Stahelski

Synopsis: With a $14million bounty now on his head after breaking Continental rules, John Wick is on the run with nowhere to go, and in the crosshairs of every hit-man and woman in the world….

Review: There’s a moment early on in John Wick: Chapter 3 – Parabellum where a character seethes at John Wick for the hell his actions have wrought, “all of this for what?! Because of a puppy?!” “It wasn’t just a puppy,” Wick retorts back. The aforementioned “this” refers to the carnage that has followed since a bunch of ill-judged thugs killed the dog bequeathed to John Wick upon the death of his wife. An event that sent the legendary hitman on a furious rampage of revenge. After said rampage ended, a commitment to a contract once again landed Wick in another spot of bother, and now all hell is about to break loose.

Set immediately in the wake of the previous film, John has been declared “ex-communicado” from the Continental after he violated one of the unbreakable rules of the Continental, by murdering someone on company grounds. Consequently, the High Table has placed a 14 million dollar open contract on John’s head, that soon has every deadly assassin in the world on his trail. The hunter has become the hunted, but God help anyone that does decide to try their hand at taking down Baba Yaga himself.

Neigh chance that the bad guys are living through this one…

Keanu Reeves has made his name as an action star, and once again, he excels in this role. It is undoubtedly one of the key appeals of these films is to see an action star like him, commit to doing some jaw dropping stunts, whilst also getting to see him kill folks, via any means necessary. In this instance, given that he has quite a few people who are out for his blood in a bid to land that 14million dollar jackpot, it gives returning director Chad Stahelski scope to once again gleefully find ways for Wick to creatively finish off his pursuers. The direction is once again imperious and in a series that has already produced mesmerising action scenes, fights involving dogs, horses and other methods ensure that the bonkers factor has been turned up to eleven.

Alongside Reeves, the familiar presence of Ian McShane’s Winston, is suave as ever. The real scene stealers in this new instalment are the women. Halle Berry, who leapt at the opportunity to be a part of the franchise, plays Sofia, a femme fatale with a connection to Wick’s past. Though she frustratingly doesn’t have a great deal of screen-time, when she is on screen, she damn well makes her presence known. Likewise for Asia Kate Dillion, a cold and ruthless representative of the High Table, who’s there to ensure that John Wick pays the penalty for his actions.  Unfortunately, as the film is so top heavy with action, that the surrounding story lacks the deeply personal element that the first two films had in abundance. As such, the moments in between the enthralling actions scenes where the bullets/knives aren’t raining down on the bad guys, do feel a little tedious.

The lack of real emotional drama gives the other two films the edge over Parabellum. However, in spite of this being not as strong as the other two films, you have got to give the plaudits to Stahelski and the stunt teams of these films. The action scenes have been its big selling point from the very first film, and in this respect, they have consistently delivered. Furthermore, for an actor who is now well into his fifties, you’ve also got to hand it to Reeves for committing himself to the role that has reaffirmed him as one of the best action stars working today. If you want peace, prepare for war, or at least some bloody good action scenes, because that’s what Mr Wick, suited, booted, significantly bloodied and bruised, will give to you.

Packed to the brim with thrilling action scenes, but a significantly weaker story bereft of the emotional drama of the previous films prevents this sequel from firing on all cylinders. 

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Posted in 2010-2019, Film Review

Alita: Battle Angel (2019)

Image is property of 20th Century Fox

Alita: Battle Angel – Film Review

Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Keean Johnson

Director: Robert Rodriguez

Synopsis: Set in the 26th century,  a compassionate doctor finds an abandoned cyborg whom he names Alita (Salazar). Upon reawakening, Alita with no recollection or memories of her previous life, goes in search of answers…

Review: If you’re looking for a big name film-maker to get an ambitious project off the ground, James Cameron is not a bad choice to turn to. For here is a director who boasts the two highest grossing films of all time in his repertoire, as well as being the one of the two brains behind the Terminator franchise. But even with the involvement of such a talent as Cameron, and director Robert Rodriguez, sometimes, it just not enough to save the project.

After humanity has been seriously affected by a deadly war, Dr Dyson Ido (Waltz) finds the remains of a female cyborg in a scrapyard, brings her body back to his lab and restores her to life. However, Alita with no memory of who she was in her previous life, is determined to get some answers. Right away the film throws the audience head first into the thick of what is evidently a planet that has clearly been effected heavily by war. Yet the screenplay, penned by Cameron and Laeta Kalogridis, doesn’t really provide any context for the preceding war that has seemingly crippled this society. Furthermore, an overwhelming majority of the dialogue feels very stilted.

As the main character, Alita is certainly a likeable protagonist that you want to root for, even if the CGI on her is a little jarring to begin with. You want her to find out the answers that she’s seeking and it is extremely entertaining to watch her throw down against some of the slimy, nefarious people that inhabit this world. But of course, they had to add a romance into the mixture with Alita falling for Hugo (Keean Johnson). It’s functional to the plot as he helps Alita acclimatise to the new world she is discovering but, there’s not a great deal of chemistry between the two of them, and while not as laughable as some of the romantic dialogue that the Star Wars prequels served up, it’s still pretty cringey.

The rest of the cast are also functional at best, which is extremely frustrating when you have Oscar winning talents like Christoph Waltz, Jennifer Connelly and Mahershala Ali. It just feels like their considerable talents are wasted on what could have been a much better script. What’s more, the motivations/purposes of some characters for doing what they’re doing are extremely vague, with scope clearly being left for future instalments. The CGI on the whole is very hit or miss, sometimes it looks really impressive, and there are other instances where it looks extremely cheap. This is problematic for a big budget blockbuster, especially since Cameron’s Avatar, a film that came out a decade ago, showed the world what CGI could accomplish.

For what is clearly striving to be a film that is trying to be its own franchise, it tries so hard to set up a sequel that it negates telling a worthwhile story to begin with. There are some entertaining scenes but again, there’s nothing here that really stands out to differentiate it from the plethora of films in this genre, that have been far more memorable. For any film that spends a long time stuck in development hell, it always feels like the odds are against it. Despite the best efforts of all concerned to bring this property to the big screen, and even with such star power, both in front of and behind the camera, this is a classic case of style over substance.

One cannot fault the ambition, but even with a solid lead performance from Salazar, the extremely corny dialogue and a rather messy plot just cannot save this film from its place on the scrapheap.

Posted in 2010-2019, Film Review

Mission Impossible: Fallout (2018)

Image is property of Paramount, Bad Robot Productions and Skydance Media

Mission Impossible: Fallout – Film Review

Cast: Tom Cruise, Rebecca Ferguson, Simon Pegg, Alec Baldwin, Ving Rhames, Vanessa Kirby Michelle Monaghan, Henry Cavill, Sean Harris, Angela Bassett

Director: Christopher McQuarrie

Synopsis: When the IMF learns of an organisation in possession of some deadly nuclear weapons, they face a race against time in order to prevent global catastrophe…

Review: Though the word Impossible is in the title, the Mission Impossible franchise continues to prove that nothing is impossible when it comes to creating mind boggling stunts, and combining that with very well crafted and compelling stories. The remarkable stunts however are in no small part down to the incredible work of Tom Cruise who goes all out in terms of giving the audience the perfect, adrenaline fuelled thrill ride. And with each new entry into this franchise, it continues to offer that, and in jaw-dropping and spectacular fashion.

With this being the sixth entry into the franchise, this can be the point where things start to run out of steam, but this can definitely not be said for Mr Cruise who is showing no signs of slowing down even well into his fifties, and long may that continue. In the wake of the events of Rogue Nation, after a mission goes awry, a sinister group threatens to unleash global nuclear catastrophe. Consequently, the IMF once again finds itself in a desperate mission to save the world once more. However, it wouldn’t be a MI film if there weren’t some solid characters, a bunch of agendas flying around, people being double-crossed, and some people with some sinister motivations.

Bit high up here, isn’t it?

Cruise, as he has been across all 6 films, is once again terrific as Ethan Hunt, likewise for his IMF companions in Luther (Rhames) and the tech wizard Benji (Pegg). Though the absence of Jeremy Renner’s Brandt is never really explained. Also making her return is Ilsa (Ferguson), mysterious as ever, and out on her own mission that threatens to get in the way of Hunt’s. This in turn drags Sean Harris’s nefarious Solomon Lane back into the picture, which isn’t really good news for anyone. As for the newbies, Henry Cavill, and his well publicised moustache, certainly gives Hunt another headache that he could really do without. Fresh from her work on The Crown, Vanessa Kirby’s mysterious role was an interesting one, but sadly she is somewhat underused as is Angela Bassett as the new director of the CIA.

For each new entry into the franchise, a new director accepted the mission to helm the project. However, this time McQuarrie is once again writing and directing.  Given the slick style of action that he brought to the table, it is a welcome one to see him return. This film has almost every action set piece you can think of, and it’s just absolutely glorious to watch. There are some necessary breathers, which is helpful because by the time we reach the final action set piece, it really goes up a notch. The word tense REALLY just doesn’t do it justice, especially if you are afraid of heights. Sometimes you do wonder how on earth they accomplished what they did, this is action film-making at its absolute best.

The franchise has certainly seen absolutely batshit stunts like the thrilling Burj Khalifa scene in Ghost Protocol, but here Cruise might have just outdone himself with some of the stunts that are on show here, particularly in that enthralling final action scene. With each entry, this franchise just continues to just be a source of spectacular and electrifying entertainment, and arguably getting better with each instalment. The fallout of the film-making brilliance that you see on screen here means that should anyone choose to accept the mission to direct any future instalments, that itself is going to be its very own impossible mission. Good luck to whomever decides to take that challenge on.

A very well crafted and engaging story, fused with excellent action set pieces and some absolutely jaw-dropping stunts once more. Please fasten your seat-belts, you’re in for a pulsating ride. 

Posted in 2010-2019, Film Review

Sicario 2: Soldado (2018)

Image is property of Lionsgate

Sicario 2: Soldado – Film Review

Cast: Josh Brolin, Benicio Del Toro, Matthew Modine, Catherine Keener, Isabela Moner

Director:  Stefano Sollima

Synopsis: As the drug war at the US-Mexico border rages on, and with the cartels now transporting terrorists across the border, the US government recruits Matt Graver (Brolin) and Alejandro (del Toro) to fuel tensions between rival cartels…

Review:  Every once in a while, a film comes along that is so gritty and grounded in terms of its execution, that you could be forgiven for thinking that it was a real life drama that was unfolding in front of you. One such film that falls into this category is 2015’s Sicario. The scope of this film focused on the battle on the drug trafficking across the US-Mexico border, and the murky boots-on-the-ground mission that ensued. It was a simple story, but one that was told magnificently through superb cinematography and directing, and a compelling lead performance from Emily Blunt.

So for this next mission, unfortunately all of those three aforementioned components are gone. Blunt’s Kate Macer is out of the picture and out go Denis Villenueve and Roger Deakins as director and cinematographer, and in come Stefano Sollima and Dariusz Wolski respectively. Brolin and del Toro return as does Taylor Sheridan on screenplay duties. This particular story is one that feels very timely as the cartels are smuggling terrorists across the border and so in an attempt to retaliate, the US Government wants to put petrol on the fire and ignite a war amongst the cartels.

Taking the reins from Villeneuve is a big ask, but Sollima’s direction is assured and retains that gritiness and horrifying realism that the first film captured. In addition, with Brolin and del Toro, you know you’re going to get confident performances from these two. However, as good as these guys are, the absence of Blunt feels like a missed opportunity as no one really steps up to fill that important moral compass role that she represented, even in such a murky and dangerous world. Because these guys are not heroes, not in a million years.

And it’s good night for this person…

With the high of his directorial debut Wind River, Taylor Sheridan again pens the script. Though he has written four stellar screenplays, this is his first major misstep. Though this film is a lot more complex than the first film as it tries to weave several different strands together, but this results in a very messy and meandering story that just does not mesh those strands together well enough, and is really unfocused. What’s more the characters of Matt and Alejandro are barely developed from the first film, which is a real shame as for Alejandro especially, given the enthralling and deeply personal arc that his character went on in the first film. There is an attempt to expand on that arc, but it is minimal at best.

That is not to say, there are one or two moments in the film that really ground the film in reality, especially a scene near the beginning that bluntly remind the viewer that this is a dangerous conflict that we face in the world today. Hildur Guðnadóttir’s score is assured, but nowhere near on the level of the brilliant, incredibly tense score that Johann Johannsson (RIP) provided for the first film. There is an argument to be made that a sequel was certainly not needed for this film, and when you take away the elements that made that first film great, it should come as no surprise that you’re going to get a film that despite the best efforts of everyone involved, is really lacking the quality that made its predecessor such a riveting piece of cinema.

Retaining the dark and gritty nature of Sicario, Soldado tries to deliver a more complex story, but its messy screenplay severely lacks the spark and emotional punch that its predecessor delivered. 

Posted in 2010-2019, Film Review

Tomb Raider (2018)

Image is property of Metro-Goldwyn-Mayer and Warner Bros. Pictures

Tomb Raider (2018) – Film Review

Cast: Alicia Vikander, Dominic West, Walton Goggins, Daniel Wu, Kristin Scott Thomas

Director: Roar Uthaug

Synopsis: After an explorer vanishes without a trace, his fearless daughter Lara Croft sets out on a mission to his last known location, and to discover what exactly was the true purpose of her father’s venture…

Review: It seems as though there is one genre of films that whenever a new one is announced, that said film is doomed to be a failure before it is even released to the general public. This genre is of course films adapted from popular video games. It is fair to say that over the years, they have gained a reputation for being, simply put, not very good. Two such examples, would the two Tomb Raider films that starred Angelina Jolie in the early 2000s. Though they did not enjoy the best of receptions, the legacy of Lara Croft as an iconic video game character remains very much intact, so much so that another attempt at bringing perhaps the most iconic video game character of the 90s to the big screen was almost inevitable.

Indeed, a good decade and a half later, and here we are. In terms of our badass heroine, it is out with Jolie, and in with recent Oscar winner Alicia Vikander who works in a pretty much dead end job in present day London, though questions still remain her regarding her long lost father. When she stumbles upon a clue that links to his last known location, she decides to set out in search of what it was her father was investigating. Of course it would not be a Tomb Raider film if Lara doesn’t find herself in a spot of bother when she lands on this island and must use all of her skills to negotiate the obstacles she finds in her path.

A badass with a bow, watch out Katniss…

For this film to really stand any chance of being a success, it was essential that they cast a capable actress in the lead role. Though casting an Oscar winner is by no means a guaranteed recipe for success, Alicia Vikander brought charisma and personality to the role. She compliments this the physical attributes that are key traits of what makes Lara Croft, well Lara Croft. Vikander gives a committed performance and showed herself to be more than capable of handling the physicality of the role and the demanding action scenes. Though there is nothing ground-breaking about the, these scenes are for the most part fairly well handled by director Roar Uthaug.

It is essential in a film like this that your main character is well fleshed out, and this screenplay does just that. It gives Lara a backstory that explores her origins principally  her relationship with her father and how that has had an influence on her and her tomb raiding adventures. Though it sometimes comes across as a bit soppy, as it is an integral to who Lara is as a character, it does its job. Once we get to the crux of the adventure though is where things start to get really interesting. The plot, certainly recaptures that gritty nature of the games, and while it is entertaining, could be deemed to be a little bit by the numbers.

Yet, for what it is worth, this lays the foundations for the start of what could well turn out to be a franchise. There isn’t a great deal of character development for some of the other characters, most notably Kristin Scott Thomas and Walton Goggins. Nevertheless, the film achieves its goal of delivering a solid adventure for the legend that is Lara Croft, with plenty of visual nods to the franchise that die hard fans are undoubtedly going to appreciate.

The story treads familiar ground, but a strong capable performance from Vikander anchors the film and proves that adaptations of video games aren’t all bad.

Posted in 1990-1999, Film Review

Terminator 2: Judgement Day (1991)

Image is property of TriStar Pictures

Terminator 2: Judgement Day  – Film Review

Cast: Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick, Joe Morton

Director: James Cameron

Synopsis: Having failed with their mission to assassinate Sarah Connor, the machines send a new and much more advanced lethal to go after John Connor as a child. However, the adult John Connor counteracts this by sending the same cyborg that tried to kill his mother, to protect him.

Review: “I’ll be back,” said the T-800 before he rammed his car through a police station during a climatic event of the first Terminator movie as he ruthlessly hunted down his prey, Sarah Connor, in a bid to kill her to prevent a deadly war between man and the machines from ever taking place. It’s a line that has become one of the most quoted lines of dialogue in cinematic history. Though he did not succeed in said mission, he was true to his word, and came back with an almighty bang to help create what many feel is one of the greatest sequels ever made in the history of film.

The first Terminator film was revolutionary and it managed this feat on quite the remarkably small budget. Hence for the sequel, as sequels should do it upped the ante and in considerable style too, including quite the higher budget. With the war against the Machines still raging, and having failed to eliminate Sarah, Skynet sends an advanced Terminator, the T-1000 back in time to eliminate John Connor as a child to prevent him from leading humanity to victory against the machines. Yet to counteract this, the adult John sends back a reprogrammed T-800 that was originally sent to kill his mother, back to protect him at all costs.

Having shown himself to be a ruthless badass killing machine in the first film, to see Arnie flip that on its head, and be a little bit more compassionate this time around was a masterstroke in terms of storytelling. Yet at the same time, he still remains an absolute badass that you wouldn’t want to find yourself up against. And once again, he has some terrific one liners that he delivers with such charisma. The role of the Terminator is what perhaps Arnie has become best known for, and he absolutely bosses every minute of screen time that he has.

With Sarah Connor as well you also have a character who has gone through some shit, and it’s made her a much tougher individual in this film than compared to the rather timid waitress she was in the first film. Taking the characters from the first film and developing them is what sequels should do, and this film does it perfectly, as Sarah is a transformed woman in this film. On the other hand the T-1000, played by Robert Patrick, is one of the most persistent relentless antagonists ever put to film. To watch him scrap with Arnie, two very well matched forces, it makes for some pulsating action. By doing this it makes it that so much more compelling, given that in the first film it was Arnie VS Sarah and Kyle, not exactly the most even of match ups.

With the budget now considerably enhanced, much like The Terminator himself, Cameron manages to create just as compelling, if not more compelling action sequences. he manages to top those action sequences here. The film is paced perfectly with plenty of tremendous action scenes to keep the energy going, including perhaps the best chase scene that has ever been put to film. However, though there are a lot of these chase sequences, it crucially allows those personal moments between the characters particularly between John and Sarah, and indeed the whole plot surrounding the war between man and machines and the dreaded Judgement Day.

It’s the perfect blend of upping the ante in terms of action and the drama, whilst crucially giving moments for the central characters to develop.  It’s one of the finest examples of a sequel that some might argue is better than the original. It is a film that has helped shape science fiction and indeed action films in the years that followed, and will in all likelihood, continue to be a staple of both genres for many more years to come.

He said he’d be back, and he certainly was a man (?) of his word. With much more developed characters and some breathtaking action set pieces, this is the perfect example of a sequel done perfectly. Hasta la Vista Baby indeed!

 

Posted in 2010-2019, Film Review

Kingsman: The Golden Circle (2017)

Image is property of 20th Century Fox and Marv

Kingsman: The Golden Circle – Film Review

Cast: Taron Egerton, Mark Strong, Colin Firth, Jeff Bridges, Channing Tatum, Halle Berry, Sophie Cookson, Pedro Pascal

Director: Matthew Vaughn

Synopsis:  After their organisation comes under attack, The Kingsman seek the help of their US Counterparts, the Statesman, to help them save the world…

Review: It is always nice when a film knows exactly what the audience wants and doesn’t take itself too seriously. In addition, when said film knew that it was a ridiculously over the top, almost parody of the the spy films that it obviously drew inspiration from, and plays that to its advantage to deliver an absurd amount of entertainment, and laughs, that’s always a most welcome outcome, and this is precisely what Kingsman: The Secret Service was. Therefore, a sequel to this surprise hit was almost inevitable, and Vaughn despite perhaps some initial hesitation, eventually came back to the director’s chair.

The first film was, for the most part British-centric, and more specifically on the Kingsman and the recruitment of young Eggsy into this elite spy organisation. The plot now goes a bit more global, well across the Pond to be exact. With the Kingsman on their knees following a vicious attack, a clue leads them to their US based allies, the Statesman. Their research leads them to something that is known as the “Golden Circle” and with the Kingsman and Statesman now side by side, they must band together to help save the world because as you would expect, as there’s always some dastardly villain looking to wreak world havoc.

Eggsy’s development from deadbeat chav, to a sophisticated gentleman spy was a central theme of what The Secret Service was all about. All the while saving the world with mentor Harry Hart (Firth) by his side. Though Harry initially seems to have suffered a grim demise, but with a presence that is hard to miss if you have seen any promotional material, it indicates that Harry did not meet said demise. Their character development was a key arc of the first movie, but there is much less focus on that arc, and indeed character development as a whole, which can be frustrating to say the least.

“We are the three amigos…”

Instead Vaughn and Goldman zone in on the action stakes, turning up the volume to maximum. If his past work is anything to go by, Vaughn is certainly a director who knows how to helm jaw dropping action scenes,  the church scene from the first film certainly stands out. They’re very fast paced and exhilarating, although sometimes they way they are cut together, with very fast, quick cut editing can make them a bit jarring to watch. The plot is again a bit far fetched to say the least, even more so than the last film, but the movie knows that this is part of its charm, and it uses that to its advantage.

Taron Egerton remains on great form as Eggsy and he is ably supported by the familiar faces of Merlin and Roxy, whilst continuing a relationship with his royal girlfriend. The main bunch of new recruits comes in the shape of the Statesman cast, with Bridges giving Rooster Cogburn a 21st century makeover in the form of Statesman top dog Champ. Tequila and Ginger Ale (Tatum and Berry) are welcome additions but both feel somewhat underutilised. Meanwhile Pedro Pascal as Whiskey is perhaps the most interesting of the new bunch, honing his Oberyn Martell-esque fighting skills to great effect, and while she does have some time to shine, Julianne Moore as the antagonist would have benefited from a bit more screen time.

Though it doesn’t get too bloated, the film does feel perhaps a tad too long, perhaps because Vaughn does cram so much into this new adventure. but there’s more than enough good material here for audiences to enjoy. Like last time, the movie remains very self-aware, it knows it is a bat shit crazy experience with spies, espionage, gadgets, action and VERY adult humour. And that’s just what you signed up for, suited and booted and all.

There’s not a great deal of character development to be found, but like its predecessor, The Golden Circle delivers those insane and thrilling action set pieces and adult humour that make it such a blast to watch.

Posted in 2010-2019, Film Review

Baby Driver (2017)

Image is property of Tristar Pictures, Working Title Films and Big Talk Productions

Baby Driver – Film Review

Cast: Ansel Elgort, Kevin Spacey, Lily James, Jamie Foxx, Jon Hamm, Jon Bernthal, Eiza González

Director: Edgar Wright

Synopsis: Whilst working for a ruthless crime boss, a young get away driver becomes one of the best in the business. When he meets a woman, he sees a chance to make his escape, but not before one last job…

Review: Whenever there’s a film that is released in the middle of the crowded summer movie season, that boasts a wholly original and extremely intriguing premise, that is always something to savour. Furthermore when you find out that said original film is from the man who gave the world the glorious Cornetto trilogy, that immediately is something to look forward to.

This is a project that Edgar Wright had in the works for well over two decades now. Yet it was only until after a messy exit from Marvel’s Ant-Man which he had been scheduled to direct, he turned his attentions back to his passion project, and hit the accelerator. Focusing on Baby (Elgort) a supremely talented get away driver who plays music via an iPod to drown out the tinnitus he suffered following a childhood accident. He’s one of the best in the business and Doc, the crime boss running the operations (Spacey), knows it. However when Baby falls head over heels for a waitress named Debora (James) he sees his chance to make his escape from the lifestyle. Unfortunately, Doc has other ideas, and one last heist beckons.

Leading the way in an impeccably acted cast, Elgort is immediately very likeable in the lead role as Baby. You have sympathy for him and his circumstances, and he has the charisma to carry the film on his shoulders. Likewise for Lily James as Debra, the two of them build a relationship and the chemistry between them is excellent. As the head honcho crime boss, Spacey too bosses every second of screen time he has, with the usual authority he brings to his roles, yet he can also show his more compassionate side. Jamie Foxx, for a man named Bats feels somewhat appropriate as he’s the most batshit crazy one of the group. Completing the core gang is Jon Hamm’s Buddy and Eiza González’s Darling, neither of whom have a great amount of backstory and character development, but are effortlessly watchable.

The coolest get away driver in the world…

Wright’s screenplay does occasionally meander, there are moments where you feel like it could be something of a dead end, but everything is eventually steered back on course. The Cornetto trilogy demonstrated great humour throughout and there’s just the right amount of humour to be found here. With a premise that focuses on heists and getaways, it’s a given that there’s going to be some rather high octane action scenes, and that is most certainly the case. Wright steers these scenes superbly, the editing is slick and the action is so fast paced, there’s a very good chance that the audience is going to be on the edge of their seats throughout. Sure we have had heist movies in the past with a great get away driver, but Wright pulls it off in a manner that makes it feel fresh. Furthermore, the accompanying soundtrack, is one of, if not the best we have had so far in 2017.

The first two acts keep things for the most part at a steady pace, yet the third act is when things really move into the fast lane. It’s something to to savour, and could also lay claim to the best third act we have seen so far this year. It is breathless stuff that hits top speed in no time at all and barely slows down until the final credits. This might be a movie almost twenty years in the making, and to see it come to fruition in such spectacular style, is extremely satisfying, especially when it’s a movie that takes a very familiar concept, and makes it feel so unique and original, that has to be applauded.

Stylish, with slickly made action scenes that are pulsating to watch accompanied by a stellar soundtrack, fasten your seat-belts ladies and gentlemen, you’re in for one hell of a ride!

Posted in 2010-2019, Film Review

The Mummy (2017)

Image is property of Universal Studios

The Mummy – Film Review

Cast: Tom Cruise, Russell Crowe, Annabelle Wallis, Sofia Boutella, Jake Johnson

Director: Alex Kurtzman

Synopsis: An Ancient Egyptian Princess is awoken from eternal damnation and seeks to bring terror onto our world and has set her sights on Nick Morton (Cruise).

Review: It certainly seems fair to say that right now, a considerable amount of major studios are pouring a lot of time, effort and considerable sums of money into building shared cinematic universes of popular characters. Yet it’s all well and good conceiving these ideas, but it’s vital that the foundations of the universe are done, and done well enough so that it won’t all apart several films down the line. When it’s done well  (see the Marvel Cinematic Universe) it is delightful but when things have gone a little pear shaped, it can be troublesome to steer things back on course. For Universal, this reboot marks the launch of their Dark Universe, but in terms of laying those solid foundations to build upon, they’ve come up just a little bit short.

The film is set primarily in good old Britannia, but occasionally blasts back a thousand years or so to Egypt focusing on Princess Ahmanet. A woman who has consumed herself with jealousy and rage, and as a consequence, is locked away to spend eternity being mummified. Except when Cruise’s Morton stumbles upon a very ancient grave which sets off the chain of events leading to Ahmanet being freed from her damnation and now she’s on the hunt for someone, to help her rule the world (because what else do bad guys and gals really want to do besides that?) For writers as talented as Christopher McQuarrie and David Koepp, it is quite a surprise that their combined efforts result in such a lacklustre script that features really insipid dialogue, and a plot about as generic as they come. What’s more, some of the line delivery is nothing short of atrocious.

This lady is not looking for a hug…

Cruise has shown his talents across many decades as an actor and as a man who really commits himself to the stunts he performs, but here his performance is just as generic as you can get. He tries to come off as this roguish badass that, to be fair, he has done throughout the Mission:Impossible series. Except under the direction of debut director Alex Kurtzman, it simply doesn’t work. Russell Crowe is again another fine actor, but much like Cruise, there’s just nothing to get excited about in terms of his performance, likewise for Annabelle Wallis’s character whose dialogue with Cruise is extremely cringy and gives an extremely wooden performance.

Having risen to prominence in films such as Kingsman and Star Trek Beyond, Boutella is by far and away the film’s leading light (or should that be darkness?) Though she isn’t helped by the film’s weak script she does her damn best to put some meat on the bones of her character, but they are threadbare and it’s just a mighty disappointment given the talent of the actress to not make her more of a compelling, and menacing presence, given that the script and the tone of the movie is all over the place.

There are some exhilarating, well filmed action scenes, packed with decent CGI, and accompanied by a fine score from Brian Tyler. There are plenty of shots of shots of Cruise running. which let’s be honest is is to be expected whenever he appears on screen, given that it has literally become a meme! It’s a shame then that these scenes are just not enough to prevent the film from being a complete mishmash that is trying so hard to get its Universe off the ground. It focuses so much on this, and as a consequence large forgets to be an entertaining movie by itself, and that is a monstrous disappointment.

With a real potpourri of mismatched tones, some very exposition heavy dialogue, and a collection of bland and uninteresting characters, the Dark Universe is off to an extremely uninspiring start.

Posted in 2010-2019, Film Review

Transformers: Dark of the Moon (2011)

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Transformers: Dark of the Moon – Film Review

Cast:  Shia LaBeouf, Rosie Huntington-Whiteley, Frances McDormand, Patrick Dempsey, John Malkovich, Josh Duhamel, Tyrese Gibson, John Turturro, Peter Cullen, Hugo Weaving, Leonard Nimoy

Director:  Michael Bay

Synopsis: When a  Transformer ship crashes on the Moon back in the height of the Cold War, triggering the Space Race, it possesses technology that could prove pivotal to the fates of both humanity and the Transformers themselves

Review: When you launch a live action franchise that is based off a hugely popular toy series, it’s almost a certainty that you will get people into the cinemas to see said films and the studio will make a nice juicy profit from these movies. However, you still have to make a good film that will ensure audiences keep coming on back once you decide to make sequels right?

Well not always as it happens, because even if you have one fun enough popcorn flick, but then that’s followed up with to put it mildly, a really disappointing follow-up, it creates the dilemma as to whether the audiences will return for a third film, under the same creative team as the previous two? Well yes as it turns out cos Hollywood does like to make those sequels, and the popularity of the Transformers franchise certainly compelled people back to the cinema, and thankfully this time director Michael Bay listened somewhat to the complaints that people had with Revenge of the Fallen, but not all of them.

In the wake of the previous movie Sam, now with new squeeze Carly (Huntington-Whiteley) is looking for fulfilment after having saved the world twice from the Decepticons, but of course those dastardly Decepticons are by no means willing to wave the white flag in their mission to conquer Earth yet, with their plot hinging around the Transformer ship that crashes onto our Moon carrying in it the former leader of the Autobots Sentinel Prime (Nimoy) and a transformer technology that if the Decepticons get their hands on it, is bad news for humanity as you would expect, and Earth becomes Transformers Bayhem once again.

Chicago has seen better days…

For a franchise that has Transformers in the title, you would like to see a lot more focus on the bots rather than the humans, but for around the first hour, we see Sam struggle in a pretty tedious job rather than see Autobots and Decepticons laying it down, and it’s all just not very interesting, even with a good highway chase thrown in there. However, after Sam learns of a sinister plot that involves the aforementioned Transformer ship that crashed on the Moon, and its subsequent ramifications, the film does begin to pick up the pace a lot. Yet the journey getting there is not exactly enjoyable as you feel like there are some scenes that could have been left on the editing room floor.

It’s when we reach the third act and the city of Chicago has endured a bit of damage that the film really hits its brightest spots and its Autobots v Decepticons Round 3. Bay certainly likes to film his actions scenes with a lot of explosions and here he does so once more. Visually Michael Bay does make some impressive fight scenes and while they are fun to watch, there is not enough substance in them to justify the rather long running time.

The film doesn’t really boast much in the way of top notch acting talent too unfortunately. LaBeouf was watchable for the first film but here his appeal has just fizzled away, Huntington-Whiteley, while being much better than her predecessor isn’t exactly giving an award worthy calibre performance, McDormand as the new Government MVP and Patrick Demspey as the primary antagonist do offer some great performances, but it is the best of a bad bunch. It is a shame that there can be a truly great Transformers movie in there somewhere, and the first film was almighty close to achieving that, but with subsequent films, Bay did not build upon what he had achieved the first time around, and while the end product this time around is not awful, it is a mishmash of robotic mayhem thrown in with some inane human drama.

Throwing up nothing that you haven’t seen before, but considerably improving on what its predecessor gave us with some impressive visuals and action, that are weighed down by indifferent acting and a shaky script.