Posted in 2010-2019, Film Review

Venom (2018)

Image is property of Sony, Columbia and Marvel

Venom – Film Review

Cast: Tom Hardy, Michelle Williams, Riz Ahmed, Jenny Slate, Reid Scott

Director: Ruben Fleischer

Synopsis: Investigative journalist Eddie Brock investigates the Life Foundation and its shady experiments. In doing so, he becomes one with a sinister alien symbiote that gives him superhuman abilities..

Review: It would not exactly be an astute observation to say that over the last few years, Hollywood has treated audiences to a rather large amount of superhero films. The market has become extremely well saturated and so in order to make an impression in this crowded field, you really have got to stand out. Hence, a film that focuses on a character who is not exactly a hero by any stretch of the imagination, can give you that opportunity. While this is not exactly new ground (see Deadpool), it nevertheless gives you a chance to create something unique. Specifically in Eddie Brock/Venom, you have a chance to truly show that “the world has enough superheroes.” Unfortunately, this chance is completely squandered.

Immediately, you know that this is not in the hands of those folks who, piece by piece, put together the wonder that is the Marvel Cinematic Universe. It starts off interestingly enough though as a mission by the Life Foundation brings these alien symbiotes back down to earth to use them for experiments, and our eponymous anti-hero is born when investigative journalist Eddie (Hardy) merges with one of these symbiotes when clandestinely investigating this organisation. Now Eddie and this Venom creature must learn to live and co-operate with each other whilst trying to prevent the organisation and its CEO Carlton Drake (Riz Ahmed) from carrying out future experiments.

“Bring Your Symbiote to Work Day” did not end well…

Given that a previous version of this character was completely shoehorned into Sam Raimi’s Spider-Man 3, and was only given the most briefest of nods in The Amazing Spider-Man 2, a solo film seemed like a good idea, and on paper, the potential is there. With an actor as good as Tom Hardy in the lead, there is cause to be optimistic. While he is certainly trying his best, there is something about his performance that just doesn’t quite click, and his accent is a little iffy in places. Opposite him, Michelle Williams also tries her best, but the lack of chemistry between her and Hardy really hinders the plot. The screenplay also really doesn’t help matters as the set up of Brock becoming Venom is really sloppy in its execution. Also Riz Ahmed is completely wasted in a villainous role, that had this been part of the MCU, would put him in the not-so-prestigious company of some of the weaker MCU villains. Also his main goal just does not make any sense whatsoever.

The dialogue all round here is generally pretty poor. There are some funny moments but it is definitely more of a case of laughing at the characters, rather than with them. What is somewhat interesting is the dynamic between Brock and the villainous symbiote. There is at the very least a solid distinction that they are two very different people, something that the Topher Grace iteration of the character didn’t quite get right. What’s more, moments that are clearly intending to be funny, just come across as awkward, embarrassing and extremely painful to watch.

Fleischer’s past works include Zombieland and Gangster Squad, so he knows how to craft action scenes. While there are some competently made action scenes, we have seen the Marvel Cinematic Universe really show us how it is done when it comes to this aspect. There is nothing here that stands out when you compare it with some of the work that has come from the MCU. Furthermore, a film such as this is tailor-made to push the boundaries and go for some really strong violence, but it doesn’t utilise this opportunity and that is extremely disappointing.

Much like Universal’s Dark Universe, that has seemingly died a death after one film, it might well be the case that Sony’s Marvel Universe is over before it has a chance to get going. However, if he became part of the MCU, the potential that is there for a such an interesting character to be given the big screen treatment that could maybe do the character justice, which would be most welcome after two cinematic misfires.

An insipid and lacklustre attempt to bring something new to the genre, complete with a messy screenplay, and extremely bland and uninteresting characters.

We… are most definitely NOT Venom.

Posted in 2010-2019, Film Review

All the Money in the World (2017)

Image is property of Tristar Pictures and Scott Free Productions

All the Money in the World – Film Review

Cast: Michelle Williams, Christopher Plummer, Mark Wahlberg, Charlie Plummer

Director: Ridley Scott

Synopsis: After his grandson is kidnapped and held for ransom, billionaire businessman John Paul Getty refuses to negotiate, while his mother works tirelessly to secure his release.

Review: It became one of the biggest stories in the world of film in 2017. When allegations of sexual misconduct were made against Kevin Spacey, it had far-reaching consequences. With Spacey having completed filming for the role of John Paul Getty, amid fears that having him in the final film would be financially catastrophic, it prompted Ridley Scott to hurriedly axe Spacey from the role of John Paul Getty and instead replace him with Christopher Plummer, at a reported cost of £7.5 million. It was an enormous gamble, but one that definitely paid off.

Based on the incredible true story, as he’s walking around Rome, John Paul Getty III is whisked away by some kidnappers who demand a lofty ransom from his super rich grandfather. This sets in motion a tense battle between Getty and the mother of his grandson Gail (Michelle Williams) to ensure his safe release. While Gail is doing all she can to secure her son’s release, Getty remains defiant, refusing to submit to the demands of his grandson’s kidnappers, whilst being extremely cold and distant towards Gail. This sets off a chain of events that trigger a race against time to ensure that her son makes it back home alive, whose life it would be fair to say, is hanging in the balance.

For what it is worth, those pricey reshoots certainly made everything worthwhile as Plummer is tremendous and steals the show. It is hard to imagine anyone else playing this role. In spite of his vast riches,  and despite caring for all of his grandchildren, he simply refuses to negotiate or cave to the kidnappers demands, and though it seems heartless, you understand why he refuses to give in to the demands of his grandson’s kidnappers. The screenplay by David Scarpa, adapted from Painfully Rich: The Outrageous Fortunes and Misfortunes of the Heirs of J. Paul Getty (quite the long title!) tells this remarkable story in a manner that is extremely gripping. Though the film does suffer from some pacing issues where not a great deal is happening, the back-and-forth between Getty and Gail makes for some tense magnificently acted family drama.

Speaking of, Michelle Williams as Gail is also superb. In spite of the extreme difficulties she faces in getting Getty to cough up, she pursues every avenue that she can, possessing a relentless motherly drive to be reunited with her child, who is brought to the screen tremendously well by Charlie Plummer (no relation to Christopher). Wahlberg certainly doesn’t steal the show like Plummer or Williams, but he gets the job done as the man who Getty hires to assist Gail in her desperate quest to find her son.

Ridley Scott is a director who has had quite the career, but with Alien: Covenant receiving a decidedly mixed reaction among many cinema goers, it is pleasing to see him bounce back here. The film is directed tremendously well and Scott brings out some excellent performances from his cast, which is impressive given how little time he had to complete the reshoots to make the film’s release date. The third act especially is where Scott really turns the tension up a few levels and delivers a pulsating conclusion to a film that might have gone down in the history books for all the wrong reasons if Scott had chosen to not do anything. Thankfully, and indeed all the money in the world (well not quite) to help pay for those reshoots ensured it is another remarkable entry into Ridley Scott’s remarkable filmography, and given the circumstances, that is some achievement.

An incredible true story told with sincerity by Scott and boosted by the superb award worthy performances of Williams and Plummer, all the more remarkable given the circumstances that necessitated the latter’s last minute involvement in the project.