Posted in 2020-2029, Film Review

Wonder Woman 1984 (2020)

Image is property of Warner Bros and DC Comics

Wonder Woman 1984  – Film Review

Cast: Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal, Robin Wright, Connie Nielsen

Director: Patty Jenkins

Synopsis:  Having spent several decades quietly living among humanity in Washington DC, Diana Prince must spring into action as Wonder Woman when a nefarious businessman threatens to reap chaos across the world….

Review: Ever since superhero films have enjoyed a surge in popularity from the late 2000s onwards, the number of films that had women at the front and centre of them were few and far between. It wasn’t until 2017, that a major Hollywood studio produced a female led superhero film. That film was of course, Wonder Woman, which brought the DCEU back from a likely early demise, whilst blazing a trail for other studios to follow in DC’s wake. With the same creative minds returning to helm this sequel to its trailblazing predecessor, it’s extremely disheartening to say that that having worked wonders with the first film, these creative minds have returned to offer a sequel that is a colossal disappointment.

Swapping the trenches of World War I, for the bright lights of 1984 USA, Diana Prince has now settled down in Washington DC quietly living amongst humanity. Whilst occasionally suiting up as Wonder Woman, to protect humanity in any way she can, her life is quite a lonely one without her fellow Amazonians for company. However, whilst helping to collect rare artefacts as part of her job working for the Smithsonian Museum in Washington DC, she befriends Barbara Minerva (Wiig) a shy and awkward geologist. The pair of them encounter a rare artefact that intrigues them both, but also captures the attention of Maxwell Lord (Pascal), a business tycoon who wants this artefact for his own selfish purposes, that threatens to unleash catastrophic consequences for humanity.

One of the few saving graces for this sequel, is that of Gal Gadot’s performance as the titular heroine. Once again, she proves what an inspired casting choice she was to play this role, as she has no shortage charisma and charm to make the audience want to root for her. The dynamic between her and Chris Pine’s Steve Trevor proved to be one of the strongest aspects of the first film, as well as being ripe material for comedy. While it is good to have Pine back in this role, and the role reversal in their relationship is intriguing, the explanation for his return is merely given the most fleeting of mentions, which makes his whole return feel really undeserved and sloppily written.

This feeds into what amounts to be the film’s biggest problem, namely that the film’s script, written by Jenkins, Geoff Johns and David Callaham is extremely clichéd and shockingly lacklustre. While the first film, touched on fascinating themes of humanity, and the ugliness and devastation of war, the themes explored here are nowhere near as interesting. The plot goes in such a nonsensical and frankly ridiculous convoluted direction, that it feels like it would be far more appropriate for some kind of low-budget horror film, not befitting for one of the most iconic superheroes in comic book history.  Furthermore, despite the best efforts of talented actors like Kristen Wiig and Pedro Pascal, the motivations for the film’s antagonists are extremely weak and are not given time to be properly explored and developed. Additionally, while Wiig tries her hardest to make Barbara/Cheetah a compelling villain, Pascal’s performance is so extremely hammy, that it dials the cheesiness to such an absurd degree that he’s more comical than threatening. While he was far from the perfect villain, the shortcomings of the antagonists here make Ares seem like the most cunning and ruthless villain ever seen in a comic book film to date.

While the action is once again competently directed by Jenkins, there’s nothing here that comes anywhere close to recapturing the thrills and the sheer awesomeness that is the No Man’s Land sequence in the first film. While that film’s climax came in for criticism for a overly CGI third act, there was heart to it that made it compelling to watch. That heart is nowhere to be found for WW84‘s anti-climatic third act, which is compounded by some inexcusably poor CGI for Cheetah. While Hans Zimmer doesn’t disappoint with his score, it’s a great shame that the film surrounding it falls woefully short of recapturing the wonder of the film’s predecessor.

Even with a stellar leading performance from Gal Gadot, Wonder Woman 1984 is an incredibly disappointing sequel falling far below the standards set by the first film, due to a messy script, and extremely nonsensical plot.

Posted in 2010-2019, Film Review

Ralph Breaks the Internet (2018)

Image is property of Walt Disney Animation Studios

Ralph Breaks the Internet – Film Review

Cast:  John C Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson, Jack McBrayer, Jane Lynch, Alan Tudyk, Alfred Molina, Ed O’Neill

Directors: Rich Moore and Phil Johnston

Synopsis: When her game Sugar Rush becomes at risk of being unplugged, Vanellope and her best friend Ralph must journey to the vast world of the internet in order to save her game…

Review: The great wonder of film-making, particularly when it comes to animation is that the possibilities are endless. There is no limit to what you can or cannot do, this is also very much applicable to this rather marvellous invention known as the internet. It is also a world of endless possibilities and a place where you can do literally just about anything you so desire. It seems fitting then that after a film that explored what video game characters get up to after their games close for the day, to go up a notch for the sequel and explore the crazy world that is the internet.

A few years have passed since the events of the first film, with Ralph (Reilly) and Vanellope (Silverman) enjoying a solid friendship hanging out together when their gaming duties for the day are done. However, for Vanellope, something is just not fulfilling enough, she strives for something more. When her game suffers a malfunction that puts its immediate future at risk, she and Ralph must journey to the centre of the conglomerate of the internet in order to save her game.

Sequels should always aim to broaden the scope of their predecessor, and so to make the jump from the inner workings of something as small as an arcade, to the never-ending maze that is the internet is a bold move on the part of Disney, but it turns out to be an inspired one as it makes for a very intriguing adventure. Given that the world of the internet offers users so much to explore, the way that the filmmakers concoct the internet is really quite clever. To be expected, there are a fair number of jokes centred around the internet and various phenomenons that have gone viral because of the internet, which provide plenty of humourous moments.

Furthermore, given the vast array of properties that Disney now owns, there’s a vast array of Disney “Easter Eggs” to be found. The most notable example of this would be the appearances of all Disney’s most popular princesses. This could be problematic as it could have come across as egotistical on the studio’s part. However, their appearances provide the film with some of its best moments (including a rather ingenious Brave gag).

The voice work of Reilly and Silverman in particular once again shines brightest as we watch these two, who seem the unlikeliest of friends, try to make their friendship work. Which, while heart-warming to see given how likeable they both are, is a very familiar premise and therefore doesn’t really break any new ground in terms of story-telling. Gal Gadot, though not herself a Disney Princess, is also a welcome addition to the cast. Despite that, you cannot help but feel, though her character and world are interesting, that the themes explored are somewhat clichéd and could have been a bit more innovative in light of the brilliantly clever concept of exploring the world-wide web.

Though the film is somewhat lacking in terms of a fulfilling narrative, some choices in particular do really feel completely out of the blue. It makes up for this with plenty of heart and (to be expected) some marvellous animation. However, the inevitability of sequels is they are going to be compared to their predecessors, and unfortunately Ralph Breaks the Internet is just not as clever as its predecessor. What’s more, the filmmakers really missed a trick with the title of the film, surely Ralph Wrecks the Internet would have been better?

Retaining the heart and vibrancy of its predecessor, Ralph Breaks the Internet offers up an imaginative look at the Internet, but doesn’t use the cleverness of its concept in a completely fulfilling manner. 

Posted in 2010-2019, Film Review

Justice League (2017)

Image is property of Warner Bros and DC

Justice League – Film Review

Cast: Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher, J.K. Simmons, Amy Adams, Diane Lane

Director: Zack Snyder

Synopsis: In the wake of Superman’s death, with the planet feeling vulnerable and sensing that an attack is not too far away, Bruce Wayne enlists the help of some heroes to help save the world from the threat of the villainous Steppenwolf…

Review: When reviewing the extended universe that DC is constructing, it is extremely difficult to not compare their efforts to that of their major rivals, Marvel. Similarly, it has been hard to ignore the difficult time DC has had in getting its Extended Universe off the ground. A strong start but a few blips followed that threatened to derail the universe before it even got off the ground good and proper. Thankfully, Wonder Woman came along and put everything back on track and now the pieces have been put together for DC’s answer to the Avengers to finally get their first cinematic superhero outing.

The decision to not go the Marvel route and give each character their own film before going into the superhero team up flick, was certainly a bold one. The debate as to whether that was the route DC should have gone, could be debated for an eternity. Nevertheless, in the wake of the events of Batman v Supermanand the heroic sacrifice of Kal-El, Bruce decides to form a team as he (correctly) believes that someone is about to attack the planet, and so the Justice League is formed, with Batman, Wonder Woman, and new recruits Flash, Aquaman and Cyborg. The aforementioned attack comes from Steppenwolf, whose origins are not really explained to any significant detail, all you know is he’s the bad guy and he is seeking some items that he wants to bring about an end to humanity. Usual comic book movie shenanigans.

Though he did direct the movie, due to personal tragedy, Snyder stepped down from the project in post production. Thus Joss Whedon stepped in to finish the project in Snyder’s absence. Though the movie does certainly feel like a Snyder film, in terms of its visuals, Whedon’s influence is certainly noticeable. Snyder is certainly a very visual director, but Whedon’s influence, given that he has a screenwriter credit, helps really flesh out the characters giving each team member an opportunity to shine, and it’s an opportunity they all take.

The standout though by far is Ezra Miller’s Flash, almost every line out of his mouth is quip after quip after quip, and it’s hilarious. Gal Gadot continues where she left off from her solo movie, and really continues to excel in her role as Wonder Woman. Jason Momoa as Aquaman is almost as if Khal Drogo cut off some of his hair and developed a deep love for the ocean, he certainly has charisma, with his Trident of Neptune in hand. Ray Fisher as Cyborg is functional, though there is certainly scope to explore his origin story a lot more somewhere down the line. As for Affleck, though he does look as though the role of the Caped Crusader is taking its toll on him, he continues to deliver the goods, though it remains to be seen if this is his last hurrah as Batman.

Even with Whedon’s input on the screenplay, it isn’t perfect. There’s some problems in terms of its storytelling, it feels a little bit rushed in the opening act. However once we arrive at the second act and the team are together, there’s enjoyment to be had without a doubt. The banter between the team is vintage Whedon and the action scenes are enjoyable to watch. There is a lot of CGI (to be expected) and while some of it is great, there are one or two instances where it could have maybe been cleaned up. As for the villain, unfortunately even with such a talent as Ciarán Hinds playing him, he falls into the category of rather bland villains, a problem that has been plaguing Marvel’s Universe since its inception.

For DC, their Extended Universe is still in its infancy, and although Justice League isn’t quite the home run that the studio would have undoubtedly liked it to be, it should give the fans more than enough to be hopeful for the future. Given the backlash and problems that have troubled DC, and only being a mere five films into their universe, you wouldn’t blame them if they opted to hit the reset button. However, there seem to be no plans to do that, and given that there’s lots in the pipeline they’re going full steam ahead, much to the dismay/delight of comic book fans everywhere (delete where appropriate).

There’s plenty of entertainment to be had seeing DC’s superhero team getting their first big screen outing, and despite an imperfect story, it’s a noticeable improvement on both BVS and Suicide Squad.

Posted in 2010-2019, Film Review

Wonder Woman (2017)

Image is property of DC Films and Warner Bros

Wonder Woman – Film Review

Cast:  Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, David Thewlis, Danny Huston

Director:  Patty Jenkins

Synopsis: After an American pilot crashes near her home of Themyscira, and speaks of a deadly war gripping humanity, Amazonian Princess Diana decides to stand up and be counted, and bring an end to the war that threatens to devastate humanity.

Review: Right now, there can be little doubt that superhero/comic book films is a genre that is thriving at this moment in time. Yet despite this domination, one thing had always been missing from the genre particularly since its renaissance post 2008, and that is the remarkable lack of a female superhero driven flick. A film showing that a woman can be if she wants to be, an absolute badass who will absolutely not let any man dictate what she does or where she goes. It has been quite remarkable that it has taken this long, but better late than never, and one can hope that more will soon follow.

It would be fair to say that much was riding on this film to be a success, given that the DC Extended Universe has not enjoyed the best of starts. Man of Steel was received fairly warmly, but the same cannot be said for Batman V Superman and Suicide Squad. Though all had varying degrees of entertainment to them, it would be putting it mildly to say that there were a fair amount of naysayers for each of them. In turn, the DC Universe was struggling to get off the ground, but now that is about to change, thanks to our titular heroine. She had already graced our screens with her small but significant role in BVS (as well as being one of the film’s saving graces!) Now director Patty Jenkins goes back to show how she became the invincible warrior, a journey that takes her to our human world, and more specifically World War I.

Stealth mode…

Of course, she’s not alone in this fight, with love interest Steve Trevor (Pine) involved in a covert plot to retrieve some vital information, all the while Diana is thinking there are some sinister forces at work, leaving her eager to march into battle and defeat the evil that she believes is corrupting mankind. Continuing from where she left off Gadot is superb to watch in the role, she has the charisma and compassion that makes you want to root for her. Furthermore, when she’s being the absolute boss that we know she is in the heart of the First World War, it’s simply fantastic to watch. The studio had always wanted a female director and Jenkins proved herself to be the perfect choice, as the action scenes are directed faultlessly and are visually mesmerising to look at, aided superbly by the awesome score from Rupert Gregson-Williams.

As to be expected, the theme of female empowerment is strong throughout and Diana embodies that to a T (or should that be a W?) At a time when a woman’s place was inferior to that of a man, Diana is having none of that!  The chemistry between the two is what drives the movie forward. Humour is something that has become synonymous with the MCU and there’s plenty of good humour to be found here too. The plot is fast paced and gripping almost all of the time, yet when the third act arrives, this is where it begins to falter a little bit. It chooses to go down a route that is not exactly anything that we haven’t seen before. You would like to see studios try and avoid this somewhat cliched storytelling, but at least there are villains that are not completely disposable, unlike some of the MCU villains.

This woman means business…

After three attempts to get their Universe up and running, it was beginning to feel like time was running out for DC and this was last chance saloon for the DCEU to get going in order to stand a chance of facing up to the might of Marvel. While that is still a bit of a way off for the time being, it fell on Wonder Woman’s shoulders to deliver, and well she certainly delivered those goods, and in wonderful style too!

A truly wonderful origin story that delivers compelling characters, pulsating action sequences and a truly awesome lead performance from Gadot, the DCEU finally achieves a proper lift off.

Posted in 2010-2019, Film Review

Batman V Superman: Dawn of Justice (2016)

BVS
Image rights belong to Warner Bros, DC Entertainment, RatPac Entertainment and Atlas Entertainment

Batman V Superman: Dawn of Justice Film Review

Cast: Henry Cavill, Ben Affleck, Amy Adams, Gal Gadot, Jesse Eisenberg, Holly Hunter, Jeremy Irons, Laurence Fisburne

Director: Zack Snyder

Synopsis: In the wake of the devastation caused by Superman’s battle with Zod in Man of Steel,  Bruce Wayne seeks to take down Superman, fearing his powers could wipe out humanity.  All the while, Lex Luthor is scheming in an attempt to wreak havoc on the world.

Review: 2016 is certainly shaping up to be the year of the superhero movie, the Merc with a Mouth has come along, with apocalyptic doom for the X-Men, Marvel’s flagship heroes turning on each other, a group of anti heroes on suicide missions, and one sorcerer supreme still to come. Now, it’s the turn of arguably the two most recognisable comic book characters to take to the screen, in what is their very first time they are in the same movie. A movie that is finally propelling DC’s extended universe forward after watching Marvel dominate the market for many years. So much was riding on this film, and it was once again up to Zack Snyder to show DC’s universe can rival that of their great rivals.

Two years after the carnage that was unleashed on Metropolis, a certain Bruce Wayne saw the full extent of the devastation and now sees this as the time to put on his cape and cowl once again and take out this alien threat. We see through his perspective and you feel his rage. All the while, while some of humanity view Superman as their saviour, others like Bruce Wayne, see him as a threat. One of these individuals being Lex Luthor who is developing a few schemes in order to bring down the Man of Steel.

With a near two and a half hour run time, understandable given that this film is laying the foundations for the Justice League movies that are on the horizon, there is a lot to take in and a lot is going on. So much so in fact, that the first hour or so is a little choppy, you want to see the clash of the titans, but the road getting there is a little bit bumpy. As such a few of the side storylines could have been cut out, as there are some that don’t really add much of any value to the central story. Once we do finally get to the titular showdown, however, it is glorious, watching these two icons of comic books clash.

This is of course until they have to unite to take on something (if you’ve seen the trailers, you’ll know what this something is.) Snyder clearly likes destroying things as there’s a fair bit of destruction here, although it’s not quite on the same level that Metropolis suffered. Yet while it is enjoyable to watch, like Man of Steel, there is something of an over reliance on CGI and there are some scenes (and characters) that just look painfully artificial, which is remarkable given the budget of the film at 250 million dollars. Although the accompanying score by Hans Zimmer and Junkie XL, is once again excellent.

Taking up the mantle after Christian Bale’s terrific turn in the role, Ben Affleck certainly makes the role his own and gives a very strong performance both as Bruce Wayne and the Bat vigilante. Similarly, Jeremy Irons is also excellent as Alfred Pennyworth, which again was not exactly easy given Michael Caine’s tremendous work with the character. There is understandably a lot more screen time for Affleck as we have to get acquainted with him more than Kal-El. Furthermore, there is the matter of Wonder Woman. Although she is not in the limelight as much as her Justice League colleagues, Gal Gadot does a tremendous job in what is the character’s first big screen appearance, and more than holds her own, giving excitement for her solo movie out next year. However, while he does try his best, and does have his moments, Jesse Eisenberg does feel somewhat miscast as Luthor.

Despite the bumpy ride getting here, it is exciting to see the DC universe finally achieve proper lift off, and with solo movies for Wonder Woman, Aquaman and the Flash all in the pipeline, it is looking encouraging for DC fans. Yet this had potential for real greatness, that is ultimately really squandered on a weak script. Nevertheless, the Justice is coming, but first, it appears that there’s potential trouble at Arkham Asylum…

Affleck and Gadot deliver terrific performances, and you have to praise the scope and ambition of the story, but it is a bit scrappy and could have been a little bit more focused. 

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