Posted in 2020-2029, Film Review

Doctor Strange in the Multiverse of Madness (2022)

© Marvel Studios

Doctor Strange in the Multiverse of Madness – Film Review

Cast: Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, Rachel McAdams

Director: Sam Raimi

Synopsis:  After an encounter with a girl who has the ability to travel in between different multiverses, Doctor Strange begins to fully grapple with the concept of the multiverse and the horrors it could unleash….

This review will be 100% spoiler-free…

 

Review:  The Marvel Cinematic Universe has become such a gargantuan cinematic juggernaut of an impressively inter-woven universe that has successfully tackled a plethora of different genres across 28 different films. However, despite all of its incredible accomplishments, there is one particular genre that (for understandable reasons) the MCU has avoided tackling, and that is horror. Multiple projects of Phase Four have established the multiverse as a central aspect to their stories, and an endless number of doors have simultaneously been opened for Marvel in Phase Four and beyond. Now, with the Multiverse in full swing, it has allowed Marvel to fully embrace this concept, and what better director to bring this to life, than Sam Raimi.

Following on from the events of Spider-Man: No Way Home, Dr Stephen Strange is beginning to grapple with the multiverse and all of its infinite possibilities. Whilst at the wedding of his former co-worker and one-time love interest Christine (McAdams) he encounters a girl named America Chavez (Gomez) who has the power to travel in-between multiverses. Strange quickly realises that with the scope of her powers, it is extremely likely that some dangerous individuals will soon be making their play, wanting her power for their own ends. Fearing the consequences if that came to pass, he seeks the help of someone else who has knowledge of the multiverse, Wanda Maximoff (Olsen), to help protect America and prevent her power from falling into the wrong hands.

In what is his sixth time playing the ex-Sorceror Supreme, Benedict Cumberbatch once again excels in the role. It is clear when we meet him that this is a man with a lot on his mind, especially since he played such an integral role along with Spider-Man (remember him?) in establishing the multiverse and all of its perils as a very real danger to the world that he is sworn to protect. Furthermore, even though his actions helped restore the universe to undo the consequences of the Blip, there are some decisions that Strange is grappling with. Most notably, concerning his one-time flame Christine. However, with the arrival of America Chavez, Strange knows that he cannot afford to dwell on the past, because dangers both old and new, are threatening to reap unimaginable destruction on not just our world, but every world out there. Given how central her character is to the film, Xochitl Gomez brings likeability, fearlessness and determination to the role of America Chavez, and she stands toe to toe with the experienced MCU regulars.

While Cumberbatch excels, the even bigger star of the show here is Olsen’s latest portrayal of Wanda Maximoff. The events of WandaVision gave Olsen a chance to dive deep and fully explore the tragedy of this character. Having seen what her life could have been through those alternate realities, this is a woman who is on a deeply personal mission. Now fully embracing her Scarlet Witch mantra and fuelled by a frightening combination of rage, grief and heartache for her long lost family, it enables Olsen to demonstrate a side to Wanda that’s unlike anything we’ve seen before, an extremely powerful being who’s more than capable of giving any character in this universe a run for their money, and more than likely, a good arse-kicking.

With his experience with both the realm of Marvel with the original Spider-Man trilogy, along with the Evil Dead trilogy that launched his career as a director, it is fantastic to see Sam Raimi back in the director’s chair after a nearly decade long hiatus since his last project in 2013. The visual effects wizards once again bring the magic when it comes to the actions scenes, but it is no coincidence that with Raimi at the helm, the film really pushes the boundaries of the 12A/PG 13 rating, in a way that the MCU has never done up to this point. Some scenes definitely have a more noticeably horror movie element to them, and are much more violent. It could have been a match made in multiversal heaven. However, it’s really disappointing that Michael Waldron’s (who wrote the Disney+ TV show Loki) screenplay quickly becomes very convoluted and is filled with a frustrating amount of exposition that really drags the film down, with certain scenes serving as little more than fan service that doesn’t drive the plot forward.

With a title like In the Multiverse of Madness, audiences would surely have expected a thrilling ride that delves deep into the madness of the concept of a multiverse, especially given what the MCU has already explored with the concept thus far. Yet, the reality is that what’s presented here only really scratches the surface of what it could have explored in the 126 minute run time. Multiversal shenanigans are enjoying an unprecedented spell of popularity at this moment in time, and the potential was there for another great entry into this particular sub-genre. Yet, even with the recruitment of Raimi, not even his wizardry can conjure away the feeling that this is a massive missed opportunity.

It’s a joy to see Sam Raimi return to the realm of superhero filmmaking. Though, even with him working his magic, this multiversal adventure never fully lives up to the potential teased by its bonkers title.

Posted in 2010-2019, Film Review

The Shape of Water (2018)

Image is property of Fox Searchlight Pictures and TSG Entertainment

The Shape of Water – Film Review

Cast: Sally Hawkins, Richard Jenkins, Octavia Spencer, Doug Jones, Michael Shannon, Michael Stuhlbarg

Director: Guillermo del Toro

Synopsis: In the middle of the Cold War, a mute woman working at a top secret research facility develops a unique relationship with an amphibious creature that has been brought in for testing.

Review: Hollywood is certainly no stranger to stories about love, but when you have a director like Guillermo del Toro, here’s a filmmaker who’s certainly no stranger to making a couple of films about some intriguing creatures. Hence, to merge these together for a film with themes of love and acceptance at its core, and fuse these with some fantasy elements, it’s a unique mishmash of genres, the latter of which is right up del Toro’s alley. It’s most definitely bold film-making, but it also happens to be exquisite and beautiful film-making at the same time.

Set in Cold War 1960s USA, Elisa (Hawkins) is a mute woman working at a top secret research facility as a cleaner. She goes about her shift as normal with close friend and co-worker Zelda (Spencer). Their job is very unremarkable, about as mundane as it gets. This is until the arrival of an extremely rare amphibian creature that has been brought in to give the USA an advantage in the Cold War arms race changes everything for Elisa as she forms a very close relationship with the creature.

Love at first sight

To have a leading role in a film and be a mute requires an actor to have extraordinary ability, and thankfully Sally Hawkins has that in abundance as she delivers a truly  remarkable performance. Without saying a word she manages to convey the trauma that her past has clearly inflicted on her. Yet through it all she shows such raw and powerful emotion, about her life and her feelings for those around her, which is an extraordinary accomplishment.  The way that del Toro builds the relationship with his leading lady and the creature (portrayed by GDT regular Doug Jones) is beautiful to watch and to do so without either character uttering a word is all the more remarkable. It serves as a timely reminder that love is such a powerful emotion that it transcends anything, be it disability, gender, race, religion.

Alongside Hawkins, Octavia Spencer provides excellent support as Elisa’s best friend and who also serves as her sign language translator. Likewise for Richard Jenkins as Elisa’s roommate who’s desperately trying to get back on the scene as an artist, who also has his own set of problems that he’s trying to fight. The two of them give Elisa the support she needs as she tries to build her romance with the creature. On the opposite side of that coin comes Michael Shannon’s Strickland, who definitely does not share the emotional connection that Elisa has for the creature. It’s a similar role for Shannon, this no nonsense mean-spirited bad guy, but he does it so well it’s undeniably intriguing to watch.

The work done by the make up team to create the creature is once again absolutely extraordinary, and with some absolutely mesmerising production design and cinematography. The film looks immaculately beautiful, which works to reflect the incredibly heartfelt and touching story that del Toro brings to the screen, which is boosted by an immaculate score provided by Alexandre Desplat. Not everything that you see on screen is pretty mind you, what with it being set in the Cold War, there’s a fair few agendas flying around.

The central themes that this film champions remain as relevant today as they did over half a century ago.  Pitching this film was probably not the easiest film to have been given the green light, but when you have a director like del Toro on board you’ve got enormous potential for greatness, and this is his drenched masterpiece.

A beautiful blend of genres results in a touching and powerful story, soaked with gorgeous visuals and an absolutely stunning turn from Hawkins, this is cinema at its most majestic and magical.