King Kong – Film Review
Cast: Naomi Watts, Jack Black, Adrien Brody, Andy Serkis, Thomas Kretschmann, Evan Parke, Colin Hanks, Jamie Bell, Kyle Chandler
Director: Peter Jackson
Synopsis: A venture to make a film, led by an eccentric film-maker in the hope of capturing an uncharted piece of land on film leads to the discovery of a truly terrifying place, home to among other things, a giant ape…
Review: Of all the monsters to have featured in monster movies that have been released down the decades, there are perhaps only two monsters that have a claim to being the most iconic monsters to have ever graced the silver screen. One of these is of course Godzilla, and the other is of course Kong. Both have featured in many films in the past and have been pitted against each other once before (and will do so again in 2020!) For Kong however, his first foray on the big screen came in 1933, at a time when the World was in the midst of the Great Depression, and so for director Peter Jackson, having just come off his phenomenal success with the Lord of the Rings trilogy, decided to tackle this story about a gargantuan Ape.
Interestingly, the 1933 film was Jackson’s inspiration for wanting to become a filmmaker and it’s clear in each frame that Jackson creates that he has an immense passion for this story, and as such wanted to do his utmost to pay tribute to the original. Indeed, Great Depression USA is where he sets the scene where Ann Darrow (Watts) who’s been made redundant is seeking work and she comes across Carl Denham (Black) an eccentric filmmaker seeking a female lead on an adventure to film the mysterious Skull Island, which Kong calls home. When they foray to said island and Ann is taken prisoner by Kong, a rescue mission is launched, and some monkey mayhem ensues.
The story of this giant ape is mainly told through Ann’s eyes, and Naomi Watts is superb in this role. It might seem impossible that a woman and an ape could become so close, but her performance makes it so believable. As Ann’s human love interest, Adrien Brody also gives a stellar turn as Jack Driscoll, a famous playwright whom Ann is an enormous fan of, and there’s Jack Black’s Carl, who despite his ambition, is ultimately not a really nice fellow. The focus is primarily on these three, although there is perhaps a bit too much focus on some other characters who you don’t care about enough. As such, a considerable chunk could have been taken off its 3 hour running time.
Jackson, with the Lord of the Rings trilogy showed off his ability to make some jaw dropping compelling action scenes. Though there are some that feel a bit scrappy and in some ways incomplete, there are more than a few others that are just brilliant to watch, with more than a few iconic shots thrown in there for good measure. The special effects are truly phenomenal, all of the Skull Island residents are tremendously well realised, and if you have a fear of insects, one scene in particular might chill you to your core. Jackson again uses the New Zealand scenery as Skull Island, and there are more than a few spectacular shots. It’s so well realised it doesn’t feel like a movie set. The motion capture work that brings Kong to life is utterly tremendous and yet again Andy Serkis deserves enormous plaudits for his work with the technology in bringing characters such as these to life. That Oscar will surely come eventually. Although the film did manage to scoop three well deserved gongs, including one for visual effects.
When you think about a story about a 25 foot gorilla and a human female meeting and almost falling in love seems like a concept so ridiculous it should have been laughed out of production. Yet in 1933 it worked, and in 2005 it worked again, to great effect. It’s so effective that you might find yourself fighting back the tears once the dramatic final showdown on the top of the Empire State building has come to a close. And after this adventure has reached its conclusion, there might perhaps be just one question on your mind, does Beauty truly kill the Beast?
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