Everest (2015)

Posted on October 21, 2015May 29, 2017 by Martin: Through the Silver Screen

Everest – Film Review

Cast: Jason Clarke, John Hawkes, Jake Gyllenhaal, Josh Brolin, Elizabeth Debicki, Emily Watson, Keira Knightley.

Director: Baltasar Kormákur

Synopsis: At the top of tallest mountain in the world, a group of climbers face a fight for survival as they run into trouble as a deadly snow storm

Review: Eight thousand, eight hundred and forty eight metres, the height of the tallest mountain in the world, a place where the temperature never rises above freezing, going as low as minus 36 degrees Celsius in the winter and rising to minus 19 degrees in the summer (on average.) The challenges and risks of climbing this beast is one that would probably make many people considering to ascend it running scared. Even the most experienced of mountaineers can encounter problems and make a fatal mistake, and after watching this drama come true story about a 1996 expedition to Everest’s summit, one may rethink any aspirations to take on this perilous quest, in a similar vein to 2013’s Gravity, that may have killed any desires to become an astronaut amongst audience members. The opening captions at the beginning only remind viewers of the sheer dangers that climbers face when taking on this challenge. The human body is simply not built to function at those altitudes.

The film focuses on several expeditions seeking to reach the top of the world, which just so happen to be led by rival companies. One of these led by Rob Hall (Jason Clarke) and another by Scott Fischer. (Jake Gyllenhaal) During a fateful excursion to the summit, problem after problem begins to surface, and these snowball (pun intended) into a desperate fight for survival for our group of mountaineers. As was the case with Gravity, it could have been easier for them to shoot on green screen, however director Baltasar Kormákur puts the viewer right into the heart of the mountain with some majestic shots of the summit and surrounding areas, whilst cleverly using places such as the Ötztal Alps in Italy to double up as Everest. The use of practical shooting locations which also included Nepal gives the film definitive authenticity. The audience feels like they are climbing the mountain with the climbers, and feel the sense of peril that the group find themselves in when the storm closes in.

With quite an extensive cast, including some big Hollywood names, you would expect the acting to be top of the range, and well it is. The likes of Josh Brolin, and Jake Gyllenhaal do deliver some wounded and yet powerful performances, but the centre fold of the film is Jason Clarke’s Rob Hall and he is the star of the show as the leader of the main expedition featured. It is mainly through his perspective that we watch the events unfold as the expedition bids to reach the summit. Yet with many people in the film, there is a risk that the extensive cast get shall we say, swallowed up by the mountain, and unfortunately this does come to pass. The film tries to flit from one expedition to another with multiple strands of the story, thus making it difficult for the audience to keep track of what is going on all the time.

The cinematography and the score are both tremendous, with the latter adding much to the film’s tension filled scenes. In addition, the nature of the story is extremely impactful. “Because it’s there,” a line that is often said in the film. Yet it serves as a reminder for the viewer that just because something as wondrous as Everest is there, the challenges and risks of climbing it are extensive, and a quest to summit the top of the world is one that should not be taken lightly.

Visually mesmerising, with some great individual performances crammed into the somewhat overcrowded cast, the downer is that many of these performances end up being lost in the vast white slopes of Everest itself.

2010-2019, Film Review

Moneyball (2011)

Posted on September 19, 2015May 29, 2017 by Martin: Through the Silver Screen

Moneyball – Film Review

Cast: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt.

Director: Bennett Miller

Synopsis: A true story focusing on Billy Beane’s efforts to restructure a baseball team on a shoestring budget and in doing so transforms the sport of baseball.

Review: Sports films often feature scenes of glorious success, and sometimes dark misery for the protagonist in question, whether that be Chris Hemsworth as James Hunt or Niki Lauda in 2013’s Rush. Or Sylvester Stallone from the Rocky series. The viewer watches with glee and sometimes anguish as the main sporting hero is either put through their paces, goes through a horrific event, or comes out on top in glorious fashion. There is that moment where everything appears to be going completely horribly wrong and the protagonist must find a way to turn it all around. However, in the case of Moneyball, there is a remarkable absence of sporting-y action to witness. Is this a problem? Well no not really, because director Bennett Miller to use a baseball analogy, has hit a home run to win the championship with this remarkable tale of triumphing against the odds. It’s not all balls, bats and runs that define this engaging story, but one of numbers, facts, and one man’s relentless desire to see his methods through.

The story focuses on Billy Beane (Brad Pitt) as the general manager of the Oakland Atheltics, who has the unenviable task of rebuilding the club’s squad after a number of high profile exits, yet he has to operate on a very small and tight budget, with not much room for negotiation. Through his challenges he hires economics graduate Peter Brand (Jonah Hill) and together, they develop some unprecedented ideas about the value of a player and seek to revolutionise the very nature of the sport and change the game forever. It’s not about the big dollars of a brand new signing, but rather the clever way to cut costs down and still produce a team that is capable of challenging for the very top honours in the sport. This may not sound like a thrilling premise, or one to get the pulses racing like many other sports films would. However, the sport is on the periphery of this story, and even if you have never watched a baseball match before, or have no interest in the sport, it is not a vital ingredient of the enjoyment of this movie, that comes in the shape of their performances and the brilliant screenplay penned by The Social Network‘s Aaron Sorkin. One could think you’re sat in the middle of a very boring maths class with all these stats and numbers being chucked in your direction, and you’re sat there struggling to make sense of it all. However, thanks to the excellent screenplay and dialogue, this is not so.

The acting here is certainly championship quality with Brad Pitt really shining in the lead role as Billy Beane. He anchors the movie with his usual charm and you root for him, because he’s the underdog, going up against all the seasoned scouts who ridicule him and his seemingly preposterous ideas. Also on top form is Jonah Hill as the economics graduate. A man who has spent many years of his career in comedy and has honed his craft in said genre, really showed his terrific acting ability with a serious and strong performance that earned him his first well earned Oscar nomination. The late Philip Seymour Hoffman also delivered a subdued but nonetheless powerful portrayal of the Oakland A’s manager, and the clashes between him and Beane do provide some first class acting and riveting story-telling under the masterful direction of Bennett Miller. For many sports fans, the action on the pitch, be it football, baseball, rugby, cricket or whatever, is what matters. Yet after watching Moneyball, you will come to realise that what goes on behind the scenes is equally, maybe even more important than what goes on on the field of play.

Acted to perfection, with a sharp and engaging screenplay, Bennett Miller and co have hit a home run, and in some style too, to the tune of 6 well earned Oscar nods.

Film Review

Legend (2015)

Posted on September 14, 2015May 29, 2017 by Martin: Through the Silver Screen

Legend – Film Review

Cast: Tom Hardy, Tom Hardy, Emily Browning, Christopher Eccleston, David Thewlis, Taron Egerton.

Director: Brian Helgeland

Synopsis: An account of the lives of the Kray twins, at the height of their criminal empire in the East End of London in the 1960s.

Review: Ask anyone in England about the Kray twins, and you’re probably going to get a less than positive reaction, and for good reason. It is no secret that both Ronnie and Reggie Kray were nasty pieces of work. So when choosing to make a film about the lives of two violent and dangerous gangsters who were arguably at the top of the criminal underworld, and the celebrity stage in the 1960s. It begs the question, who do you cast as two of the most evil men in twentieth century England? You get the very popular Tom Hardy, of course and get him to double up as both of the Kray brothers in a remarkable performance.

You may think that since one man is doubling up as both brothers that they’re unlikely to share screen time together, well director Brian Helgeland manages to pull off this, and in some considerable style. They don’t just share screen time, oh no. They bicker and squabble too, sometimes with other people and sometimes with each other and the fists come out! It’s Bane VS Max Rockatansky set in 20th century England! It is very clear that these are two men who although they may look alike and share many similar traits, and a last name. They are ultimately two different people and Hardy’s performances show the difference between the two. Reggie the charming ladies man of sorts, with Ronnie being the more dark and dangerous of the two brothers, like a bomb that could go off at any second.

The tale of these two brothers is told through the eyes of the young, innocent Frances (Emily Browning) who falls for Reggie. Her sweet and innocent character is ultimately what draws Reggie to her, before she witnesses the dark and dangerous underworld as she becomes his girlfriend and later wife. It’s through her perspective that we watch as the two brothers rise up through the criminal ranks and see their empire expand into something vast and substantial. Whilst at the same time, the criminal lifestyle ebbs away at Frances and the love she strongly displayed for her husband in the early years, quickly breaks down as their relationship crumbles. Hardy shines as both brothers but it is portrayal of Reggie that definitely seeks to tug at the audiences’ heartstrings as he seeks to try and build a life away from the criminal hive with Frances. It is the crazy actions of Ronnie that drive a firm wedge between Reggie and Frances and causes friction between the two brothers.

Emily Browning also gives a very strong performance as Frances, although the material she was given is often a bit lacking at times and there was a lot more to be explored with her character, leaving her somewhat underdeveloped. In addition the rest of the principal cast also feel somewhat underutilised, but the focal point of the film is on our leading men. For a film about two very sinister men, there is a surprising amount of humour involved. The humour works, but it does not hide the sinister nature of the trade of the Krays. Though Reggie tried to be a ladies man and compassionate towards his wife, it is ultimately in vain. The film of the title ultimately rings true, the tale of Ronnie and Reggie Kray is one of legend, a dark and murky legend that has become firmly entrenched in 20th century British history, and one that is not going to go away any time soon.

Although the script does lack in places, and the rest of the cast feel really criminally underdeveloped, Tom Hardy is brilliant and award worthy in two mesmerising leading performances.

Film Feature

Top 10: Most Anticipated Autumn/Winter Films (2015-2016)

Posted on September 7, 2015September 7, 2015 by Martin: Through the Silver Screen

Summer movie season is officially over, and we now enter Oscar season territory, the time when studios release their films that they hope will be celebrating come Oscar season next February . There has been some great cinema so far this year, but there’s some very interesting pictures on the schedule. So without further ado, I give you my 10 most anticipated films of the next few months.

First up I have a few honourable mentions. The first of these is The Danish Girl, this is a new film from Tom Hooper, director of The King’s Speech and Les Miserables, winner of 4 and 3 Oscars respectively, and this looks like it has lots of awards potential with Eddie Redmayne being strongly tipped to get a second Oscar in succession. The second is Steve Jobs, the second film attempting to tell the story of the legendary Apple CEO. The first Jobs film with Ashton Kutcher I have not seen but it did not get the best reception, however with Aaron Sorkin on screenplay duties and Danny Boyle behind the camera, there is scope for greatness. The Good Dinosaur, this summer’s Inside Out is my favourite film of the year thus far, and thus Pixar could be on a roll with two original pieces of work this year. Last but not least is Joy. Despite having one of my favourite actresses in Jennifer Lawrence, I am not entirely sold just yet, and although David O Russell is in the director’s chair, the teaser didn’t blow my mind, but I remain hopeful given David O Russell’s track record of previous films with J Law. With that done it’s time for the top 10 and we start with:

10. Bridge of Spies

Steven Spielberg’s follow up to his 2012 picture Lincoln, reuniting with Tom Hanks once again, set in the Cold War focusing on one man’s efforts to save a pilot trapped in the Soviet Union. The time period, the director and cast all look great so here’s hoping for more excellence from arguably the greatest director working today.

9. Everest

It would be easy for a film like this to decide to shoot on green screen, as was the case (for obvious reasons) with 2013’s Gravity. But the fact that the crew actually went to some pretty dangerous, mountainous locations will definitely give this film a real authenticity, and here’s hoping that the story is just as enthralling because it looks like it will be.

8. Black Mass

Could this be the return to form for Johnny Depp? His films as of late have all been pretty much panned, the likes of Mortdecai and Transcendence come to mind, but in this picture, it definitely looks like it could be that much needed comeback for Depp and early reception is looking very promising indeed.

7. The Martian

Ridley Scott’s recent films have also not had the best of receptions. However, this film adapted from the hugely popular novel by Andy Weir also could be the return to form for the great British director. He knows the sci-fi genre well with Blade Runner, Alien and Prometheus. With Matt Damon in a role that bears a throwback to his role in last year’s Interstellar, so here’s hoping.

6. Hunger Games: Mockingjay Part 2

Katniss’s story will finally be brought to a close this November. Judging from the trailer, it looks like this will make up for the lack of action that left many audiences wanting in the first part, and if you’ve read the book, you know there is going to be some fireworks! Be prepared!

5. The Revenant

“The artistic crime of the century,” what many people call Philip Petit’s remarkable feat as he tightrope walked between the two Twin Towers in 1974. With Robert Zemeckis on directing duties and Joseph Gordon Levitt as Petit, this will hopefully be an amazing cinematic experience that will get audiences on the edge of their seat.

3. The Hateful Eight

Mr Quentin Tarantino’s next film hit a bunch of production problems. It wasn’t happening at one time after a script leak, but it is and the teaser trailer is awesome. Teases that tension that Tarantino is brilliant at but does not reveal any major plot points. With a top notch cast including Sam Jackson, Bruce Dern and Kurt Russell, this could well be another great addition to the Tarantino filmography.

2. Spectre

The follow up to the phenomenally successful Skyfall, Sam Mendes is back as director and so too is Daniel Craig. This time we’re reuniting Bond with villainous organisation SPECTRE and the trailers so far have been awesome and with two time Oscar winning actor Christoph Waltz as the main antagonist, there’s every chance we could see the best Bond villain the franchise.

And my most anticipated movie of Autumn/Winter is:

.

1: Star Wars Episode VII: The Force Awakens

Are you surprised? Like many people I am a huge fan of this franchise and this film has got me extremely excited. When it was announced that a new trilogy was on the way I was a bit sceptical but with JJ Abrams as director, and the very talented cast they have assembled, with an exciting mix of Star Wars veterans and newcomers, I am sold. The trailers have been very intriguing and quite rightly everything is under close wraps. With JJ Abrams’ past work in reviving Star Trek as anything to go by, this should be the return to form that the Star Wars franchise needs, due to er, the unfortunate event of those prequels. The first of a new planned trilogy and with many more films on the slate, Star Wars isn’t going anywhere, and all the better for it.

There we have it, my top 10 most anticipated Autumn/ Winter films. What are your most anticipated movies of this upcoming Oscar season? Any movies on my list that you feel should not be on there? Comment below and tell me what you think. Or you can tweet me at @Martin_rich_91. We should be in for a great few months of cinema!

2010-2019, Film Review

Kingsman- The Secret Service (2015)

Posted on September 3, 2015October 15, 2020 by Martin: Through the Silver Screen

**Image rights belong to Marv Films, Cloudy Productions, Shangri-La Entertainment, TSG Entertainment and 20th Century Fox**

Kingsman: The Secret Service – Film Review

Cast: Colin Firth, Taron Egerton, Michael Caine, Mark Strong, Samuel L Jackson, Sophie Cookson, Sofia Boutella

Director: Matthew Vaughn

Synopsis: A young man, down on his luck, is given the chance to turn his life around, and to apply for a unique organisation called the Kingsmen.

Review: When you think of the spy movie genre, the likes of a sophisticated gentleman sipping a Vodka Martini whilst dressed in a sharp looking tuxedo may come to mind. Over the years, the James Bond franchise has dominated the spy genre, and this film recognises that. Yet it is not a rip off, not at all, it is director Matthew Vaughn’s love letter to the genre. It’s not quite From Russia with Love, more like From Vaughn with Love. The class and sophistication that is reminiscent of 007 is most certainly present, but Kingsman comes along, and ups the fun ante by a considerable amount.

The focus of this story is Eggsy (Taron Egerton). Immediately it is apparent that this is a guy who is seemingly on the road to nowhere, almost destined for prison. This is until a gentleman in the shape of Harry Hart (Colin Firth) comes in. An opportunity has arisen to apply to become one of the Kingsman, a very unique organisation. All the while, as with almost all spy movies, there is a crazy villainous dude (Samuel L Jackson) who has some rather disturbing plans to bring about the end of the world via a device that many of us find ourselves glued to these days. Thus we descend into familiar territory, gadgets, crazy fights, and just some good fun entertainment, that is definitely worth the price of an admission ticket, and then some. The fun is here, and so is the vulgarity and the violence that would make Quentin Tarantino very proud indeed.

KSS_JB_D11_01307 – Harry (Colin Firth), an impeccably suave spy, helps Eggsy (Taron Egerton) turn his life around by trying out for a position with Kingsman, a top-secret independent intelligence organization.

As in 2010 with Chloe Grace Moretz, Matthew Vaughn has unearthed another gem of a young, talented actor in Taron Egerton. His character transformation from young troubled kid living in a rather sorry looking estate to a sophisticated gentleman is a joy to watch. There providing his support is an electric Colin Firth, who is definitely having the most fun he’s had in quite some time. Here is a gentleman who will sip a beer and then smash you over the face with the glass! Together their chemistry is enthralling to watch. You really witness that Harry sees something of a kindred spirit in Eggsy. While his character’s lisp is a little bit annoying at times, Samuel L Jackson also brings his A game to his villainous role, and like Firth, he definitely looks as though he’s having an absolute blast. Accompanying him is a lethal femme fatale in Gazelle, who is armed with some dangerous blades on her feet in a throwback to old school Bond villains.

To some this may feel like a James Bond rip off, and this couldn’t be further from the truth. There is no denying that James Bond has a big influence, what with all the references that are littered throughout, but this is definitely a Matthew Vaughn picture. The action is handled extremely well with exhilarating scenes aplenty. Although some scenes may unsettle some as they venture into the Tarantino scale of madness. There are also times when it is seemingly apparent that there is a stunt double in action. However, the sharp, funny screenplay by Vaughn and Jane Goldman packs plenty of emotion in there as well. The villainous plot is a little bit ridiculous and implausible, but you leave your brain at home here, you are here to be entertained, and Vaughn and co bring that in abundance, shaken and stirred to the best degree possible. Fasten your seatbelts, cos you’re in for a blast, innit bruv!

Enormously entertaining with plenty of wit, humour, vulgarity and some terrific action scenes, the gauntlet has been well and truly thrown down to Daniel Craig and co with this year’s Spectre.

2010-2019, Film Review

Ex Machina (2015)

Posted on August 25, 2015April 23, 2024 by Martin: Through the Silver Screen

Ex Machina – Film Review

Cast: Domhnall Gleeson, Oscar Isaac, Alicia Vikander

Director: Alex Garland

Synopsis: A young man is selected to take part in a unique programme that develops and evaluates the world’s first artificial intelligence.

Review: As humans, we all go through life wondering what does it feel like to be alive? We all go through different stages, birth, childhood, teenage years, graduation, jobs and of course ultimately death. In these big moments, we are overcome by emotion and feel what it is like to be alive. But what if you’d been brought into the world by some technical genius who sought to create the world’s first proper artificial intelligence? How do you express how you feel? How do you convey emotions? Are you truly alive? This is the enthralling premise of the directorial debut of Alex Garland, who primarily is known for his screenwriting credentials on the likes of Dredd and 28 Weeks Later. However, his first foray into directing is a dazzling, beautiful piece of work.

In recent years, we have seen science fiction films go from apes with incredible intelligence, to time travel, and to interstellar voyages and back on a crazy big budget scale. Yet there is none of that crazy grand-scale adventure here. At the heart of the story here, is a simple tale of humanity, emotions, and feelings. Yet also at its core, it’s dark, dangerous and somewhat eerie. We have seen forays into beings of artificial intelligence, with the likes of Kubrick’s 2001 and The Matrix, yet nothing on quite the personal, intimate level that we see here in Garland’s sharp screenplay. The interaction between the AI being, played wonderfully by Alicia Vikander and the lucky (or is he?) programmer Caleb, played by Domhnall Gleeson. As they interact, you feel the tension building. Does he have feelings for her? Does she have feelings for him? Is she really that different from a human being? There’s no guns blazing, high intense action here, but the dialogue between the two is extremely riveting to watch, as their chemistry grows, it definitely provides some of the most intense dialogue so far this year.

By stark contrast, Oscar Isaac playing the eccentric playboy billionaire Nathan, gives off contrasting signals. Sometimes he’s very warm and friendly, other times he feels cold and detached, which one might suspect if you lived in a vast complex with a considerable amount of money at your disposal to build an AI. The relationship between the three characters is thoroughly compelling as you wonder if any of them have any ulterior motives. All three are electric together which should be encouraging for this December’s Star Wars. Yet by far the biggest shining performance is that of Alicia Vikander’s work as Ava. She maybe an AI but with every action she takes, she feels like a real human being. Sexiness and remarkable intelligence combined, a combination

For a directorial debut picture, the film looks immaculate, with wonderful shots of breathtaking scenery. The look of Ava in her full mode is also immaculately well realised. Sometimes in film, it can be painfully apparent that what you are looking at is CGI but not in this instance. She may look like a robot, but Vikander’s grounded and sublime performance will make you think again. Likewise, this film will have you thinking about its content and characters long after you finish watching. This is a landmark achievement in CGI films and will have a great impact on the genre going forward as it feels remarkably real and personal. Also this is not the last we will hear of Alex Garland as a director or Alicia Vikander.

A thought-provoking, imaginative and original sci-fi flick with tremendous performances from the three leading actors and a wonderful directorial debut from Garland.

2010-2019, Film Review

Mission Impossible: Rogue Nation (2015)

Posted on August 17, 2015July 5, 2023 by Martin: Through the Silver Screen

mission-impossible-5.35209 — **© Bad Robot Productions, Skydance Productions and Paramount Pictures**

Mission Impossible: Rogue Nation – Film Review

Cast: Tom Cruise, Jeremy Renner, Simon Pegg, Ving Rhames, Rebecca Ferguson, Sean Harris

Director: Christopher McQuarrie

Synopsis: When the IMF learn of the existence of the Syndicate, a group committed to destroying them by causing global panic, Ethan Hunt and his team have to go rogue and take them down

Review: Is there an actor working today more insane and more gutsy than Tom Cruise? Here’s an actor who absolutely commits to his roles, including taking on some ludicrously dangerous, death defying stunts all in the name of some awesome entertainment. Climbing the tallest building in the world? Check. Fighting on top of a high speed train? check? Clinging on for dear life as a jet takes off with him on the outside? Check. On the basis of this evidence, the answer is yes, Tom Cruise is certainly one of the most barking mad actors in the business, but all the better for it, because it provides us cinema goers with some awesome high pulse action sequences and a thrilling movie that reminds us why we pay money to go watch these movies on the big screen. In what is his fifth outing as Ethan Hunt, Tom Cruise shows no signs of slowing down, He’s choosing to accept these missions, and we the audience are very grateful that he is.

The MI franchise has had a few stutters on its way to its fifth outing. Yet the last picture, Ghost Protocol was a storming critical and commercial success, so Rogue Nation had much to live up to. However in the hands of Christopher McQuarrie, taking over directing duties from Brad Bird, the ship is well and truly afloat once more. This time, the team has the task of tracking the Syndicate, an organisation which ruthlessly carries out tasks with the intention of causing mass panic on a global scale, and much like in Ghost Protocol, they have to go it alone after they are disbanded by the CIA. Right out of the gate, the action on show is fantastic, from the enthralling opening sequence of the plane, as we saw in the trailer and on the poster, to a spectacular battle right in the middle of an opera show.

There are more than enough action scenes to get the heart truly pounding, but through all of these impossibly plausible action scenes (clue is in the name) there is emotion that resonates throughout the story, similar to that of Ghost Protocol. Yes there is a lot of crazy and borderline ridiculous action going on, but the story packs heart in there. The audience cares about these characters, and feel on edge when they seem to be in extreme peril.

Cruise, as usual, brings his A game to this movie and shines brightly. Yet a key theme of these movies has been the team element. Cruise is awesome, yes but the team play an important role in the mission as well. Simon Pegg, returning as Benji Dunn, effortlessly provides the comic relief once more, whilst also maintaining a very serious tone as the gravity of the situation they are in is fully realised. Taking over the role of femme fatale from Paula Patton is Rebecca Ferguson, who provides great charm and sexiness, whilst also being a very dangerous badass in a dress! Ving Rhames and Jeremy Renner are both back to complete the team line up, and together they all make a powerful ensemble.

Previous MI villains haven’t always been the greatest, and it is certainly the franchise’s Achilles Heel. No one has really topped Phil Seymour Hoffman’s turn in MI 3. However, we are here presented with a much strong villain, with some more clear motives. Yet the series has really lacked that strong, powerful villain that is so often present in for instance the James Bond franchise. But take nothing away from Rogue Nation, it packs a lot of fun into its 130 minute running time, and with talk of a sixth film in the franchise in the works, Tom Cruise shows no signs of slowing down just yet.

With a great ensemble cast, and some superb action sequences, nothing is truly impossible with this franchise

2010-2019, Film Review

Inside Out (2015)

Posted on August 5, 2015June 29, 2024 by Martin: Through the Silver Screen

Inside Out – Film Review

Cast: Amy Poehler, Mindy Kaling, Bill Hader, Phyllis Smith, Lewis Black, Kaitlyn Dias, Diane Lane, Kyle MacLachlan.

Director: Pete Docter, Ronaldo Del Carmen

Synopsis: As a young girl is uprooted from Minnesota to San Francisco, her emotions, Joy, Fear, Anger, Disgust and Sadness all battle to try to keep her emotions in check

Review: ‘Do you ever look at someone and wonder “What is going on inside their head?”‘ asks a voice not long into the beginning of Pixar’s latest adventure. A question that many will have thought at some point in their lives when talking to friends or family if they’re doing something idiotic or daft. The human brain is a vast and complicated organ that makes us who we are. Throughout our own lives, we all go through different emotions, some we sometimes cannot explain. Yet rarely, if ever, has a film gone deep into the minds of someone and try to understand the maze that is the human brain. It’s little wonder that Pete Docter is one of the founding members of the Pixar Brain Trust, a group that has all powerful control of the slated movies in production, because this latest flick from Pixar is nothing short of absolute genius.

The story focuses on that of 11 year old Riley, and the horror she goes through when her father gets a new job that forces the family to uproot for their cosy Minnesota abode to the uncomfortable new life in San Francisco. Her mind goes into overdrive and it falls to her five chief emotions: Joy, Fear, Anger, Disgust and Sadness to keep the ship that is Riley’s mind steady through this frightening storm. The emotions keep things in order in their shiny futuristic headquarters that have all of Riley’s stored memories that are represented by five islands that represent the key things that Riley holds dear in life. However when disaster strikes, and the emotions are separated in the maze of Riley’s mind, the emotions are in a race against time to sort everything out and make things right.

Pixar for many years has been the champion almost of witty, clever and just downright awesome animations in the last decade or two. You look back to the likes of the original Toy Story, The Incredibles, Finding Nemo among others. Stories that hit adults as well as kids in incredible ways that everyone in the family can enjoy, and they have come up trumps yet again with their latest creation. Emotions are what makes us all human, we all go through difficult or testing scenarios in our lives and our emotions can sometimes overpower us, or keep us in check. Thus everyone who watches this movie can relate to it, as everyone has had deep emotions about something, or someone. The concept behind how the emotions and memories work is absolutely superb in its originality and innovation, and what is also superb is the voice work. Leading the way is Amy Poheler as Joy, the lead emotion in Riley’s mind who fights to prevent the other emotions from taking control, Lewis Black brilliantly portrays Anger, Mindy Kaling is Disgust, Bill Hader as Fear and Phyllis Smith as Sadness who is starting to gain prominence as events in Riley’s life start taking turns for the worse, and the emotions are all battling for control of Riley’s mind. The voice work from everyone is outstanding, but by far the leading light (literally) is Joy who has been the mainstay emotion of Riley’s life and the one who keeps things ticking.

The movie could get very lost in the maze that represents Riley’s mind, but at its heart is a very simple story of the human brain and all of the emotions that go with it, and the power that those emotions can have. It is a very simple story that will make you laugh and cry in equal measure. The animation is pristine and top quality, as is the norm with Pixar. The studio has triumphed many times down the years and has an almost flawless track record, and this is an excellent addition to that roster of top quality animations that the studio has produced. Do not be surprised this bagging Pete Docter another Oscar and Ronaldo Del Carmen his first when next year’s Oscars roll around because the rest of the animated movies this year will need to produce something truly special to top Inside Out.

Original, clever, emotive and an insightful adventure into the workings of the human brain. A movie that will touch the hearts of everyone who sees it.

2010-2019, Film Review

Ant-Man (2015)

Posted on July 30, 2015August 4, 2018 by Martin: Through the Silver Screen

Image rights belong to Marvel Studios — **Image is property of Marvel Studios**

Ant-Man – Film Review

Cast: Paul Rudd, Michael Douglas, Evangeline Lilly, Corey Stoll, Judy Greer, Michael Pena

Director: Peyton Reed

Synopsis: Scott Lang, a one time crook and master-thief, is seeking to re-establish himself in society after a spell in prison, yet Dr Hank Pym, is seeking to recruit Lang to become a new superhero, one that involves stealing and a large amount of insects…

Review: When the Marvel Cinematic Universe kicked off back in 2008 with the roaring success of Iron Man, audiences may have wondered: where is this leading? Will audiences get sick of it? What nonsensical gimmick are they going to try and pull off next? When last year’s smash hit Guardians of the Galaxy was first announced, question marks were raised, a talking tree and a raccoon? Have Marvel lost their marbles? Yet the naysayers soon shut up as Guardians came out blew everyone away, becoming a critical and commercial success.

Similarly, when it was announced that an Ant Man film was in the works, there was scepticism, particularly when long time writer/director Edgar Wright left the project after having been attached to it for a long time, with creative differences being cited. Would this latest gamble for Marvel work? In short, well yes, yes it absolutely did.

The departure of Wright may and probably will leave audiences wondering what he would have brought to this, but fear not as Wright’s replacement, Peyton Reed, stepped up to the mantle in terrific style. The story focuses on Scott Lang (Rudd) who has just been released from prison and is seeking to reconnect with his daughter. Yet his luck is gone, and he resorts to his familiar petty thief ways in order to earn some dough. Yet this presents itself with the perfect opportunity as Dr Hank Pym (Douglas) wants to recruit Scott to take on the role of the Ant Man in order to prevent Pym’s rival Darren Cross from unleashing chaos on the world by making a replica of Pym’s original shrinking formula.

With this now being the twelfth film in the MCU, and after this summer’s blockbuster Age of Ultron, Marvel was in the position of having to reinvent the franchise in order to keep things fresh, and avoid things becoming stale. While there are similarities with a number of previous MCU films, Ant Man does offer something new and unique enough to ensure that the wheels on the all powerful Marvel bus are not coming off.

Paul Rudd really shines in the role of Scott Lang who is tasked by former Ant Man Hank Pym (an electric Michael Douglas) to become the Ant Man and pull off a daring heist, which again feels fresh as a superhero heist movie is a very rare thing. Rudd brings charisma, humour and charm to the role, which is complemented superbly by the comedic timing of Michael Pena. Guardians certainly packed plenty of laughs, and through a script with contributions from Wright, Joe Cornish, Paul Rudd and Adam McKay, the humour is again excellent and adds a lot to the film.

With Age of Ultron, Marvel wheeled out their titan characters once more, there was that big scale spectacle as the whole world was at stake. Thus with this tale, there was a bit of downsizing to do (quite literally). But with that downsizing of scale, there is no downsizing of story, heart and excellent characters that add more strong characters to the ever growing Marvel Universe. Principally, Paul Rudd absolutely shines as the titular hero and delivers a superb performance. When it was announced that it would be Scott Lang and not Hank Pym taking up the mantle, eyebrows were raised but Rudd pulls it off in magnificent style, with some great comedic timing which, 60% of the time, works every time! The action sequences are handled and executed very well , and when our titular hero shrinks in size, the audience is along for the small but exhilarating ride. Evangeline Lilly and Michael Douglas as father and daughter are also excellent and their fascinating backstory could lead to a sequel should Marvel decide to roll out Phase 4.

Yet as with many Marvel movies, the real let down here is the villain, the Yellowjacket. (Corey Stoll) While admittedly one of the stronger MCU villains in recent years, there was a lot that could have been explored more deeply with his character, which was ultimately not utilised to as great of an effect as it could have been. Nevertheless, Ant Man has proved to be the exciting close to Phase 2 of the Marvel Cinematic Universe that everyone was hoping it would be. Phase 2 brought us a lot of greatness but it feels like Marvel is about to step it up another gear as all attentions will now be turning to Phase 3, as war is coming.

Hilarious, action packed, with some great character additions to the MCU a golden lead performance from Paul Rudd and expertly handled action sequences. Let the excitement for Phase 3 begin now…

1980s, Film Review

The Terminator (1984)

Posted on July 15, 2015May 29, 2017 by Martin: Through the Silver Screen

The-Terminator-Poster — **Image is property of Hemdale, Pacific Western Productions and Orion Pictures**

The Terminator – Film Review

Cast: Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Paul Winfield

Director: James Cameron

Synopsis: A human looking cyborg is sent back to 1984 to assassinate a woman whose unborn son is set to lead humanity into a victorious war against the machines. Yet, another soldier from the same war is also sent back to protect her at all costs, with the fate of the human race hanging in the balance…

Review: James Cameron, a man whose name is synonymous in Hollywood with big budgets, amazing CGI, and tremendous box office performances, and Oscars aplenty (three to be exact.) But way back when, when he was still trying to make a name for himself, he put out a film that was, simply put, a complete game changer for movie makers everywhere. It would launch a hugely popular franchise, and as crazy as that may seem, it would make a star out of an Austrian bodybuilder. This film is of course, 1984’s The Terminator.

The film is primarily set in 1984 and two people have been sent back to this era from 2029 for two very different reasons. One one hand we have our titular character, played by Arnold Schwarzenegger, who is seeking out a woman named Sarah Connor who, unbeknownst to her, will have a future son who is set to lead humanity into a war against the machines. On the other hand, enter Kyle Reese who is out to protect Sarah at any cost. Thus we have ourselves a movie of cat and mouse that is pretty darn thrilling and awesome. The action scenes are brilliantly well handled and expertly shot. Like all great action films, the momentum is there, and the audience barely has any time to breathe as the villainous Terminator hunts its prey down with no remorse or emotion whatsoever, killing people mercilessly along the way.

With an iconic movie, comes an iconic performance, and that certainly belongs to Schwarzenegger. He is a man of action, and few words, although a number of those words have since become well quoted and much loved movie quotes. He is ruthless and efficient as he hunts down his target, and will kill anyone and everyone who stands in his way. It was a role that was perfect for the Austrian and he absolutely owned it. Also great are the performances of both Michael Biehn as Kyle Reese and Linda Hamilton as Sarah Connor. Hamilton as Connor is this shy, timid waitress who does very little to fend for herself, but then again when you’re faced with a T-800 cyborg ruthless killing machine, there is not a lot you can do except run for your life! Michael Biehn as Kyle Reese is also excellent, he is a man who like the Terminator will stop at nothing, to protect Sarah from coming to harm. It’s with these two performances that, for all of the intense action, and shooting etc, comes the movie’s heart and character. They have great chemistry together and as the two bond as they seek to evade the Terminator’s clutches, and as their relationship develops, it packs real emotion into this thrilling, action packed ride.

This was only Cameron’s second feature film, his first being 1981’s Piranha Part Two: The Spawning, but with this creation, it put him on the map and launched a franchise, a very popular one at that that has had some mixed fortunes along the way (we will get to that later!) With some incredible special effects for the time, that were very revolutionary. Particularly in today’s world, where some movie and movie franchises tend to over rely on special effects to get the thrills the audience desire. The Terminator showed that you can have some great effects, but with a little bit of heart and emotion thrown into the mix as well, it can go a long way to making your movie stand out among the rather large crowd of action movies. It was a landmark piece of movie making and as the Terminator himself said, in what has now become an immortal line of dialogue; “I’ll be back,” and come back he did, sometimes triumphantly, sometimes not. Yet, the impact of this film remains strong to this day, over three decades since its release, and for that, movie goers everywhere sing James Cameron’s praises.

With some riveting action, ground breaking special effects for the time, a memorable performance from Arnie, and a heartfelt and emotional story to boot, The Terminator provided a blueprint for how to make a top action movie, and holds up some 30 years after its original release.

Everest – Film Review

Visually mesmerising, with some great individual performances crammed into the somewhat overcrowded cast, the downer is that many of these performances end up being lost in the vast white slopes of Everest itself.

Moneyball – Film Review

Acted to perfection, with a sharp and engaging screenplay, Bennett Miller and co have hit a home run, and in some style too, to the tune of 6 well earned Oscar nods.

Legend – Film Review

Although the script does lack in places, and the rest of the cast feel really criminally underdeveloped, Tom Hardy is brilliant and award worthy in two mesmerising leading performances.

10. Bridge of Spies

9. Everest

8. Black Mass

7. The Martian

6. Hunger Games: Mockingjay Part 2

5. The Revenant

4. The Walk

3. The Hateful Eight

2. Spectre

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1: Star Wars Episode VII: The Force Awakens

Kingsman: The Secret Service – Film Review

Enormously entertaining with plenty of wit, humour, vulgarity and some terrific action scenes, the gauntlet has been well and truly thrown down to Daniel Craig and co with this year’s Spectre.

Ex Machina – Film Review

A thought-provoking, imaginative and original sci-fi flick with tremendous performances from the three leading actors and a wonderful directorial debut from Garland.

Mission Impossible: Rogue Nation – Film Review

With a great ensemble cast, and some superb action sequences, nothing is truly impossible with this franchise

Inside Out – Film Review

Original, clever, emotive and an insightful adventure into the workings of the human brain. A movie that will touch the hearts of everyone who sees it.

Ant-Man – Film Review

Hilarious, action packed, with some great character additions to the MCU a golden lead performance from Paul Rudd and expertly handled action sequences. Let the excitement for Phase 3 begin now…

The Terminator – Film Review

With some riveting action, ground breaking special effects for the time, a memorable performance from Arnie, and a heartfelt and emotional story to boot, The Terminator provided a blueprint for how to make a top action movie, and holds up some 30 years after its original release.