2010-2019, Film Review

Hacksaw Ridge (2017)

Posted on January 29, 2017 by Martin: Through the Silver Screen

Hacksaw Ridge – Film Review

Cast: Andrew Garfield, Sam Worthington, Hugo Weaving, Teresa Palmer, Luke Bracey, Vince Vaughn, Rachel Griffiths

Director: Mel Gibson

Synopsis: Telling the incredible true story of Desmond Doss, a Devout Christian who signs up for the US Army and serves as a medic in the heart of World War II, all while refusing to carry a gun.

Review: For many of us, the horrors of war are something we are all too familiar with. From learning about terrible wars of the past to the brutal wars of the present, war is rarely anything other than a very dark time for humanity. Yet undoubtedly in such dark times, acts of incredible bravery and selflessness are committed, and for director Mel Gibson, the telling of one remarkable true story is in many ways his redemption, and a superb return to form for a man who it would be fair to say had something of a fall from grace, never being too far away from controversy.

Yet, despite all that controversy, Gibson has come out fighting with his first stint in the director’s chair after directing 2006’s Apocalypto. Set in the heart of Japan in 1945, the USA is battling the Japanese at the Battle of Okinawa and after some troubling times with his training Desmond Doss enters the fray of war, and never fires a single shot or carries a gun. It seems such a ludicrous decision to enter the hell of war without anything to protect yourself but the screenplay, penned by Andrew Knight and Robert Schenkkan helps you understand where Doss is coming from, he’s a man who resolutely sticks to his principles. His superhero days may be behind him, but with this performance and his sterling work in Silence, Garfield is showing himself to be a tremendous actor and his performance is extremely powerful, ensuring a well earned Oscar nomination as well.

Garfield is the leading light of an extremely well polished cast, that includes Hugo Weaving as Doss’s alcoholic father who witnessed the devastation of World War I and is loathed to lose his sons to the horror of warfare. Teresa Palmer is equally excellent as Doss’s love interest Dorothy. The scenes between the two could have been a real stumbling block and detriment to the plot, but the chemistry between Garfield and Palmer is superb and their romance is far from a hindrance, instead adding real depth to Doss’s character. Vince Vaughn also turns in an excellent performance as Doss’s stern Sergeant who certainly does his best to add the humour while all of the recruits undergo some intense army training. At the same time, all the new recruits look down on Doss for his beliefs, and make his life a hell on Earth, and this is before they are even in reach of the war zone.

For Gibson, a nomination for Best Director might have seemed far-fetched but his work here is extremely deserving of a nomination. He helms the film superbly well, the action is extremely tense to watch and the work that he achieves, along with his sound team, fully capture what it must be like to be in the middle of a war zone. The film’s editing also helps add to the gritty realism. The violence is not glorified in the slightest, it’s just very frighteningly realistic. Be under no doubt, this is not a film for the squeamish, the bullets fly by their thousands and the blood and guts flow. Yet through all of this, the film shows to the audience that it can really pay to stick by your principles, even if everyone is trying to belittle you for holding on to those beliefs.

Though this is for all for all intents and purposes a war film, the themes of anti-war and pacifism are strong, as well as being true to one’s beliefs, and the themes and messages that the film conveys should hit home with the audience and leave a lasting impression on them. War certainly is hell, but the actions of brave men like Desmond Doss should and will hopefully never be forgotten. Furthermore, they can serve as a great lesson for all, of the true valour of bravery and heroism, even in the most desperate and hopeless of situations.

An explosive, and quite brilliant return to the director’s chair for Gibson, with Garfield giving arguably the performance of his career, and just maybe the best war movie of the 2010s thus far.

2010-2019, Film Review

Kubo and the Two Strings (2016)

Posted on January 24, 2017December 16, 2018 by Martin: Through the Silver Screen

Kubo and the Two Strings – Film Review

Cast: Art Parkinson, Matthew McConaughey, Charlize Theron, Rooney Mara, Ralph Fiennes

Director: Travis Knight

Synopsis: After a terrible accident in his past, young Kubo sets off on an adventure to retrieve some valuable items from his past to help defeat a sinister force.

Review: Animation is such a staple of modern Western cinema, largely thanks to the work of animation powerhouses like Disney and Pixar, using computer animation to create magical and exciting adventures for all generations. Yet for animation studios like Laika and Studio Ghibli, in these cases, they use somewhat more unique methods to tell their stories. For the former, the use of stop motion animation is their party piece, and their latest film reinforces their growing reputation as an animation studio that is certainly showing its credentials with each new film they release.

Kubo (Art Parkinson) is a young boy with a magical musical instrument who is looking after his sick mother, who warns him of the perils of being out at night, as Kubo is being hunted by some deeply sinister forces who want to take something from him. Due to these sinister forces, Kubo is sent on a mission to hunt for three valuable artefacts that will enable him to defeat those that are pursuing him. Aiding him on this quest are the appropriately named Monkey (Theron) and Beetle (McConaughey).

Original films are something of a rarity in modern cinema, and this story is a wonderful breath of fresh air, that’s mysterious, magical and exciting all rolled into one. There are elements of Ancient Japanese history without any doubt and maybe a hint of influence from Ghibli, but the screenplay, written by Marc Haimes and Chris Butler is rich in detail and boasts some very compelling characters, and an adventure that packs plenty of heart and humour, not to mention some absolutely flawless animation. Kubo is our young hero and Parkinson’s work bringing him to life is so stellar that you just want to root for him and defeat those evil forces who are trying to take something from him.

Along with a compelling lead, the side characters are also extremely compelling and well developed. Monkey is certainly a “take no nonsense” kind of character but she has plenty of heart and compassion for Kubo. Likewise for Beetle, though he comes across as something of a bumbling idiot, he too certainly shows spirit and a fierce desire to aid Kubo on his mission. Likewise with Parkinson, the voice work of Theron and McConaughey is so on point that as an audience, you are on the side of these heroes, and although their voice work is equally stellar, you are most certainly not on the side of Rooney Mara’s Sisters and neither that of the primary antagonist, Ralph Fiennes’s Moon King.

Despite being an extremely well made and beautiful film to watch, the screenplay isn’t perfect, there are a few points where the film stumbles a bit, and while his voice work is great, when casting such a brilliant actor in Fiennes, who can certainly do bad guys very well, you would hope his character is sinister and terrifying, and while he can be, certain elements of his design did leave something to be desired. Nevertheless though, Kubo is another fine string to add to Laika’s bow of really well made animated storytelling. The studio is certainly on a roll right now, and definitely one to keep an eye on in the years to come.

Beautiful detailed animation, combined with an enthralling story and tremendous characters, Kubo is an animation that will tug at the heartstrings of everyone, no matter how young or old they are.

2010-2019, Film Review

Hidden Figures (2016)

Posted on January 16, 2017 by Martin: Through the Silver Screen

hidden-figures-poster — Image is property of Fox 2000 Pictures, Chernin Entertainment, Levantine Films, TSG Entertainment and 20th Century Fox

Hidden Figures – Film Review

Cast: Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst, Jim Parsons

Director: Theodore Melfi

Synopsis: Telling the true story of three African American women who during the 1960s Space Race made ground-breaking strides to provide NASA with vital data critical to the US Space Program.

Review: In the 1960s, while the Space Race between the United States of America and the USSR was becoming fiercely competitive, it was almost unheard of for a woman to take a front and centre role in the pioneering and creative work that was going on at NASA, never mind an African American woman. Division and segregation was still very strong in these times, there was very little mixing. Which makes the achievements of three women in particular, who worked on NASA’s program in the sixties, so incredibly remarkable and ground-breaking, in every sense of the word.

These three women in question, Katherine G. Johnson (Henson), Dorothy Vaughan (Spencer) and Mary Jackson (Monáe) start out working in the segregated West Area Computers division of Langley Research Center, and in a divided country, there was never any expectation for them to be in real positions of power, where they could make a real difference. Before long however, due to their extraordinary talents, they begin to make waves. Soon enough, all three make their contributions to the US Space program and thanks to their pioneering work, the missions that followed in the sixties were made that much more attainable thanks to these extraordinary women, and for a long time, they certainly were hidden figures of history.

However, the incredible story of these women is now getting the recognition it absolutely merits thanks to director Theodore Melfi, who co-wrote the screenplay along with Allison Schroeder. The script manages to strike a perfect balance of really serious and dramatic moments, mixed in with plenty of rather brilliant humour. These women do have just about every obstacle thrown in their path that they could, from a society that really frowned upon black people sharing just about anything with white people. There’s no violence and brutality to be found (though that certainly existed) the story merely focuses on the obstacles these women faced, and how they defied the expectations society placed on them.

The acting from all three leading women is simply tremendous, and all three could very well land Oscar nominations. Their chemistry is excellent and you really feel for each of them whenever their work is restricted or impeded by their mostly white and mostly male colleagues. But by far and away, the leading light is Taraji P Henson’s Katherine who is called up to work as part of an integral mission for NASA, due to her extraordinary mathematical ability. Her story is certainly more of the main focus, but it does not detract from other two ladies, as their story lines weave together, as they strive to not only help NASA, but break the stereotypes that were placed upon women in their position.

Where the story errs a bit is in the telling of the private lives of the women, which although important as it gives them character depth and ensures that the audience is able to understand their characters and bond with them more, does detract from the story a bit. It’s not overbearing, but you might perhaps wish to see more of their work at NASA. Also the movie does try to explain a lot of the mathematics but unless you’re a mathematics genius, it is more than likely to fly straight over your head like a rocket.

The Space Race of the 1960s is an era known to many. Yet the story of these remarkable women is one you probably didn’t know, but you really should, as it sheds light on a very important story that needs to be seen by everyone. Hopefully with this film, these women will no longer be the hidden figures of history that they have arguably been for a great many decades now.

A story with real heart, substance and emotion at its core, anchored by beautiful acting, Hidden Figures tells a vital story that everyone, everywhere should know about.

2010-2019, Film Review

La La Land (2016)

Posted on January 15, 2017 by Martin: Through the Silver Screen

La La Land – Film Review

Cast: Ryan Gosling, Emma Stone

Director: Damien Chazelle

Synopsis: An actress desperately trying to catch her big break in Hollywood meets a jazz pianist struggling to make ends meet, and the duo begin a blossoming romance.

Review: The art of cinema is one that can have great impact on the human soul whenever we sit down to watch a film for the first time. Cinema has the power to generate so many emotions among its audience, from the most euphoric moments of unrivalled joy to the dark moments of despair. Writer and director Damien Chazelle’s previous directorial outing Whiplash certainly had a mixture of those happy and sad moments, more of the latter than the former mind you. Yet for his new picture, again with a musical theme at its brimming heart, definitely has a lot more of those moments of pure unparalleled joy.

An insane but quite brilliant musical number set on an LA freeway sets you up for the kind of ride Chazelle is about to take you on, as we meet Emma Stone’s Mia, an actress who, despite audition after audition, is just not getting any rewards. By chance she runs into Ryan Gosling’s Seb an aspiring Jazz pianist who also happens to be in something of a rut, this is until he meets Mia, and the two fall head over heels for one another and begin planning a life for themselves together, with both having big aspirations and dreams. It all seems so perfect for them, until their careers threatens to pull them away from one another, and both are presented with a difficult decision. Though this is very much a musical at is heart, its packed with great humour, romance and drama all fused into one glorious picture. right from the aforementioned musical freeway scene, you’ll be hard pressed to not find yourself tapping along with the music.

With this marking their third collaboration since Crazy, Stupid Love and Gangster Squad, it’s crystal clear at this point that Emma Stone and Ryan Gosling have brilliant chemistry together, and it is their chemistry along with brilliant performances from them both that help elevate La La Land to a golden standard for musical cinema. As well as the electric performances, the music is also beautiful to listen to. With each note that Stone and Gosling sing, it will find its way to melt your heart and fall in love with these characters, even if a member of the audience is about as emotionless as a Cyberman from Doctor Who, it will lift your spirits and leave you floating on cloud nine. All of us undoubtedly have dreams and aspirations for want we want to do with our lives, and this film has much to say about following your dreams, that will hit home with almost everyone.

Despite those moments of sheer joy, it is not all sunshine and rainbows for our leads, as they encounter some tricky obstacles in both of their lives. Rest assured however, that no one is throwing any chairs at anyone this time, and no psycho music teachers brutally tearing people down. This is nowhere near as intense as Whiplash was, but it’s just as well written and equally tremendously acted, with a glorious cameo appearance from J.K Simmons, this time not in raging jazz teacher mode.

Chazelle, with only his third feature film, seems to have found his spark, when it comes to live action musicals, currently he is the man of the moment, and is certainly proving himself to be a formidable director and one to watch. A recording breaking Golden Globe haul accomplished, with the Oscars in sight, La La Land looks certainly set to sing and dance its way to more awards glory.

With some thumping good tunes, Stone and Gosling on electric form, and a deep, thought provoking story, this is cinema at its heart-warming and magical best.

2010-2019, Film Review

A Monster Calls (2016)

Posted on January 9, 2017 by Martin: Through the Silver Screen

A Monster Calls – Film Review

Cast: Lewis MacDougall, Felicity Jones, Sigourney Weaver, Toby Kebbell, Liam Neeson

Director: J.A. Bayona

Synopsis: A young boy, battling with bullies and his mother’s terminal illness, finds an unlikely companion in a gigantic living tree, who teaches the boy tales about life.

Review: Growing up, no matter who you are, no matter your circumstances, is tough. Of course some may have it easier than others, but all of us as we leave our early years behind us enter a tricky phase in our lives, a period that is not exactly simple to negotiate. Now imagine if you’re in a situation where you’re frequently getting picked on at school, and your life at home is well difficult too, which again is something it is possible many out there have gone through. Yet what if, during these tricky and testing times, you were visited by a giant talking tree monster who came to you when you needed someone to talk to? That’s something certainly no one has ever had to experience, unless you’re the main character in this interesting delve into the fantasy genre, spliced with heartbreaking family drama.

Conor (MacDougall) is the boy in question battling all of these difficult situations in his life. Picked on by bullies, and with his mother (Jones) terminally ill due to cancer, his only solace is the titular “monster” a walking talking tree voiced and mo-capped by Liam Neeson, who in the dead of night, comes to Conor to tell him stories, all the while seeking to make the boy’s life happier. From a screenplay by Patrick Ness who also wrote the novel on which this is based, director J.A. Bayona steers this mesh of fantasy and real life drama and tragedy, into an extremely imaginative tale, that’s visually quite tremendous to watch, and gets some beautiful and emotional performances from its cast.

In what is only his second film role, MacDougall has much of the film riding on his shoulders, and for a young actor he rises to the challenge and does a tremendous job. He really conveys the unimaginable pain that someone in his position would be going through superbly well. Though his performance does wobble in parts, his emotion and rage against his circumstances ensure you feel for his character. Felicity Jones, on the back of Rogue One, gives also a very wounded and powerful performance as Conor’s mother. Though she is battling a terrible illness, she does her best to be positive and upbeat for her son’s benefit, and Jones could just potentially be a dark horse in this awards season race for best supporting actress. Signourney Weaver and Toby Kebbell do shine as Conor’s stern Grandmother and somewhat absentee Father respectively, but its Jones and MacDougall who are the leading lights, and they take home the acting plaudits.

There’s also the not so small matter of Neeson’s Tree Monster, a sort of Groot XL who can say a lot more than “I am Groot.” Through his booming voice and motion capture work, he brings the character to life brilliantly. Neeson has shown in the past he has quite the deep, powerful voice that has lent itself to the deity like figures of Zeus and Aslan, and as a tree like being, his voice and its deep tone is quite effective. It gives the tales that the Monster tells Conor really weight and ensures that they have the impact on the audience that undoubtedly the film makers wanted it to have. The tales themselves are told in a very intriguing manner, and doubt that it is extremely effective, at tugging at the audience heartstrings, and Bayona adapts the story beautifully, so much so that you might find it hard to fight back the tears once the credits begin to roll.

Visually breath-taking, combined with an emotional story that is not afraid to go in some dark and troubling places, that will hit home for anyone who has had a family member battling cancer, or experienced some rough years at school.

2010-2019, Film Review

Silence (2016)

Posted on January 4, 2017October 11, 2023 by Martin: Through the Silver Screen

Silence – Film Review

Cast: Andrew Garfield, Adam Driver, Tadanobu Asano, Ciarán Hinds, Liam Neeson, Shinya Tsukamoto, Issey Ogata, Yōsuke Kubozuka, Nana Komatsu, Ryo Kase, Katsuo Nakamura, Yoshi Oida

Director: Martin Scorsese

Synopsis: In seventeenth century Japan, two Jesuit priests set out on a mission to seek out their mentor, all the while trying to teach their faith, in a country that vehemently opposes Christianity.

Review: Religion is a subject that even to this day remains quite controversial. In certain areas of the world, people who practice other religions are frowned upon, and some even face extreme violence and persecution for their beliefs, with certain events in history demonstrating how people who are of certain faiths received brutal and fatal treatment because of their religion. It is then quite remarkable that a tale set in the seventeenth century, has certain elements that ring true in the 21st century. Therefore for Martin Scorsese, a man born and raised in a Catholic environment, it certainly takes a fair bit of courage to make a film that tackles such difficult subjects and religious persecution, and for that he certainly deserves plaudits.

Adapted from the 1966 novel of the same name by Shūsaku Endō, the story focuses on Fathers Rodrigues (Garfield) and Garrpe (Driver) who travel to Japan seeking to find Father Ferreira (Neeson) who they believed might have renounced their religion, due to the extreme hostilities that Christians faced at that time. Undeterred by the daunting mission facing them, they travel to the country and try to locate their lost mentor, and to teach their religion. Scorsese is a man who is arguably most well known for his gangster flicks, but this is his passion project, nearly 25 years in the making, and he tells the story in brutal and unflinching manner. With a screenplay co-written by Scorsese and Jay Cocks, there is no shying away from the horrific and painful treatment that Christians received for their beliefs, and if they didn’t renounce their religion, it usually would not end well. The film is very dialogue driven, but the writing is of a very high standard, and certainly poses questions that will certainly leave the audience with plenty to ponder as they watch.

The performances are riveting to watch, particularly from the three main men, but the spotlight focuses primarily on Garfield. and he certainly gives one of the performances of his career. His belief in his faith is unwavering, even in the face of great suffering and pain, and the attempts made by the locals to renounce his religion. After shooting to stardom thanks to his work with Star Wars, Driver is also equally terrific in his work, giving a harrowing performance, and both men could certainly get award nominations for their performances.

The cinematography by Rodrigo Prieto is both beautiful and haunting at the same time. It is crystal clear that with each frame of this film, that great care and precision has gone into their creation. Nothing is rushed, as such the slow pace might jar with some, whilst also explaining the film’s 161 minute running time. There are plenty of visual images to get the minds of the audience deep in thought, and while some will almost certainly have viewers numb with the brutality that these Hidden Christians faced. “A picture tells a thousand words” is quite a popular phrase, and in this instance, that certainly rings true. Having spent so long on this story, Scorsese’s passion for the story absolutely comes to the fore, and makes it all the more gripping to watch, so much so that even if you’re not religious,or practise a religion that is not Christianity, you’ll find it difficult not to be moved by some of the events on screen.

Indeed, the title of “Silence” is quite appropriate, given that for the Jesuit priests and all those in Japan at the time who practised Christianity, they had to practise their faith in silence, and despite their suffering, their prayers were met with silence. And there will be moments of silent reflection for the audience once the credits begin to roll, as it’s pretty inescapable that although these are ficitonalised events of the past, they will still carry a significant weight to them given how in different corners of the globe, people of certain religions continue to endure strong hostility, to this day.

Quite a long time in the making, but certainly worth the wait. Scorsese’s passion for the story shines through, and it helps to deliver a tense emotional journey for all, with themes that continue to have great significance to this day

1990-1999, Film Review

The Lion King (1994)

Posted on December 28, 2016July 20, 2019 by Martin: Through the Silver Screen

The Lion King – Film Review

Cast: Jonathan Taylor Thomas, Matthew Broderick, James Earl Jones, Jeremy Irons, Moira Kelly, Niketa Calame, Ernie Sabella, Nathan Lane, Robert Guillaume, Rowan Atkinson, Whoopi Goldberg

Directors: Roger Allers and Rob Minkoff

Synopsis: A young cub is being prepared by his father, the king of a pride of lions, to become the future king, while the King’s brother secretly plots to seize the throne for himself.

Review: If ever there was a studio that could perfectly demonstrate the enduring power and appeal of animated films that are almost universally adored for their brilliant characters, gorgeous animation and emotional scenes that really threaten to tug at your heartstrings to such an extent you become a big blubbering mess of happy and sad emotions, then Walt Disney Animation Studios and their extraordinary collection of films could be just the studio you were looking for. Yet, if there was one film that does all of the aforementioned things, and a film that has stood the test of time with flying colours, and has built itself an enduring legacy, loved universally by all generations, 1994’s The Lion King certainly ticks all of those boxes, in an emphatic manner.

A soaring and stirring musical number opens proceedings, and for the next ninety minutes or so, you are taken on an enthralling journey set in the heart of Africa, specifically on a pride of Lions, ruled over by Mufasa and his wife Sarabi, and their young cub Simba. The young cub is taught all about life, and more specifically the great Circle of Life, via one of many absolutely brilliant and powerful songs, of which there are aplenty to be found here. Of course, life has its ups and downs and as Simba finds out, sometimes things can take a significant turn for the worse. With little choice, he goes on a journey that anyone watching can and will relate to in some way.

The screenplay, inspired by the works of Shakespeare and more specifically Hamlet, packs plenty of powerful and emotive themes into it. It is profound and deeply moving, that will almost certainly leave a lasting impression on the viewer. the characters have a great many layers to them, perhaps none more so than Simba. Initially a brash, cocky cub, through time he becomes this wise, powerful Lion just like his father Mufasa, voiced by the one and only James Earl Jones. Like most animations, these days, there are more than a few scenes that get the audience emotional, and if you have seen this film, you certainly know what scene in particular here will ensure the audience will be looking for something to wipe away the tears. The voice cast is excellent from Matthew Broderick as Adult Simba, to Rowan Atkinson as Zazu, to Nathan Lane and Ernie Sabella as Timone and Pumba. Jeremy Irons as the villainous Scar was another excellent casting choice. Last but not least is Robert Guillaume as the hilarious Rafiki (friend in Swahili).

Disney animations have certainly become known for their great and extremely effective use of music in scenes. From the soaring opening number, to the more jovial tunes like Hakuna Matata, to the powerful Can You Feel the Love Tonight, the great songs are aplenty and they’re all extremely memorable. The great songs are exquisitely matched by the score from Hans Zimmer, which as usual, is near enough perfect. Disney has for a while been what some may argue as the champion of animation in cinema, and for an animation that came out over two decades ago, the animation has stood the test of time, and still remains absolutely excellent and breath taking to watch.

The Lion King has ensured it will remain a staple of animated entertainment for a great many years to come. Having generated a very popular production that has also been on for several years now. It is safe to say that through all of their spectacular and brilliant animated features, there may not be a film that has stood the test of time and left its mark on numerous aspects of popular culture to such an extent, like the Lion King has. Disney has made many movies since, and although their greatness is undoubted, it is worth considering if any since have reached the remarkable heights that have been set by The Lion King. Hakuna Matata indeed!

Beautifully animated, with rich and complex characters, with incredible music and a wonderful score, this is truly one of Disney’s most undisputed masterpieces.

2010-2019, Film Review

Rogue One: A Star Wars story (2016)

Posted on December 16, 2016December 19, 2016 by Martin: Through the Silver Screen

Rogue One: A Star Wars story – Film Review

Cast: Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Riz Ahmad, Alan Tudyk, Forest Whittaker

Director: Gareth Edwards

Synopsis: Telling the tale of the brave rebels who upon hearing about the Empire’s construction of a deadly weapon capable of destroying entire planets, set out on a brave mission to find and steal the weapon’s plans.

Review: “There will be no episode 7” the words of one George Lucas back in 2005, and for a long time that looked as though Lucas’s stance would not change. This is of course until Disney came calling to the tune of 4 billion dollars, and last year Episode 7 did arrive courtesy of JJ Abrams and Disney. Of course Disney had no plans to stop at Episode 7, with as well as two films to complete the new trilogy, there would be as of right now, three anthology films to come as well, giving Star Wars fans across the galaxy one new film every year until 2020.

Of course, as Lucas himself found out, making a prequel or three can be a risky endeavour, so the new creative faces behind the resurgence of Star Wars decided to pitch a story that would not touch the existing saga, but one that would sit nicely between say a couple. In the case of Rogue One, it sits between Episodes III and IV, the focus is on a rag-tag group of rebels led by Jyn Erso (Jones) who make a daring move for the plans to the lethal Death Star weapon. The franchise has boasted plenty of great action down the years, but rarely have they ever felt like it was truly Star WARS. Well enter director Gareth Edwards and writers Chris Weitz and Tony Gilroy who really put the war in Star Wars and then some!

Edwards proved he could handle action well like he did in 2014’s Godzilla reboot, and here he demonstrates his considerable talents once again. The action particularly in the third act is utterly compelling and just brilliant to watch in all of its glory. It’s almost like Saving Private Ryan, but in Space! Much like what Abrams did with Awakens, the world Edwards has also created just looks and feels like Star Wars, with a few familiar faces in there brought incredibly to life by the wonder that is CGI but of course some new characters, all of whom are compelling to watch, but some are more developed than others. The cinematography too is tremendous, and much like Awakens, there is a great emphasis on the use of practical sets, and not relying on Green Screen, bonus points if you can spot the use of a London Underground station as an Imperial base!

felicity-jones-jyn-erso-rogue-one-disguise — Image is property of Disney.

Jones is excellent as Jyn Erso, a character who has had a difficult past, but after a big discovery becomes personally connected with the story, she’s the lead and the most well developed, because she is a key part of the Imperial’s plans for reasons that will not be disclosed here, but there are others who absolutely shine as well. Cassian Andor (Luna) is excellent as the main support for Jyn, with Donnie Yen as a blind Rebel warrior at one with the force, and an absolute badass! Comic relief characters often come in droid shaped sizes, and this void is filled excellently by newbie K-2SO, voiced by Alan Tudyk. Beyond these guys, the rest of the crew are a little bit light on character development, but the aforementioned trio certainly aren’t. On the flip side there’s one key new villain in Mendelsohn’s Orson Krennic, almost your typical pantomime villain, who sneers at just about everyone and anything. Of course one Darth Vader makes his presence known once again, largely thanks to James Earl Jones’s booming voice and it’s an absolute joy to see one of cinema’s best ever villains back on the big screen.

Many took aim at Awakens for being too similar to A New Hope. For sure there are some obvious visual nods and throwbacks, to please the fans, but ultimately given the poor reception of the prequels it was the safe route to have taken to launch the new trilogy. Of course Rogue One does do something similar with neat little visual nods to certain characters but by the time the enthralling third act arrives, gone are the Star Wars familiarities, it’s all out war in every sense of the word, with reminiscent shots of World War II and epic battles occurring on the beaches of this planet, and the CGI remains at a very high standard, with Michael Giacchino stepping in as a late replacement for Alexandre Desplat, delivering another superb score, the first not composed by John Williams.

For Disney, their colossal investment to take control of this franchise is certainly looking to be a wise decision, and one that is looking set to pay off big time. The studio raked in the cash following the release of Force Awakens. Although it’s unlikely that Rogue One will make the 2 billion The Force Awakens made, there’s every chance that Rogue One will make some serious cash. Right now, The Force is strong with this franchise, and the all powerful Disney machine in many ways resembles the Galactic Empire in terms of its sheer power, but Disney certainly doesn’t seem to have any plans to build a giant planet killing weapon!

This is everything the prequels should have been but really weren’t. It manages to strike a great balance between everything you know and love about this franchise, whilst also going in some exciting new directions.

2000-2009, Film Review

No Country For Old Men (2007)

Posted on December 12, 2016December 13, 2016 by Martin: Through the Silver Screen

No Country For Old Men – Film Review

Cast: Tommy Lee Jones, Josh Brolin, Javier Bardem, Woody Harrelson, Kelly MacDonald

Directors: Joel and Ethan Coen

Synopsis: When a man stumbles across a drug deal that has gone sour and finds a suitcase with a large amount of cash, he finds himself being pursued by a relentless hit-man who will stop at nothing to reclaim the cash…

Review: What would you do if you happened to come across a substantial amount of cash that you found in the desert? Chances are you’d probably take the loot and run as fast as you could for the hills. Yet what if you knew (somehow) that the money was the subject of a drug deal that had gone just a bit awry? Would you think twice? You might well do if you knew that there was a psychopathic man after you, who will stop at nothing to recover the loot from said drug deal.

Adapted from the novel of the same name by Cormac McCarthy, at the centre of this thriller is Llewelyn Moss (Brolin) who upon finding the aforementioned loot does decide to bag the cash and make a run for it, along with his wife Carla Jean (MacDonald). However his pursuer Anton Chigurh (Bardem) is the crazy mofo who is after the cash, and possess machine like determination in order to hunt Moss down and reclaim the cash. Thus this gives the audience a game of cat and mouse, that is brilliantly written and expertly brought to the screen by the Coen brothers. Right from the moment the chase begins, the tension begins and never abates until the credits role. The dialogue is minimal in some scenes but the tension remains high throughout the two hour run time as you watch this chase unfold.

The film is bolstered immeasurably by the performances of its three main actors, all of whom give excellent performances, Tommy Lee Jones is perfect as the gruff Sheriff Ed Tom Bell who becomes involved in the chase between Moss and Chigurh, all the while becoming horrified with what the world has become. Brolin, as the mouse in the chase, is also excellent determined to do whatever it takes to survive, mainly due to the strong love of his wife . Yet, it is undoubtedly Bardem who gives the most impressive performance. Here’s a man who could make the most innocuous conversation sound utterly terrifying, such as a conversation about the toss of a coin. He hunts his prey with Terminator like efficiency with even a terrifying haircut! He will spare no one in his quest to reclaim the cash, and is certainly remains one of the finest psychopathic, menacing villains that has ever been put to the big screen.

The Coens masterful writing, lifting McCarthy’s novel from page to screen excellently, and their exquisite direction is aided by the usually flawless cinematography from Roger Deakins, marking his incredible 8th collaboration with the Coens. Both were recipients of Oscar nods for their incredible work, and in the case of the Coens, it was three times a charm as took home the prizes for directing, writing for an Adapted Screenplay and Best Picture, as well as a well earned triumph for Bardem for Supporting Actor. Sadly Deakins did not take home the gong for cinematography, but the sheer quality of his work remains crystal clear. What also remains clear is that this is one of, if not, the finest pieces of work from the Coens. The ending leaves much open to interpretation, as such, it may jar with some, but when you sit down and assess everything you have witnessed, it is absolutely perfect, a word that could be used to describe just about every aspect of this extraordinary film.

Anchored by three outstanding performances by its leads, with brilliant dark humour thrown in for good measure, this is the Coen brothers’s masterpiece, without any question of a doubt.

2010-2019, Film Review

Moana (2016)

Posted on December 10, 2016December 10, 2016 by Martin: Through the Silver Screen

Moana – Film Review

Cast: Auli’i Cravalho, Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, Alan Tudyk

Directors: Ron Clements and John Musker

Synopsis: Moana, the daughter of the ruler of an Ancient Polynesian tribe, sets out on a journey to find the demi-god Maui whose actions have threatened to wreak havoc on their way of life.

Review: Is there a movie studio out there that seems as though with each passing film that they release is a massive hit and rakes in the cash at the Box Office? One could make the argument for Marvel Studios, but certainly one studio that seems to be on an unstoppable run at the minute would be Walt Disney Animation Studios. Their first 2016 release Zootopia/Zootropolis raked in over a billion dollars at the worldwide box office, and was a smash hit with just about everyone who saw it. Their latest effort proves that the studio is still bringing home the bacon, and in some style too.

The story focuses on our titular character who after being brought up by her father to be the future leader of their clan, is determined to break from the role her parents want her to be, and become the person she wants to be. Their situation becomes somewhat desperate when the demi-god Maui who without spoiling too much, has made some decisions that are threatening their island and way of life with dire consequences. As such, with typical Disney Princess determination and courage, she sets sail in order to save her people. Disney has certainly forged a reputation for telling Princess stories and telling them with beautiful animation, rich and diverse characters, some singing and a really fun and exciting adventure, and Moana is no exception to this trend.

It is something of a cliche at this point to say that the animation is great because with Disney, you wouldn’t expect anything less, but in this instance the animation is truly something to behold, the sheer amount of detail that has clearly gone into the creation of everything you see on screen is absolutely crystal clear. Directors Ron Clements and Rich Musker, having worked on gems such as Aladdin and The Little Mermaid, certainly bring their strong experience to the table. Of course superb animation would be pretty rubbish if the story with it was no good, but no chance of that here, as the screenplay by Jared Bush, with a little help from one Taika Waititi, is excellent. The gorgeous animation is aided by, as is so often the case with Disney and in particular Disney princess stories, great music and great songs that could very well give Let it Go a strong run for its money, and just maybe an Oscar nod for Original Song.

Disney so often creates multi-dimensional characters that audiences can gravitate to, particularly in the case of Moana, in a similar vein to Frozen’s Elsa is a strong-willed and fierce female protagonist who is not dependent on a man to tell her what or what not she needs to do. Opposite her is of course Dwayne Johnson’s Maui who at first is a bit rude and dismissive of Moana but over the course of the film grows to respect her. The pair make a solid duo and you cannot help but get excited as they go on their adventure, all the while being accompanied by a rather hilarious and somewhat dim chicken named Hei Hei, who certainly tries his hardest to steal the show, and in some cases succeeds.

There are times when the story, although it is very well done, is not sailing any new seas. You would be forgiven for thinking you have been here before, but with the excellent characters that you become invested in, you want to go on this adventure and marvel at the joyous animation on screen. Between this and Zootopia alone, Disney has had one superb year, and if you include Pixar and well Marvel and Star Wars, then the wind is certainly in Disney’s sails alright! Furthermore between Disney’s offerings, Finding Dory and the many other animated films to have graced the silver screen this year, the race for that Animated gong in this year’s Awards season could be a very interesting one indeed.