2020-2029, Film Review

The Odyssey (2026)

Posted on July 20, 2026September 24, 2026 by Martin: Through the Silver Screen

The Odyssey – Film Review

Cast: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, John Leguizamo, Lupita Nyong’o, Samantha Morton, Benny Safdie, Zendaya, Charlize Theron, Jon Bernthal, Himesh Patel, Elliot Page

Director: Christopher Nolan

Synopsis: Following his victory in the Trojan War, the King of Ithaca, Odysseus (Damon), must embark on a gruelling journey to return home…

Review: From his early career beginnings in the late 1990s when he made his debut film, Following on a micro-budget of $6,000, shooting with a cast and crew made up of his friends on weekends, it feels as if Christopher Nolan has been on his own odyssey as a director. A journey in which he has become an absolute titan of the industry and one of the best and most revered filmmakers in the 21st century. A legacy cemented beyond doubt when he conquered the cinematic mountain, winning the Oscars for Best Picture and Best Director for his powerful biopic on the life and legacy of the founder of the atomic bomb, J. Robert Oppenheimer. A film that very much represented the culmination of his life’s work. Such is the power and prestige Nolan commands, his follow-up could have been just about anything he wanted, and a studio would be only too eager to bankroll it. Any project with his name on it automatically carries intrigue, which would have only heightened when we learnt he would bring his distinctive style to one of the most fundamental texts of Western literature: Homer’s The Odyssey.

As the opening title card reveals, during a ‘time of apparent magic’, King Odysseus of Ithaca has led his army to victory following a gruelling ten-year war against Troy. Desperate to reunite with his wife Penelope (Hathaway) and son Telemachus (Holland), Odysseus and his men set sail for home. However, the voyage proves to be a treacherous one, as they must encounter all sorts of terrifying and mythical monsters and wrathful gods before they can make it back. Meanwhile, with no word on whether her husband is alive or dead, Penelope struggles to hold the kingdom together. Supported only by Telemachus and Odysseus’s loyal swineherd Eumaeus (a truly excellent Leguizamo), she must ward off a growing number of suitors positioning themselves to usurp Odysseus’s throne by forcing Penelope into marriage.

Had cinematic history played out differently, Nolan may well have already taken his swing at bringing to life a swords and sandals epic, as he was attached to direct 2004’s Troy before circumstances changed and it reverted to its original director, Wolfgang Petersen. One can only wonder what Nolan’s interpretation would have looked like, but since the film he went on to direct instead was the first in his trilogy focusing on a certain Caped Crusader, it was a twist of fate that worked out in his favour. Further proof that the film gods work in mysterious ways. His brilliant work on The Dark Knight trilogy meticulously encapsulated the hero’s journey, depicting one man’s transformation from a regular flesh-and-blood human into an all-powerful, incorruptible symbol. The thematic DNA of this compelling character arc comes to the fore in The Odyssey and is anchored by Matt Damon’s powerful arguably career-best performance. Here is a leader who despite his success in the war, is wracked with guilt and post-traumatic stress following the sacking of Troy, guilt which only grows and continues to gnaw away at him throughout their voyage as they battle against all sorts of terrifying threats. The wrath of the Gods is mighty and is felt by each and every man in Odysseus’s army.

While Odysseus battles deities, monsters and everything in between, Penelope faces her own battle to keep Ithaca and its people together while simultaneously rejecting the advances of the suitors who seek to take her husband’s place. Hathaway’s portrayal depicts Penelope as a woman who, despite not having seen him for years, remains steadfast in her conviction that her beloved will ultimately return home. With Odysseus absent, she must warn her son about the threats posed by the suitors, chief among them the deceitful and slimy Antinous, played with almost devilish glee by Robert Pattinson. In a sea of an incredibly talented ensemble cast, every member turns up to deliver their A-game. Despite the absurd, frankly ridiculous backlash from certain quarters over their casting, Zendaya and Lupita Nyong’o both excel in the limited screen time they’re given as the goddess Athena and Helen of Troy/Clytemnestra, respectively. Similarly, having worked with Nolan on Inception, Elliot Page is perhaps the standout of the rest of the cast in a small but absolutely pivotal role as Sinon, a young Greek soldier who, despite being put in a perilous situation, honourably carries out his duty.

As writer/director, Nolan never does things by half measures, for he is a filmmaker whose mantra is either go gargantuan or go home, as evidenced by the fact that throughout his filmography he has pulled off some extraordinary accomplishments across his career. From recreating an atomic bomb explosion to crashing a plane into a building or flipping an 18-wheeler truck, or in the case of this film, building a gigantic wooden horse. Utilising his trademark non-linear narrative, it can feel disorienting at first, particularly if you have not read Homer’s text, and it is hard to keep track of all the key figures, but ultimately proves rewarding for the audience, thanks to Jennifer Lame’s tight editing. Fittingly, translating the source material to the screen and giving them the scope and scale they deserve proved an odyssey unto itself: not only did the film shoot across multiple countries for six months, but it also became the first film shot entirely on IMAX cameras, which allows Hoyte van Hoytema’s cinematography to dazzle and horrify in equal measure. Furthermore, Nolan’s preference to avoid CGI as much as possible means that all the threats Odysseus and his crew faced, from massive mythical monsters to humongous Laestrygonian soldiers clad in shining metal armour, put the audience right there in the thick of the action, feeling every mythical roar, swing of the sword and the mighty storms that are unleashed upon them.

Across his brilliant career, Nolan has crafted some truly epic pieces of storytelling, from reviving the legend of the Dark Knight to his former glory, a gripping tale of two magicians trying to outdo the other, a gripping tale of the Miracle of Dunkirk told from three unique perspectives and a mind-bending and wholly original piece of science fiction. Now, after he wrote his name into cinematic history, his adaptation of this classic piece of literature and breathing new life into it for a whole new generation is another feather in the bow of his incredible filmography. With another incredible, stripped-back score from Ludwig Göransson, this is cinema at its most visually majestic and deserves the biggest screen possible. The cinematic gods will be very satisfied indeed.

With a committed ensemble cast led by a career-best performance from Matt Damon, Nolan’s adaptation of this foundatinal piece of literature brins Homer’s epic to life in a majestic manner. A perfect companion piece to his Oscar-winning masterpiece.

2020-2029, Film Review

Encanto (2021)

Posted on December 24, 2021January 1, 2022 by Martin: Through the Silver Screen

Encanto – Film Review

Cast: Stephanie Beatriz, John Leguizamo, María Cecilia Botero, Diane Guerrero, Jessica Darrow, Angie Cepeda, Wilmer Valderrama

Directors: Byron Howard and Jared Bush

Synopsis: In an enchanted house in the hills of Colombia, live the Madrigal family, all of whom have magical gifts that help them give back to the community.

Review: Back in 1937, a certain company called Walt Disney Productions unveiled Snow White and the Seven Dwarfs to the world. It was a truly historic and monumental achievement and one that would change the course of animation filmmaking forever. Though when celebrating their extraordinary accomplishment, probably not even Walt himself could have quite imagined the legacy that the film would leave. Indeed, over eighty years after that historic first film was released, the studio that bears his name would still be at the top of their game in terms of releasing top-quality animated films. Not only that, but they would be celebrating the release of their 60th animated feature film and a very magical one at that.

Set in the hills of Colombia, the Madrigal family live in an enchanted house that they call the Casita. Through incredible magic, each descendant of the family is granted an extraordinary gift. The Madrigal family, via their magical gifts, give back to the vibrant community that has built up over the years since the Casita was built. Though there’s one member of the family who doesn’t have a gift of any kind, and that is Mirabel (Beatriz). Due to her lack of a magical gift, Mirabel is convinced that she’s not as special as the rest of her family. However, when an incident threatens to erase the magic of the Casita, the task falls to Mirabel to establish what’s going on and to save the magic before it is too late.

With any animated film that is produced by the House of Mouse, it is a formality that the film’s animation is going to be flawless. After the previous 59 films, one would suspect that they have seen the best animation that the studio has to offer. Yet, with each new film that has its stamp, they continue to surprise and delight in equal measure. In the same way that Raya and the Last Dragon represented a landmark moment for representation for Southeastern Asian communities, Encanto does that, and more for the country of Colombia. The Colombian community is vibrant and colourful, and it’s clear that the filmmakers have gone to great lengths to honour this culture on screen. Furthermore, the magic that brings the Casita to life, and the breath-taking magical gifts of the Madrigal family are vibrant and leap off the screen.

Each member of the family has their own unique gift, whether it’s Luisa with her extraordinary strength, Isabela with her ability to make flowers appear at will, or Antonio’s ability to talk to animals. It would therefore be easy for the protagonist Mirabel to be, as she is the only family member sans magical powers, to be unmemorable. However, this couldn’t be further from the truth. While she might be perceived as weird and different by the rest of her family, what Mirabel lacks in magical ability, she makes up for in her courageousness and bravery. She’s determined to be the one to save the magic of the Encanto and to save her family, and Stephanie Beatriz’s voice performance imbues her with the personality of a role model that anyone, especially those who hail from Latin America, can aspire to be.

2021 has already been quite the year for Lin-Manuel Miranda. First, there was the big-screen adaptation of his hit musical In the Heights, next came his directorial debut. Finally, to round out his phenomenal year, he reunites with Disney for another match made in heaven collaboration. Having worked to great effect with the Mouse House with the music and lyrics for Moana, Miranda is once again back on songwriting duty for this unique celebration of Colombian culture. The songs have the unique Lin-Manuel Miranda signature to them, hence making them all extremely catchy and enjoyable to listen to.

However, given the plethora of soaring and memorable ballads that have been heard in previous films, akin to Miranda’s “How Far I’ll Go” from Moana or a “Let it Go” from Frozen, there’s nothing that soars to quite the extent that those aforementioned songs do. The film’s narrative is definitely one you’ll have seen from previous Disney films, but the sheer quality of the craft of the animators, and the loving depiction of Colombian culture, ensures that Disney hits this creative landmark in beautiful style.

Filled with dazzling and vibrant animation, the narrative beats may be somewhat familiar, but even after 60 films down, the House of Mouse still has that magical touch.

2010-2019, Film Review

John Wick: Chapter 2 (2017)

Posted on October 17, 2017June 10, 2025 by Martin: Through the Silver Screen

**Image is property of Lionsgate, Summit Entertainment and Thunder Road Pictures**

John Wick: Chapter 2 – Film Review

Cast: Keanu Reeves, Riccardo Scamarcio, Laurence Fishburne, Common, Ian McShane, John Leguizamo, Ruby Rose

Director: Chad Stahelski

Synopsis: John Wick now seeks to retire from the assassin lifestyle. However, after taking what he hopes to be one last mission, it places a rather large bounty on his head.

Review: There is just something about Keanu Reeves as an action star that just ticks all the right boxes. You look at his portfolio with the likes of Speed and The Matrix immediately jump to mind. Perhaps more recently, though, was his reinvigorating turn as the hitman you dare not cross with, John Wick. Managing to be something more than just your stereotypical hitman being a badass, the first film was a breath of fresh air into a genre that was rapidly becoming a bit stale, and so it was no surprise to see Keanu suit up as the Bogeyman (as he’s affectionately known) once again.

This time, thankfully for all the animal lovers out there. no one is after his pets. Instead, John plans to retire, but a debt he owes to a former associate, D’Antonio (Scarmacio) drags him back into the assassin underworld once more. Things go even further awry for John when he finds out that a large bounty has been put on his head, which means John must go after those who have got him in this sticky situation while trying to not get killed by the swarms that are now hot on his trail. For a while, things look as though maybe going down a similar path that the sequel walked. Though soon enough there are bullets flying and people dying, the plot manages to keep things fresh and moving along at an energising pace.

**Time for you all to say your prayers…**

With former stuntman Stahelski returning to direct, this time sans David Leitch, the action is once again filmed to look as elegant and extremely stylish as possible. Given that Wick is a man of few words, who prefers let bullets and fist do the talking for him, and in true sequel style, there is plenty more action. By consequence, more bullets and the blood will flow, and the blood CERTAINLY flows all right with Wick’s aim always on point throughout. For those who love action films, these action scenes are just so enthralling.

As spectacular as he was in the first film, Reeves is once again in spectacular form as the eponymous hitman, it’s a role he commits to and it’s evident he’s having a blast throughout. Riccardo Scamarcio as D’Antonio gets the job done as your new sort of slimy, untrustworthy associate, and Ian McShane as the suave Continental owner Winston remains as enjoyable to watch as he invariably is. And of course, the ever-great Laurence Fishburne has a small but significant role to play, bringing about a glorious Matrix reunion.

With the inner workings of this underground hitman bubble explored in more detail, it was refreshing to see the sequel not just retread the original film step by step, and try to freshen things up, as a sequel should. Though there are elements that do feel very familiar, it is hard to complain when you have an action star that commits to the role like Reeves does. Do not mess with the Bogeyman, cos he will come for you, and he WILL take you down if you piss him off.

As action packed as its predecessor, and just as stylish in terms of the slick action scenes, and Keanu Reeves being a complete and total badass, what more could you want?

2010-2019, Film Review

John Wick (2015)

Posted on February 9, 2017June 10, 2025 by Martin: Through the Silver Screen

John Wick – Film Review

Cast: Keanu Reeves, Alfie Allen, Michael Nvqist, Adrianne Palicki, Bridget Moynahan, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe

Directors: Chad Stahelski and David Leitch

Synopsis: John Wick is a former hitman who after falling in love seeks to leave the profession behind. After a brutal attack by some gangsters that takes those closest to him, he decides to suit up and take revenge.

Review: Cinema is not exactly short of complete badasses who can and will come after you, and kill you without mercy should you mess with them. The likes of James Bond, Ethan Hunt and Jason Bourne, or the Bride from the Kill Bill movies are a few names that might come to mind. Yet back in 2015, another name was added to that list of characters, who you dare not cross, this man’s name, is John Wick. Cross him at your peril, especially if you harm his pets, as he will rain a few hundred bullets in your direction.

john wick

Keanu Reeves is no stranger to the action genre, what with The Matrix being arguably the most notable thing on his CV to date, and he’s a fitting choice to play this awesome badass hitman. He handles the stunts superbly well and as a protagonist, you just want to root for him and see him waste the bad guys. And, for first-time directors Chad Stahelski and David Leitch, themselves former stunt men, they know and fully understand that you came here to see Wick waste some bad guys, and they certainly deliver the goods. The action is directed superbly well, and the stunt work is faultless. What’s more, there’s no shaky camera work of any kind. It’s all in the frame and all there for you to watch in all of its bloody glory as the bodies pile up.

Visually, the film is super stylish and everything is very well made, the lighting in some scenes is exquisite and it is edited together seamlessly. It is gripping stuff to watch, even if certain aspects of the plot are so paper-thin. This is not an in-depth character study, this is just a good old-fashioned action flick, in which you throw popcorn in your face and enjoy the action. That being said, besides Wick, there’s not a great deal of character development, and there definitely could have been some more meat on the bones of these characters, their motivations, and why they do what they do.

The acting is functional from everyone involved except for Keanu of course, who stands out as a cut above the rest, as he should. But again, this is no Oscar-bait movie driven by its screenplay, this is not what you came for. You come to see one man fight bad guys, and that is what you get. What’s more, with this fantastic introduction to this sort of hitmen underworld of hitmen hotels, bars and doctors etc might all sound ridiculous and dumb, but it most certainly is not! With Stahelski returning for the movie’s sequel and Leitch going off to direct the sequel to Deadpool, there’s plenty more to come from these two, and plenty more from Mr Wick too!