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Wonder Woman 1984 – Film Review

Cast: Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal, Robin Wright, Connie Nielsen

Director: Patty Jenkins

Synopsis: Having spent several decades quietly living among humanity in Washington DC, Diana Prince must spring into action as Wonder Woman when a nefarious businessman threatens to reap chaos across the world….

Review: Ever since superhero films have enjoyed a surge in popularity from the late 2000s onwards, the number of films that had women at the front and centre of them were few and far between. It wasn’t until 2017, that a major Hollywood studio produced a female led superhero film. That film was of course, Wonder Woman, which brought the DCEU back from a likely early demise, whilst blazing a trail for other studios to follow in DC’s wake. With the same creative minds returning to helm this sequel to its trailblazing predecessor, it’s extremely disheartening to say that that having worked wonders with the first film, these creative minds have returned to offer a sequel that is a colossal disappointment.

Swapping the trenches of World War I, for the bright lights of 1984 USA, Diana Prince has now settled down in Washington DC quietly living amongst humanity. Whilst occasionally suiting up as Wonder Woman, to protect humanity in any way she can, her life is quite a lonely one without her fellow Amazonians for company. However, whilst helping to collect rare artefacts as part of her job working for the Smithsonian Museum in Washington DC, she befriends Barbara Minerva (Wiig) a shy and awkward geologist. The pair of them encounter a rare artefact that intrigues them both, but also captures the attention of Maxwell Lord (Pascal), a business tycoon who wants this artefact for his own selfish purposes, that threatens to unleash catastrophic consequences for humanity.

One of the few saving graces for this sequel, is that of Gal Gadot’s performance as the titular heroine. Once again, she proves what an inspired casting choice she was to play this role, as she has no shortage charisma and charm to make the audience want to root for her. The dynamic between her and Chris Pine’s Steve Trevor proved to be one of the strongest aspects of the first film, as well as being ripe material for comedy. While it is good to have Pine back in this role, and the role reversal in their relationship is intriguing, the explanation for his return is merely given the most fleeting of mentions, which makes his whole return feel really undeserved and sloppily written.

This feeds into what amounts to be the film’s biggest problem, namely that the film’s script, written by Jenkins, Geoff Johns and David Callaham is extremely clichéd and shockingly lacklustre. While the first film, touched on fascinating themes of humanity, and the ugliness and devastation of war, the themes explored here are nowhere near as interesting. The plot goes in such a nonsensical and frankly ridiculous convoluted direction, that it feels like it would be far more appropriate for some kind of low-budget horror film, not befitting for one of the most iconic superheroes in comic book history. Furthermore, despite the best efforts of talented actors like Kristen Wiig and Pedro Pascal, the motivations for the film’s antagonists are extremely weak and are not given time to be properly explored and developed. Additionally, while Wiig tries her hardest to make Barbara/Cheetah a compelling villain, Pascal’s performance is so extremely hammy, that it dials the cheesiness to such an absurd degree that he’s more comical than threatening. While he was far from the perfect villain, the shortcomings of the antagonists here make Ares seem like the most cunning and ruthless villain ever seen in a comic book film to date.

While the action is once again competently directed by Jenkins, there’s nothing here that comes anywhere close to recapturing the thrills and the sheer awesomeness that is the No Man’s Land sequence in the first film. While that film’s climax came in for criticism for a overly CGI third act, there was heart to it that made it compelling to watch. That heart is nowhere to be found for WW84‘s anti-climatic third act, which is compounded by some inexcusably poor CGI for Cheetah. While Hans Zimmer doesn’t disappoint with his score, it’s a great shame that the film surrounding it falls woefully short of recapturing the wonder of the film’s predecessor.

Even with a stellar leading performance from Gal Gadot, Wonder Woman 1984 is an incredibly disappointing sequel falling far below the standards set by the first film, due to a messy script, and extremely nonsensical plot.

Wonder Woman – Film Review

Cast: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, David Thewlis, Danny Huston

Director: Patty Jenkins

Synopsis: After an American pilot crashes near her home of Themyscira, and speaks of a deadly war gripping humanity, Amazonian Princess Diana decides to stand up and be counted, and bring an end to the war that threatens to devastate humanity.

Review: Right now, there can be little doubt that superhero/comic book films is a genre that is thriving at this moment in time. Yet despite this domination, one thing had always been missing from the genre particularly since its renaissance post 2008, and that is the remarkable lack of a female superhero driven flick. A film showing that a woman can be if she wants to be, an absolute badass who will absolutely not let any man dictate what she does or where she goes. It has been quite remarkable that it has taken this long, but better late than never, and one can hope that more will soon follow.

It would be fair to say that much was riding on this film to be a success, given that the DC Extended Universe has not enjoyed the best of starts. Man of Steel was received fairly warmly, but the same cannot be said for Batman V Superman and Suicide Squad. Though all had varying degrees of entertainment to them, it would be putting it mildly to say that there were a fair amount of naysayers for each of them. In turn, the DC Universe was struggling to get off the ground, but now that is about to change, thanks to our titular heroine. She had already graced our screens with her small but significant role in BVS (as well as being one of the film’s saving graces!) Now director Patty Jenkins goes back to show how she became the invincible warrior, a journey that takes her to our human world, and more specifically World War I.

Stealth mode…

Of course, she’s not alone in this fight, with love interest Steve Trevor (Pine) involved in a covert plot to retrieve some vital information, all the while Diana is thinking there are some sinister forces at work, leaving her eager to march into battle and defeat the evil that she believes is corrupting mankind. Continuing from where she left off Gadot is superb to watch in the role, she has the charisma and compassion that makes you want to root for her. Furthermore, when she’s being the absolute boss that we know she is in the heart of the First World War, it’s simply fantastic to watch. The studio had always wanted a female director and Jenkins proved herself to be the perfect choice, as the action scenes are directed faultlessly and are visually mesmerising to look at, aided superbly by the awesome score from Rupert Gregson-Williams.

As to be expected, the theme of female empowerment is strong throughout and Diana embodies that to a T (or should that be a W?) At a time when a woman’s place was inferior to that of a man, Diana is having none of that! The chemistry between the two is what drives the movie forward. Humour is something that has become synonymous with the MCU and there’s plenty of good humour to be found here too. The plot is fast paced and gripping almost all of the time, yet when the third act arrives, this is where it begins to falter a little bit. It chooses to go down a route that is not exactly anything that we haven’t seen before. You would like to see studios try and avoid this somewhat cliched storytelling, but at least there are villains that are not completely disposable, unlike some of the MCU villains.

This woman means business…

After three attempts to get their Universe up and running, it was beginning to feel like time was running out for DC and this was last chance saloon for the DCEU to get going in order to stand a chance of facing up to the might of Marvel. While that is still a bit of a way off for the time being, it fell on Wonder Woman’s shoulders to deliver, and well she certainly delivered those goods, and in wonderful style too!

A truly wonderful origin story that delivers compelling characters, pulsating action sequences and a truly awesome lead performance from Gadot, the DCEU finally achieves a proper lift off.