Posted in 2020-2029, Film Review

Onward (2020)

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Onward – Film Review

Cast: Tom Holland, Chris Pratt, Julia Louis-Dreyfus, Octavia Spencer

Director: Dan Scanlon

Synopsis: After receiving a gift in the shape of a magical staff, two young brothers set off an exciting quest to discover if the power of magic could give them one last day with their late father….

Review: A world steeped in fantasy is something that human beings seem to be intrinsically drawn to because regrettably they are worlds that we will never get to experience for ourselves. Perhaps this is why stories set in places such as Middle Earth have that everlasting appeal. But what if you took a modern day metropolis and mixed in some fantasy elements, and add in a society that has consigned such elements to the past be just as enthralling? Thanks to the brilliant wizards at Pixar, the answer to that is a resounding yes.

In the town of New Mushroomton, where magical beings have very much settled for a life of the ordinary routine, reside the Lightfoot brothers, Barley (Pratt) and Ian (Holland) living with their mother Laurel (Louis-Dreyfus). Barley is the typical emo/grunge type who’s just a little bit too much into into his fantasy board games, who pines for a return to the bygone fantastical era. Meanwhile, Ian is someone who isn’t quite sure of himself yet. As a gift from their late father, they’re given a staff that was not to be opened until Ian’s 16th birthday. When they discover the staff has magical capabilities, the two brothers set off on a quest to discover if the magical staff could be used to bring their late father back to life for one day only.

Having spent the last few years mostly focused on sequels, it’s always exciting to see the Pixar Brain Trust turn their creative minds into something fresh and original. As their previous films such as Inside Out and Coco demonstrate, when creating original content is usually when they strike gold. Yet again, their streak continues as Onward is further proof that they still have that magic touch, quite literally. As the two brothers at the centre of this quest, the voice work of Tom Holland and Chris Pratt is exceptional. Due to the strength of the voice work, the brotherly relationship that these two have immediately comes to the fore, and it helps to flesh both of them out as layered characters that you can empathise with.

The argument could definitely be made that there’s perhaps a formulaic nature to this story of two siblings going on a quest to establish and develop a great understanding between themselves. However, the screenplay by Scanlon and co-written by Jason Headley and Keith Bunin tell it in a manner that brilliantly utilises the modern aspects of our society, and simultaneously the elements of a fantasy world to drive the story forward. This also provides scope for them to brilliantly weave some humour, into what is yet another emotional story from this studio that has an everlasting knack to tug on your heartstrings.

With so much focus being on the brothers and their quest, it does mean that the supporting characters, such as their mother Laurel and a legendary former magical creature (Octavia Spencer), are relegated to sideline roles. However, the main quest and its impactful messages of the significance of brotherhood, will certainly not be lost on those who grew up with a brother in their lives. Even more so for those who have a brother that they look up to, and whose support when growing up can be of immeasurable value as they reach the adult years of their life.

Bolstered by excellent voice work, and a humorous blend of modern and fantasy ensure that those wizards at Pixar produce yet another magical and touching piece of storytelling.