Posted in 2010-2019, Film Review

It (2017)

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It – Film Review

Cast: Jaeden Martell, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Bill Skarsgård

Director: Andy Muschietti

Synopsis: After a number of children go missing in the town of Derry, a group of young outcasts get together to fight the mysterious entity that’s terrorising their town…

Review: Let’s be honest, even if you like them, there’s always been something mildly/extremely terrifying about clowns. Designed to be entertainers, bringing nothing but joy, more often than not, they make people want to run away in fear. Stephen King’s 1986 novel It certainly perpetuated that fear and equally, with the adaptation of the aforementioned novel back in 1990. Though this didn’t really float with viewers, Stephen King’s work has once again been brought to the big screen to remind us all why clowns are the terrifying entities many of us perceive them to be.

It is 1989 and in the town of Derry, Maine, an alarming number of children who have disappeared without a trace, never to be seen again. One of these victims is Georgie, the younger brother of Bill (Martell), who becomes determined to find out what really happened to his brother. He’s joined on his quest by his friends Richie, Eddie and Stan (Wolfhard, Grazer and Oleff) who are all the targets of the unpleasant bullies at their school. Recruiting Beverly (Lillis), Ben (Taylor) and Mike (Jacobs) and going under the name of the Losers Club, these seven misfits band together in a bid to defeat this dastardly clown and put an end to the nightmare that he’s inflicting on their town.

Run away, run away, run away, run away, run away…..

The chemistry between the members of the Losers’s Club is ultimately the core component of this story and though some performances are stronger than others, each member of the club brings something to the table. Being the one who has the significant emotional investment in this investigation, Jaeden Martell gives the strongest performance. Though he may stutter in his speech, but he poses a steely determination not to be unnerved by the sinister events that are occurring, though each member has their moment to shine. Yet being at the centre of this nightmare, Bill Skarsgård as Pennywise delivers a performance that’s profoundly creepy and unsettling. Though this is in no small part due to the excellent costume and make-up design, it’s almost a certainty that clowns, or certainly Pennywise at least, will be continuing to haunt nightmares for many years to come.

The early stages of the film chooses to use it as an opportunity to flesh out each member of the Loser’s Club lives, which while important to the story as these are the film’s protagonists, it means the pacing is a little rough.  As before any showdowns with that ominous clown, they have to deal with the horrible bullies at their school, as well as in some cases, in their own homes. Though it can be a bit of a chore to get through, it’s necessary set up, for these characters. However, once we have arrived at the film’s climatic third act, is when the film merges its coming-of-age and horror elements of the film combine. Bolstered by Andy Muschietti’s excellent direction, and excellent production design, all of the above ensure that Pennywise’s dwellings have an extremely ominous feel to them.

Jump scares are not anything new when it comes to scaring the audience, indeed when used poorly and frequently, they often become ineffective and lazy film-making tropes. However, Muschietti utilises them effectively, as they help to build and maintain the tension and dread in this climatic showdown. A showdown that is merely at the halfway point, because  as we know, the Losers Club have some unfinished business.

 A little sluggish in its opening stages, but the film truly floats once it finds its greatest strength: the strong relationships between the members of the Losers Club.

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