Posted in 2000-2009, Film Review

King Kong (2005)

Image is property of WingNut Films and Universal Pictures

King Kong – Film Review

Cast: Naomi Watts, Jack Black, Adrien Brody, Andy Serkis, Thomas Kretschmann, Evan Parke, Colin Hanks, Jamie Bell, Kyle Chandler

Director: Peter Jackson

Synopsis: A venture to make a film, led by an eccentric film-maker in the hope of capturing an uncharted piece of land on film leads to the discovery of a truly terrifying place, home to among other things, a giant ape…

Review: Of all the monsters to have featured in monster movies that have been released down the decades, there are perhaps only two monsters that have a claim to being the most iconic monsters to have ever graced the silver screen. One of these is of course Godzilla, and the other is of course Kong.  Both have featured in many films in the past and have been pitted against each other once before (and will do so again in 2020!) For Kong however, his first foray on the big screen came in 1933, at a time when the World was in the midst of the Great Depression, and so for director Peter Jackson, having just come off his phenomenal success with the Lord of the Rings trilogy, decided to tackle this story about a gargantuan Ape.

Interestingly, the 1933 film was Jackson’s inspiration for wanting to become a filmmaker and it’s clear in each frame that Jackson creates that he has an immense passion for this story, and as such wanted to do his utmost to pay tribute to the original. Indeed, Great Depression USA is where he sets the scene where Ann Darrow (Watts) who’s been made redundant is seeking work and she comes across Carl Denham (Black) an eccentric filmmaker seeking a female lead on an adventure to film the mysterious Skull Island, which Kong calls home. When they foray to said island and Ann is taken prisoner by Kong, a rescue mission is launched, and some monkey mayhem ensues.

The story of this giant ape is mainly told through Ann’s eyes, and Naomi Watts is superb in this role. It might seem impossible that a woman and an ape could become so close, but her performance makes it so believable. As Ann’s human love interest, Adrien Brody also gives a stellar turn as Jack Driscoll, a famous playwright whom Ann is an enormous fan of, and there’s Jack Black’s Carl, who despite his ambition, is ultimately not a really nice fellow. The focus is primarily on these three, although there is perhaps a bit too much focus on some other characters who you don’t care about enough. As such, a considerable chunk could have been taken off its 3 hour running time.

Jackson, with the Lord of the Rings trilogy showed off his ability to make some jaw dropping compelling action scenes. Though there are some that feel a bit scrappy and in some ways incomplete, there are more than a few others that are just  brilliant to watch, with more than a few iconic shots thrown in there for good measure. The special effects are truly phenomenal, all of the Skull Island residents are tremendously well realised, and if you have a fear of insects, one scene in particular might chill you to your core. Jackson again uses the New Zealand scenery as Skull Island, and there are more than a few spectacular shots. It’s so well realised it doesn’t feel like a movie set. The motion capture work that brings Kong to life is utterly tremendous and yet again Andy Serkis deserves enormous plaudits for his work with the technology in bringing characters such as these to life. That Oscar will surely come eventually. Although the film did manage to scoop three well deserved gongs, including one for visual effects.

When you think about a story about a 25 foot gorilla and a human female meeting and almost falling in love seems like a concept so ridiculous it should have been laughed out of production. Yet in 1933 it worked, and in 2005 it worked again, to great effect. It’s so effective that you might find yourself fighting back the tears once the dramatic final showdown on the top of the Empire State building has come to a close. And after this adventure has reached its conclusion, there might perhaps be just one question on your mind, does Beauty truly kill the Beast?

A remake done good with plenty of heart and emotion, and some chest thumpingly great action sequences, the King of the Apes roared again.

Posted in 1990-1999, Film Review

Beauty and the Beast (1991)

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Image is property of Walt Disney Animation Studios

Beauty and the Beast– Film Review

Cast: Paige O’Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Bradley Michael Pierce, Rex Everhart, Jesse Corti

Directors: Gary Trousdale and Kirk Wise

Synopsis: A young woman offers to take the place of her father who has been captured by a horrible beast who unbeknown to her, is a prince who has been cursed by a terrible spell.

Review: Walt Disney Animation Studios, synonymous with making the most magical movies that exist on Planet Earth, probably. How fitting then, that they would bring to life what is perhaps the most magical fairytale of them all, and what is perhaps the most well known adaptation. Based on the French fairytale of the same name, published in 1740, focusing on Belle, a beautiful young woman who lives with her father. When her father stumbles upon a dark and mysterious castle and becomes imprisoned by the beastly owner of the castle, she offers to take his place, and what follows is without doubt one of the finest animated movies to ever grace the silver screen, and one that despite being released over a quarter of century ago, has stood the test of time remarkably well.

The third film to be produced as part of the Disney Renaissance, it really in many ways set the benchmark for the films that followed it to reach in terms of making a Disney Princess movie that has had a lasting effect on pop culture, and will undoubtedly continue to do so in the coming years. What makes this film so great is not only its superb animation, which particularly for the time is remarkable. But even more than that are the characters, both leading and support, they are all just so memorable. Belle of course, clue in the name, is a beautiful princess but she’s also intelligent and compassionate, with a great singing voice. Gaston is in many ways Belle’s opposite, brash and rather arrogant who thinks he’s just the best, and that women should just fall at his feet, but of course Belle isn’t buying it.

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There are plenty of memorable tunes, right from the opening number to perhaps the most memorable tune, Be Our Guest, to the beautiful titular song, as performed by the great Angela Lansbury, which indeed won the Oscar for Best Song, which when you listen is easy to see why. The voice acting is flawless from everybody, and the singing too, every note that is sung is perfect, whether it’s Belle’s beautiful voice, or Gaston’s song about being the best man Belle could dream of, pompous to the maximum! Every song does its bit for the story, to move it along, and each of them have become some of the most iconic music, that’s perhaps ever been written for film. In addition, Disney’s films have become synonymous with producing magical fairytales, and this might just be the most magical of them all.

In addition to the Oscar for Best Song, a well deserved gong for Best Original Score, and the film also made movie history by becoming the first full length animated movie to get nominated for the Best Picture Oscar. It is a testament to the film’s quality that it was the first to achieve this honour, and this is before the Academy introduced a separate category for animated features, which is no mean achievement. Even more so that its legacy has endured for well over a quarter of a century now, and with the live action re-imagining shortly upon us, it should only ensure its legacy remains intact for generations to come, ensuring it will retain its status as a true timeless Disney classic, as if that was somehow ever in doubt.

Magical in every sense of the word, from story to characters to music. A truly wonderful piece of cinema that has been, and will continue to be adored for years to come. 

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Posted in 2010-2019, Film Review

Logan (2017)

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Image is property of Marvel Entertainment, Kinberg Genre, Hutch Parker Entertainment, The Donners’ Company and 20th Century Fox

Logan – Film Review

Cast: Hugh Jackman, Patrick Stewart, Richard E Grant, Boyd Holbrook, Dafne Keen, Stephen Merchant

Director: James Mangold

Synopsis: Set in 2029, Logan, whose powers are on the wane,  is spending his days out of the spotlight  until he gets dragged back to the conflict when he is charged with the protection of a young girl, whose powers are remarkably similar to his own.

Review: When any actor plays a character for a remarkable length of time, sooner or later, they will eventually have to say farewell to that character. Therefore when an actor does make that decision to say adieu to a character, especially if it is a one that he has become perhaps most well known for, there is an understandable desire to ensure that the character goes out on the highest note possible. Ever since he first took on the role of the clawed mutant, all the way back in 2000, Hugh Jackman has become synonymous with this character and so he’ll have undoubtedly wanted one last hurrah before he hangs up the claws for good. With this being the third solo Wolverine movie, after one awful miss and one solid hit, it is safe to say that this is most definitely third time lucky.

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For a while now, superhero movies didn’t elect to go down the hard R, extremely violent, action route. This is of course until a certain Mr Deadpool came along last year and changed the game. Thus for this outing, the decision was made to follow in the footsteps of the Merc with a Mouth and go for violence, lots of bloody violence, and for a character like Wolverine, it was the perfect route to go down. As well as the gritty violence, there’s no shortage of profanity too from Logan but also from an actor who let’s just say you never thought you would hear drop quite a few F bombs, but seeing it happen, is rather glorious. Jackman has shone every time he steps into Logan’s shoes, but here might just be his best ever work in the role. He’s a very jaded soul, and his powers are dwindling, but he’s still the ultimate badass, and likewise for Patrick Stewart as Charles Xavier. Having watched these characters before, be at such breaking points, is by no means easy to watch, but both REALLY excel.

Writer and director James Mangold ensures that the screenplay packs plenty of emotion into it, this is no small part due to the fact that Logan is charged with the protection of a mutant named Laura, who is being hunted by some dastardly people for reasons that shall not be disclosed here. Though the plot moves forward at a steady pace, there are moments where it does falter a little bit, but they are momentary lapses. Though 2013’s Wolverine had a few shaky cam issues, there’s none of that here, as the action is shot beautifully. Dafne Keen, for one so young, never seems lets the pressure of being in a big budget Hollywood movie faze her, as she excels in what is a remarkable breakthrough performance. There are scenes between the three main protagonists that are truly touching and by the end you may find yourself fighting back some tears.

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It truly is the end of an era, as Jackman is looking very unlikely to pick up the claws again. Having played the role nine times across an incredible seventeen years, with for the most part, phenomenal success, it certainly is the role that has defined Jackman’s illustrious career, and one he has made his own. What’s more, this movie gives him the perfect swansong that he and the character absolutely deserve. Should they ever decide to recast the role in a future movie (which seems an absolute certainty) the new actor will certainly have some very big claws to fill.

This is the Wolverine movie that the fans have been begging for, and have finally received. Dark, gritty, very violent and a superb final turn as the claw wielding mutant for Jackman. 

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Posted in 2010-2019, Film Review

The Lego Batman Movie (2017)

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Image is property of Warner Bros, Warner Animation Group and RatPac Entertainment

The Lego Batman Movie – Film Review

Cast:  Will Arnett, Rosario Dawson, Michael Cera, Ralph Fiennes, Zach Galifianakis

Directors: Chris McKay

Synopsis: With The City of Gotham under attack from the schemes of the Joker, Batman must fight to defeat him, but must also deal with the young boy he has inadvertently adopted.

Review: “Always be yourself, unless you can be Batman, ALWAYS be Batman.” A saying that has been around for a few years now it would seem, and one that definitely rings true today. Given the phenomenal success of 2014’s The Lego Movie, of which Batman incidentally played a crucial role, a sequel was absolutely inevitable, but that is not this film. Yet the decision to make a spin off focusing on Batman absolutely made sense, given that Batman has enjoyed enormous popularity, hence the very sound advice, “Always be Batman.”

Batman of course has been an ever present in popular culture, from those ridiculously camp early Adam West years, to the Tim Burton/Michael Keaton era, and back to the ridiculous and frankly awful Joel Schumacher years, before thankfully being revived by one Christopher Nolan, who opted for the more dark and gritty take on the character, which Zack Snyder has since followed. History has shown that the comedy take on the character usually fails in miserable fashion, but thanks to a franchise that has also remained very dominant down the years, this of course being Lego, it demonstrates perfectly that this bit more light hearted approach can work if done in the right manner.

Right off the bat (pun absolutely intended!) even if you weren’t aware of this, you would get the impression that the team that worked on the Lego Movie has had some influence on the script. Though Lego Movie writers and directors Phil Lord and Chris Miller were not involved, the films share a similar sense of humour. The jokes are more often than not great, you will find yourself laughing a lot in more than a few scenes. Gleeful pops are aimed at Marvel and some of DC’s own properties too, there are certainly no prisoners with this Batman. There are some great life lessons for the kids too, whilst the adults can enjoy all the cool little Easter eggs that can be found, old and new Batman alike, there is something for everyone.

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A lot of this is down to Will Arnett’s utterly tremendous voice work as the titular character. He emits this rather gruff growl whether he’s in Batman mode or just Bruce Wayne mode, although it’s not quite a ridiculous as the one Christian Bale occasionally used when he was in the cape and cowl. He’s ably assisted by Rosario Dawson as the spirited Barbara Gordon and Ralph Fiennes in a brilliant turn as the trusted butler Alfred. Michael Cera as the young kid that Bruce adopts can come across as a bit annoying at first but he earns his stripes as Batman’s trusty sidekick, and Zach Galifianakis gives a very interesting take on the Clown Prince of Crime.

The plot for the most part keeps moving along forward pretty neatly, but there are a couple of places where the plot does lose a bit of steam. However these are usually only momentary lapses. Villains are an essential ingredient of comic book movies and a great deal of them are unleashed, not just from DC Comics, but from, oh, SO MANY areas of popular culture, and while villain overload has been the kiss of death of certain superhero movies of the past, it only adds to joy and entertainment of the movie in this instance. If this were live action, it could and probably would borderline ridiculous, but here it’s just ridiculously entertaining.

No matter how many times he’s represented on screen, be it in animated, live action or Lego form, one thing remains pretty clear, Batman’s popularity among audiences will likely never diminish or waiver, and even if certain pieces of work do tarnish the legacy of the character. Batman is a staple of superhero culture that has stood for decades now, and with this film now under his belt too, it will only boost his popularity. The Dark Knight truly does rise to epic proportions.

Relentlessly funny, with some great jokes combined with terrific animation and voice work, all matches made in Lego Heaven for the Caped Crusader.

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Posted in 2010-2019, Film Review

Tangled (2010)

Image is property of Walt Disney Animation Studios

Tangled – Film Review

Cast:  Mandy Moore, Zachary Levi, Donna Murphy

Directors: Byron Howard and Nathan Greno

Synopsis: Rapunzel is a princess with extraordinary long hair who has been abducted by an evil witch, and raised in a tower, forbidden to go outside. Until one day she defies this rule, and experiences the world for the very first time.

Review: Whenever you sit yourself down for an animated film from Disney Animation Studios, you usually know what you’re in for. Musical numbers, great animation, and some well developed characters that you just want to root for, as well as an antagonist to boo and hiss it, as if you were at a pantomime. For their 48th animated adventure, check, check, check and check! Disney is well known for its princess stories, but what sets this princess apart is her remarkably long hair, that has magical healing powers. The ensuing adventure is familiar-ish territory, princess meets handsome man and they go on an adventure. Is this a problem? No, not at all, because it’s the usual magical brilliance that you expect from Disney.

Originally set to be called Rapunzel, but wisely changed to be the more gender neutral Tangled. The film focuses, as you might expect on the character of Rapunzel, the rather long haired princess in question. Taken from her biological parents shortly after she’s born by an evil witch, who uses her magical hair to stay youthful and beautiful. She is kept locked in a tower by said evil witch who has Rapunzel believe she is her actual mother. Until the mysterious and narcissistic Flynn (Levi) comes along and the opportunity presents itself for Rapunzel to leave her confinement and the chance for her to see something she has been dying to see ever since she was a child. Despite Flynn’s preening of sorts, he’s a man who clearly loves himself, but before long you will find yourself rooting for him as he joins Rapunzel on their adventure, with the usual combination of musical moments and emotional moments with characters you are absolutely invested in, from Rapunzel to Maximus, a horse who is quite the badass, and has quite the appetite for apples.

The chemistry between Rapunzel and Flynn is very strong and well realised, with the voice work from Moore and Levi excellent in bringing these characters to life. With Rapunzel, she her many locks of magical hair and lots of character despite spending, well pretty much her entire adult life confined to her tower. Flynn is of course the handsome, mischievous crook, who she uses as an opportunity to break free of her confinement. Both characters go on an emotional journey and their character development is very strong and excellently realises. With Disney you almost expect great music and they provide this once again with some superb tunes. Also well developed in her evil ways is Mother Gothel who has a few moments where she takes centre stage, and Murphy brings her to life tremendously well.

No one really does Princess films quite like Walt Disney Animation Studios, and here they produced another super hit to add to their remarkable collection of stellar animated films. With each Prince4ss film they tackle, the studio always manages to hit all the familiar tropes, that they have become well know for. However, they all manage to be wholly original and unique in many ways. In this instance, magical hair, a badass horses, great music, likable characters and oh yeah, beating up intruders with frying pans. What more could you ask for in a Disney movie?

The Mouse House brings the magic again with  its fiftieth motion picture, with a great story, terrific music and characters you genuinely have a connection with.

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Posted in 2010-2019, Film Review

John Wick (2015)

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Image is property of Summit Entertainment, Thunder Road Pictures, 87Eleven Productions, MJW Films and DefyNite Films

John Wick – Film Review

Cast: Keanu Reeves, Alfie Allen, Michael Nvqist, Adrianne Palicki, Bridget Moynahan, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe

Directors: Chad Stahelski and David Leitch

Synopsis: John Wick is a former hitman who after falling in love seeks to leave the profession behind. After a brutal attack by some gangsters that takes those closest to him, he decides to suit up and take revenge.

Review: Cinema is not exactly short of complete badasses who can and will come after you, and kill you without mercy should you mess with them. The likes of James Bond, Ethan Hunt and Jason Bourne, or the Bride from the Kill Bill movies are a few names that might come to mind. Yet back in 2015, another name was added to that list of characters, who you dare not cross, this man’s name, is John Wick. Cross him at your peril, especially if you harm his pets, as he will rain a few hundred bullets in your direction.

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Keanu Reeves is no stranger to the action genre, what with The Matrix being arguably the most notable thing on his CV to date, and he’s a fitting choice to play this awesome badass hitman. He handles the stunts superbly well and as a protagonist, you just want to root for him and see him waste the bad guys. And, for first-time directors Chad Stahelski and David Leitch, themselves former stunt men, they know and fully understand that you came here to see Wick waste some bad guys, and they certainly deliver the goods. The action is directed superbly well, and the stunt work is faultless. What’s more, there’s no shaky camera work of any kind. It’s all in the frame and all there for you to watch in all of its bloody glory as the bodies pile up.

Visually, the film is super stylish and everything is very well made, the lighting in some scenes is exquisite and it is edited together seamlessly. It is gripping stuff to watch, even if certain aspects of the plot are so paper-thin. This is not an in-depth character study, this is just a good old-fashioned action flick, in which you throw popcorn in your face and enjoy the action. That being said, besides Wick, there’s not a great deal of character development, and there definitely could have been some more meat on the bones of these characters, their motivations, and why they do what they do.

The acting is functional from everyone involved except for Keanu of course, who stands out as a cut above the rest, as he should. But again, this is no Oscar-bait movie driven by its screenplay, this is not what you came for. You come to see one man fight bad guys, and that is what you get. What’s more, with this fantastic introduction to this sort of hitmen underworld of hitmen hotels, bars and doctors etc might all sound ridiculous and dumb, but it most certainly is not! With Stahelski returning for the movie’s sequel and Leitch going off to direct the sequel to Deadpool, there’s plenty more to come from these two, and plenty more from Mr Wick too!

You walk into this film knowing what you’re about to see, and it’s nothing but damn glorious fun, with a terrific central performance from Keanu Reeves.

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Posted in 2000-2009, Film Review

The Incredibles (2004)

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Image is property of Pixar Animation Studios and Disney

The Incredibles – Film Review

Cast:  Craig T Nelson, Holly Hunter, Samuel L Jackson, Sarah Vowell, Spencer Fox, Jason Lee

Director: Brad Bird

Synopsis: After a public outcry, superheroes are forced to put away their capes and live in everyday society. However a deadly plan to wreak world havoc forces one super family to band together to help save the world.

Review: Largely thanks to the work of DC and Marvel, superheroes are currently enjoying a great boom in popularity in Hollywood at the moment. Yet back in 2004, the superhero fever hadn’t quite reached the level it enjoys at this moment in time. Nevertheless, it didn’t need to have the soaring popularity it currently enjoys for an idea about a superhero family, all with extraordinary abilities, in a world that has superheroes aplenty to gain traction. From an idea first spawned in 1993 by writer and director Brad Bird, after being brought on board the Pixar train that up to that point hit a home run with with all of its prior releases, and soaring critical praise, Bird’s superhero dream finally came to fruition, and soared spectacularly so.

Focusing on Robert Parr AKA Mr Incredible, a super strong superhero who after committing a selfless act of heroism leads to fierce criticism from the public and gives the government a great big headache, which ultimately forces the superheroes to relocate, and to become as they say “average citizens, average heroes.” So reluctantly, Bob settles down with wife Helen AKA Elastigirl who has the ability to stretch, and their three children, Violet who can create force-fields and turn invisible, Dash who has super-speed and Jack-Jack whose powers are somewhat undefined.

Bob is experiencing something of a mid life crisis, with a dead end career. This is until he has a chance to put on his mask and suit up once again, setting off a chain of events that lead to some super entertaining excitement from a studio that has almost always produced cinematic gold. Bird’s screenplay is witty, entertaining and slightly moving at times, with lots of gags aimed at adults for good measure, as one might expect from Pixar.

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Animated characters certainly have demonstrated in the past that they have the power to pull on the heartstrings of the audience and once again, Pixar nails this with flying colours, as it so often does. Bob is a character whom many could undoubtedly relate to, in terms of his career and his burning desire to put on his mask again, but not the cape, the cape must never be worn at all!

Each of the family members are well developed characters, and each absolutely gets their moment to shine, with tremendous voice work by all concerned, Bird himself lends his voice to the quite brilliant and eccentric Edna, yet Samuel L Jackson’s Frozone is in many ways the scene stealer, with some brilliant one liners and a fantastic exchange with his wife that surely ranks up there as one of the best scenes ever put to screen by Pixar.

Bird had animation experience after directing 1999’s The Iron Giant, and although that film suffered at the box office, his talent is undeniable. His script is matched by the film’s enthralling action sequences, whether its hero vs villain, or hero vs machine. It is faultless stuff and the detail on certain aspects such as the hair and the explosions is remarkable, almost as close to real life as it could get.

This pun probably has been mentioned in every review for this film ever written, but it really is incredible, and well recognised with the Oscar for Best Animated Feature, as well as one for Sound Editing, Throw in an excellent score by the ever excellent Michael Giacchino and you have all the ingredients to make a truly excellent Pixar film, and a studio that with this making it sixth big release, had six super hits, and only went from strength to strength.

The Incredibles really sets the standard for superhero movies, animated and live-action alike, with relatable characters, some great dialogue, and some truly enthralling action sequences.

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Posted in 2010-2019, Film Review

Hacksaw Ridge (2017)

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Image is property of Lionsgate, Pandemonium Films, Permut Productions, Vendian Entertainment and Kylin Pictures

Hacksaw Ridge – Film Review

Cast:  Andrew Garfield, Sam Worthington, Hugo Weaving, Teresa Palmer, Luke Bracey, Vince Vaughn, Rachel Griffiths

Director: Mel Gibson

Synopsis: Telling the incredible true story of Desmond Doss, a Devout Christian who signs up for the US Army and serves as a medic in the heart of World War II, all while refusing to carry a gun.

Review: For many of us, the horrors of war are something we are all too familiar with. From learning about terrible wars of the past to the brutal wars of the present, war is rarely anything other than a very dark time for humanity. Yet undoubtedly in such dark times, acts of incredible bravery and selflessness are committed, and for director Mel Gibson, the telling of one remarkable true story is in many ways his redemption, and a superb return to form for a man who it would be fair to say had something of a fall from grace, never being too far away from controversy.

Yet, despite all that controversy, Gibson has come out fighting with his first stint in the director’s chair after directing 2006’s Apocalypto. Set in the heart of Japan in 1945, the USA is battling the Japanese at the Battle of Okinawa and after some troubling times with his training Desmond Doss enters the fray of war, and never fires a single shot or carries a gun. It seems such a ludicrous decision to enter the hell of war without anything to protect yourself but the screenplay, penned by Andrew Knight and Robert Schenkkan helps you understand where Doss is coming from, he’s a man who resolutely sticks to his principles. His superhero days may be behind him, but with this performance and his sterling work in Silence, Garfield is showing himself to be a tremendous actor and his performance is extremely powerful, ensuring a well earned Oscar nomination as well.

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Garfield is the leading light of an extremely well polished cast, that includes Hugo Weaving as Doss’s alcoholic father who witnessed the devastation of World War I and is loathed to lose his sons to the horror of warfare. Teresa Palmer is equally excellent as Doss’s love interest Dorothy. The scenes between the two could have been a real stumbling block and detriment to the plot, but the chemistry between Garfield and Palmer is superb and their romance is far from a hindrance, instead adding real depth to Doss’s character. Vince Vaughn also turns in an excellent performance as Doss’s stern Sergeant who certainly does his best to add the humour while all of the recruits undergo some intense army training. At the same time, all the new recruits look down on Doss for his beliefs, and make his life a hell on Earth, and this is before they are even in reach of the war zone.

For Gibson, a nomination for Best Director might have seemed far-fetched but his work here is extremely deserving of a nomination. He helms the film superbly well, the action is extremely tense to watch and the work that he achieves, along with his sound team, fully capture what it must be like to be in the middle of a war zone. The film’s editing also helps add to the gritty realism. The violence is not glorified in the slightest, it’s just very frighteningly realistic. Be under no doubt, this is not a film for the squeamish, the bullets fly by their thousands and the blood and guts flow. Yet through all of this, the film shows to the audience that it can really pay to stick by your principles, even if everyone is trying to belittle you for holding on to those beliefs.

Though this is for all for all intents and purposes a war film, the themes of anti-war and pacifism are strong, as well as being true to one’s beliefs, and the themes and messages that the film conveys should hit home with the audience and leave a lasting impression on them. War certainly is hell, but the actions of brave men like Desmond Doss should and will hopefully never be forgotten. Furthermore, they can serve as a great lesson for all, of the true valour of bravery and heroism, even in the most desperate and hopeless of situations.

An explosive, and quite brilliant return to the director’s chair for Gibson, with Garfield giving arguably the performance of his career, and just maybe the best war movie of the 2010s thus far.

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Posted in 2010-2019, Film Review

Kubo and the Two Strings (2016)

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Image is property of Laika and Focus Features

Kubo and the Two Strings – Film Review

Cast: Art Parkinson, Matthew McConaughey, Charlize Theron, Rooney Mara, Ralph Fiennes

Director: Travis Knight

Synopsis: After a terrible accident in his past, young Kubo sets off on an adventure to retrieve some valuable items from his past to help defeat a sinister force.

Review: Animation is such a staple of modern Western cinema, largely thanks to the work of animation powerhouses like Disney and Pixar, using computer animation to create magical and exciting adventures for all generations. Yet for animation studios like Laika and Studio Ghibli, in these cases, they use somewhat more unique methods to tell their stories. For the former, the use of stop motion animation is their party piece, and their latest film reinforces their growing reputation as an animation studio that is certainly showing its credentials with each new film they release.

Kubo (Art Parkinson) is a young boy with a magical musical instrument who is looking after his sick mother, who warns him of the perils of being out at night, as Kubo is being hunted by some deeply sinister forces who want to take something from him. Due to these sinister forces, Kubo is sent on a mission to hunt for three valuable artefacts that will enable him to defeat those that are pursuing him. Aiding him on this quest are the appropriately named Monkey (Theron) and Beetle (McConaughey).

Original films are something of a rarity in modern cinema, and this story is a wonderful breath of fresh air, that’s mysterious, magical and exciting all rolled into one. There are elements of Ancient Japanese history without any doubt and maybe a hint of influence from Ghibli, but the screenplay, written by Marc Haimes and Chris Butler is rich in detail and boasts some very compelling characters, and an adventure that packs plenty of heart and humour, not to mention some absolutely flawless animation. Kubo is our young hero and Parkinson’s work bringing him to life is so stellar that you just want to root for him and defeat those evil forces who are trying to take something from him.

Along with a compelling lead, the side characters are also extremely compelling and well developed. Monkey is certainly a “take no nonsense” kind of character but she has plenty of heart and compassion for Kubo. Likewise for Beetle, though he comes across as something of a bumbling idiot, he too certainly shows spirit and a fierce desire to aid Kubo on his mission. Likewise with Parkinson, the voice work of Theron and McConaughey is so on point that as an audience, you are on the side of these heroes, and although their voice work is equally stellar, you are most certainly not on the side of Rooney Mara’s Sisters  and neither that of the primary antagonist, Ralph Fiennes’s Moon King.

Despite being an extremely well made and beautiful film to watch, the screenplay isn’t perfect, there are a few points where the film stumbles a bit, and while his voice work is great, when casting such a brilliant actor in Fiennes, who can certainly do bad guys very well, you would hope his character is sinister and terrifying, and while he can be, certain elements of his design did leave something to be desired. Nevertheless though, Kubo is another fine string to add to Laika’s bow of really well made animated storytelling. The studio is certainly on a roll right now, and definitely one to keep an eye on in the years to come.

Beautiful detailed animation, combined with an enthralling story and tremendous characters, Kubo is an animation that will tug at the heartstrings of everyone, no matter how young or old they are.

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Posted in 2010-2019, Film Feature

Top 10 Films of 2016

Another year passes, and another year of big blockbusters, smaller films and more sequels and reboots than perhaps we want. Yet nevertheless, it has been an interesting year for cinema. While 2016, might be most remembered for the alarming amount of beloved celebs who we lost, it was still an interesting year for cinema goers all around the world. We had superhero squabbles, private detectives in 1977 Los Angeles, the true story of the 2010 BP oil disaster, hiking in the New Zealand wilderness, and some heart-warming musicals. Of course some films on this list did arrive in 2017 in the UK (my humble abode), but I am counting the ones that I have seen as 2016 releases, as per IMDB. With that said, I now give you my picks for the 10 best movies of the year. I should note that for films like Hacksaw Ridge, Lion and Moonlight, that I have not been able to catch these before writing this list. As such, they will instead be eligible for 2017’s list instead as they have yet to reach UK shores.

One thing to bear in mind, is that grades here do not matter, a film may get a higher grade or the perfect grade, it will not necessarily mean that film will be the best film of the year, this is my list of my favourite movies that I had the most fun with or enjoyed the most.  Before I get into the body of my list I do have some honourable mentions, films that were awesome and that didn’t quite make the list with there being 10 spaces, but were still a lot of fun. And first up is…

Moana (review), this was another superb year for Walt Disney Animation Studios, with two absolutely stellar films being released and Moana was just so much fun. You expect gorgeous animation from Disney, but Moana’s animation was just almost on another level, the music is great, the character of Moana is great and it was just a fantastic adventure.

Deadpool (review), superhero films are really popular currently, but we were yet to be treated to be a proper R rated one, until the Merc with a Mouth came along. Hilarious, with a terrific turn from Reynolds, and quite possibly the best opening credits scene EVER, it was a welcome breath of fresh air for the genre, and with its success, it shall be interesting to see if other studios follow suit in making their superhero movies a bit more edgy and violent

Sing Street (review coming soon) movies about music can be terrifying (e.g. Whiplash) but this movie from writer and director John Carney was simply a blast. From start to finish, it was just so much fun to watch as this kid who has his eye on a girl does his best to woo her by forming a band. The acting was great, the music was also so well realised, if you haven’t seen this film, it is on UK Netflix now, do give it a look see, you won’t be disappointed.

Silence (review), Martin Scorsese is unquestionably one of the finest film-makers in history and we’re lucky that he’s still making incredible pieces of cinema. This was a gripping tale of two priests journeying to a country where their religion was totally banned, and the punishments for following it were severe. It’s acted beautifully and the dialogue is extremely well written, and harrowing to watch at times.

Star Trek Beyond (review). Justin Lin took the reins from JJ Abrams after he directed the first two films in this reboot of the long running franchise, and continued down the path of excellence that Abrams started. Once again the action is so much fun to watch, but what makes this franchise so great is its characters, Kirk, Spock, Uhura, Bones, Scotty, Sulu, Chekov (RIP Anton Yelchin) and a great new addition in Sofia Boutella’s Jaylah. The franchise is certainly living long and prospering, even with the sad deaths of both Yelchin and the great Leonard Nimoy. And finally…

Spotlight (review), yes I know this is technically a 2015 release but it didn’t reach the UK till late January hence why I am including it here. This true story about the Boston Globe journalists who uncovered the horrendous abuse scandal that went on in the Catholic Church was utterly riveting to watch and acted beautifully particularly from Rachel McAdams and Mark Ruffalo, it’s a story that needed to be told and by the time the credits begin to roll, it will leave you speechless.

Honourable mentions concluded, time for the big guns, the top 10 and we start with…

10. Hell or High Water

My Hell or High Water review

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When you get Chris Pine, Jeff Brides and Ben Foster in a movie, particularly in a Western kind of setting, you’re probably going to be in for some greatness, and that is precisely what Hell or High Water gives you. Hailing from Scotland, David Mackenzie brought a thrilling tale of two brothers who resort to robbing banks as a means to stay afloat financially. Throw Jeff Bridges in as your gruff Texas Ranger in very much Rooster Cogburn mode, and the end result is one thrilling Western heist movie with some of 2016’s best acting from all three of its lead actors, and a damn fine spectacle.

9. Deepwater Horizon

My Deepwater Horizon review

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The 2010 BP Oil Disaster was a terrible disaster that claimed 11 lives, and for director Peter Berg, it must have been quite the challenge to make the film that pays tribute towards those who died whilst telling the true to life story of how the worst ever environmental disasters in US history, in a gripping manner, and my oh my was this film gripping! You know going in that the disaster is lurking around the corner, but when the shit hits the fan and it all goes south, this film really goes up a couple of exciting pegs. With an excellent Mark Wahlberg performance at its core, this film will almost certainly shake you to your core, and leave you wondering how on earth such a monumental disaster was allowed to happen, and how no criminal charges were filed.

8. Rogue One: A Star Wars story

My Rogue One: A Star Wars story review

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Another trip to a galaxy far far away, except this time not focusing on the main saga. The first of three (at least for now) Anthology films focusing on the daring mission executed by the rebels to steal the plans for the Death Star, fitting in just nicely right before A New Hope kicks off. Edwards helmed this film beautifully with some absolutely brilliant action sequences, particularly that third act, and my oh my, that Vader hallway scene, you know the one I am talking about, was just an absolute blast to watch. Sure for some of the new characters, their development was not as much as you would like, but the franchise has another awesome female heroine in Felicity Jones’s Jyn.  The Star Wars renaissance thanks to Disney is blooming, and long may it continue.

7. Hidden Figures

My Hidden Figures review

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The beauty of film is that it can bring to the attention to a substantial audience a story that has really not seen the light of day, such is the case with this true story of the inspirational women who worked behind the scenes at NASA to make the US space missions of the 1960s a reality. The three central women are all beautifully acted by Octavia Spencer, Taraji P Henson and Janelle Monae, and it demonstrated that although because of their skin colour and their gender, that even though pretty much everyone in society looked down on them, they were able to make a real difference to their industry, despite the attempts to put them in their supposed place.

6. Hunt for the Wilderpeople

My Hunt for the Wilderpeople review

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Taika Waititi is a director to certainly keep a close eye on, certainly with Thor: Ragnarok due to be released in cinemas later this year, and this film will have certainly cemented his growing reputation. A film that is so unique, so original and utterly hilarious to watch, yet made very little at the box office (more on that later). It is just pure gold to watch as this troublesome foster kid and his new guardian have themselves a little adventure in the New Zealand wilderness. Sam Neill is brilliant but newcomer Julian Dennison absolutely steals the show. These two as a comedic duo, simply just hilarious to watch as they go on about their wildnerness adventure, all the while being chased by the authorities. Mayhem in the New Zealand forest, and just non stop entertainment.

5. Zootopia (Zootropolis)

My Zootopia/Zootropolis review

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The 1st film to be released by Disney Animation Studios in 2016, and one of the best animated films to emerge from the Mouse House in recent years. In an animal metropolis where animals live and work, seemingly in harmony, but only on the surface. For an animation, this film has a lot of really deep and significant undertones that will really get the adult viewers who watch the film really thinking about what is has to say and the messages it gives off. With some great little easter eggs to some classic movies thrown in for the adults to enjoy, as well as some great jokes, and a really great leading duo, this proves that Disney studios have certainly not lost their magic when it comes to making great entertainment that is a lot of fun for both kids and adults to enjoy, as well as a thumping good tune from Shakira!!

4. Captain America: Civil War

My Captain America: Civil War review

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This was the thirteenth entry into the Marvel Cinematic Universe array of movies. Unlucky? Not a chance! This was another truly superb comic book movie that proved Marvel is still leading the way in terms of their extended cinematic universe over DC, by A LOT. When looking at the film’s promo, it certainly seemed as though this wasn’t Captain America 3, but Avengers 2.5. Well without spoiling too much, its most definitely a Captain America film, despite the massive ensemble of heroes which included terrific first appearances by Chadwick Boseman as T’Challa AKA Black Panther, and Tom Holland as Spider-Man. The story is told tremendously well and it does a tremendous job of splitting your loyalties and it’s not a simple case of one being right, and the other being wrong, it is much more complicated than that. And that airport battle was simply put, one of the best superhero battles ever put on the big screen EVER.

3. La La Land

My La La Land review

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Much like with Sing Street, this is another musical picture that was just an absolute bundle of joy to watch, from the opening spontaneous song and dance number on a LA Freeway to the very end. Damien Chazelle is a writer and director who certainly takes great inspiration in musicals as Whiplash and this film demonstrate, and he might just be the best director currently working in this genre. The music does not feel overbearing or annoying, every time a character sings or breaks out and dances, it feels like it’s necessary to the scene, to the development of the characters, and with Stone and Gosling both on outstanding form. Everyone has had a dream at some point in their life, and this film’s message about dreams will undoubtedly resonate with all who watch it.

2. Arrival

My Arrival review

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Sci-Fi movies do like to have big explosions, aliens and a cool battle where the aliens and the humans face off, but there is none of that here in Denis Villeneuve’s latest film. One of the smartest, most inventive pieces of story-telling to emerge in recent years, with a screenplay that really gets the brain working, and will blow your mind. Focusing on 12 alien ships who have arrived on Earth, a linguistics professor is recruited to help understand who these aliens are and their purpose on Earth. Villeuneve,  is fast become one of the hottest properties in Hollywood, and after watching this film, it is easy to see why. At its core is a truly superb performance from Amy Adams,in a role that could land her some Oscar gold at long last. A film to really get the mind working, it’s a very human story with a lot to say for itself, and not to mention some of the  best visual effects in 2016, and some gorgeous cinematography to go with it.

And my #1 favourite film of 2016 is……………………….

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1. The Nice Guys

My The Nice Guys review

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Ryan Gosling is clearly doing something right! So many films this year are continuation of franchises, sequels, reboots and so on. Yet every year, there are plenty of original pieces of work that are brought to the big screen, yet sometimes this new and fresh ideas, despite great critical receptions, absolutely tank at the box office, and no film typifies this more than Shane Black’s The Nice Guys. Russell Crowe and Ryan Gosling as two PIs in 1970s Los Angeles, with a story focused on a missing girl, and the porn industry. I mean how the fuck did more people not go to see this film??? The action is great, the chemistry between Crowe and Gosling is fantastic and there’s a great break out performance from Angourie Rice. This film is hilarious, the dialogue is great and Black is doing what he knows best. It is no wonder studios focus their efforts on properties audiences know and are aware of, because they make more money, and no one chooses to watch new and original content. Yet if you’re reading this, and you have not seen this movie, I implore you to go seek this film out via any legal means you can, rent it, buy it on DVD or Blu Ray because this film is a gem, and more films like this need to get made. It is by far my favourite film of 2016, and although Hollywood these days is dominated by sequels, I would love to see a sequel to this movie.

So there you have it! My top 10 picks for the best films of 2016. But what are your top 10 best films of 2016? Let me know in the comments below. Or you could hit me up on my Twitter and don’t forget to like Through the Silver Screen on Facebook to ensure you never miss another review of mine! Let us hope that we are treated to more cinematic gold on the big screen in 2017, and for the must see movies coming out this year, be sure to give my Top 10 most anticipated films of 2017 a look see!