2010-2019, Film Review

mother! (2017)

Posted on September 17, 2017September 18, 2017 by Martin: Through the Silver Screen

**Image is property of Paramount Pictures and Protozoa Pictures**

mother! – Film Review

Cast: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer

Director: Darren Aronofsky

Synopsis: A married couple are in the middle of redecorating their home, living a quiet peaceful life, yet when some uninvited guests show up, their tranquil lifestyle is changed forever…

Review: The wonder of film is that it can generate a considerable array of responses among audiences. A film can be inspirational viewing, it can leave you speechless in shock, it can make you very angry, and it can leave you wondering what on earth you just watched, leaving you thinking about the film for days afterwards. In the case of Darren Aronofsky, here’s a director who is not afraid to make some psychologically damaging stories that leave their mark on their audiences.

In his latest film, Jennifer Lawrence and Javier Bardem play a wife and husband, neither of whom are really properly identified, known only as Mother and Him respectively. In a large house that is far too big for just the two of them, they live in quiet harmony with Mother decorating their house while Him is a poet, struggling to find his muse. However, their peaceful existence is ruined when a guest, Man (Harris) turns up unannounced. Mother is uncertain, but Him welcomes this visitor into their home. And when Man’s wife shows up (Pfeiffer) this is where everything gets really sinister.

To say this film is strange would be a severe understatement. Aronofsky reportedly wrote the screenplay in five days, which could imply that the story maybe a bit rushed, but this is for the most part, not the case. Though a slow burn in the initial act, once the guests start to arrive is when things go south very quickly. Right from the first shot, the tone is creepy and sinister with some very vivid imagery, and metaphors that can be open to many different interpretations. Be warned, some of the imagery is macabre,and deeply unsettling at times. The very unequivocal undertone that is at the centre of this story will either infuriate or mesmerise, as is evident by the boos and cheers that greeted the movie in equal measure at its Venice Film Festival debut. Divisive in every sense of the word.

With her Hunger Games days now long behind her, Jennifer Lawrence continues to show her considerable acting credentials by giving a haunting , wounded performance, an Oscar nomination wouldn’t feel out of place. She is front and centre of the film, we witness many of the horrors in this film from her perspective. Bardem has shown in the past that he can portray a terrific villain but here, he’s a bit more nuanced, but still also gives an unsettling performance given the role he plays in the developing horror that we witness in this film. The rest of the cast also do their best to add to the ensuing tension, and that makes said tension almost palpable.

Aronofsky helms the film in a way that makes it deeply unsettling to watch, which is clearly what he was going for. The camerawork certainly helps to build the tension. However, the screenplay is so engaging it will ensure that you will be transfixed by the events you see on screen, and equally aghast. Yet at the same time, there’s something so intriguing behind the themes and ideas that drive this film. With metaphors about a plethora of topics aplenty, Aronofsky has made something that certainly will not be to everyone’s taste. Nevertheless, what he has crafted has ensured it will be dissected and analysed at films schools for years and years to come, and that’s no mean achievement.

You will probably either love it or hate it, bold but dark and unsettling storytelling with two haunted performances at its heart, a film that will leave a lasting impression on its audience, for better or for worse.

2010-2019, Film Review

Alien: Covenant (2017)

Posted on May 28, 2017May 28, 2017 by Martin: Through the Silver Screen

Image is property of 20th Century Fox, Scott Free Productions and TSG Entertainment

Alien: Covenant – Film Review

Cast: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demián Bichir, Carmen Ejogo

Director: Ridley Scott

Synopsis: The crew of the Covenant make course for a chartered planet that’s seemingly hospitable for humanity to colonise. Upon arrival however, they make a horrifying discovery that has them fighting for their lives…

Review: When you are the creator of a franchise that has made its mark on pop culture and was a game changer in the science fiction/horror genre, it always feels like there’s a certain amount of pressure when said director make a return to the franchise, as Ridley Scott certainly found out. The expectation that was on the shoulders of Ridley Scott when 2012’s Prometheus, the first film in a prequel series of events taking place before Scott’s 1979 classic. It was not the happiest of returns to the franchise for Scott, as the film’s divisive reaction can testify. However, for this newest instalment Scott decided to return to more familiar routes.

The year is 2104, and the crew of the Covenant are soundly asleep in their stasis chambers, destination planet Origae-6. Yet when disaster strikes and fatalities occur, newly appointed Captain Oram decides to change course and head for a new planet that looks perfect for them to colonise. But of course, once they land there and begin to have a look around, it’s not long before the crew realise something is very wrong and the members of the team are all locked in a desperate bid for survival against some Neomorphs who as to be expected, are looking to make a meal out of the crew, LITERALLY!

**“Doctor, I think I might be a little unwell…”**

Given that Scott is in many ways the founder of this franchise, it’s almost a given that the film will look visually mesmerising, and here he continues that trend. The production design and set direction are excellent, and the cinematography is all just wonderful to look at, but great visuals do not make a great film alone, you need to have some characters that you want to get on board with, and this is where the film falters a little bit. Many of the crew have so little development that you just don’t care about them, perhaps cos you know they’re just meat for the aliens. Thus you don’t have any sadness for the characters when they’re picked off. The death scenes are nowhere near as iconic, but Scott definitely throws in throwback moments that fans will undoubtedly enjoy. Chest popping death scene anyone?

That being said there are a few standout performances, most of all from Michael Fassbender in a dual role playing two versions of an android whose motivations you’re never quite sure whose side he’s really on. Katherine Waterston due to tragic circumstances at the film’s outset is fuelled by grief and anger, which makes her a character the audience can get on board with. When the shit goes down, she really delivers a wounded and powerful performance, in many ways, she’s the new Ripley, but not quite as badass, and Danny McBride really helps give the film a little sprinkle of humour.

Much like Prometheus, the film’s script is a little choppy and does falter at times in the second act. You do get the feeling that there are certain plot points that perhaps ended up being edited out of the final product, but the overall script delivers a story that certainly fuses elements of Prometheus and the original Alien film in ways that should be appeasing to fans of the franchise. Whilst also bringing that signature sci-fi gore that this franchise has become synonymous with. It’s similar in many ways to the films that have come before it, but as has been proven in the past, that is by no means a bad thing, and here it helps the film remain on course, and ensures it becomes a worthy addition to the franchise.

It doesn’t offer anything new to the franchise, but by fusing the best parts of Prometheus and Alien combined with an excellent dual performance from Fassbender, ensures it doesn’t become another disposable alien flick.

2010-2019, Film Review

Life (2017)

Posted on March 29, 2017March 29, 2017 by Martin: Through the Silver Screen

Image is property of Skydance Media and Columbia Pictures

Life – Film Review

Cast: Ryan Reynolds, Jake Gyllenhaal, Rebecca Ferguson, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya

Director: Daniel Espinosa

Synopsis: An international crew on the ISS capture what they believe to be the first sign of life from Mars. Yet upon examination, the extraterrestrial being they have found is not very hospitable…

Review: When you have the premise of a crew of human beings aboard a space station in space, and there are some aliens involved, it’s almost a certainty that this means doom and gloom for those poor souls on board. Aliens don’t tend to be the sort of beings that want to sit down and have a beer and natter about everyday life. Nope, they usually want your flesh and blood and that’s exactly what you get in this intriguing mesh of sci-fi meets horror meets thriller.

Indeed, this is a genre and a combination that is not exactly new to audiences, as it’s become a very trodden path down the years. As such there’s nothing truly revolutionary about the story, but it still manages to be suspenseful and gripping to watch. Writers Rhett Reese and Paul Wernick of Deadpool fame do their best to try and add something new to the table and save for one scene where the Martian symbiote decides to make a meal out of a lab rat, it’s your standard Humans vs Alien set up, with the humans trying desperately to survive. The cast do their best but ultimately there’s very little flesh on the bones of the characters (not such good news for Mr ET in that case!) The acting is of a decent order, but there’s no standout performance from what is a very talented cast, which is a huge frustration.

Indeed the likes of the Alien trilogy and Gravity have set the bar of quality in this genre, the latter of which particularly when it comes to recreating the look and feel of a space environment. The effects are well done, as is the production design and set decoration. Director Daniel Espinosa does make it feel as though you are in space, but given today’s technology, and after seeing what Cuaron managed to achieve with Gravity, this is not as jaw dropping as it perhaps once was. What this film does very well though is the tension. Through some very quick cut editing and some solid camerawork, the tension really begins to build when the alien is coming after the crew one by one, and the remaining crew work out their plan for survival, which isn’t exactly easy in such narrow hallways aboard a space station.

There are some memorable moments, and one death in particular that is particularly horrifying to watch that could perhaps cause one or two astronauts to have nightmares, but overall Life does not better the films that serve as its inspiration. The film does have some interesting things to say about humanity as a species and does offer up interesting questions as to what would the reaction of humanity be if we discovered life on a different planet that is not our own. An event that might well happen several decades from now, so should that event ever come to pass, perhaps this film can serve as a lesson.