Posted in 2020-2029, Film Feature, Ranking

Best Films of 2021

2021, a year that initially began as 2020 ended, with the cinemas still closed amid a continuing lockdown that kept us at home. New releases were being brought to us through the streaming services, but it was wonderful to see the cinemas finally reopen in May. That feeling of being back in the cinema, watching films where they are meant to be seen, there’s honestly nothing like it. Given that the year saw the release of many films that were pushed back, there were lots of films for cinephiles to enjoy, and so let’s have a look and see what was the best films that 2021 had to offer.

Whenever I compile these end-of-year lists, the aim is always to include films that are listed as 2021 releases on IMDB. Yet, as will probably be the case till the end of time, some films had very staggered release dates. Consequently, there are some films appearing on this list that came out in 2020, but they weren’t available to UK audiences until 2021. Hence, this makes them available for this year’s list. Also, as much as I would want to, I’ve not seen every film that was released this year, so apologies if your favourite is not on here, as I may not have seen it. On the flip side to that, some films featured here that are listed as 2021 releases on IMDB, haven’t yet made their way to UK cinemas. However, as I was able to see some of these at London Film Festival this year, this means they are eligible for inclusion here.

Additionally, as I say every year, the grades I give the films do not determine the rankings of these films. A film that gets a perfect grade is not guaranteed to be my favourite film of the year. Lists like these are always a chance for the person compiling them to be as biased as they want to be. These are the films that, for me personally, defined 2021 as a strong year for film.

Before I get into the main list, I must give a shout out to some honourable mentions. These films are excellent that you should definitely check out, but they just didn’t quite make the list:

The Power of the Dog [review]. 12 years after her last film, Jane Campion returns to the director’s chair for an enthralling Western that focuses less on the cowboys and the shootouts, and more on the tense relationship between two brothers on a 1925 Montana ranch.

Encanto [review] The first, and not the last, film on this list that has the involvement of Lin-Manuel Miranda. Disney celebrated their landmark 60th animated feature film in some style, with a beautifully animated film that depicted a heartfelt story to prove the House of Mouse still has the magic touch.

Spencer [review]. Princess Diana’s story is one that is all too well known. A tragic figure in British history, Pablo Larrain’s unconventional biopic zeroes in on a time when Diana’s marriage to Prince Charles had grown cold. There’s a lot of creative liberties in terms of the story, but it all comes together thanks to an astonishing, transformative Kristen Stewart performance as Diana.

A Quiet Place Part II [review]. The first film that I saw in cinemas when they reopened. John Krasinski returned to the director’s chair to bring us a sequel to one of the most unique horror films of recent years. Recapturing that tension that of the first film was always going to be a tough ask, but Krasinski pulled it off, delivering a sequel that proved to be a worthy follow up to the original, with an incredible performance from Millicent Simmonds.

Spider-Man: No Way Home [review]. Since the pandemic began, there’s arguably not been a film that had quite the level of hype going into it as the concluding chapter to Tom Holland’s Spider-Man trilogy. Where previous Spider-Man sequels failed, this threequel webbed all of its plot threads tremendously well and delivered an extremely satisfying film that should change the MCU as we know it.

 

Honourable mentions honoured. Now, since we had so many films this year, let’s dive into the top 15

15. Shang-Chi and the Legend of the Ten Rings

 

review

It had been a long time coming, but at long last this year, the MCU made a film that was led by an Asian superhero, alongside a predominantly Asian led cast. A landmark moment, and thanks to the outstanding stunt work, the film brought a unique visual style to the action scenes that are unlike anything that previous MCU films had brought to the table. Thanks to the brilliant performance of Simu Liu in the titular role, a new hero was born. Plus, in Tony Leung’s Wenwu, you have one of the best MCU villains in years.

14. tick, tick… BOOM!

As time goes by and we hit the later years in life, we begin to feel the pressure of wanting to leave our mark on the world. Taking the truly tragic story of Jonathan Larson and his struggles to craft the missing pieces of the puzzle for a play he’s writing doesn’t sound like the most invigorating combo in concept. But when you have a career-best performance from Andrew Garfield, and the usual catchiness of the songs that Lin-Manuel Miranda pens, and you have an extremely emotionally impactful combination that is beautifully directed by Miranda.

 

13. In the Heights

review

Continuing on the subject of Lin-Manuel Miranda, after being delayed by a year due to the pandemic, this Jon. M Chu-directed adaptation of Miranda’s 2005 musical was the much-needed blast of sun-soaked joy that we needed after many months of cinemas being shut. Filled to the brim with a plethora of memorable songs, all of which had a unique visual style to them. The film’s screenplay packed some important changes that made it extremely topical for the political landscape of 2021. In a year that saw a number of musicals, this is the best of them all and further proof that 2021 was the year of Lin-Manuel Miranda supremacy.

 

12. Belfast

review coming soon

In this beautiful semi-autobiographical film, director Kenneth Branagh tells the story about centres on a young boy growing up in the centre of Belfast just as the Troubles were beginning in Northern Ireland. Given that background, it seems unlikely that there’d be much room for humour, but Branagh works it so wonderfully well into his script, and gets awards-worthy performances out of every member of the main cast, especially Jamie Dornan and Catriona Balfe.

11. Raya and the Last Dragon

review

In all of the 58 Disney films that preceded this one, they’d never given audiences a heroine of South-Eastern Asian origin. As was the case with Shang-Chi, the film was a ground-breaking moment for representation that had been a long time coming. A lot of lore is packed into the story, but it married that up with an extremely exciting adventure. Plus, in Raya, you have yet another fearless and badass warrior princess that gives young girls a positive role model, and Awkwfinha as the voice of a dragon. One of Disney’s best films in years.

Now for the top 10…

 

 

10. No Time to Die

review

Being one of the first films to be affected by the pandemic, and being hit with a number of subsequent delays on top of that, it was starting to feel like we’d never get to see Daniel Craig’s final turn as James Bond. But thankfully this Autumn, it was finally released to the world, and it was worth the wait. The film had the extremely difficult task of tying all the loose ends from all of Craig’s previous Bond films, and managing the enormous expectations of the fans beforehand. Thankfully, while it wasn’t all plain sailing, it was mission accomplished with a compelling story that gave one of the best actors to play Bond a memorable final bow, and the send-off he deserved.

9. The Last Duel

review

Credit where credit is due for Ridley Scott. The veteran director is, at the age of 84, is still producing incredible pieces of cinema. He’s got a history with swords and sandals epic. However, what sets this apart from his previous films in this genre is that this is a medieval epic, with a modern, and very important message. Presenting its story in three distinct acts from a different person’s point of view, the first two acts are compelling and well written. However, it’s not until the third act, that the film truly soars, thanks to the award-worthy performance of Jodie Comer. This is, along with another film in this list, one of the most important films of the Post #MeToo Era of Hollywood, that absolutely did not deserve to be a box office bomb.

 

8. Sound of Metal

review

Losing one of your senses would undoubtedly be an extremely traumatic time in your life, especially if one of those senses was integral to your job as a drummer in a band. This is the devastating position that Ruben finds himself in, and must adapt to the changing circumstances of his life. With stunning sound work, the film puts you in Ruben’s (an extraordinary Riz Ahmed) position, and examines how his life will forever be changed by this painful diagnosis. An extraordinary directorial debut from Darius Marder that shines a deserved spotlight on deaf communities across the world.

7. King Richard

review

Serena and Venus Williams. Two names who need no introduction, as they have established themselves as two of the greatest athletes to have ever lived. What you probably don’t know, is the story of their father, Richard Williams, and the impact he had in shaping their early careers. The parents of any budding young superstar athletes undoubtedly have to work tirelessly to help their children achieve their dreams, and this uplifting family drama takes us on that journey. The film is packed with incredible performances, including an arguably career-best performance from Will Smith as Richard. He’s very ably supported by star-making turns from Saniyya Sidney and Demi Singleton as the young Venus and Serena respectively, likewise for Aunjanue Ellis as their mother Brandi.

 

6. The Harder They Fall

review

The Western genre is one that has so often been dominated by white lead characters. Meanwhile, for any black characters in these films, they are too often reduced to bit-part roles that don’t give them a chance to shine. However, as the words “These. People. Existed.” flash up on the screen at the start of this slick and stylish Western, it is a timely reminder that these people have stories of their own that deserve to be told. Enter Jeymes Samuel, with his feature film directorial debut that puts these characters front and centre.

Looking at what Samuel brings to the table in terms of his cast and the action scenes, it almost defies belief that this is his feature film debut. His passion for the genre comes through with every frame, and with the super talented cast he has at his disposal, it all meshes together tremendously well. An enthralling and much-needed revitalisation of the Western genre.

 

5. The Mitchells vs. the Machines

review

Technology has very much become a crucial aspect of modern life. From computers to mobile phones, it seems every so often we’re bathing our eyes in the blue light of some fanciful gadget. Films have often tackled the seemingly probable eventuality of a robot apocalypse, but what if when said robot uprising begins, humanity’s last hope is in the form of a hilarious, but extremely dysfunctional family? The answer is the latest hilarious film from those animated wizards at Sony Pictures Animation.

Filled to the brim with funny commentary about how dependent we are on our gadgets, the film’s animation brilliantly combines 2D and 3D styles of animation. The voice performances are all first-class, and the film has, hands down, THE best scene involving Furbies that will ever be seen in any film, ever.

 

4. The Suicide Squad

review

It’s fair to say that DC’s first attempt to bring their collection of super villains and mould them into a team of heroes didn’t get the reception and adulation that DC would have wanted. So what do you do to make a second attempt at this crop of characters work? Well, you bring in the guy who turned an obscure collection of Marvel anti-heroes into box office gold, and apply that to DC’s equivalent collection of characters.

While the film retains some characters from the 2016 film, it’s very much a soft reboot than a direct sequel. James Gunn brings his unique sense of humour to the story, and this new iteration expertly combines previous fan favourites, such as Harley Quinn, with exciting new recruits like a walking, talking humanoid shark, and a character who’s fond of rats. On paper, it sounds ridiculous but under Gunn’s direction, the end result is glorious and gory comic book movie mayhem.

 

 

Now, when it came to the top 3, putting these three films in some kind of order was extremely tough. At one point this year, I had all three of these at #1, and they all would be thoroughly deserving of that spot. If I could have them as a three-way tie for #1, I would. But as they must be ranked, we go on with…

 

3. Judas and the Black Messiah

review

The Civil Rights Movement in the US has seen a number of highly charismatic and influential leaders take a stand and leave their mark on history. The likes of Martin Luther King Jr, Malcolm X, Muhammed Ali are all important figures whose story has been told throughout history. Yet there’s one important figure whose name has seldom been told, but who really should be held in the same breath as these aforementioned historical figures: Fred Hampton Jr.

The story and film’s message have only become more important and relevant in recent years since events in 2020 forced the world to have an urgent conversation about race relations in the US. LaKeith Stanfield’s leading performance as the FBI informant is incredible. However, it is Daniel Kaluuya’s transformative, Oscar-winning, supporting turn as Hampton himself that cements this biographical historical drama as one of the most important films of the year.

2. Promising Young Woman

review

Every so often there is a film that holds up a mirror to our society, that demands us to have a conversation about a particular topic. It’s the power of a truly great film. Not only do they generate a discussion, but they stay with you even after the credits have rolled. This was most definitely applicable for this enthralling directorial debut from Emerald Fennell.

Forced to drop out of med school, following a tragic incident involving her best friend, Cassie goes out at night pretending to be drunk, to catch in the act, would be sexual predators who would take advantage of a drunken woman. The film grips with you with the opening act, and only escalates when circumstances present Cassie with an opportunity to take revenge against the person who inflicted all that pain on her years ago. Fennell expertly juxtaposes bright and colourful romantic comedy moments, with the more dark and brutal revenge mission, all while getting a career-best performance from Carey Mulligan.

 

And so my favourite film of 2021 is

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1. Dune 

review

For two years running, this was my most anticipated film of the year, and it absolutely delivered on those lofty expectations. Denis Villeneuve has cemented himself as one of, if not, my favourite directors working today. He has consistently delivered incredible films every time, and it was clear from interviews in the build-up to the film’s release just how much of an impact Frank Herbert’s iconic novel had on him growing up. It was said to be an unfilmable book, but Villeneuve absolutely proved everybody wrong.

Right from the off, the film immediately pulls the audience into the world of Arrakis and Dune. Villeneuve brings the visual majesty that he brought to his previous sci-fi works, and with a packed ensemble cast tells an utterly enthralling story, or at least the first part of it. The scope of the novel meant that Villeneuve was able to take his time, and it pays off. Dune very much stands on its own as an enthralling piece of sci-fi storytelling, and it was made for the big screen. Experiencing films like this was an experience that was sorely missed in 2020, and so to get the opportunity to experience this on the biggest screen possible was absolutely special. Plus, the great news is that we’ve Part Two still to come.

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And that brings the curtain down on my list of the best that film had to offer in 2021. Thank you for reading, especially if you read all the way through! Let’s hope that it won’t be long before the cinemas reopen and we can witness more films on the big screen. What were your favourite films of 2021? Let me know in the comments below or you can find me on the following platforms: TwitterFacebook or Letterbox’d.

For my picks for my most anticipated films of 2022, please click here.

Posted in 2020-2029, Film Review

A Quiet Place Part II (2021)

© Paramount Pictures and Platinum Dunes

A Quiet Place Part II  – Film Review

Cast: Emily Blunt, Millicent Simmonds, Noah Jupe, Cillian Murphy, John Krasinski, Djimon Hounsou

Director: John Krasinski

Synopsis: The surviving members of the Abbott family, now armed with the knowledge as to how to defeat the terrifying creatures that have hypersensitive hearing, head out into what remains of civilisation…

Review: There’s something that feels rather eerie about a film that features a world that’s forever changed by a deadly event, especially when you consider when it was poised to be released to the world. The time was March 2020, the premiere had taken place, and the film was due to be released to the world, until it was forced to be delayed due to the global pandemic that was sweeping the planet. Additionally, for a film that has a premise that centres on a world where being silent is of the utmost importance, it was reminiscent of when in those early months of the pandemic, those usually packed streets that we see across the world, became eerily quiet for an extended period of time. As such, there’s much about this franchise that feels very relevant for the tough times that we have been experiencing in the past year.

Following an extended, and thrilling, prologue that shows the very first day when these terrifying creatures began to wreak unspeakable devastation on our very noisy world, things fast forward to the present day of this world. We pick up right where they left off for the Abbott family. Following the events of the first film, Evelyn (Blunt), their new born son, deaf daughter Reagan (Simmonds), and son Marcus (Jupe) depart from their now destroyed home, in search of a new place to find shelter away from the monsters. Their search leads them to a base that’s currently occupied by  Emmett (Murphy), a man whose experiences in this apocalyptic world have made him very suspicious of what remains of humanity.

A key element of what made the first film the unique and nerve shredding experience it was, was the marvellous way the film uses sound to put the audience on the ground with these characters.  Going into the sequel, one might have wondered if Krasinski and his sound team had caught lighting in a bottle, and would be unable to repeat their feat this time around.  However, not only have they managed to recapture that brilliance, they have arguably gone better with their sound work. Through Krasiniski’s screenplay, that tension that was expertly crafted into the first film is brilliantly recaptured here, keeping the audience on the edge of their seat as they, like the characters on screen, strive to not make a sound. Krasinski builds on his brilliant directorial debut, opting in numerous instances to use multiple long takes, showing the audience truly just how perilous this world is, and how even the slightest misstep could spell be your downfall.

Much like the first film, the performances from all of the cast are excellent. Though she has a much more withdrawn role this time around, Emily Blunt is once again as the parent who must take care of a new born infant, and at the same, time defend her family. Though given the tragic fate that her husband Lee in the first film, there’s a void to be filled there, and Millicent Simmonds is the one who steps up to fill that void. This sequel shifts its focus from the older generation to the younger, and Simmonds steps up to the challenge, and gives the best performance in the film. Given that she herself is deaf, it adds so much authenticity to the character and the challenge that she faces to protect her family in this perilous world. With Blunt in a more withdrawn role, this gives Cillian Murphy’s Emmett the lead role amongst the adult cast, and he seizes that opportunity with both hands.

Given how much of a success the first film turned out to be, Krasinski would be forgiven if he had taken a silent moment before committing to making a sequel to A Quiet Place. Therefore, it is testament to him that with two extremely well made horror films now under his belt, he has cemented his growing reputation as a director to watch. After the extremely tough year that cinemas have had to endure since were first forced to shut their doors, films like A Quiet Place Part II serve as a powerful reminder of the power that cinema can have, especially when it’s seen on the big screen.

A marvellous continuation into this terrifying world that expertly recaptures that builds upon the aspects of what made the first film such a special and unnerving experience. A perfect example of how to pull off a riveting sequel.

Posted in 2020-2029, Film Feature

Top 10 Most Anticipated Films of 2020

Happy new year cinephiles! It is 2020, a brand new decade is upon us, and that means there’s a lot of exciting films to come our way over the next 12 months.  So without further ado, I present to you my picks for my top 10 most anticipated films that are set to hit UK cinemas in 2020.

Just a quick note to say that certain films that have marketed 2020 releases such as The Lighthouse, Waves, Just Mercy etc will not be counted here, partly because I have seen some of these at London Film Festival, and a few were included in my best of the year ranking, even though they are set to arrive into UK cinemas this year. Before we get into the main body of the list, I have a few honourable mentions, that I am looking forward to, but they just didn’t quite make the list. These are:

Venom 2, So if you saw my review of the first film, you’ll know that I hated it and it was one of the worst things I saw in 2018. However, Andy Serkis attached as director for this sequel has me intrigued. Given Serkis’s expertise with motion capture work, I hope that he can use that expertise to make something more compelling than that awful first film, and less of the horrendous cheesy dialogue would be great as well.

Godzilla VS Kong, The MonsterVerse hasn’t exactly had the easiest of starts to its existence as a cinematic universe. Both 2014’s Godzilla and 2017’s Kong: Skull Island were both beset by similar problems, namely too little screen-time for their eponymous titans, in favour of mostly very bland humans. Last year’s King of the Monsters certainly packed more action, but was bogged down by a problematic script. We go to these films to see giant monsters throw down, so if they can focus more on that and less on the humans, this titanic clash certainly could be an enthralling spectacle.

The French Dispatch, Wes Anderson’s films are almost always eccentric, but that eccentricity doesn’t prevent his films from being wonderfully crafted pieces of art. After making the wonderful Isle of Dogs in 2018, the quirky director makes his return to live action. With another stacked cast including Anderson regulars like Bill Murray, Jason Schwartzman, Frances McDormand, Owen Wilson and Adrian Brody.

The EternalsThe Infinity Saga might have wrapped up 23 films worth of MCU build up, but even after all that, the folks at Marvel are not showing any signs of slowing down. The studio has proved that it can take lesser known properties in their roster of heroes, and make extremely entertaining movies out of them. With an exciting cast, the studio will be hoping they have another Guardians of the Galaxy on their hands.

Soul,The first of two Pixar films scheduled to come out in 2020, is from the mind of Pete Docter, the visionary genius behind two of the studio’s most emotional films in Up and Inside Out, which means the odds of this being another emotional tear-jerker from Pixar are extremely high.

Honourable mentions have been honoured, let’s see what cracked my top 10:

10. Birds of Prey

Release date: 7th February

By far and away, one of the best aspects of 2016’s Suicide Squad, was Margot Robbie’s Harley Quinn. So after said film seemingly left the DCEU in limbo, Margot Robbie is once again, suiting up once again as Harley Quinn. This time, however, she has ditched Jared Leto’s Joker, in favour of some more female company. Together, Harley and this group of women find themselves up against Ewan McGregor’s villain: Black Mask.

Of all the comic book movies slated to come out in 2020, four out of them will be directed by women, and all five of them feature women in significant, leading roles. This can only be a good thing not just for the comic book movie genre, for the film industry as a whole. Let’s hope that under Cathy Yan’s direction, that Harley and her band of vigilantes can start 2020’s superhero offerings with a bang.

 

9. Last Night in Soho

Release date: 18th September

The mere mention of certain directors can be enough to generate anticipation, and Edgar Wright is certainly one of those names. After directing the fast paced, and extremely entertaining Baby Driver, his next project as a director is being teased as a psychological horror film set in 1960s London with a cast that includes includes Thomasin McKenzie, Anya Taylor-Joy, Matt Smith and Dame Diana Rigg.

 

8. A Quiet Place: Part II

Release date: 20th March

For years, John Krasinski was most likely known from his role in the US version of The Office, but then he transitioned into a film director. As far as first films go, A Quiet Place was a masterfully well made horror film, that placed a real emphasis on sound. Having also written and starred in the first film, for reasons you will realise if you have seen the first film, Krasinski is just behind the camera this time.

The plot once again features real life wife Emily Blunt leading the Abbot family and her children, who have discovered some useful information that could defeat the terrifying sound monsters that have ravaged the planet. If this film can rebuild that tension that the first part was able to capture so masterfully, another horror gem could be on our hands. But, best be quiet about it.

7. Mulan

Release date: 27th March

Despite their three live action releases in 2019 enduring decidedly mixed reactions from audiences and critics, the Box Office returns for said films were more than prosperous for Disney, leaving them to continue on with their mission to remake all their live action classics. Next on their list is the 1996 classic Mulan.

From the trailers, this looks as though it has potential to be considerably more faithful to the Chinese legend, as there will be no Mushu to be found here. With an all Chinese cast, and this being only the second Disney film with a female director (Niki Caro) and a budget above $100 million, following A Wrinkle in Time, Disney will be hoping that this is the film that brings the honour back to their live action remakes.

 

6. Onward

Release date: 6th March

Pixar so often find that magic touch in their films that can make grown adults bawl their eyes out at the beauty and the emotion of the events on screen, and when the studio is focused on crafting original stories (e.g Coco and Inside Out), they usually craft something pretty special.

This tale of two brothers off on a magical quest has all the recipe of being another Pixar classic. With Chris Pratt and Tom Holland voicing the brothers and Julia-Louis Drefyus and Octavia Spencer also lending their voices, it has all the makings of potentially another Pixar classic that will get the audience sobbing uncontrollably.

5. No Time to Die

Release date: 2nd April

After what feels like an absolute eternity, and amid constant speculation as to whether Daniel Craig would hand back his license to kill, the actor’s final outing as 007 is finally making its way to cinemas. With a production that seemed to be cursed from the outset, most notably being original director Danny Boyle being forced to drop out and an injury to Craig on set, new director Cary Joji Fukunaga has an almighty mission to deliver the goods.

Mixed in with the usual faces are an intriguing crop of new cast members including Lashana Lynch as a new 00 agent, Ana De Armas as a CIA operative, and Rami Malek as a rather sinister looking villain. After two great films, and two so-so films under his belt, Daniel Craig will be aiming to bow out on a high note.

 

4. Wonder Woman 1984

Release date: 5th June

Back in 2017, the DCEU was in limbo somewhat having had its previous two entries the preceding year, take something of a critical mauling, Hence, a lot was riding on the first Wonder Woman film to succeed, which it did in emphatic style. Now with another blast back to the past, 1984 strangely enough, we see Diana Prince battle a new foe in the form of Pedro Pascal’s Maxwell Lord as well as possibly Kristen Wiig as the Cheetah.

Goodness knows what Diana has been doing with her time in the years between WW1 and 1984, but with Patty Jenkins back in the director’s chair for this sequel, along with Birds of Prey, there’s every chance that this sequel can replicate the success of the first WW film, and should it achieve that it will be a further boost for the DCEU as it bids to continue along the trajectory that’s been set by the first WW and last year’s Shazam!

3. Black Widow

Release date: 1st May

SPOILER ALERT if you’re one of the very few people who didn’t see Avengers: Endgame, but said film sadly marked the heroic demise of Natasha Romanoff as she sacrificed herself to help the Avengers gather the Infinity Stones to save the universe. For a long time now, fans have clamoured to see her get her own film, especially given the success of Captain Marvel. While it is a little strange that this film has come now, given her Endgame fate,  it is great to see it finally happening.

Rumoured to be set between the events of Civil War and Infinity War, it teases more of her back story that has been so often the subject of fleeting mentions in previous MCU films, so to see Scarlett Johansson back in this role is undeniably exciting. Add in a top drawer cast that includes Florence Pugh, Rachel Weisz, and David Harbour, everything is in place to ensure that this off Phase Four of the MCU with a bang.

 

 

2. Tenet

Release date: 17th July

Christopher Nolan, a director who can generate anticipation by a mere mention of his name. There are many who believe that the director hasn’t made a bad film yet, and his latest promises to be the usual mind-bending wizardry that we have come to expect from Nolan. With a stellar cast that includes John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, and of course a customary appearance from Sir Michael Caine, expect more mind-bending awesomeness when this one debuts in cinemas….

 

And, my #1 most anticipated film of 2020 is……………………………………………………

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1. Dune

Release date: 18th December

In a similar vein to Christopher Nolan, Denis Villeneuve is another director who’s name just captures the attention. Having hit a hot streak with Sicario, Arrival and Blade Runner 2049, Villeneuve has proved himself to be one of the best directors working today, and now a fresh adaptation of the 1965 by Frank Herbert is in his sights.

In the wake of the film by David Lynch, which the director promptly disowned upon release, the potential for something truly special, especially with arguably the most stacked cast of the entire year that includes Timothee Chalamet, Rebecca Ferguson, Oscar Isaac, Charlotte Rampling, Zendaya, Josh Brolin, Javier Bardem and Jason Momoa. Fans of the novel can have hope that this masterful director can do the novel justice, which given that this is reportedly the first of two films, offers much promise.

Thus concludes my picks for the most anticipated films of 2020, What are your most anticipated films for this year? Let me know on any of the following platforms: Twitter, Facebook or Letterbox’d

Thanks for reading and here’s to another great year of cinema!