Posted in 2010-2019, Film Review

Jurassic World (2015)

jurassic-world-own-raptors-poster
Image is property of Amblin Entertainment, Legendary Pictures and Universal Pictures

Jurassic World – Film Review

Cast: Chris Pratt, Bryce Dallas Howard, Jake Johnson, Nick Robinson, Ty Simpkins, BD Wong, Irrfan Khan, Vincent D’Onofrio.

Director: Colin Trevorrow

Synopsis: In order to boost falling attraction numbers at the dinosaur theme park, Jurassic World, the company creates a new dinosaur, with disastrous consequences…

Review: Sometimes in Hollywood you do wonder if, or indeed when a movie will ever make it to the big screen and escape the doldrums of development hell. Sometimes they don’t but sometimes, films emerge triumphant after a lengthy period of production nightmares. For instance, take the latest entry into the franchise of dinosaur themed mayhem, otherwise known as Jurassic Park. Originally intended for a 2005 release, and thus descending into nearly a decade of the aforementioned development hell. Through all of that though, the final product was completed and it has emerged into a roaring triumph.

Like a dinosaur trapped into an enclosure that has broken free, Jurassic World has been unleashed. With Colin Trevorrow now at the helm, taking over from Steven Spielberg (wait, there was another guy?), in only his second full length directorial feature following his 2011 film Safety Not Guaranteed,  he has brought this franchise wholly back on course after the big disappointment that was Jurassic Park III (oh that’s right…). With the disappointment of that hanging over it, the franchise that was ironically at risk of becoming a fossil after  fourteen years in the wilderness, this is if you do count the aforementioned lacklustre third showing, (to which it is possible many do not) has come out roaring and proves that there is still much life left in this franchise.

Having been over a decade, almost all of the former cast members have now become fossilised, and in their places, enter Chris Pratt as gruff raptor trainer Owen Grady who is sought after by the park’s operations manager Claire Dearing (Bryce Dallas Howard) to ensure that the park’s big, bad and risky science project, the Indominous Rex is suitable for public viewing before the exhibit is unveiled. It is at this point, that everything starts going wrong (as you might expect) with some dinosaur made havoc being unleashed on the Jurassic world visitors as well as our protagonists, who include Claire’s two young nephews Zach (Nick Robinson) and Gray (Ty Simpkins) who are desperately trying to avoid becoming a meal for the terrifying Indominous.

jurassic world
Stay, my pretties…

As previously mentioned, this new adventure is a much needed return to form for the franchise. Following from his turn in the box office stomping, smash ride Guardians of the Galaxy, Chris Pratt shows his action chops once again and provides a solid performance as the film’s primary protagonist. Claire, the aunt of the two boys caught up in the mayhem, initially shuns her two nephews in favour of keeping an eye on the proceedings in the park, and seeks to maintain her professional, businesswoman persona even in the face of the carnage. Yet when caught in the thick of it, she drops this and shows family compassion and courage particularly when her nephews are in some serious trouble. The nephews themselves at times can be exceedingly frustrating and annoying, particularly the younger one. There are some story lines with them that are left at loose ends, which is a bit frustrating. Furthermore the dialogue at times feels very wooden, but it’s not what we came here for, we came for some dinosaur carnage, and boy do we get it.

With action and chase sequences that pack a punch and are without doubt an homage to the 1993 classic, Trevorrow does manage to reinvigorate the action. With a premise that is similar to the previous films, it could very easily go wrong, but it feels new and fresh, even though we have been getting monster filled carnage in movies during this franchise’s absence such as Godzilla and Pacific Rim. It at this point could very easily become stale, however it is not. Trevorrow through his action scenes clearly respects the first film, and the game-changer for cinema that it was. Yet there is enough on show here to recapture the imagination, wonder and joy that so many people experienced when the first movie came out, especially with the final throw down which is nothing short of terrific. The CGI remains top notch, with some solid directing and a top score by Michael Giacchino, there is a lot of fun to be had. There was very little chance of bettering Spielberg’s 1993 belter, but Trevorrow and gang gave a right good go of it, and for that, credit where credit is due. The park opened, and it opened in style.

With a script that does feel a bit wooden, and at times stale, the movie is weighed down somewhat, but with cool throwbacks to the 1993 classic, and some exhilarating action sequences, there is plenty more life in this franchise. 

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Posted in 2010-2019, Film Review

Dawn of the Planet of the Apes (2014)

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Image is property of Chernin Entertainment, TSG Entertainment and 20th Century Fox

Dawn of the Planet of the Apes – Film Review 

Cast:  Jason Clarke, Andy Serkis, Gary Oldman,  Keri Russell, Toby Kebbell, Kodi Smit-McPhee

Director: Matt Reeves

Synopsis:  Ten years after the events of the first film as humanity has been devastated by the virus. The colony of Apes, led by Caesar are prospering. However, when a last batch of surviving humans resurface, tension resurfaces and it is poised to erupt into a war  to establish control over the planet.

Review: Sequels, are seemingly ever-present in the world of Hollywood. Sometimes, they come along and disappoint, failing to top its predecessor, or nothing more than a cash grab. Yet when a sequel takes the first film and tops it, in many ways, it is something to be admired. 2014 showed itself to be the year of remarkable sequels.  With the Matt Reeves-directed Dawn, a sequel to 2011’s Rise, we continue that great sequel trend with a beautifully directed and riveting story that will ensure that the Planet of The Apes franchise is not going anywhere any time soon.

With humanity obliterated in the wake of the Simian virus that was unleashed at the end of Rise, Caesar, once again brilliantly motion captured by Andy Serkis, and his crew of apes have their spot where they live. With a whole community established, it is enthralling to watch the apes interact with each other. They have their own language and their population is thriving. There are no humans about (or so they think) and all is right in the ape world. They live, and they prosper. This is, until a group of humans come along looking for something to help their population return to normality. Instantaneously,  conflict threatens to break out once more between the two factions amid uneasy truces. Distrust is brewing in the ranks of both camps and it threatens to completely boil over into all-out war as there are those on both sides who simply do not trust the other. In some cases, these reasons are clear and in others, they are not.

Through the marvel of motion capture realised by WETA Digital, it is Andy Serkis in the role of Caesar who completely steals the show once again. His performance is incredible to watch, it is almost as if it is not brilliant computer-generated imagery and is actually a real life ape communicating with humans. He is the glue that binds the ape community together and he is the star of the show. The motion capture technology looks astoundingly for all of the ape community, with different actors playing different apes, and the different personalities of all of the apes shine through. Yet Caesar’s not the only ape who takes the limelight, the more hostile angry Koba, portrayed by Toby Kebbell is an ape on a mission, to eradicate humanity. He is vicious and angry and is determined to gain revenge on the humans.  The computer generated imagery is flawless and it is a strong contender to scoop some awards for its breathtaking visuals in this year’s awards season. With great apes also come some interesting human characters, namely Malcolm (Jason Clarke) and Dreyfus (Gary Oldman) also come into conflict about what to do with the Apes. One wants peace, the other wants war, and it threatens to boil over at any given moment.

The action in this film is taken up a notch from the first movie, with some enthralling battle scenes. 2014 offered some sweet action scenes but some of the battles in this sequel are some of the stand-out moments of cinema in 2014. As the title poster illustrates, apes on horses is a sample of this brilliance. Under Matt Reeves’ masterful direction, Dawn provides a compelling and somewhat moving story about a fight to survive, mixed with compassion and a desire for both species to co-exist, whilst some factions of both communities strive for supremacy over the other. With a third film in the works, once again directed by Reeves and scheduled to be released in 2017, more Apes goodness will be on the way.

With incredible visuals, interesting human characters and even more interesting apes, combined with a really well-told and interesting story, this is arguably the best entry of the revitalised Apes franchise, and with Reeves returning for a third outing, the stage is set for something special. 

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Posted in 2010-2019, Film Review

Interstellar (2014)

interstellar
Image rights belong to Syncopy, Lynda Obst Productions, Legendary Pictures, Paramount Pictures, Warner Bros. Pictures

Interstellar – Film Review 

Cast:  Matthew McConaughey, Anne Hathaway, Jessica Chastain, Mackenzie Foy, Michael Caine, Casey Affleck, Bill Irwin, Josh Stewart.

Director: Christopher Nolan

Synopsis:  With planet Earth dying due to a lack of food, former engineer Cooper (Matthew McConaughey) is recruited for a mission to explore new worlds in a bid to find to find a new home world for humanity.

Review: When anyone mentions a list of the best Hollywood directors working today, names like Steven Spielberg or Martin Scorsese might come to mind. However, one name that will surely go down in the Hollywood Hall of Fame is Mr Christopher Nolan. The man who brought Batman back to the fore of the superhero genre, and with Interstellar, brilliant science fiction storytelling is merged with brains.

If you had to describe Nolan in one word, it would be ambition. Inception dealt with dreams and the subconscious, his brilliant Dark Knight trilogy dealt with order and chaos in society, and with Interstellar, his most ambitious film to date, the premise of wormholes and the theory of relativity, inspired by the work of physicist Kip Thorne. Steven Spielberg was once attached to direct the project, but left and the project fell into the lap of the Nolan brothers.

One could argue that few directors would have the bravery to take on a film of such scope. The sheer ambition of the story might have caused other directors to back off, but not Christopher Nolan. The scale of the film is immediately shown, and it gets your brain thinking and working, whilst at the same time, leaving you breathless with the thrilling cinematography that is provided throughout. The launch sequence and the journey to the new worlds are all riveting, on the edge of your seat entertainment. Along with the magnificent cinematography and excellent directing, frequent Nolan collaborator Hans Zimmer once again weaves his magic and produces a terrific score to accompany the film. The action scenes are accompanied by sweeping music that adds a great level of intensity to what’s occurring on screen.

Many great directors pick out the perfect actors for the roles they write, and Nolan is no exception. Fresh from his Oscar success, Matthew McConaughey is on hand to lead this voyage, and he does so in great style. While his accent is hard to grasp at times, you empathise with him and his struggles with his daughter, his determination to save her and his family, who are trapped on a dying Earth. Anne Hathaway also gives an excellent performance as one of the fellow astronauts on their mission. Child actresses can sometimes be hit or miss on such big blockbuster occasions. Yet on this occasion, Mackenzie Foy was on stellar form as Cooper’s daughter Murph. Her emotion and connection with her father is felt, you care about her relationship with Cooper and want to see them reunited. This continues when Murph has grown up and is played equally brilliantly by Jessica Chastain. Unfortunately, Cooper’s son, played by Casey Affleck, is left somewhat underdeveloped, as there is no connection there with his character, in comparison to that of Murph. His son is somewhat left on the sidelines, yet the emotional bond between Murph and her father drives the film, and does so to incredible proportions.

One minor fault in that the film’s run time was maybe just a bit too long, and could have potentially wrapped up sooner. However, in this world of filmmaking, an original film that is not a sequel or a franchise is rare, and Nolan has once again brought an incredible experience to the big screen. Brains, beauty and incredible storytelling, it is almost like Gravity meets 2001: A Space Odyssey. In a year that has brought us some remarkable films, Interstellar has taken off and landed among the best films of the year, and is an out-of-this-world addition to the remarkable filmography of Christopher Nolan.

With breathtaking cinematography, wonderful acting and a powerful emotional story at its core of human courage and sacrifice. Interstellar is a cinematic event that will scramble your brain cells, but at the same time, it will take your breath away.

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Posted in 2010-2019, Film Review

Edge of Tomorrow (2014)

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All Image Rights belong to Warner Bros, Village Roadshow Pictures, RatPac-Dune Entertainment, 3 Arts Entertainment, Viz Productions

Edge of Tomorrow – Film Review

Cast:  Tom Cruise, Emily Blunt, Bill Paxton, Dragomir Mrsic, Charlotte Riley, Jonas Armstrong, Franz Drameh, Kick Gurry, Tony Way, Noah Carter

Director: Doug Liman

Synopsis: Lieutenant William Cage is an untrained soldier forced against his will to join in a battle fighting against deadly alien foes. But when he dies in combat, he mysteriously awakens, reliving his penultimate day over and over again…

Review: Many movies often borrow elements from movies gone by . They also might borrow from other entertainment forms, and take them in interesting new directions. For instance, if you take the time loop element of movies such as Groundhog Day,  the Normandy beach landings as depicted in Saving Private Ryan, and elements from the popular video game franchise Halo. When these things are merged together, the end product is this thrilling sci-fi adventure.

Adapted from the anime novel All You Need is Kill by Hiroshi Sakurazaka. Humanity is at war with an alien race and the troops are being rallied in England to prepare for an attack on the enemy foe. Enter William Cage (Tom Cruise), a top General in the US army who is more into talking than fighting. He ultimately is forced onto the front line to help repel the alien forces. Yet after seemingly meeting his maker, he finds himself waking up, relieving the same day again and again.  As the film’s tagline goes” Live. Die Repeat.” and this happens many times. This premise may sound familiar, but with Doug Liman (Bourne Identity, Mr and Mrs Smith) on the director’s chair, what we have an innovative and refreshing perspective on this similar premise.

For three decades, Tom Cruise has given us exciting action movies such as the Mission Impossible series. And yet again, he gives another enthralling performance as we see his character really progress from quite frankly a complete wimp who barely knows how to fight, to a fearless warrior determined to wipe out the foe whilst using his impressive tech suit.  Despite being 52 years of age, the man can still give a solid action performance. As he falls each time, he learns something new and uses this knowledge to his benefit. The key piece in this science fiction puzzle however is Rita Vrataski (Emily Blunt). Her character has gone through something similar to Cage and he must utilise her knowledge to help win the war.  The two leading actors have great chemistry on screen as she is the one who helps train him into the soldier that he needs to become. Blunt gives an exceptional performance  and demonstrates that you can have a strong female protagonist who does not need a man to stand up and make herself count. In many respects in this film it is vice versa, he is the one who needs her to stand up and make himself count.

Liman himself stated that the scenes with the character repeatedly dying and respawning were  an intentional comparison to video games. The fight scenes are fun to watch, particularly with Cruise running in his tech suit and taking down the bad guys. While the fighting does come across as almost too video game like at times, it is intriguing and there is plenty of action here to get the heart pumping. In particular the final showdown against the aliens is fantastic to watch. The continuous loop element of the movie could be tedious and dull. Yet it works to great effect as each time Cage bites the bullet, there is something new and energising that is brought to the plot, and it effectively moves the plot forward.

With elements of video games and time loops and time travel from past movies all blended together, along with a revitalising and exciting story that keeps you entertained from the word go. The final result is a film you will (hopefully) enjoy and watch many times.

Watch. Enjoy. Repeat 

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Posted in 2010-2019, Film Review

The Hunger Games: Catching Fire (2013)

All image rights belong to Lionsgate
Image is property of Lionsgate

The Hunger Games: Catching Fire – Film Review 

Cast: Jennifer Lawrence,  Josh Hutcherson, Woody Harrelson, Liam Hemsworth, Elizabeth Banks, Philip Seymour Hoffman, Sam Claflin

Director: Francis Lawrence

Synopsis: Katniss has sparked rebellion in the twelve districts of Panem and she has become the target by the ruthless Capitol. As rebellion is brewing, the Capitol prepares for the 75th Hunger Games, also known as the Third Quarter Quell, and one that will change Katniss’s life forever…

Review: A bigger and better adventure than the first film of what already has the makings of a very successful franchise.  A franchise that is quite simply not a plain rip off of Battle Royale as some people would have you believe.

The opening begins with the consequences of Katniss and Peeta’s open defiance against the Capitol following their victory in the previous film. Katniss in particular feels the full wrath of the cold President Snow (Donald Sutherland) who threatens Katniss with the deaths of all those she holds dear unless she cools the brewing rebellion that is gaining momentum throughout the nation’s twelve districts. Katniss is seen as the symbol of rebellion and Snow desperately wants to kill her to crush the rebellion. Yet Plutarch Heavensbee (Philip Seymour Hoffman) suggests that she be brought down to the level of the Capitol and the symbol of hope that she has become will be eradicated. Sutherland takes his performance form the first film up a gear and he definitely comes into his own as the cold and cruel leader of Panem.

Jennifer Lawrence rose to super stardom following her performance as the film’s star heroine in last year’s film. Following on from this, the 23-year-old has got bigger and now has on Oscar for her role in Silver Linings Playbook. The only way is up for her and her performance as the film’s lead character was again fantastic. A strong and powerful female heroine is rare in films these days but with Jennifer Lawrence as Katniss, she gives us the strong female lead that has helped define this franchise and dare I say, helps bring a positive image of women in action movies and not the sulking and needy women that has come from franchises of the past (*cough* Twilight *cough) The returning cast are also on form again with Stanley Tucci as the bubbly Casear Flickman and Elizabeth Banks as the ever colourful and this time much more emotional Effie Trinket.  Josh Hutcherson and Woody Harrelson also reprise their roles to great effect. Among the new members of the cast, Sam Claflin is the most noteworthy as Finnick Odair. Yet the likes of Beetee (Jeffrey Wright), Wiress (Amanda Plummer), Mags (Lynn Cohen) and Johanna (Jena Malone) also make strong impressions.

Under a new director, Francis Lawrence who is not a relation of Jennifer, the film’s action scenes definitely improve and the frustrating shaky cam has been done away with. This film does focus a lot more on some of the crucial elements that are within the books and as the content of this film is considerably darker than its predecessor. A notable example of this is the significance of the Mockingjay pin that went completely amiss in the first film. The director does a great job in bringing those elements from Collins’ novel to the big screen and all in all it is pulled off really well with some exciting and pulsating scenes especially when we get to the arena which again is done extremely well.

Under Lawrence’s direction, this franchise is in good hands and the final two parts of the franchise have got the potential to be even better than the first two. With the third biggest opening in the UK for 2013, it seems the UK public continues to want the odds to be in their favour. This film definitely delivers what the hordes of passionate Hunger Games fans wanted to see.  It was exciting, dark and was all around perfectly executed. It was much more loyal to the book than the first film. While it was not completely loyal, it was still very enjoyable and I eagerly await the next instalment of this franchise.

Upping the stakes as a sequel should, Catching Fire delivers much more compelling action with a really solid story that ensures the odds are very much in this franchise’s favour.

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Posted in 2010-2019, Film Review

Pacific Rim (2013)

All image rights belong to Warner Bros and Legendary Entertainment
Image is property of Warner Bros and Legendary Entertainment

Pacific Rim – Film Review 

Cast: Charlie Hunnam, Idris Elba, Rinko Kikuchi, Charlie Day, Max Martini, Robert Kazinsky, Ron Perlman, Burn Gorman,

DirectorGuillermo Del Toro

Synopsis: When a portal opens at the bottom of the Pacific Ocean and huge alien monsters called Kaiju begin to attack human cities and wipe out thousands of lives. The leaders of the human race pit their resources together and construct huge robotic machines known as Jaegers in order to prevent the oncoming apocalypse

Review:  When the notion of a film’s plot line consists of big robots taking on huge alien monsters , it is a plot line that sounds strangely familiar and one that has been done to death. The likes of Godzilla and Transformers come to mind. However, under the guidance of the visually brilliant Guillermo del Toro, Pacific Rim is a fantastic blend of the two and is a terrific and thrilling ride.

The film sets the scene with a prologue in which these frightening Kaiju creatures have destroyed plenty of cities and slaughtered lives across the world. Humanity’s last line of defence against these creatures is the Jaeger program, headed by Marshal Stacker Pentecost (Idris Elba) who seeks the help of Raleigh Becket (Charlie Hunnam) to come out of retirement and pilot one of these machines.

The acting on show here is of a decent order with Charlie Hunnam proving to be a strong willed and determined protagonist. Alongside him we have Mako Mori (Rinko Kikuchi), a young and untested Jaeger pilot who is keen to prove herself to Marshal Penetecost. The two form a solid relationship as the film progresses and their relationship is a crucial element to the story as they must work together to build a solid neural link together to ensure humanity does not reach its doom at the hands of the Kaiju. Idris Elba is as awesome as he always is in everything he’s in and you can see the fuel in him that drives him to lead the ship through the difficult storm of mayhem and destruction that the Kaiju are bringing to the people of Earth. This desire is apparent within all of the leading characters and through it it drives the story forward.

On the other hand, the apocalyptic mood of the film is counteracted by the humour of the two scientists in the film with Dr Hermann Gottlieb (Burn Gorman) and Dr Newton Geiszler (Charlie Day) who whenever they are on screen always seem to be bickering and squabbling with one another as to how to best defeat the monstrous invaders. Their rivalry and differences of opinion is fun to watch but deep down their desire to ensure humanity’s survival is apparent within both of them.

While the relationship between the three leading characters is central to the story, the fight scenes on show are of monstrous proportions. The size of both the Kaiju and the Jaeger takes your breath away and you watch with glee and suspense as these two titanic monsters go head to head in jaw dropping and exhilarating fight scenes that are among the best that we have seen in this year’s selection of films. Cars get crushed and buildings are reduced to rubble as these great beasts do battle against these great machines of war.  An Oscar nomination for Best Special effects could definitely come Pacific Rim’s way next year.

Thus with interesting characters and some thrilling action sequences, Pacific Rim is certainly a fantastic adventure that gets the adrenaline pumping and leaves the viewer excited and wanting more. Combined with great action sequences and some interesting characters Pacific Rim is certainly one of the finest films that emerged from the Summer Movie season of 2013.

You come for Transformers VS Godzilla essentially and that is precisely what del Toro gives you, and it is nothing but damn good fun.

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