Posted in 2010-2019, Film Feature

91st Academy Awards Predictions: Lead and Supporting Actor

Hollywood’s biggest night is upon us once again, and I have teamed up with a group of awesome fellow film bloggers as we try and foresee the future by predicting who will be triumphant by the time the 91st Academy Awards have come to a close. I will be discussing the ten gentlemen who are up for both Actor in a Leading Role and Actor in a Supporting Role. As always, there are some magnificent performances, but there can only be one winner in each category. Let’s get started with:

Best Actor in a Leading Role

Christian Bale – Vice

Last year’s winner of this award Gary Oldman totally transformed himself via a great heap of make-up into Winston Churchill, and it paid dividends. This year we have fellow Brit Christian Bale disappearing under a lot of make up to transform him into the most powerful Vice President the US has ever had. It helps to add authenticity to Bale’s performance, it’s just a pity then that the film around him is very vulgar and put together in a way that will piss people off. The Academy does love a good transformation though, so Bale might yet take home his second Oscar *shudders at thought*.

Bradley Cooper – A Star Is Born

This is Bradley Cooper’s fourth acting Oscar nomination (seven if you count the other awards he’s up for), and honestly he is the man who should be winning that statue. For a film in which he does just about every job going (acting, singing, writing and directing) it’s honestly Cooper’s best performance of his career so far. He clearly is a guy who is battling some fierce personal demons, but watching him connect with Lady Gaga’s upcoming musician is just so touching and heart-warming, which all comes to a crescendo when the duo first perform “Shallow” together. It is just beautiful and so deserving of an award.

Willem Dafoe – At Eternity’s Gate

Regrettably since this film has not arrived on UK shores, I cannot comment on this performance. While I have no doubt that an actor of Dafoe’s talents gave a great performance, the Academy really should have nominated John David Washington for his performance in BlacKkKlansman.

Rami Malek – Bohemian Rhapsody

While my heart wills it to be a triumph for Cooper, it seems almost certain that the next recipient of this award will be Rami Malek for his remarkable performance as the iconic frontman of the legendary Queen, the one and only Freddie Mercury. It is quite the transformative performance as Malek practically becomes Freddie Mercury. His performance is one of the factors that really elevates the movie, given that as far as biopics go, it is pretty by the numbers. What stands out by far, is the final 20 minutes or so which brings to life Queen’s Live Aid show, and though the rest of the film is fine, this is by far and away, the highlight.

Viggo Mortensen – Green Book

A far cry from his work in Lord of the Rings, but it shows the incredible versatility of Viggo Mortensen that he can go from the badass Aragorn, to the brass and vulgar Tony Lip, and do such a sterling job with both of them. He is very much the opposite of Mahershala Ali’s Dr Shirley but through spending a lot of time together, the two men develop a solid friendship that really drives the film forward. Though it was a bit simplistic in how it handled some of the subject matter, it was heart-warming to watch him connect with Mahershala Ali’s Dr Shirley and stick up for him during their travels in the hostile Deep South.

Will win: Rami Malek

Should win: Bradley Cooper

 

Here’s what everyone else had to say:

Maddy: @madelexne:

“The big fight this awards season seems to have been between Rami Malek and Christian Bale, but I would love for it to go to Bradley Cooper. Though I maintain the fact that Malek’s performance was the one good thing in the mess that was Bohemian Rhapsody and wouldn’t feel it was a wrongful win; I just can’t stop thinking back to Cooper’s performance in A Star is Born. There are at least five stand out scenes from the film I can remember from him, and it only gets more impressive with time.”

Nathan: @__Nathan

“When you consider that the best leading actor performance – Ryan Gosling in First Man – was snubbed, it only seeks to emphasise what a lacklustre line-up this really is. Of those nominated, Bradley Cooper should have walked this thing but two *ahem* shallow, vapid and flashy imitations turns are duping it out instead: Rami Malek will take it over Christian Bale, because the Academy can’t resist a transformation – and the man knows how to work a room.”

Plain, Simple Tom: @PlainSimpleTom

“A strong year for the leading men, Rami Malek looks to be the favourite to win this year for his powerful and memorable performance in the otherwise average “Bohemian Rhapsody”. And he deserves it, in spite of the harsh treatment that he seems to be enduring on Twitter. I’d say that Bradley Cooper is the most deserving nominee – for giving us a truly compelling and flawed character as well as singing and playing music like a pro, all the while directing the whole shebang. Christian Bale could also be in with a chance for his transformative turn in “Vice”, Viggo Mortensen sure was entertaining in “Green Book” but he won’t win, and Willem Dafoe is the least likely to win the big prize – I mean, had anyone even heard of “At Eternity’s Gate” before the nominations were announced?”

Ryan @morris_movies:

“In what can only be described as the category’s weakest lineup in years, the Best Actor race has staggered its way to a frustrating, underwhelming finale. Rami Malek looks poised to take the statue home with him for his middling, impressionistic performance in Bryan Singer’s Bohemian Rhapsody despite Bradley Cooper giving a soulful, career best performance in his own A Star Is Born. It’s an anger-inducing category for a number of reasons this year, but perhaps in no way more so than Ryan Gosling’s lack of inclusion. His performance in First Man is blunt and subdued, sure, but filled with quiet heart and pent up emotion. He should be winning the statue, but instead he isn’t even in contention for it.”

——————————————————————

Best Actor in a Supporting Role

Mahershala Ali – Green Book

Having won this award for Moonlight a couple of years ago, Ali is in contention once again and very much the front runner to scoop his second statue in three years. His performance in Green Book was certainly one of the highlights of the film. He plays a very refined gentleman who is accompanied in a journey across the Deep South by Viggo Mortensen’s Tony Lip. Watching these two men, very much polar opposites form a friendship in the very harsh Deep South was heart-warming and Ali showed why he’s likely to become a two time Oscar winner with this emotional performance.

Adam Driver – BlacKkKlansman 

My personal choice for the winner of this award. It’s honestly about damn time an actor of Driver’s immense talents was recognised with an Oscar nomination. Aside from crushing it in the new Star Wars franchise, he’s been superb and has worked with such directors as Martin Scorsese and now Spike Lee. His performance as a cop who becomes part of this mission to infiltrate the KKK gave Driver the chance to demonstrate his serious acting chops, whilst also showing off his comedic ones, and he pulls off both aspects of this role brilliantly.

Sam Elliott – A Star Is Born

Much like Driver, this is also Elliott’s first Oscar nomination, which is crazy when you think about how long he has been working in the business, but better late than never I suppose. As the brother to Bradley Cooper’s fading rock star, though he is a tad hard to understand in places at least to my ears, there are one or two moments in particular that just hit you like a ton of bricks (case in point, the driveway scene). You really feel the love he has for his brother and it just makes it all the more tragic given what happens in the end.

Richard E. Grant – Can You Ever Forgive Me?

If you haven’t fallen in love with this guy’s infectious joy across this Oscar campaign, I must ask you, do you not like joy or something? Another first time nominee, and I think many people would love to see this guy triumph. As Sam Hock, he plays a misfit like Melissa McCarthy’s Lee Israel, and watching these two get up to all sorts of mischief, and have a bundle of fun whilst doing so is just uproariously entertaining. Being a fellow Brit I would love to see him win, but I sadly just don’t see it happening.

Sam Rockwell – Vice

The recipient of this award last year, but Sam Rockwell is unlikely to make it two consecutive wins on the bounce. He’s without question, a good actor as he demonstrated last year, but his inclusion here is just baffling to be honest. He wasn’t in the film all that much from what I can recall (to be honest my brain has pushed out 75% of this film) but there were other performances that were far more worthy of recognition that should have been nominated in Rockwell’s place in all honesty, gentlemen such as Daniel Kaluuya (Widows) or Brian Tyree Henry (Widows/If Beale Street Could Talk) gave, in my opinion, far more award worthy performances.

Will win: Mahershala Ali

Should win: Adam Driver or Richard E Grant

Here’s what everyone else had to say:

Maddy:

“I desperately want Richard E. Grant to win for Can You Ever Forgiver Me? Yes, Mahershala Ali is the coolest person to walk this Earth, we have all established that; but Grant was electric in his role as Jack and poured so much charisma and simultaneous awfulness into the character that I really would punch the air if he won.”

Nathan: 

“Despite some category fraud at hand, Mahershala Ali seems nailed on to take Supporting Actor. It’s no doubt a good performance and arguably the film’s strongest element, yet Richard E. Grant’s extraordinary performance as Jack Hock in Can You Ever Forgive Me? is an exemplary masterclass on what it takes to give a SUPPORTING performance. He impressively blends humour with pathos with incredible results, enhancing the work of others while standing out in his own right. He deserves every award for his work in this film (and for being the most joyous thing about this tumultuous award season).”

Ryan:

“It’s a stronger lineup than its Leading Role counterpart, but Supporting Actor still comes with its own quibbles and frustrations this year. Mahershala Ali is probably walking home victorious with his second Oscar in a matter of years, and despite his performance being the highlight of Green Book, it’s difficult not to look for a stronger winner elsewhere. Richard E. Grant is probably most deserving, for his funny, moving performance in Marielle Heller’s Can You Ever Forgive Me?, and Adam Driver made a big impression in Spike Lee’s BlacKkKlansman. Still, at least when Ali wins it’ll be for a genuinely good performance. That’s more than we can say for Lead Actor this year, unfortunately.”

Please find the links below to the other pieces written by these awesome film bloggers:

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Posted in 2010-2019, Film Feature

91st Academy Awards: Predictions

Today, after a plethora of controversies and U-turns, this awards season will be brought to a close as we celebrate the 91st Academy Awards. From the short-lived Most Popular Award, to the decisions to present some awards during the commercial breaks, only to (sensibly) go back on that, after a huge public outcry. I think many will be glad to put this award season behind us, but before we do, there are 24 golden statues to give out, and so I will now gaze into my crystal ball and predict who will be clutching one of those golden men come the end of the night, whilst also giving my own thoughts on each category (minus the documentaries and the shorts as I have not seen those).

Best Actor in a Leading Role

  • Christian BaleVice 
  • Bradley CooperA Star Is Born 
  • Willem DafoeAt Eternity’s Gate 
  • Rami Malek Bohemian Rhapsody 
  • Viggo MortensenGreen Book 

Rami Malek’s transformative turn as the iconic Queen front man has won plaudits left, right and centre, and he has scooped pretty much every prize going so far. His performance completely elevates Bohemian Rhapsody, and if you took that and Queen’s music away, you’re left with a pretty by-the-numbers biopic. For Cooper, this is his fourth acting nomination and he’s mighty unlucky that his arguably career best performance in A Star is Born, will more than likely leave him going home empty-handed. Bale could spring an upset for his work in Vice but Malek will more than likely be the champion here.

Click here for a Best Actor and Best Supporting Actor collaboration post.

Will Win: Rami Malek

Should Win: Bradley Cooper

Should have been nominated: John David Washington (BlacKkKlansman)

Best Actress in a Leading Role

  • Yalitza AparicioRoma 
  • Glenn CloseThe Wife
  • Olivia Colman The Favourite 
  • Lady GagaA Star Is Born
  • Melissa McCarthyCan You Ever Forgive Me?

Despite a glittering career across several decades, Glenn Close has never tasted Oscar glory despite SEVEN nominations, so expect the Academy to right this wrong this year. That being said, all of these performances are excellent with Yalitza Aparicio getting her first nomination despite having never acted before. Lady Gaga brilliantly held her own opposite Bradley Cooper and Melissa McCarthy made a welcome switch to a more dramatic role, and it got a career best performance out of her in the process. I would love to see Olivia Colman, the Queen herself, scoop the prize as her performance in The Favourite was utterly hilarious, but this award belongs to Close.

Click here for a Best Actress collaboration post.

Will Win: Glenn Close

Should Win: Olivia Colman

Should have been nominated: Viola Davis (Widows)

Best Supporting Actor

  • Mahershala AliGreen Book
  • Adam DriverBlacKkKlansman 
  • Sam ElliottA Star Is Born
  • Richard E. GrantCan You Ever Forgive Me?
  • Sam RockwellVice

Sam Rockwell’s nomination here really sticks out like a sore thumb, he’s a very talented actor but his performance in Vice was nothing special. Sam Elliot, Adam Driver and Richard E Grant all (somehow) score their first nominations (hopefully the first of many for Driver).  Though it was hard to understand him at times, Sam Elliot’s performance was so raw and emotional. Both Driver’s and Grant’s required a deft combination of humour, mixed in with some very serious drama, and both pulled this off with seemingly effortless ease. It has been impossible not to just fall in love with Grant as he has been such a delightful breath of fresh air across this campaign, and so a win for him would be a joyous moment. However, it seems unlikely that anyone will stop Mahershala Ali from taking his second Oscar for a refined performance in Green Book.

Will Win: Mahershala Ali

Should Win: Adam Driver

Should have been nominated: Daniel Kaluuya (Widows)

Best Supporting Actress 

  • Amy AdamsVice
  • Marina de TaviraRoma 
  • Regina KingIf Beale Street Could Talk 
  • Emma StoneThe Favourite
  • Rachel WeiszThe Favourite

Another crop of very strong performances across the board from all of these ladies makes picking a winner very hard, especially considering the amount of people who could have been nominated. Adams’s mission to land Oscar gold should be over already (see Arrival) but seeing as how I don’t run the Academy, her wait is likely to go on. Marina De Tavira’s performance was a very warm and charming one, but she doesn’t really stand a chance, as this is very much a battle between The Favourite ladies vs Ms Regina King. King has been taking the majority of the but a Rachel Weisz victory at the BAFTAs could sway it in her favour.

Click here for a Best Supporting Actress collaboration post. 

Will Win: Regina King

Should Win: Emma Stone or Rachel Weisz

Could have been nominated: Elizabeth Debicki (Widows) or Claire Foy (First Man)

Best Director

  • Spike LeeBlacKkKlansman
  • Paweł PawlikowskiCold War
  • Yorgos LanthimosThe Favourite
  • Alfonso CuarónRoma
  • Adam McKayVice

Spike Lee’s first ever directing nomination comes after making what is for me perhaps the most important film of the last twelve months so for this I would like to see him win. Lanthimos’s eccentric style of directing carried over to The Favourite, and there was a definite amount of visual flair and very interesting stylistic choices in his direction. The same cannot be said for Adam McKay. However, it seems certain that Cuaron will pick up his second directing Oscar this decade. Which, when you think about the two one take scenes that he so masterfully directed in Roma, it would be a richly deserved triumph for the Mexican maestro.

Will Win:  Alfonso Cuarón

Should Win: Spike Lee

Should have been nominated: Bradley Cooper (A Star is Born)

Best Original Screenplay 

  • Deborah Davis and Tony McNamara – The Favourite
  • Paul Schrader – First Reformed
  • Nick Vallelonga, Brian Currie and Peter Farrelly – Green Book
  • Alfonso Cuarón – Roma
  • Adam McKay – Vice

I make no apologies for bashing Vice again, but its presence in this awards season just bothers me something fierce. It had some good intentions, but it just came across as too full of itself and was just infuriating to watch. Cuaron crafted something so personal and so moving with Roma and The Favourite was just wickedly funny from start to finish. A Green Book triumph seems unlikely given the backlash the film has received from the relatives of Dr Shirley.

Will Win:  The Favourite

Should Win: The Favourite

Should have been nominated: Isle of Dogs

Best Adapted Screenplay

  • Joel Coen & Ethan CoenThe Ballad of Buster Scruggs
  • Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike LeeBlacKkKlansman
  • Nicole Holofcener and Jeff Whitty Can You Ever Forgive Me? 
  • Barry JenkinsIf Beale Street Could Talk
  • Eric Roth, Bradley Cooper & Will FettersA Star Is Born

If directing is going to be out of his reach, then this is the one category that Spike Lee, and his team of co-writers have GOT TO be victorious. BlacKkKlansman struck a fine balance between being when it wanted a very funny film, but it did not shy away from the hard-hitting heavy subject matter, and got extremely fierce and angry when it wanted to, and for good reason. The Coens are Academy favourites but the Ballad of Buster Scruggs was a bit hit or miss with some of its stories. Barry Jenkins seems unlikely to repeat his triumph in this category in 2017 and Can You Ever Forgive Me? may yet sneak an upset but this should be Spike Lee’s long overdue moment.

Will Win: BlacKkKlansman 

Should Win: BlacKkKlansman

Could have been nominated: Steve McQueen and Gillian Flynn (Widows)

Best Animated Feature Film 

  • Brad Bird, John Walker and Nicole Paradis Grindle Incredibles 2 
  • Wes Anderson, Scott Rudin, Steven Rales and Jeremy DawsonIsle of Dogs
  • Mamoru Hosoda and Yūichirō Saitō Mirai 
  • Rich Moore, Phil Johnston and Clark Spencer Ralph Breaks the Internet 
  • Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller –  Spider-Man: Into the Spider-Verse

Unlike last year, this is a much stronger selection of animated films. The power of Pixar so often prevails here, but it seems as though everyone’s friendly neighbourhood Spider-Man of the animated variety will seize the crown away from Disney. I think I’m one of the few who is championing Wes Anderson’s charming Isle of Dogs, but a win seems unlikely as my spider sense is telling me that Miles Morales and his crew of Spider-beings will swing home with Oscar gold.

Will Win:  Spider-Man: Into the Spider-Verse

Should Win: Isle of Dogs

Best Original Score 

  • Ludwig GöranssonBlack Panther
  • Terence Blanchard – BlacKkKlansman
  • Nicholas Britell If Beale Street Could Talk  
  • Alexandre Desplat Isle of Dogs 
  • Marc ShaimanMary Poppins Returns

Re-teaming with Barry Jenkins after his Oscar nominated work in Moonlight, Nicholas Britell did it again creating a score that was both beautiful and melancholic, capturing the joy and despair of the main characters beautifully. But by far one of the biggest snubs here was for Justin Hurwitz’s First Man score, which had it been nominated would surely have come back down to earth to win the statue. Ludwig Göransson’s wonderful work for Black Panther is also very much worthy of the gong, as it was grounded in the beauty of the continent of Africa.

Will Win:  If Beale Street Could Talk 

Should Win: Black Panther

Could have been nominated: Justin Hurwitz for First Man

Best Original Song 

  • “All the Stars” from Black Panther – Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyrics by Kendrick Lamar Duckworth, Anthony Tiffith and Solána Rowe
  • “I’ll Fight” from RBG – Music and Lyrics by Diane Warren
  • “The Place Where Lost Things Go” from Mary Poppins Returns – Music by Marc Shaiman; Lyrics by Marc Shaiman and Scott Wittman
  • “Shallow” from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
  • “When a Cowboy Trades His Spurs for Wings” from The Ballad of Buster Scruggs – Music and Lyrics by David Rawlings and Gillian Welch

Though I love “All the Stars”, nothing is stopping Lady Gaga here. Given that the Best Actress statue will likely be out of her reach, this is one award Gaga will be deservedly holding at the end of the night. The moment in ASIB when she sings “Shallow” with Cooper in the film, chills down my spine.

Will Win:  “Shallow” from A Star is Born

Should Win: “Shallow” from A Star is Born

Should have been nominated: “Always Remember Us This Way” from A Star is Born

Best Sound Editing

  • Benjamin A. Burtt and Steve BoeddekerBlack Panther
  • John Warhurst and Nina Hartstone  – Bohemian Rhapsody 
  • Ai-Ling Lee and Mildred Iatrou MorganFirst Man
  • Ethan Van der Ryn and Erik AadahlA Quiet Place
  • Sergio Díaz and Skip Lievsay – Roma 

For a film that has its central premise based on sound, it would be nice to see the brilliant work of the A Quiet Place team get rewarded, considering it was such a key aspect of the film that it should be sneaking away quietly with the gold. However, it faces stiff competition from First Man as those space scenes were stunningly recreated. A Bohemian triumph could be on the cards also as that Live Aid scene was stunning to behold.

Will Win:  First Man

Should Win: A Quiet Place

Best Sound Mixing

  • Steve Boeddeker, Brandon Proctor and Peter J. Devlin – Black Panther
  • Paul Massey, Tim Cavagin and John Casali – Bohemian Rhapsody
  • Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. EllisFirst Man
  • Skip Lievsay, Craig Henighan and José Antonio Garcia Roma
  • Tom Ozanich, Dean Zupancic, Jason Ruder and Steve A. Morrow A Star is Born

The absence of A Quiet Place here is quite perplexing. Therefore, like with Sound editing, this is likely to be a battle between Queen and their iconic Live Aid performance and the sound wizardry that made the space scenes in First Man such so utterly captivating to watch.

Will Win:  Bohemian Rhapsody

Should Win: First Man

Should have been nominated: A Quiet Place

Best Production Design 

  • Black Panther – Production Design: Hannah Beachler; Set Decoration: Jay Hart
  • The Favourite – Production Design: Fiona Crombie; Set Decoration: Alice Felton
  • First Man – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
  • Mary Poppins Returns – Production Design: John Myhre; Set Decoration: Gordon Sim
  • Roma – Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

To make Wakanda, this wonderful futuristic utopia feel like a place on this Earth is a credit to the wonderful production design. By a similar token, to capture 18th century England with such authenticity gives The Favourite a very strong shot. Expect this to be a battle between the two Best Picture nominees, with the period drama emerging victorious.

Will Win: The Favourite

Should Win: Black Panther

Could have been nominated: Bad Times at the El Royale

Best Cinematography

  • Łukasz Żal – Cold War
  • Robbie Ryan – The Favourite
  • Caleb Deschanel – Never Look Away 
  • Alfonso Cuarón – Roma  
  • Matthew Libatique – A Star Is Born 

To make a black and white film feel like it was full of colour is credit to the brilliant work that Cuaron did as cinematographer as well as the director, so as well as a likely Director triumph, I expect to see a Cuaron victory here. The Favourite also boasted some absolutely gorgeous visuals and a very unique visual aesthetic, but Roma is Cuaron’s personal masterpiece and it deserves the accolade.

Will Win: Roma

Should Win: Roma

Should have been nominated: Rachel Morrison for Black Panther

Best Makeup and Hairstyling 

  • Göran Lundström and Pamela GoldammerBorder 
  • Jenny Shircore, Marc Pilcher and Jessica BrooksMary – Queen of Scots 
  • Greg Cannom, Kate Biscoe and Patricia Dehaney – Vice

The one thing I can give give Vice credit for, is the make up. Much like last year with Gary Oldman, Christian Bale disappeared under all that make up and it gave his performance so much authenticity, that I can begrudgingly accept Vice’s probable triumph here, though Mary Queen of Scots could yet pull off an unlikely upset.

Will Win:  Vice

Should Win: Vice

Best Costume Design 

  • Mary ZophresThe Ballad of Buster Scruggs
  • Ruth E. CarterBlack Panther 
  • Sandy PowellThe Favourite
  • Sandy Powell – Mary Poppins Returns
  • Alexandra ByrneMary – Queen of Scots  

The Oscars do love a good period drama, which would suggest this is a battle between Queen Anne and Mary Stuart. Both period dramas did have sumptous costumes but its Best Picture status gives The Favourite the edge in this respect, but the bright and colourful wardrobe of Black Panther gives it a fighting chance of usurping the English (and Scottish) royalty and taking the trophy.

Will Win:  The Favourite

Should Win: Black Panther

Best Film Editing

  • Barry Alexander Brown BlacKkKlansman 
  • John OttmanBlack Panther 
  • Yorgos Mavropsaridis The Favourite
  • Patrick J. Don Vito – Green Book
  • Hank CorwinVice

The nominations here are just confusing, really really confusing. Vice and Bohemian Rhapsody??!! Say what now? This makes First Man’s exclusion all the more baffling given how so well-edited that was. Its absence therefore makes me pine for a victory for either BlacKkKlansman or The Favourite as the editing in those two was actually worthy of the nomination. One of the best edited films of 2018 was Mission Impossible: Fallout but it is nowhere to be seen in this year’s nominations.

Will Win:  Vice

Should Win: The Favourite

Should have been nominated: First Man AND Mission Impossible: Fallout

Best Visual Effects

  • Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick –  Avengers: Infinity War
  • Christopher Lawrence, Michael Eames, Theo Jones and Chris CorbouldChristopher Robin
  • Paul Lambert, Ian Hunter, Tristan Myles and J. D. SchwalmFirst Man 
  • Roger Guyett, Grady Cofer, Matthew E. Butler and David ShirkReady Player One
  • Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy –  Solo: A Star Wars Story

The juggernaut that was Avengers: Infinity War was a visual effects extravaganza and the effects on display are such an essential part of the film and were so well done that they should be clutching that trophy come the end of the night. However, it does have some stiff competition from the also very effects heavy Ready Player One, and the utterly magnificent Lunar landing scene in First Man should also put that into contention. The power of the Infinity Stones propels Infinity War to success and turn the competitors into dust.

Will Win:  Avengers: Infinity War

Should Win: Avengers: Infinity War

Should have been nominated: Black Panther

And last but certainly not least….

Best Picture

  • Black PantherKevin Feige
  • BlacKkKlansmanSean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee
  • Bohemian RhapsodyGraham King
  • The FavouriteCeci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos
  • Green BookJim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga
  • RomaGabriela Rodriguez and Alfonso Cuarón
  • A Star Is BornBill Gerber, Bradley Cooper and Lynette Howell Taylor
  • ViceDede Gardner, Jeremy Kleiner, Adam McKay and Kevin J. Messick

Click here to see my ranking of the Best Picture contenders.

As I laid out in my ranking of the Best Picture nominees, three of these films really don’t belong on this list (can you work out which three?) The thought of any of those aforementioned three winning is an utterly horrifying one that doesn’t bear thinking about, but they could do it, which would not make me a happy bunny. But, rather than dwell on that, let’s talk about the five that I want to win.

Though it shone brightly when it arrived in cinemas last year, the star power of A Star is Born has dimmed somewhat, and in doing so has likely hampered its chances of Best Picture glory. Though its nomination is historic, Black Panther and his vibranium is unlikely to win the top award. The themes and the power of the story give BlacKkKlansman maybe a fighting chance. The Favourite has indeed been a favourite (ha ha!) across this awards season so it could be a battle between that and Roma. Though Roma’s status as a Netflix film could potentially cause problems with some members of the Academy, so who knows but given its likely directing triumph, I see this one going to Roma, which will definitely cause a ripple or two, given how some directors have poured scorn on the idea of a Netflix film competing for Oscar glory. Though BlacKkKlansman is the film I want to see triumph, Roma would be richly deserving of the accolade.

Will Win:  Roma 

Should Win: BlacKkKlansman

Should have been nominated: Widows and First Man

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Final counts

Will win:

  • Roma: 3
  • The Favourite: 3
  • Bohemian Rhapsody: 2
  • Vice: 2
  • If Beale Street Could Talk: 2
  • Avengers: Infinity War: 1 
  • A Star is Born: 1
  • BlacKkKlansman: 1 
  • First Man: 1
  • Green Book: 1
  • Spider-Man: Into the Spider-Verse: 1
  • The Wife: 1

Should win:

  • BlacKkKlansman: 4
  • The Favourite: 4
  • Black Panther: 3
  • A Star is Born: 2
  • A Quiet Place: 1
  • Avengers: Infinity War: 1 
  • First Man: 1
  • Isle of Dogs: 1
  • Roma: 1
  • Vice: 1