2020-2029, Awards Season, Ranking

93rd Academy Awards: Best Picture Nominees Ranked

Posted on April 24, 2021April 24, 2021 by Martin: Through the Silver Screen

After what is one of the longest awards seasons in living memory, it is finally time for Hollywood to pay tribute to the best cinematic offerings of 2020/21. It was certainly a strange year that forced cinemas to stay shut for many months, hence the slight delay to the main event this weekend. But that didn’t prevent a number of outstanding films from being released. With a total of eight films up for the big prize this year: including the behind the scenes of how one of the most iconic films of all time came to be, a couple of heart-warming tales about life in America (from two very different perspectives), a gripping and timely courtroom drama, a heart-breaking character study of a man suffering from a terrible disease, an urgent film about an overlooked figure of history, and a dark and thrilling tale of revenge.

There’s lots of quality cinema in this year’s crop, but only one scoop that Best Picture crown. So, without further ado, let us rank these from worst to best (as always per the opinion of yours truly), starting with….

8. Mank

It seems like every year there’s always one film, no matter who you are, that you just don’t get the fuss about, and this year Mank is that film. I never thought a film by David Fincher would be the bottom of this list, yet here we are. When you have get a maestro like Fincher directing a film, that covers how the script of one of the most influential films of all time Citizen Kane came to be, expectations are going to be set high. Having watched (and loved) Citizen Kane for the first time just before watching Mank, it raised my expectations even higher. Furthermore, with a cast that is packed with talent like Gary Oldman, Amanda Seyfried and Charles Dance, surely that’s a sure-fire hit for cinematic gold. Yet, sadly for me, this film just didn’t match those lofty expectations.

To give credit where credit is due, Fincher directs the film beautifully. The production design, costumes and cinematography are all absolutely stunning, and the performances across the board are all very good, with Amanda Seyfried being a particular highlight. What let the film down for me is the script, it had its moments, but I just wasn’t as intrigued by the film as I wanted/expected to be, and that is really disappointing.

7. Minari

Full review here

For generations and generations of people looking to migrate to the United States, the notion of the American Dream to achieve economic success has been the source of their desire to move to the country. Yet, that desire to achieve that dream is not always so straightforward, and in this semi-autobiographical film from Lee Isaac Chung, Minari captures one family’s trials and tribulations as they bid to achieve that dream by opening and running their own farm in 1980s Arkansas.

The cast is filled with impeccable performances, from Steven Yeun’s loving but stern portrayal as the family’s patriarch, to Youn Yuh-jung’s likely Oscar winning turn as the family’s Grandmother. The interaction between her and little David (Alan Kim) is extremely heart-warming, but also extremely amusing. While the film focuses on the lives of this one family, the themes about finding identity in what can be at times (especially right now), a very unforgiving world, is something that we can all relate to.

6. The Father

Full review coming soon

Sir Anthony Hopkins is an an actor whose career started all the way back in 1960. Over the years, he’s given us plenty of extraordinary performances. Yet, as his career reaches its seventh decade, it is quite the accomplishment to say that a film released in 2020/21, could arguably be the greatest performance that he has given across his glittering career. In this heart-breaking film from Florian Zeller, it might just have got the best ever performance out of this veteran actor, or at least his best performance since his memorable Oscar winning turn in Silence of the Lambs.

The way in which Zeller directs this film is extremely innovative, and it pays off as it is clearly to try and establish to the audience just how much of an effect a disease like dementia can have on the human brain. As well as Hopkins’s absolutely devastating performance, special mention must go to Olivia Colman’s tender performance as the daughter of Hopkin’s character. It cannot be easy to watch someone you love go through this terrible condition, and who is put in the most uncomfortable position of watching her father’s condition slowly deteriorate. The way the film is told from his perspective enables the audience to go into his mind as his grip on reality slowly begins to unravel, and it’s truly harrowing to watch, especially if someone you love has been affected by this terrible disease.

5. Nomadland

Full review coming soon

The Economic Crash of 2008 was undoubtedly an extremely tough time for lots of people. Countless jobs lost, lives and economic livelihoods shattered. For one woman, having lost everything that tied her to a town where she spent many happy years of her life, it leads her to selling most of her belongings and starting a new life as a modern day nomad, living in a caravan in the American West.

Written, directed, edited and produced by Chloe Zhao, Nomadland’s beauty lies in the depiction of the nomad lifestyle. It is a lifestyle that undoubtedly comes with its challenges, but due to the inspired casting of some real life nomads, it brings their lifestyle to life in a manner that is poignant and emotional. The beauty of the film shines through, in part thanks to the gorgeous cinematography, which makes it feel like a world away from the constant noise of the capitalist world that seemingly (at least pre the COVID-19 pandemic) never stops turning. At the centre of all of it, is a subdued, but wonderful performance from Frances McDormand. While it is not my favourite film of this year’s crop, it would be a very worthy winner if, as expected, it takes home the top prize on Oscar night.

4. Sound of Metal

Full review here

Imagine if you’re a musician, music is your passion and you live for the thrill of playing music to live crowds. But what if one day, you begin to realise that you are rapidly losing your hearing and your entire future career as a musician is in jeopardy? It’s a position that no one would want to be in, yet it is a position that Ruben (an extraordinary Riz Ahmed) finds himself in. Faced with an impossibly difficult decision, he must decide how to handle the devastating loss of one of his senses, and he seeks assistance from a centre for the deaf, led by a very compassionate recovering war veteran.

Directed beautifully by Darius Marder in a passionate directorial debut, the film shines a light on the deaf community in an extremely touching manner. Bolstered by some absolutely extraordinary sound work, the film’s heart comes from the time that Ruben spends with the deaf community. And most importantly of all, the film is a lesson about coming to term’s with one’s circumstances, whilst reminding the world that deafness is not a disability.

3. Trial of the Chicago 7

Full review here

There are certain names that automatically just capture attention whenever they’re brought up in discussions, and Aaron Sorkin is certainly one of those names. Having written a plethora of memorable screenplays over the years, he made a seamless transition to directing. for his second film, he writes and directs once again, to tremendous effect to tell the story of the Chicago 7, who were essentially put on trial in front of the whole world in the build up to the 1968 Democratic Convention.

The film draws a strong correlation between the protests that occurred in the 1960s over the Vietnam War to the protests that erupted across America in response to systemic racism, in a year that felt extremely politically charged due to the 2020 US Presidential Election, and the previous four years under an administration that sought to swiftly quash any dissent and protest. Filled to the brim with top performances, there’s so many that could have got nominations, but in the end it was Sacha Baron Cohen’s excellent turn as Abbie Hoffman that took the deserved plaudits. Once seen as perhaps the frontrunner, it might have lost a bit of steam since its release last October, but it still remains a powerful piece of filmmaking from Aaron Sorkin.

2. Promising Young Woman

Full review here

Rape and sexual assault are never comfortable subjects to talk about, but in the years since the Me Too Movement spoke out, it has forced the world to have an urgent conversation about these subjects, and how women are too often subjected to this kind of horrific abuse. In her bold and daring directorial debut, Emerald Fennell tackles these themes head on, and in so doing has created a film that holds a mirror to society in an extremely arresting manner.

At the centre of this thrilling tale of revenge is Carey Mulligan’s Cassie. A woman who once had a bright and promising future, but due to this traumatic incident, her once bright future has faded. Instead, she is focused purely on her revenge mission. Mulligan’s tour-de-force performances keeps you hooked from the get go as you watch her go about her mission to extract revenge against those who caused her that trauma all those years ago. The film keeps you guessing right until its ending, which has, and will undoubtedly continue to generate much discussion in the coming years.

1. Judas and the Black Messiah

Full review here

When you look back at how the Civil Rights movement is taught, there are certain powerful historical figures that are universally recognised all over the world. Names such as Martin Luther King Jr, Rosa Parks, Malcolm X to name but a few. Yet the name of Fred Hampton is not one that is nearly well known, probably because it is barely taught at all, and that is staggering. As when you watch this extraordinary film, it is incomprehensible to work out why this man’s name is not mentioned in the same breath as those other names.

What makes this film so relevant and so extremely powerful is the unmistakeable parallels between the time that Fred Hampton campaigned against injustice, and in the 21st century. To put it bluntly, not a lot has happened in all those years as the systemic racism that Hampton rallied against is still very much present in our society, as demonstrated by the worldwide protests that took place in 2020, with people taking a stand. While LaKeith Stanfield does incredible work, it’s the absolutely scintillating performance from Daniel Kaluuya that drives the film forward as he imbues Fred Hampton with powerful leadership qualities. Every time Hampton is on screen talking, you’re listening to what he has to say. “You can kill a revolutionary, but you can never kill the revolution.” Over fifty years later, and Hampton’s words are truer now than perhaps they’ve ever been.

—————————————————————————————

Could/should have been nominated…

Every time I come to write this list, I always ask myself why the Academy doesn’t fill take the opportunity to nominate the maximum number of 10 films for the top honour? While these eight do all (just about in the case of one film) deserve their spot for the biggest prize of the night, I always like to have a look at what could have joined their ranks to compete for the top honour. So, what could have joined their company? Well if I had my way, Mank drops out, and then I choose the following three films to make it a perfect ten:

One Night in Miami (review): Four influential figures of the Civil Rights Movement, one fictionalised evening, directed by Academy Award winner Regina King, I mean what more needs to be said? Adapted from the Kemp Power’s stage play of the same name, the film isn’t held back by its stage play roots, as the four performances of the men playing these historical figures are all extraordinary. Furthermore, the screenplay that goes deep in exploring powerful historical themes that very much related to today’s society.

Another Round (review): There’s an undeniable joy that comes when no matter what the occasion, we sit down and have a tipple or two to celebrate. Yet you’d think that no one would have a drink whilst working on their day job Yet that is exactly what a group of four schoolteachers do to try and bring a bit of excitement back in their lives. Thomas Vinterberg’s film expertly walks the line between comedy and tragedy, whilst getting one of the best performances out of Mads Mikkelsen in a long time.

Wolfwalkers (review): Seldom do animated films make the leap from the animated category to competing for the top prize. Yet in the case of Cartoon Saloon’s Wolfwalkers, this is a film that absolutely deserves to make that list. In an era where most animation studios are going for fully CGI animation, there’s something to be admired about a studio that creates hand drawn animation, and Wolfwalkers is a magically enchanting tale that continues to enhance Cartoon Saloon’s growing reputation as a powerhouse animation studio.

2020-2029, Ranking

Best Films of 2020

Posted on January 11, 2021January 9, 2022 by Martin: Through the Silver Screen

2020, a year that for reasons that do not need to be elaborated upon, was a rather tough and challenging year, to put it mildly. While it started off like any other year, with new releases aplenty. The COVID-19 pandemic soon brought the industry to a halt, and cinemas the world over were forced to shut their doors for long stretches of the year due to the ongoing pandemic. Though while the big screens went dark, new releases did come through via streaming services. These were certainly helpful to combat the many months of lockdown, alongside all the Zoom quizzes. While the big screen buzz was certainly lacking, there were numerous new releases to watch. So, let’s get down to business and have a look see at the best films of 2020, per my opinion.

As always, when compiling this list I aim to include films that are listed as 2020 releases on IMDB on this list. However, the staggered nature of UK release dates (at least pre-COVID) that we get here in the UK can make things complicated when it comes to ranking films. Hence, there are one or two films on here that for the majority of the rest of the world, came out in 2019, but not so for us UK dwellers, hence why they will be included on here. Also, due to the pandemic, some of the films listed here haven’t yet made their way into UK cinemas, but since I was fortunate to be able to catch some of these films at the digital edition of London Film Festival this year, they are eligible for inclusion.

Secondly, as always, the placings of these films are not determined by the grade I gave them. Getting the perfect grade is not always going to guarantee that that particular film will be high on the list. As with every year, these lists represent a chance for everyone to be completely and unashamedly biased about the films that we enjoyed the most, and these are the films that I will remember from 2020. Before I get into the main list, some honourable mentions need to have their time to shine. These films are excellent that you should definitely check out, but they just didn’t quite make the list. These are:

Ma Rainey’s Black Bottom. The first film on this list to be adapted from an award winning stage play. It is a little constrained by its stage play roots, but it packs a lot of heart and soul into its 94 minute run time. With a brilliant leading performance from Viola Davis, and a devastatingly emotional final screen performance from Chadwick Boseman, serving a heart-breaking reminder of what Boseman had to offer the world of film and a bitter blow that he is no longer with us.

Soul [review] Pixar films have so often made efforts to answer some deep existential questions across a variety of beings, from toys, to monsters, to even emotions themselves. With their latest film, from Pete Docter, the studio has produced one of their most contemplative works to date, that is while never quite hitting those emotional beats of their previous films, is bold and original.

Never Rarely Sometimes Always. Pregnancy is a wonderful procedure that after nine painstaking months, gives birth to new life. Yet through a plethora of circumstances, a pregnancy may be unplanned or unwanted. This simple, yet powerful tale of one woman (a brilliant Sydney Flanigan) and her cousin travel to New York to obtain an abortion. The way Eliza Hittman directs this film makes it feel very personal, because there’s every chance that for many young women out there, the situation that is depicted on screen is one that will hit very close to home.

One Night in Miami [review] The Civil Rights Movement of the 20th century, a movement that certainly had its fair share of charismatic leaders, determined to bring about meaningful and significant change in US society. Regina King makes her directorial debut in stunning style, as we get a glimpse of an extraordinary night where four leaders of this movement gathered. The performances of each actor playing these figures from history are stunning, and as with the very next film, the parallels between this time period, and the one we’re living in right now, make this an essential piece of filmmaking

Queen & Slim [review] The release of this film came just a few months before the world had an urgent and much needed conversation on race and police brutality in America, and the increasing necessity for movements like Black Lives Matter to have their voices heard, and protest for meaningful and significant change to a fundamentally flawed society. Focusing on a young couple who are forced on the run following a fatal clash with the police, with devastating performances from Daniel Kaluuya and Jodie Turner-Smith, given the reckoning the world has had, this is an essential film that needs to be seen.

Pieces of a Woman [review] The most recent film that I watched on this list, and qualifies for this list as I’ve caught it in the first few weeks of the new year. The film is unquestionably a tough watch, but it shines a light on a subject matter that is rarely touched upon in film, that also has an absurd amount of taboo behind it, based on the experiences of some women in the media. Through Vanessa Kirby’s exceptional leading performance, the film presents an honest and unflinching look at the raw and unimaginable grief and heartache that anyone in that situation would experience.

Honourable mentions honoured, now let’s dive into the top 10…

10. Supernova

review

When someone receives a devastating, life-changing diagnosis, it is extremely tough to take for them, and their loved ones. This is the reality facing a middle-aged couple as they travel around England visiting friends and family, whilst slowly coming to terms with the fact that this trip may well be the last meaningful time that they spend together as a couple. As the couple at the centre of this heart-breaking diagnosis, Colin Firth and Stanley Tucci share wonderful chemistry together, and their performances are incredible.

9. Another Round

review

Lots of us certainly like to have a drink during the weekend, or whilst celebrating a special occasion. Yet it takes a lot of bravery to have a drink whilst working on your day job. Yet, this is precisely what four teachers, stuck in their dead-end jobs, do as they seeking to maintain a consistent level of alcohol in their blood. Simultaneously funny and heart-breaking, with an superb leading performance from Mads Mikkelsen, it pulls no punches into how devastating the consequences can be, if one becomes too dependent on a drug like alcohol.

8. Tenet

review

When it comes to directors who can sell a film based on just their name, Christopher Nolan is certainly right up there in terms of the most prominent. While his films usually have a mind-bending and complex narrative to them, Nolan consistently manages to make his films fascinating, and riveting to watch. After multiple delayed release dates, there was much uncertainty as to whether the film would even be released. It thankfully did make its way onto the big screen in 2020, and all the better for it.

There’s no getting away from the fact that the film is very hard to follow in terms of plot, even with multiple rewatches, it may well leave your brain completely and utterly fried. The sound mixing was a tad overpowering at times, yet in a year that was for the most part starved of those exhilarating and thrilling popcorn blockbusters, this was a thrilling film to experience on the big screen.

7. Da 5 Bloods

review

Spike Lee’s passionate energy against a certain stupidly haired, ridiculous world leader has helped him to create some powerful pieces of filmmaking. After bagging a much deserved Oscar for BlacKkKlansman, he follows that up with a searing and impactful war drama that focuses on 5 Vietnam War vets on two very personal missions: to recover some gold that they were protecting on their mission during the War, and to find the remains of their fallen squad leader. Brilliantly acted by its ensemble cast, it is the heart-breaking performances of Delroy Lindo and the late Chadwick Boseman that should be bestowed with award nominations. For Boseman in particular, the part he plays as the fallen squad leader to these war veterans is made all the more impactful given his tragic death, a few months after this film was released.

6. Onward

review

One of the last films that just about made it into cinemas, before the world shut down. As one comes to expect whenever Pixar put their name on a film, it was a deeply emotional tale. Focusing on two brothers who set off on a magical quest to meet the father that they barely got to know before he passed away. The fantasy/adventure is extremely fun and exciting, but the heart of the film lies in the relationship dynamic between the brothers (wonderfully voiced by Tom Holland and Chris Pratt) that really pulls on the heartstrings. Even in the face of such devastating personal tragedy, like the loss of a parent at a young age, the love and support that one can find from a brother can be an emotional and unbreakable bond, especially for an older sibling that they looked up to and relied on during those hard times.

5. Trial of the Chicago 7

review

The first of two courtroom dramas to make this list. Having mastered his talents as a prolific screenwriter, Aaron Sorkin’s second stint behind the camera is further proof that he’s as talented a director as he is a writer. Like the other courtroom drama on this list, to deliver an urgent film that spoke volumes to the increasingly bitterly divided nature of politics, especially in 2020.

Packed to the brim with outstanding performances with Sacha Baron Cohen, Mark Rylance and Yahya Abdul-Mateen II the standouts. The film is an urgent message about the power of using your voice to protest, and to stand up for what you believe in, especially in the face of a Government that wanted to punish the Chicago 7, simply for using their right to protest. This is something that that also felt very topical and relevant given the protests and demonstrations that took place one of the most turbulent years in American history.

4. The Invisible Man

review

After their Dark Universe died an ignominious death, Universal Studios were left to wonder where to go in terms of bringing their series of classic monsters back to the big screen. Instead of the grandiose cinematic universe, they’ve gone back to basics with a reboot of the classic HG Wells novel. focusing on a woman that is being obsessively stalked by an invisible presence, that she is convinced is her abusive ex-boyfriend, in spite of the fact that he supposedly committed suicide.

In a world that has been forever changed by the Me Too Movement, writer/director Leigh Whannell grounds the film in the all too real horror and abuse that many women will have likely experienced at the hands of abusive partners. Tense from the off, and in Elisabeth Moss’s leading performance, she brilliantly captures the emotional trauma of the situation that she finds herself in. Performances in horror films are so often ignored when it comes to awards season, but Moss deserves to be in the conversation for awards for her stunning performance.

3. Mangrove

review

Alongside Queen & Slim and Da 5 Bloods, the work of Steve McQueen’s Small Axe series demonstrates that much like the US, the UK has its own problematic past with institutionalised racism and police brutality. Focusing on appalling racism that the Metropolitan police inflict on the Mangrove restaurant and the owner of this establishment, the Mangrove community take a stand against the disgusting treatment they experience at the hands of the police, which leads to a very highly public trial.

While the first half sets up the Mangrove as a vibrant place for the local community that comes under constant attack, the second half is a powerful courtroom drama. Undeniably difficult to watch at times, but it is nonetheless essential viewing. It will leave you fuming at the conduct that you’re witnessing on screen by those who are in a position of power that they should be using to protect, and equally at a justice system that is fundamentally flawed. Filled to the brim with absolutely incredible performances, the shining lights of which are Shaun Parkes and Letitia Wright, the latter of whom gives the performance of her career.

2. Wolfwalkers

review

For all the praise that audiences bestow upon animation powerhouses like Disney, Studio Ghibli, or Pixar when it comes to their animated films. There are a handful of studios who do equally great work that perhaps doesn’t get the same amount of recognition. This very much applies to Irish animation house Cartoon Saloon. With their latest, it’s another excellent addition to their filmography. Telling the story of a young girl living in 17th century Ireland who encounters a mysterious group of people rumoured to have magical abilities.

Expertly combining 17th century history with a wonderful sense of magical and mythical intrigue, packed with beautiful animation, stunning voicework, and a wonderful soundtrack that will have Aurora’s beautiful song “Running with the Wolves” in your head for days. This is a superb achievement, and will provide stern competition in the race for the Best Animated Feature in next year’s Awards season.

And so my favourite film of 2020 is

.

1. Parasite

review

It legitimately doesn’t feel like that it was this year that history was made and Bong Joon ho’s masterpiece took home the big prize at the Academy Awards in February. Having caught this film at a press screening at the end of 2019, I almost included it on my best of 2019 list, but opted to defer it for my 2020 list, where I knew it would feature.

While the majority of the rest of the world got to see the film in 2019, it took until literally two days before the film made history for it to open on UK shores, and it was certainly worth the wait. Packed to the brim with stark and biting social commentary about the capitalist society that many of us live in, with a superb script that constantly leaves its audience second-guessing where it’s going to go next. A film that is funny, intense and horrifying all rolled into one, a feat that is incredibly hard to pull off, but Parasite nails it. The pandemic might have caused many of this year’s big blockbuster films to be delayed, but even if all of those films that we were anticipating this year had been released, I’m confident that nothing would have come along to dethrone Parasite as my favourite film of 2020.

————————————————————————————————

And that brings the curtain down on my list of the best that film had to offer in 2020. Thank you for reading, especially if you read all the way through! Let’s hope that it won’t be long before the cinemas reopen and we can witness more films on the big screen. What were your favourite films of 2020? Let me know in the comments below or you can find me on the following platforms: Twitter, Facebook or Letterbox’d.

For my picks for my most anticipated films of 2021, please click here (coming soon).

2020-2029, Film Review

The Trial of the Chicago 7 (2020)

Posted on October 20, 2020October 20, 2020 by Martin: Through the Silver Screen

**Image is property of Paramount Pictures, DreamWorks Pictures and Netflix**

The Trial of the Chicago 7 – Film Review

Cast: Yahya Abdul-Mateen II, Eddie Redmayne, Sacha Baron Cohen, Daniel Flaherty, Joseph Gordon-Levitt, Michael Keaton, Frank Langella, John Carroll Lynch, Noah Robbins, Mark Rylance, Alex Sharp, Jeremy Strong

Director: Aaron Sorkin

Synopsis: In the run up to the 1968 Democratic National Convention, the organisers of several protests at the time, who later became known as the Chicago 7, are put on trial by the Government…

Review: It’s hard to get away from the fact that in this most chaotic of years, that the world of politics, especially in the USA, is a very fraught and bitterly divided arena. As politics becoming increasingly partisan in nature, society has been reeling from the riots and civil unrest that has stemmed from senseless brutality from law enforcement, and a fundamentally flawed judicial system that significantly disadvantages ethnic minorities and people of colour. The parallels between the current situation and the unrest of the Civil Rights Movement of the 1960s are extremely hard to avoid, lending increased relevance to the second directorial effort from seasoned screenwriter Aaron Sorkin. To say this is “timely” is practically doing the film a disservice, for the simple reasons that right from the start, there’s a real sense of urgency about the film, with a message that needs to be heard around the world, because as they say in the film: “The whole world is watching.”

With the 1968 Democratic National Convention taking place in Chicago, several different groups of people, with numerous leaders, converge on Chicago to protest the Vietnam War. With the Civil Rights Movement of the time in full swing, a tense atmosphere exists between the protestors and the police/National Guard who quickly arrive on the scene. It doesn’t take long for the situation to escalate into brutality and violence, leading to the arrests of the leaders, who would go on to become known as the Chicago 7. The Government, under President Richard Nixon, is eager to make an example of these protestors. Hence, they appoint a top prosecutor Richard Schultz (Gordon-Levitt) to seek prosecutions and lock these protestors up for allegedly inciting violence. The stage is now set for one of the most politicised trials in the history of the United States.

As he demonstrated with his slick and stylish debut feature Molly’s Game, Sorkin’s proved himself to be a confident director to combine perfectly with his skill as a master screenwriter. It’s to his great credit that he made stories about about numbers and baseball, and the social media company that would change the world, extremely compelling watches. It raises the possibility that Sorkin could craft something extremely riveting based on the most ordinary of tasks. Though, the events being depicted here are given extra significance by the politically charged nature of this story. There’s no holding back when it comes to its subject matter, and how these events that are being depicted over fifty years ago, are starkly relevant in today’s society. A society where those in positions of power seek to use the political and justice systems as weapons to punish those who dare to have a dissenting opinion. The dialogue, as you would expect from Sorkin, is sharp and engaging throughout, and he effortlessly blends the urgent and important drama, with some brilliant humour.

With a massively stacked cast, there’s always a risk that not everyone will get their moment in the spotlight, and while Sorkin does his level best to give each of the Chicago 7 a moment, some use their opportunity better than others. One of the brightest spots by far is Sacha Baron Cohen’s Abbie Hoffman. On first glance he might seem like nothing more than an eccentric hippie, but don’t let that fool you, for he is a man with razor sharp wit, with his finger on the pulse. While his accent wobbles in a few places, Eddie Redmayne’s Tom Hayden is another who uses his screen time effectively. He might seem like a more quiet and reserved individual, but he has his moments where he exhibits fierce passion for the cause that all of the defendants stand for. While there are clashes within the ranks of the Chicago 7, they remain committed to their goal of exposing this trial for what it is, a sham and politicised trial.

On the other side of the courtroom, Joseph Gordon-Levitt’s Richard Schultz is a little concerned about the Government’s position, but is determined to do his job to the best of his abilities. By contrast, Frank Langella’s Judge Hoffman is one character who will infuriate every time he’s on screen. The sheer contempt he exhibits for the defendants, their legal representatives, and the fact he fails to be impartial throughout illustrates how he’s unequivocally unfit to be a judge in this situation. Through his clear disdain for the defendants, it makes for some fiery (and sometimes entertaining) clashes between the Judge and the Chicago 7, as well as their legal counsel William Kunstler (a truly excellent Mark Rylance). Additionally, while they’re not in the film for sufficiently long enough, Yahya Abdul-Mateen II’s Leader of the Black Panther Party Bobby Searle and Michael Keaton’s, former Attorney General Ramsey Clark, both leave lasting impressions with their performances.

In this politically charged era that we’re currently living in, battlegrounds are being drawn between those on opposite ends of the political spectrum. Furthermore, as they were in 1968/69, those in power today are using the flawed justice system and the courts as a means of achieving their own ends. This powerful and urgent drama is an important reminder of the power of protest, and how people should use their voice to speak out and should not let government intimidation bully them into silence. Like they were fifty years ago, the whole world is watching, and it is essential to stand up for democracy, and ensure that people make themselves be counted.