Posted in 2020-2029, Film Review

Jurassic World Dominion (2022)

© Universal Studios and Amblin Entertainment

Jurassic World Dominion  – Film Review

Cast: Chris Pratt, Bryce Dallas Howard, Isabella Sermon, Laura Dern, Jeff Goldblum, Sam Neill, DeWanda Wise, Mamoudou Athie, BD Wong,

Director:  Colin Trevorrow

Synopsis: With humanity and dinosaurs now being forced to co-exist on the planet, the fate of both species is left hanging in the balance when a terrifying new threat to the food chain emerges…

Review: “I wanted to show them something that wasn’t an illusion. Something that was real, something that they could see and touch.” In many ways, these memorable words spoken by Richard Attenborough’s John Hammond during the original Jurassic Park film explaining his thought process for the creation of the attraction could reflect the vision of Steven Spielberg. Dinosaurs were creatures we all learned about in school and Spielberg’s genius vision for that very first film brought these magnificent creatures to life in ways that had never been previously imagined on the big screen, undoubtedly inspiring the imaginations of millions of audience members across the world. It’s a vision that, despite the best efforts of Hollywood, has never been fully replicated in spite of five films across nearly three decades.

Set four years after the events of Jurassic World Fallen Kingdom, dinosaurs are now living alongside humanity on Earth, threatening humanity’s position as the dominant species on the planet. Owen Grady (Pratt) and Claire Dearing (Howard) are trying their best to protect their adoptive daughter Maisie (Sermon) and the super-smart raptor Blue. However, upon the discovery of a horrifying new threat to the world’s global food chain, coinciding with a sinister plot by a mysterious new organisation to kidnap Blue, Owen and Clare must work together to uncover this plot and save the planet and humanity from extinction, which captures the attention of a trio of very familiar faces in Drs Alan Grant (Neil), Ellie Satler (Dern) and Ian Malcolm (Goldblum).

Ever since this franchise came roaring back onto our screens with Jurassic World, it has always delivered one thing to the best of its ability, and that is the thing that most people come to these films for: namely, the dinosaurs. While nothing will ever top the moment we saw a dinosaur for the very first time in Spielberg’s classic (especially with that iconic John Williams score) the film finds new ways to incorporate these prehistoric beasts into play. Whether it is the wonder of seeing dinosaurs for the first time, the thrill of discovering new dinosaurs, or dinosaurs escaping a volcanic eruption, the franchise has consistently delivered enthralling dino action.

With this closing chapter clocking in at 146 minutes, Trevorrow and Emily Carmichael’s screenplay does little to justify to warrant such a runtime. The first act is a little rough as it tries to juggle one too many different plot threads, with what could have been some interesting ideas getting quickly discarded. However, once it finds its feet, it delivers the exciting dinosaur popcorn fun you’ve come to expect from the franchise. The standout moment comes in a particularly thrilling chase sequence that feels like a hybrid combination of Jurassic World meets Mission Impossible meets the Bourne franchise. You could very easily pick some enormous dinosaur-shaped holes in the plot, but there is no denying that it delivers some gargantuanly fun popcorn entertainment.

While Chris Pratt and Bryce Dallas Howard once again give serviceable performances as the franchise’s leads, the franchise has some exciting new blood in the form of DeWanda Wise’s Kayla, a badass pilot who lends her skills to help rescue Blue and uncover this threat to the word’s food supply, while Mamoudou Athie also injects some exciting new blood as an employee at what is essentially InGen mark II. However, by far and away, the joyful aspect of the film is the returns of the beloved original trio of Dern, Goldblum and Neil. While Dern and Neil haven’t been seen since the franchise’s nadir (Jurassic Park III, in case you were wondering) it is so pleasing to see this beloved trio reunite once more, and especially for Goldblum’s Ian Malcolm, who is thankfully given a lot more to do this time around and once again proves himself to be this franchise’s MVP with his wit and humour.

With such a magnificent start to the franchise, it is a shame that in all the three decades since that game-changing first film, there has never been a film that has come nearly as close to recapturing that majesty, and the one who arguably came closest was Spielberg himself with The Lost World: Jurassic Park. While this closing chapter is an improvement on its predecessor, it is getting to the point where you think that they have accomplished all that they can and that now it might be time to let this franchise rest.

While the whole film could have been devoured by an unfocused first act, once it finds its claws and with the delightful return of the beloved cast of the first film, this concluding chapter to the Jurassic franchise found a way to reach an imperfect, but satisfying conclusion.

Posted in 2020-2029, Film Review

The Batman (2022)

© Warner Bros and DC Comics

The Batman  – Film Review

Cast: Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, Colin Farrell

Director: Matt Reeves

Synopsis: In his second year of crime-fighting in Gotham City, Batman begins to investigate a series of crimes that appear to be connected to a serial killer known as The Riddler…

Review: Ever since the character of Batman made his comics debut in 1939, there has been something that’s inescapably appealing about this iconic character. It’s a testament to Batman’s creators Bob Kane and Bill Finger, that in the ensuing decades, his popularity has not waned (pun absolutely intended). For generations of comic book fans, he has continued to be arguably the most recognisable, and popular superhero of all time. Given the character’s popularity, it’s no surprise that numerous directors have taken on the challenge of adapting him for the big screen. Over the years, we’ve seen the sublime, and the ridiculous. Now, under the vision of Matt Reeves, a fantastic new interpretation of the Dark Knight has been born.

Bruce Wayne (Pattinson) is in his second year of fighting crime in Gotham City as the masked vigilante known as Batman. Gotham is a city that’s seemingly trapped in perpetual rainfall, combined with the murky cloud of the city’s extensive criminal underworld. It’s a grim combination that gives Gotham an ominous, foreboding atmosphere, where crime is running rampant and the police are overwhelmed. When a series of brutal murders start taking place in the city, Batman and the Gotham City Police Force begin to investigate. As they begin to piece together the sadistic clues left behind at these grisly crime scenes, they begin to uncover evidence that all of these crimes are linked to a masked serial killer known only as The Riddler.

Donning The Bat’s cape and cowl is an extraordinary responsibility for the actor to take on. Many great actors have taken on this challenge, and every time, each one has brought something unique to the role. With Pattinson’s portrayal, he proves what an outstanding choice he was to take on the mantle. Batman is a character who has multiple aspects to his personality, the man he is behind the mask is a very different one to the one who dons the mask. Any actor tasked with this role must differentiate between these personalities, and Pattinson hits the mark perfectly. However, the casting of Batman is just one piece of the puzzle. One cannot have Batman without his trusted Police ally, Jim Gordon. Side by side with Batman as they solve this riddle, Wright brings his usual charisma to this role, and the pair of them make an effective crime-fighting duo. Plus, one cannot talk about Bruce Wayne’s allies without mentioning Alfred. It’s rare to see him outside of motion-capture performances, but in what screen time he has, Andy Serkis excels.

Casting is such an important part of film-making and it’s high time these people were recognised for their work, especially when the choices, like in this film are flawless. Selina Kyle/Catwoman is always a nuanced and fascinating character to explore. Not quite a hero, but far from a villain, especially when compared to some of the citizens of Gotham. We see a very interesting element to her backstory that’s seldom been explored before, and the chemistry between Kravitz and Pattinson’s Batman is extremely palpable. Of all the iconic superheroes that have graced the big screen over the years, there’s arguably no superhero that has quite more the eclectic gallery of villains than Batman. Though we’ve seen certainly seen some villains more than others. Hence, it is extremely pleasing to see the film bring to the fore many villains that haven’t had as much exposure as others.

Caking an actor in a considerable amount of makeup is not a guaranteed recipe for success, but in this instance, it works perfectly. Unrecognisable under said makeup as the dastardly Penguin, Colin Farell is clearly having a ball with this villainous role. However, in Paul Dano’s portrayal of the Riddler, here’s an extraordinary, terrifying performance that is destined to join the ranks of iconic villains that we have seen in Batman films over the last several decades. From the moment the Riddler makes his first appearance, he immediately sends chills down the spine, delightfully taunting Batman and the Gotham Police with the crimes he’s carrying out. Plus, with all the clues that he leaves at the crime scenes, it makes for a fascinating game of Cat (or should that be Bat?) and Mouse as Batman faces a race against time to solve these clues and figure out what The Riddler is planning.

After his extraordinary work with the two most recent Planet of the Apes films, self-confessed Batman fan Matt Reeves proves he was the perfect choice to helm this new take on this character. The script, written by Reeves and Peter Craig, remains gripping right throughout the 175-minute running time, whilst perfectly illustrating that Batman’s skills as a detective are second to none. Hence, the decision to pit him against the Riddler was proved to be an absolute masterstroke, as he’s a character someone who is well equipped to take on Batman in those psychological mind games. Combined with Greg Fraser’s suitably brooding cinematography that captures Gotham’s ominous atmosphere, Reeves’s direction, especially with those action scenes that are drenched in a continuous downpour, is especially thrilling. For a film that’s just shy of three hours, questions are always going to be asked about that run time, and the editing by William Hoy and Tyler Nelson ensures that the film is perfectly paced.

Through all the decades that we’ve seen Batman on screen, there’s been no shortage of memorable scores that have accompanied the Caped Crusader. Danny Elfman and Hans Zimmer have both given this character an instantly recognizable theme. With his atmospheric score, Michael Giacchino can add his name to the list of composers who have provided iconic music for this character. Through each new portrayal, the enduring appeal of Batman has been passed down through generations of audiences. With this fantastic new incarnation, the legend of The Dark Knight continues to shine brightly, like the Bat-signal illuminating the skies of Gotham City. Bob Kane and Bill Finger would be immensely proud.

Dark and filled to the brim with nerve-shredding scenes that perfectly capture the essence of everything that makes Batman who he is. Matt Reeves’s vision of this iconic character is one that will stand the test of time, as one of the best versions ever produced.