Posted in 2020-2029, Film Review

Tenet (2020)

Image is property of Warner Bros and Syncopy

Tenet – Film Review

Cast: John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Michael Caine, Aaron Taylor-Johnson,

Director: Christopher Nolan

Synopsis: A CIA Agent is recruited into a top secret program of international espionage on the trail of the possession of technology that can invert time…

Review: 2020 will certainly go down as one of the most unprecedented years in recent memory, as cinemas and many other businesses lay empty for many months. However, in those long months that the projectors were switched off and the screens remained dark, there was one film that was continuously being talked about as the film that would trigger a revival for the cinema industry. The new film, from a director who is a firm champion of the big screen, was being pitched as the film to goad audiences back to the cinema. While its taken its time to arrive, with a few shuffled release dates en route, in a world that will remain uncertain for the foreseeable future, one thing remains abundantly clear. Christopher Nolan hasn’t lost his ability to create a completely unique piece of cinema.

In a world of international espionage, the Protagonist (Washington), armed with only the use of a single word “Tenet”, must venture into this dangerous and complex world, with the goal of preventing a global catastrophe from occurring. While this sounds like your typical spy/espionage thriller, but in Nolan’s hands this is anything but. The key twist is that in this world, it’s one where cutting edge technology to invert objects through time has been invented, threatening the world with as one character says “something worse” than a nuclear Armageddon.

With Nolan’s previous filmography, he has shown a liking for dabbling with the concept of time and all of the mind-bending possibilities that these offer. Memento was his original head-scratching masterpiece, and amid further exploration of time with the ambitious Interstellar, and the ingenious inter-weaving of three inter-connected events of Dunkirk. Though with Tenet, this is perhaps is most ambitious exploration of time to date, if this was somehow even possible. Packing a lot into its running time, the plot keeps things moving at a fairly brisk pace. However, there are times when so much happening at once that the audience barely has time to stop for breath. Hence, keeping up with the film’s super complex time-bending narrative will almost certainly be a challenge.

Yet, for all the complexities that Nolan’s script throws at the audience, it is a challenge, but it is a rewarding one. The director’s previous films have certainly gone ambitious with many of its action set pieces, and Nolan does his best to outdo himself with a number of extremely ambitious, and well-directed set pieces that’s certainly going to get the pulses racing, and make the audiences’ brains go haywire. In terms of his cast, Nolan has once again delivered an exquisite collection of characters. Following his star turn in BlacKkKlansman, John David Washington delivers another excellent leading performance as the film’s Protagonist. Possessing his father’s charisma in abundance, he brings his own suave almost 007-esque charm to this leading role in a tentpole blockbuster, that will only further his reputation as a leading man. Alongside him, Robert Pattinson continues to forge his own exciting career path. Much like Washington’s Protagonist, he carries a likeable presence, whilst boasting charisma and charm to boot.

While the protagonists certainly carry likeable auras, Kenneth Branagh’s turn as the intimidating Russian oligarch who’s seeking the time-twisting technology, is anything but likeable. His performance is fittingly ominous and menacing, there’s a dark and scary history to this man, which is substantially explored in his abusive relationship with his wife Kat (Elizabeth Debicki). On paper, This is a role that could have been extremely problematic, as it runs the risk of making her into a tired and cliched damsel-in-distress. However, with an actor of Debicki’s immense talent, she gives an excellent performance. There’s no shortage of substance to her character and she’s thankfully given enough material so that she has doesn’t fall into that damsel-in-distress cliche.

With long time collaborator Hans Zimmer unavailable, Ludwig Goransson steps in to fill that void, and he does so in spectacular style with a score that fits the fast paced nature of the film. Though impressive as it maybe, it can at times be almost too overpowering, making the dialogue difficult to understand in places. While its plot is undeniably complex, with a lot to digest, there’s no denying that Christopher Nolan remains one of the most unique and visionary directors working today. When the day comes that we’re all freely able to go back to the cinema without any risk, the work of these visionaries must be supported and championed. We’ll just need to make sure we don’t run into any time inverted traps along the way.

It wouldn’t be a Christopher Nolan film if it wasn’t mind-bendingly complex. Yet through it all, the visionary director has once again crafted something extremely unique and compelling. The film industry is certainly a much more interesting place with directors like Nolan in the business.

Posted in 2010-2019, Film Review

Widows (2018)

Image is property of 20th Century Fox, Film4 Productions and Regency

Widows  – Film Review

Cast:  Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Jacki Weaver, Carrie Coon, Robert Duvall, Jon Bernthal, Liam Neeson

Director: Steve McQueen

Synopsis: After a bank heist goes horribly wrong leading to the deaths of all the crew, their widows step up to finish what their husbands started…

Review: When as a director, you make one of the most heart-wrenching but extremely impactful pieces of cinema to come out in this decade. A film that landed you the Best Picture Oscar no less, how do you follow that up? For Steve McQueen, following on from his success with the aforementioned 12 Years A Slave, the answer is simple. You team up with another recent Oscar winner and make another exhilarating, heart-pounding piece of cinema. Namely a heist film quite unlike anything the genre has concocted before.

After a team of criminals are caught up in a heist that gets all of them killed, their widows are left in a very desperate situation. Veronica Rawlings (Davis) is the widow of the leader of the crew, Harry (Neeson). Not long after her husband’s death, she receives a rather uncomfortable visit from crime boss Jamal Manning, (Brian Tyree Henry) the target of the botched heist. Demanding repayment of the stolen money, and given a rather tight window in order to do so, Veronica has the plans for what would have been her husband’s next job. Needing her own crew to pull it off, recruits the other widows who also lost their husbands in the same heist, for a new mission to score the money that their husbands stole. Conceptually, though this may sound like your average heist film, in execution, it is a very different beast.

The screenplay, co-written by McQueen and Gone Girl author Gillian Flynn adds deep political subtext to this story that really gives the film a unique feel to it. Furthermore with such powerful women at the centre of this gripping story, in the era of the Me Too movement, it feels all the more powerful and relevant in modern times.  What McQueen and Flynn’s script does so excellently is give each woman involved in this daring heist a significant amount of development. Though they come from different backgrounds, each woman absolutely stands on her own two feet and all give excellent performances.

Leading the pack and fresh from her Oscar success, Viola Davis is once again superb in the role of Veronica. She is a woman who has been to hell and back again, both with events in her past and in the immediate aftermath of her husband’s demise. Yet her fiery spirit keeps her going through this turbulent time. Likewise for Alice (Debicki) and (Rodriguez), both of whom are also dealt with a torrid set of consequences in the wake of the heist that robbed them of their spouses. But with the resolute Veronica at the helm, there is no time to mope, they have some work to do.

Though the women have the spotlight absolutely deservedly on them, Daniel Kaluyya’s portrayal of Jamal’s brother, Jatamme is magnificent and absolutely terrifying in equal measure. A VERY different kind of role especially in comparison to his Oscar nominated performance in Get Out, but with every moment he has on screen, his cold demeanour and brutality is enough to send shivers down the spines of the audience. This is a man whose path you do not want to cross under any circumstances.

With the theme of powerful women front and centre, McQueen also brilliantly weaves political drama into the story. There is one moment in particular that really stands out in terms of how the scene is filmed. And by doing it this way, it really sends a startling message about modern day America and in particular modern American politics. It is another film released this year that feels very timely in terms of its themes, whilst also being not afraid to pull any punches, or to let the bullets fly.

A heist/thriller with a lot to say for itself, boosted an impeccable stellar ensemble cast and bold direction, another exhilarating addition to the filmography of Steve McQueen.