Can You Ever Forgive Me? – Film Review
Cast: Melissa McCarthy, Richard E Grant
Director: Marielle Heller
Synopsis: When biographer Lee Israel’s (McCarthy) work dries up, she discovers some personal documents and manages to make an extortionate amount of money by forging these documents…
Review: For certain actors, they can be well known for a certain type of role that they tend to play quite a lot, they run a risk of getting typecast in that particular role. Yet, every so often an actor breaks that typecast. This is certainly applicable for Melissa McCarthy, who has so often played roles of a similar ilk to her vulgar but extremely hilarious turn in Bridesmaids. Yet, for this considerably more dramatic role, it’s quite the transformative change for her, and it might just be the best performance of her career.
It is 1991 and Lee Israel’s life and career has hit a dead end, having found herself out of a job and new opportunities are becoming increasingly very hard to come by. Furthermore, she has very few acquaintances to share her life with. It is all rather gloomy until, quite by chance, she finds some unique personal artefacts of celebrities that she forges to her advantage. In doing this, she earns a substantial amount of money, and through these acts of forgery, she runs across fellow outcast Jack Hock (Grant), who aids her in these acts of deception.
Though she comes off as quite the unlikable person, McCarthy is truly excellent in her performance. From the moment we first meet her, it is clear that she is difficult to work with and other people do not like her. These feelings are evidently reciprocal, as Lee clearly prefers the company of animals to people. The screenplay by Nicole Holofcener and Jeff Whitty, adapted from Israel’s own memoir, goes about exploring how Lee intricately created her forgeries in an exciting fashion, whilst at the same time balancing that with Lee trying to build some sort of social connections with a select few people.
One of those few is Richard E Grant’s Jack Hock, who is something of an outcast himself and a recluse like Lee herself, similarly, he’s also a bit of an arsehole and not exactly the most pleasant man, but Grant is uproariously entertaining in this role. There is something heart-warming about watching these two connect despite their mutual difficulties of connecting with people, build a relationship and accomplish these naughty deeds, whilst having a tipple or two in their downtime. However, director Marielle Heller doesn’t shy away from the fact that what Lee is doing is a crime. Which, as various people begin to suspect that they have been deceived, the tension begins to grow as the authorities get involved.
Though the film does suffer from a few pacing issues, there is something about the story of Lee Israel that will be pertinent for that anyone who writes for a living, and equally so for those who dream of writing for a living. Equally so, if anyone has been an outsider, or has experienced difficulties in connecting with people, the struggles that people experience in those sorts of situations can undoubtedly take a heavy toll. And whenever people find themselves in those dark times, it can make people do things that they regret, or in Lee Israel’s case, do things and have the time of your life while doing so.
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