Posted in 2010-2019, Film Review, London Film Festival 2019

The King (2019)

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The King – Film Review

Cast: Timothée Chalamet, Joel Edgerton, Sean Harris, Lily-Rose Depp, Robert Pattinson, Ben Mendelsohn, Dean-Charles Chapman

Director: David Michôd

Synopsis: Following the death of his father, a young Prince succeeds his father as King, and immediately finds his rule under threat from internal politics, and the ever-present threat posed from across the English Channel…

Review: The world has undoubtedly changed in the several hundred years since the times of medieval politics. However, what hasn’t changed is the squabbling and backstabbing that goes on behind the scenes in politics and policy making in governments the world over. Though, it has to be said that considerably less swords are now involved. Though that hasn’t prevented this era from being dramatised quite a few times, most notably in recent times by Netflix. After 2018’s Outlaw King, with sword in hand, they are taking another swing at crafting a compelling medieval drama.

England has been at war for many years, and as such, a considerable proportion of the country’s resources are crippled. With the current king Henry IV (Mendelsohn) approaching the end of his life, he seeks to appoint his successor. Through not initially his first choice, his son Hal (Chalamet) is eventually crowned King, becoming Henry V. Having previously expressed little desire to assume the throne, the young King finds many obstacles in his path, from within his own circle to the prospect of invasion from foreign adversaries, all while finding out what kind of ruler he wishes to be. Shortly after being crowned, he is the recipient of a rather derogatory and insulting gift, which prompts the young King to have to decide if he wants to continue going to war.

Given that much of the film is on his personal struggle on his ascension to the throne, such a role would require an actor of immense stature to play such a Kingly figure. Chalamet is certainly a very capable actor, and while he gives it his all, but you can’t help but wonder if this was a role that was came too early on for him in his career. He certainly puts everything he’s got into the role but unfortunately for him, his performance is a bit too one dimensional and lacks that aforementioned stature and charisma that such a King should have in his armoury.

Though like any good King, he has some capable aides by his side, and its these performances that give Chalamet a run for his money. Most notably the jovial, and consistently entertaining John Fastolf (Edgerton). Similarly for William Gascoigne (Harris) who despite being a loyal adviser to the new King, has a personality and a demeanour of a man who you should keep a close eye on. Though on the opposite side of that coin, Robert Pattinson as the leader of the opposing French army really sticks out like a sore thumb. He’s certainly a capable actor, but unfortunately he provides some (perhaps inadvertently) comedic moments. His extremely dubious French accent leaves an awful lot to be desired, and one can perhaps question as to why a French actor was not hired for the part.

French actor or not, there’s clearly no expense spared on the production design, nor the costumes, and these help to bring an air of authenticity. From a technical perspective, the battle scenes are extremely well executed. With Michôd’s solid direction, and Adam Arkapaw’s impressive cinematography, they are by far, the highlights of the film. Yet, while the battle scenes are consistently entertaining, they are not nearly as enthralling when compared to the likes of HBO’s Game of Thrones. Unfortunately, what really lets the whole film down is a mixed bag of a script. Given that it’s a very loose adaption of the works of William Shakespeare, there was potential for greatness. While, it certainly has its moments, it ultimately falls short of providing a riveting narrative, that would make the audience bow down in wonder.

There’s some excellent technical aspects that deserve to be hailed. However due to a somewhat melodramatic leading performance and an indifferent script, The King does not earn the Crown it clearly covets.

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