Posted in 2020-2029, Film Review

House of Gucci (2021)

© MGM, Bron Creative and Scott Free Productions

House of Gucci – Film Review

Cast: Lady Gaga, Adam Driver, Jared Leto, Al Pacino, Jeremy Irons, Salma Hayek

Director: Ridley Scott

Synopsis: Telling the true story of the family behind the iconic fashion brand, and their bitter power struggle as to who will have control over the company…

Review: When it comes to the world of fashion, there are several names that immediately leap to mind that everyone will know as the most iconic names in fashion. Names such as Louis Vuitton, Prada, Chanel, Versace, and Fendi to name but a few. When it comes to these fashion houses, there’s likely to be a fascinating backstory as to how they came to be the iconic labels that they are today. This is most certainly applicable to that of the brand Gucci, which as of 2021, is estimated to be worth around $15billion dollars. With his second film of the year, Ridley Scott tackles that fascinating backstory of the Gucci brand, and the family behind the business, with decidedly mixed results.

Patrizia Reggiani (Gaga), who works for her father’s business, meets Maurizio (Driver) at a party. As they strike up a conversation and get to know each other, their romance blossoms. However, it isn’t until Patrizia learns about Maurizio’s status as the heir to one of the biggest names in fashion, that changes everything. Maurizio and Patrizia marry but Maurizio’s father Rodolfo (Irons) doesn’t take kindly to Patrizia, as he deduces that Patrizia doesn’t love Maurizio for who he is as a person, but is solely after Maurizio’s money. But Maurizio’s uncle Aldo (Pacino) welcomes Patrizia into the family and takes them under his wing. As Patrizia’s influence grows, a bitter power struggle ensues as to who will ultimately take control of the brand, which will have dire consequences.

Adapted from the book The House of Gucci: A Sensational Story of Murder, Madness, Glamour and Greed, by Sara Gay Forden, the title gives you an accurate indication of the shenanigans that are about to go down. A film that depicts all of the above, in the hands of a director with the calibre and experience of Ridley Scott had so much potential. Factor in an extremely talented cast, filled with Oscar nominees and winners, and yet the film falls well short of living up to that potential.  As Patrizia and Maurizio meet and fall in love, it starts off fairly strongly, as the chemistry between Lady Gaga and Driver sizzles. Following on from her breakout performance in A Star Is Bornthis role gives Gaga a chance to really flex her acting chops. To her credit, she easily gives the best performance in the whole film, which is no mean feat given the calibre of the actors around her.

As she marries Maurizio, she begins to exert her influence over the Gucci brand, whilst making moves to consolidate her power and influence on the Gucci brand. The film could (and perhaps should given the director) have soared from here, but instead, it is where the film really loses its way and never recovers. With all the scheming and backstabbing that goes on as individuals duel for controlling stake in the Gucci brand, like a Game of Thrones-style thriller, but instead of swords, dragons, and a battle for a throne, you have a battle for who will gain control over billions of dollars and dominion of high-end fashion. These moments have the odd spark that provides some entertainment, but they are not nearly enough to sustain the film’s two-and-a-half-hour runtime.

The screenplay from Becky Johnston and Roberto Bentivegna seems to be two films that have been mixed into one. It flirts between wanting to be that serious crime drama and a much less serious film, with the camp factor dialled up to the maximum. This is an opportune moment to mention the enigma that is Jared Leto. Unrecognisable under a substantial amount of make-up as Paolo Gucci, his performance is mystifying, to say the least. With an accent that is so over-the-top and exaggerated, you’d be forgiven for thinking he was auditioning for a role in a new Mario video game. These moments of campy soap opera-like drama, and all of their over-the-topness are so out of place here, they undercut the very serious crime drama that the film could and probably should have focused on. While Leto is by far and away, the worst offender with the accents, the rest of the cast are not much better. The poor accents are also not helpful when trying to convey the serious nature of the crime drama that that aspect of the film is trying to tell.

The nature of this story is such ripe material for a compelling piece of storytelling. Even though parts of the film dragged on, given the timescale of the story, a mini-series could have been the better avenue to bring this story to audiences. Ridley Scott’s status as a legend of Hollywood is assured, but having said that even with a director of Scott’s experience, the complete mismatch of tones is a baffling style choice and one that ultimately sinks the film. Consistency when it comes to his directorial output has been a recurring problem for Scott. In a year when the veteran director has provided audiences with an extremely compelling and timely drama, it is disappointing that he couldn’t have made it two for two.

With no expense spared for the production design or costumes, Lady Gaga gives it everything she has as Patrizia Reggiani. However, the tonal mismatch of the story, and some of the acting, proves to be the film’s undoing. Style over substance, quite literally.

Posted in 2010-2019, Film Review

A Star is Born (2018)

Image is property of Warner Bros. Pictures, Live Nation Entertainment and Metro-Goldwyn-Mayer

A Star is Born – Film Review

Cast: Bradley Cooper, Lady Gaga, Sam Elliott, Dave Chappelle, Andrew Dice Clay

Director: Bradley Cooper

Synopsis: Renowned musician Jackson Maine (Cooper) meets and falls in love with aspiring singer Ally (Gaga). As their romance blossoms, her career starts to take off, while his is on the wane…

Review: Hollywood right now certainly isn’t shy of remaking a great many films over the years. While some remakes can completely miss the mark entirely, there are instances in which a remake can achieve something remarkable. No matter what is being remade, one has to take whatever was made previously and make it feel new something new and fresh, a story that deserves to be introduced to a whole new generation, and that is precisely what writer/director/producer/star Bradley Cooper does.

Cooper is Jackson Maine, a singer who is no doubt talented at what he does. Yet right from when we meet him, it is clear that he is battling some intense personal demons, and is in the twilight of what seemed to be a glittering career. After one gig, he find a bar where Ally is performing, and almost instantaneously he is smitten by her and her incredible voice. The two begin a romance and during one show he invites her onto the stage to perform, and as the title of the film suggests, a star is most definitely born as Ally’s career begins a stratospheric rise to the top. Yet it is not all good for Ally, as Jackson’s demons begin to take a toll on him, which threatens to tear their relationship apart.

Cooper has shown his versatility in recent years with a diverse range of characters that has seen him pick up four Oscar nominations, but his portrayal of this troubled singer is potentially some of his best ever work in the acting department. You can just feel his anger at various things that have happened to him in his life, and the intense personal battles he is currently fighting that are just wearing him down. But it is Lady Gaga who is the real acting revelation. Though she has graced the silver screen before, her performance is nothing short of astonishing. She captures that anxiety of a woman who wants to pursue her dream, but is unsure of whether she really has the ability to make a success of it.

Given their relationship is a central piece of the film, Gaga and Cooper have excellent chemistry together, Like many relationships, they endure testing times, but you really feel their love for one another, even though they both have some concerns. For Jackson, it’s the direction that Ally’s career goes in, and for Ally, it is Jackson’s battles with addiction and substance abuse. The film has quite a bit to say about the modern music industry, that seems to favour extremely well polished and aesthetically pleasing artists, over those who harbour real musical talent. While Gaga has certainly had her controversial moments in the music business thus far, her talent as a singer cannot be disputed and along with Cooper, their is a plethora of raw and heartfelt emotion behind these beautiful songs.

There is a lot happening here but the screenplay by Cooper, along with Eric Roth and Will Fetters, does a tremendous job of balancing things out as for every euphoric moment of joy, comes a moment of melancholic sadness, but the film does not allow itself to get too bogged down in either for any significant amount of time. For a directorial debut, there is a lot to admire as to what Cooper brings to the table, most notably when it comes to the live performances. The camerawork and cinematography really makes you feel like you are at these gigs watching these talented performers bring these songs to life in a superb manner.

Remakes so often can feel like there simply was not a need for them to have been made. However the sterling work of Cooper and Gaga especially ensure that although this is the fourth version of this story to be told, it feels necessary for it to be retold to a new generation. With such raw emotion packed into its story and characters, A Star is Born will almost certainly be shining very brightly when we get to the business end of awards season.

Combining beautiful music with a story that packs emotion with extremely relevant themes for 21st century audiences, along with two electric leading performances, this is how you do a successful remake.