Posted in 2010-2019, Film Review

Bohemian Rhapsody (2018)

Image is property of 20th Century Fox, Regency, and Queen

Bohemian Rhapsody – Film Review

Cast:  Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joseph Mazzello, Aidan Gillen, Tom Hollander, Allen Leech, Mike Myers

Director(s): Bryan Singer (Dexter Fletcher)

Synopsis: A look at the lives of the legendary rock band Queen, charting their formative years and initial success leading up to their Live Aid concert performance in 1985.

Review: There’s a moment in this biopic where one music executive completely rubbishes the idea a song that spans six minutes could possibly become a radio hit. Oh how wrong he was. That six minute song in question is of course “Bohemian Rhapsody” and the band behind this true masterpiece of a song was Queen. It isn’t an exaggeration to say that as a band, Queen produced some thumping great tunes, and the legacy and impact that they have had on the music industry is truly substantial, and will likely continue to endure for decades to come.

Of course, not every band achieves such phenomenal success instantaneously so when we first meet Farrokh Bulsara as he was known before adopting his more familiar name, he spends his days working at London’s Heathrow Airport and going to gigs at night. During one such gig, he meets Roger Taylor (Hardy) and Brian May (Lee), who as luck would have it need a new singer, which Freddie gladly accepts. With John Deacon (Mazzello) also on board as the bass player, their royal highness, Queen was born.

However, the journey to get this Queen biopic to the big screen has not been an easy one. With original director Singer having been fired quite late into filming, up stepped Dexter Fletcher to complete the film. In circumstances like this, there’s a substantial risk that the whole film could completely fall apart. Though Singer gets the sole director credit, the work that both directors put in ensures that this biopic does not bite the dust.

The screenplay by Anthony McCarten, does feel a little paint by-numbers in terms of its structure. The film spends a substantial amount of time focusing on Freddie’s relationship with Mary Austin. Which ultimately does leave certain aspects such as his relationships with men, and his battle with AIDS as something of an afterthought.  These aspects are touched upon, but it is perhaps in not the extensive detail that it maybe could have been. However, what this film does above all else, is choose to celebrate the band’s incredible music, which given how utterly amazing said music is, that’s not a bad thing at all.

The man to step into the great Freddie Mercury’s shoes was a bit uncertain for a long time. Initially it was Sacha Baron Cohen, then came Ben Whishaw, but ultimately Rami Malek was the man who stepped up to the microphone. Though it would have been interesting to see what the former could have done with the role, Malek is simply outstanding giving such an incredible performance that sees him pretty much transform into Freddie Mercury himself. Everything from the hair and make up, to the costumes is completely on point. Though Malek’s Mercury does steal pretty much every scene he’s in, the rest of the band mates are also excellent, but their development is scarce at best.

Towards the second act is where the tension is really injected into the film, but again certain aspects of Freddie’s career are only given the barest minimum of development. It is when we get to the Live Aid performance, that the film really perks right back up again. The work that is done to recreate that is just simply breath-taking, you will have a hard time not singing along. As Queen themselves sang “We Will Rock You,” Malek and co do exactly that. Killer Queen(s) indeed.

Though the screenplay could have gone into much more depth, Malek’s career-defining performance and the celebration of their stellar music ensures that this biopic hits (mostly) all the right notes.

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Posted in 2000-2009, Film Review

Pirates of the Caribbean: Dead Man’s Chest (2006)

Image is property of Walt Disney Pictures, Jerry Bruckheimer Films and Buena Vista Pictures

Pirates of the Caribbean: Dead Man’s Chest – Film Review

Cast:  Johnny Depp, Keira Knightley, Orlando Bloom, Stellan Skarsgård, Bill Nighy, Jack Davenport, Jonathan Pryce, Tom Hollander, Kevin McNally

Director: Gore Verbinski

Synopsis: Captain Jack Sparrow and the crew of the Black Pearl set sail in search of a chest that contains an item belonging to the ominous Davy Jones, but this item is also sought after by several other people, all of whom want this item for their own ends…

Review: Pirates, there’s something about these scallywags that cinema audiences certainly seem to like, and enjoy watching, as was evident by the phenomenal critical and commercial success that the first film in this franchise enjoyed. A sequel (or two, or three) was always going to happen. Sequels, however can be the equivalent of cursed treasure, in that if you get them wrong, it can place upon the preceding film a terrible curse that’s hard to shake off. Or it can be like finding a glorious stash of treasure that makes everyone rich and happy. In the case of Dead Man’s Chest, this is perhaps somewhere in between it’s not a curse, but it’s not a perfect stash of treasure either.

We begin when the wedding of Elizabeth Swann and Will Turner is rudely interrupted by Lord Cutler Beckett (Hollander) who’s after one man, yes Captain Jack Sparrow of course! After the latter was allowed to escape by the hands of Will, Beckett condems the bride and groom to be to the hangman’s noose. Jack meanwhile is desperately seeking to avoid the debt that he owes Davy Jones (Nighy) and so begins a spiral of events that stretch out this film’s run time to an incredible two and a half hours, that really really could have been trimmed down in one or two places.

Screenwriters Ted Elliott and Terry Rossio do ensure that there is some fun to be had of course, but there’s quite a lot of meandering as this ship steers its way through some very exposition filled waters that threaten to run the film aground. A common path for sequels to sail, is to make the tone that bit more darker, and this is the route that this film chooses to take, and in doing so much of the wackiness and the fun that the first film brought is replaced by a more serious ominous tone, though the film doesn’t lack some very entertaining sequences that returning captain Gore Verbinski helms to a similar standard as he did with the first film.

The ominous is perhaps best exemplified by Davy Jones, though we don’t find out much about him and why he looks the way he does. Nighy brings a very menacing presence, that is aided by some truly excellent CGI. Being in this creature’s presence could cause even the bravest of souls to quiver in fear.  Though the CGI for some of his crew aboard The Flying Dutchman is very obvious, it is for the most part very well done and the recipient of the Oscar for Visual Effects. Despite the meandering script, there are some rather splendid action sequences to enjoy, and the acting across the board remains at a solid standard.

Not someone you want to mess with…

With Depp again on splendid form as Captain Jack, and Orlando Bloom and Keira Knightley also in fine form reprising their roles as Will Turner and Elizabeth Swann. Newcomers Stellan Skarsgård and Tom Hollander give the most memorable performances of the newcomers as Will’s father Bootstrap Bill and the pesky Cutler Beckett.  It’s not the swashbuckling adventure its predecessor was, but there’s more than enough rum on this ship to ensure it has the right amount of wind in its sails.

A choppy plot, coupled with some clunky dialogue could have resulted in an unpleasant shipwreck, but an ample amount of fun action ensures it’s steered home to a satisfying conclusion.