Posted in 2020-2029, Film Review

Malcolm & Marie (2021)

Image is property of Netflix

Malcolm & Marie  – Film Review

Cast: Zendaya and John David Washington

Director: Sam Levinson

Synopsis: Following the premiere of his film, a filmmaker and his girlfriend talk about their relationship, their careers, and the life they share together…

Review: The power of film and its ability to creating lasting impressions on us all is something that has perhaps come into sharp focus by the ongoing COVID-19 pandemic. For as long as our cinemas have remained closed, there’s been a desire for all of us who love this art form to be reminded of just why we adore this art form. Irrespective of whether someone works in the industry, or if they are a critic, or just someone who has a passion for watching films, there’s no getting away from one simple fact. Namely, everyone will have their own unique experience about said film, which can in turn influence their opinion on any particular film. The power of film and its ability to leave a lasting impression on not just the viewer but on the creators themselves, which can in turn influence their own relationships, is a powerful and resonating sentiment that beats at the heart of this latest film from Euphoria creator Sam Levinson.

Malcolm (Washington) is a filmmaker who’s just had his film premiere, to much critical acclaim. After a successful evening in the spotlight in the company of his actors, film critics and other people in the industry, accompanied by his girlfriend Marie (Zendaya), the couple come home to celebrate. However, throughout the course of the evening, something has been gnawing away at Marie and having kept it to her herself throughout the course of the evening, she cannot stay silent about it any more. Over the course of what is meant to be a celebratory night, a discussion about the evening’s events descend into a heated argument between the two of them, and the sparks begin to fly as they squabble about numerous topics from films, filmmaking, to film criticism, all framed from the perspective of where they are in their lives at this moment in time, and the state of their relationship.

With production of the film having taken place in the summer of 2020, during the COVID-19 pandemic lockdown, the film’s production was all understandably, fairly minimal. However, this does not prevent writer/director Levinson from crafting a very compelling piece of filmmaking, which is in many ways an autobiographical look at Levinson’s own journey through Hollywood. With it all taking place in one luxurious house seemingly in the middle of nowhere, the stripped back setting and production values could have been a hindrance, since the film is relying on the strength of the screenplay/dialogue, and the performances of the two cast members, and Levinson’s direction. The screenplay has a lot to say about the industry, and while it does have some interesting observations to make, there’s an heir of self-indulgency when it comes to certain aspects. thanks to the performances of his actors, and the gorgeous black and white cinematography from Marcell Rév is gorgeous to look at.

As they are the only actors in the film, everything is on the shoulders of both Zendaya and John David Washington to make the film work. Given the immense talents of both actors, it is no surprise that both give absolutely electric performances. The chemistry that they share leaps off the screen, and the range of emotions that shines through in both their performances is extraordinary. It’s clear that these two people do love each other, yet despite that love, there’s something boiling away inside both of them that is seemingly holding them back. Yet despite that, each time these two actors engage in a verbal bout of topics like the film industry, critics and reviewers, and how society engages with these industries, you just cannot take your eyes off the screen as these two trade verbal blows, putting each other through an intense emotional wringer.

The film is almost guaranteed to ruffle some feathers from those who work in the industry, and especially for those in the film critic circles. Similarly, the self-indulgent nature of his script, and the obvious nods to Levinson’s own career, may well put some people off. While both these actors are some of the finest of their generation, as well as usually being likeable presences on screen, the same cannot be said for their characters here. There is an heir of sympathy for Marie, and some of the plight that her character has endured, but even with that in mind, it is difficult to imagine wanting to have people like this in your personal/professional life. Yet that doesn’t prevent either actor from giving a tour-de-force performance in a film that is going to generate lots of discussion in the industry in the coming months.

A fascinating character study analysing plenty of deeply personal subjects, while not everything hits its mark, the exceptional performances of John David Washington and Zendaya make Malcolm & Marie an absorbing, if a little too indulgent, piece of film-making.

Posted in 2010-2019, Film Review

Spider-Man: Far from Home (2019)

Image is property of Marvel Studios, Columbia Pictures and Sony Pictures

Spider-Man: Far from Home – Film Review

Cast: Tom Holland, Zendaya, Samuel L Jackson, Cobie Smoulders, Jake Gyllenhaal, Marisa Tomei, Jon Favreau, Jacob Batalon

Director: Jon Watts

Synopsis: Following on from the events of Avengers: Endgame, Peter Parker is preparing to go on a school trip with his friends around Europe. However, in a world that will never be the same again, a new threat is lurking in the form of the mysterious Elementals…

Review: After twenty-two films and an utterly incredible journey, the Marvel Cinematic Universe culminated in Avengers: Endgame, a film that has changed the MCU forever more. However, even after all that drama and heartbreak, the MCU is not slowing down. Previously, after their flagship Avengers ensemble showdowns, Marvel turned to the smallest hero in their roster, namely Ant-Man. Now though,  it’s up to everyone’s favourite friendly neighbourhood Spider-Man to pick up the pieces in the wake of the earth-shattering events of that climatic battle with the Mad Titan Thanos.

In the months since that intense battle, Peter is in an extremely tough spot, having lost his friend and mentor Tony Stark. On top of that he is trying to balance school life with his superhero web-slinging duties. With an upcoming school trip to Europe, Peter hopes that will take his mind off things and allow him to live a normal life. However, whilst he is off seeing the sights of Europe and trying to tell his crush MJ (Zendaya) how he really feels about her, a terrifying new threat emerges in the form of the Elementals. Whilst simultaneously, a mysterious new force in the form of Quentin Beck (AKA Mysterio) emerges, who claims to be from an alternate dimension.

“Karen, activate stealth mode….”

This is his fifth outing as everyone’s friendly neighbourhood Spider-Man, and Tom Holland proves once again that this is the perfect role for him, as he turns in another excellent performance . He’s got the bravado that a hero should have, but he’s still a lovable, if slightly awkward, dork. Though she had a relatively minor role in Homecoming, Zendaya’s MJ has a lot more screen time, given that she is now the subject of Peter’s affections, and the duo have solid chemistry. Similarly, the bromance between Peter and Ned is as strong as ever. Indeed, all of the class from Angourie Rice’s Betty to Tony Revelori’s Flash Thompson, have a lot more to do, likewise for the ever-reliable Happy Hogan.

Given how many Spider-Man films that have graced the big screen, it’s clear that director Jon Watts is aiming to broaden the horizons of Spider-Man. We have almost never seen him venture outside of the Big Apple, so to see him spin his webs around the globe is an extremely refreshing change. As these ominous Elementals threaten to wreak havoc on our world, which is where Jake Gyllenhaal’s Mysterio comes into the picture. Mysterio by name, mysterious by nature as on first glance he seems like the kind of hero to fill the void that was left by Tony Stark, but that is just scratching the surface. When you get an actor of Gyllenhaal’s talents, it can only be a positive, and Gyllenhaal excels in this very intriguing role.

The screenplay by Chris McKenna and Erik Sommers, carries over the John Hughes esque high school comedy vibe from Homecoming, and the jokes remain witty and hilarious. With each movie that Marvel has made since they were able to incorporate him into the MCU, they have taken the character in directions that haven’t been attempted before, especially with a truly mind-bending, and awesome, third act. In a post Iron Man/Captain America MCU, Marvel will need heroes to step to fill that void as we move into Phase 4, and in everyone’s favourite friendly neighbourhood Spider-Man, you have a hero who is more than capable of taking on that mantle.

Closing out Phase Three of the MCU, Far From Home is another fast paced, entertaining, globe trotting adventure that cements Tom Holland’s status as the best live action Spider-Man we’ve had to date.