2010-2019, Film Review

Scott Pilgrim VS The World (2010)

Posted on February 27, 2016May 30, 2017 by Martin: Through the Silver Screen

Scott Pilgrim VS The World – Film Review

Cast: Michael Cera, Mary Elizabeth Winstead, Anna Kendrick, Chris Evans, Brandon Routh, Jason Schwartzman,

Director: Edgar Wright

Synopsis: Scott Pilgrim is a 22 year old who is on a road to nowhere until he meets a girl he rather likes. Only problem is that in order to win his affection he has to battle all of her exes.

Review: Movies based off video games do not have a good record of being any good, and for the most part, they do struggle to achieve greatness. and some are just flat out terrible. However every so often, one movie comes along that uses elements from video games in order to tell the story. 2014’s Edge of Tomorrow for instance, with the constant re-spawning. Edgar Wright’s 2010 offering, with the screenplay penned by Wright and Michael Bacall, adapting from the series of graphic novels by Bryan Lee O’Malley, also uses video game elements. It does this whilst also telling a love story, and uses them to brilliant, if slightly bonkers results, and one that will make anyone watching, their inner nerd extremely happy.

The focus of the story is Scott (Cera), a guy who no doubt many men who watch this movie will relate to. He looks for the direction in life, whilst striving to achieve greatness for his band, whilst also trying to win the affections of that special girl. Lo and behold he stumbles across the the girl of his dreams, in this instance it’s Ramona Flowers (Winstead.) Yet unbeknown to Scott, this lady has seven evil exes that Scott must do battle with, Tekken and Soul Calibur style, in order to win over her affection. Wright manages to fuse video game like tropes and live action very well, and the battles with the exes are somewhat ridiculous, but they are extremely entertaining to watch. There are some quirky and unique methods that Wright inserts throughout the film in order to tell the story, and sometimes to convey the awkwardness in some situations. The whole fight scenes are just like if video games, anime and movies all merged into one glorious package.

Romance in movies like these can sometimes feel forced and shoehorned into the story, but in this instance, not so. There is strong chemistry between Scott and Ramona, and you want to see them make it work, there is just the small matter of those crazy exes that Scott has to deal with, including battles with a former Superman in Brandon Routh and a pre-Captain America Chris Evans! No one ever said the hero had it easy! Michael Cera gives a great performance as Scott, he’s dorky, and a bit useless, but you just can’t help wanting to root for him. As Ramona, Mary Elizabeth Winstead, also brings her A game as Ramona, she’s not that weirdo ex, but a friend and someone Scott can turn to as he battles through the crazy exes. The rest of the cast including the likes of Anna Kendrick and Jason Schwartzman all play their roles brilliantly.

If you were to try and compare this film to another movie, you’d be hard pressed to find one similar. It’s a very unique film in this regard, and one that if it had been placed in the wrong hands, could have failed badly. Fortunately as it was in Wright’s very capable hands, it passed with flying colours. The quirky humour that Wright is brilliant, is packed throughout the film and it works perfectly. The opening of the movie is a little sluggish and slow to get going, but once the console of the film is fired up, the entertainment and the laughs will carry on all the way to the credits. This is a perfect example of a video game movie done right, even though it is not based on a video game. Nevertheless, for video game lovers out there, this is your movie.

Original, unique and very entertaining, with some top performances and some ridiculously funny fight scenes and video game references aplenty, to make the nerd in all of us extremely happy!

2010-2019, Film Review

The Big Short (2015)

Posted on February 5, 2016January 23, 2019 by Martin: Through the Silver Screen

The Big Short – Film Review

Cast: Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Director: Adam McKay

Synopsis: An account of a group of people who foresaw the collapse of the housing market and the crumbling of the world’s economy in 2008.

Review: When the world’s economy went pretty much to shit in the latter half of the noughties, one thing we all knew was that the global economic situation was in complete disarray, with jobs being lost and lives ruined. But the vast majority probably had no idea who was to blame, why this happened, could it have been prevented and did anyone see this enormous mess coming? The answer to all of those questions is yes, four individuals to be precise who not only saw what was coming, but decided to do something about it and challenge the banks on their greed and their failure to avoid this catastrophe. Enter Anchorman director Adam McKay and screenwriter Charles Randolph, giving the account of how the entire world’s economy crashed and burned.

The account follows three different groups of people, who at various stages foresaw the impending doom, and each goes about their responses in very interesting ways. Firstly you have Christian Bale’s drumming, no shoes wearing kind of guy who likes to listen to metal music whilst foreseeing the imminent disaster via numbers on a screen. Then we have Steve Carrell’s melancholic hedge fund manager who teams up with Ryan Gosling’s trader, and finally we have Brad Pitt’s veteran banker, aided by two newbie investors. Through these three perspectives McKay flits between them as the months go by, and the financial crash looms on the horizon. The acting from all is of a very good calibre, with Bale being the stand-out amongst the ensemble and ensuring another Oscar nomination comes his way. After his unique role in Foxcatcher, Steve Carell again shows he too is a force to be reckoned with as he, mixing grumpiness and comedy surprisingly well.

Your average viewer is in all probability not going to have much clue when it comes to explaining the reasons behind the economic crash, and lots of the economic terminology are likely to sail over their heads. Therefore in order to understand the specific terminology that the cast are speaking of, there are some amusing celebrity cameos who are there for the purposes of dumbing it down so that those audience members who are not well versed in economics are able to catch their drift. There is humour peppered throughout to keep the story flowing, something McKay knows very well from his Anchorman days, and it does to a certain extent. However due to the vast amount of financial terminology, it means the story does falter a little bit. The interest in the story does diminish, which it shouldn’t given the impact that this crash undoubtedly had on many people the world over.

McKay presents his vision of this story almost documentary like with a lot of use of hand held cam in a handful of scenes. There is also a lot of breaking the fourth wall with the characters taking the audience for a ride. Yet the breaking of the fourth wall and the use of handheld cam does not always work. The latter in particular, it makes it look a bit sloppy and badly edited. And as this style is not always implemented, the film lacks a bit of consistency in terms of delivery and tone. It tries to be both a comedy and a documentary, and while sometimes it does work, others it really doesn’t. The film is probably the best attempt at telling the story of the housing crash, but even then, unless you’re very well versed in economics and all that jazz, the film is probably going to leave the audience found wanting when the credits begin to roll.

The acting is of a very decent order, with a solid enough script but unless you’re well versed in economics and the whole crisis, you may not be as interested in the story as you perhaps ought to be.

2010-2019, Film Review

Joy (2015)

Posted on January 26, 2016May 29, 2017 by Martin: Through the Silver Screen

joy — **Image is property of Fox 2000 Pictures, Davis Entertainment Company, Annapurna Pictures, TSG Entertainment and 20th Century Fox**

Joy – Film Review

Cast: Jennifer Lawrence, Robert DeNiro, Bradley Cooper, Edgar Ramirez, Diane Ladd

Director: David O Russell

Synopsis: An account of the life of Joy Mangano, and her journey as an inventor and entrepreneur, with her main invention, the Miracle Mop.

Review: To become a very successful entrepreneur, a person would need a lot of charisma, determination and a relentless desire to succeed, as well as having an obvious passion for the product or products they are hoping to bring to the market. But if you happen to have a somewhat dysfunctional family life, and find things going wrong here there and everywhere, it would almost certainly make the challenges even harder than they already would be. These are the challenges that face Joy as she aims to revolutionise the market with her invention the Miracle Mop.

A mother who refuses to get off her bed and does nothing but watch TV, ex-husband living in the basement, deadbeat dad, as well as a mother to two children, Joy has just about everything she could going against her, but through all of this, she does possess that relentlessness, that desire, and that belief in her product, and it ensures that David O Russell’s third team up with Jennifer Lawrence as the titular character is an interesting watch, but it is not all plain sailing for Joy as she bids to get her product to market, things go wrong, a lot of the time. Yet that belief and will to succeed persists her to keep going in spite of the adversity she does go through is extremely uplifting.

As she has been in her last two links up with Russell, Jennifer Lawrence is once again excellent in the main role. She possess the aforementioned charisma and relentlessness in abundance, and it’s her performance that drives the plot forward, because except for a kind of comical performance from Robert DeNiro, the majority rest of the cast are just not interesting or engaging enough for the audience to really care about. There is one exception to this, that of Bradley Cooper’s character who does a massive favour for Joy, but even then his screen time is fairly limited. This is once again the Jennifer Lawrence show, and she clearly thrives under the direction of David O Russell. It’s by no means her strongest performance under Russell’s tutelage but it ensured another Academy Award nomination for Best Actress.

Yet it does not have the emotional punch that the likes of The Fighter or Silver Linings Playbook had, or the brilliant ensemble cast that American Hustle boasted, with that awesome humour. The film takes its time to really get things going in the beginning, the film doesn’t quite know where it really wants to go, and is a little bit messy when it comes to its script and direction. Is it a happy film, or is it a sad film? In reality it’s probably a bit of both. Once it finds its spark, however it runs with it, and by the end there is some satisfying closure. Yet the build up in getting there was frustratingly slow. Although the film’s title is clearly referring to the main character and not the emotion, there’s not a lot of joyfulness to be found here.

A strong lead performance by Lawrence, but the film is bogged down by a lack of connection for the rest of the cast, as well as a real inconsistency in terms of the film’s tone and direction.

2010-2019, Film Review

Birdman (2014)

Posted on March 20, 2015May 29, 2017 by Martin: Through the Silver Screen

Birdman – Film Review

Cast: Michael Keaton, Emma Stone, Edward Norton, Zach Galifianakis, Andrea Riseborough, Amy Ryan, Naomi Watts

Director: Alejandro González Iñárritu

Synopsis: When a former Hollywood actor seeks to re-establish his stagnating career in the form of a Broadway play, all sorts of things start to go wrong as he battles with family, career troubles and snobby critics…

Review: When hearing of the title of this film, you could be forgiven for thinking this is yet another Hollywood film about superheroes to go along with the domination of Marvel and DC films that we have witnessed in recent years . Yet you would be mistaken (sort of.) This is not an action movie based on a man with extraordinary powers. Instead this story finds itself depicting former Hollywood actor Riggan Thomson (Keaton) the once legendary star of the Birdman superhero franchise, who’s seeking to re-establish himself in the entertainment business via a Broadway adaptation of Raymond Carver’s play What We Talk About When We Talk About Love.

He used to be all about the big bucks and the superhero genre, but not anymore. Yet his efforts are encountering road block after road block, with things going spectacularly wrong. The film has so much to say about superhero movies, actors, critics, life and modern technology among many other things. Through a wonderful screenplay by Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo, the messages on the plethora of topics talked about in the film are rammed home in a way that really gets the audience thinking long and hard about who they are and where they stand in society.

Sniping at real life Hollywood events such as Robert Downey Jr in the Iron Man franchise, Ryan Gosling and Jeremy Renner. He sneers vehemently at the former, or rather his somewhat wacky alter ego does, “that clown doesn’t have half your talent” snarls the Birdman with such strong disdain. The contempt for the state of the modern movie industry he has is raw and although many modern superhero films are fantastic pieces of cinema loved by audiences the world over, the audience almost always connects with our lead man and his wing wearing alter ego. It delves deep into art, and what is art, how good an actor are you if you make over-the-top superhero movies? Or are you a better actor if you choose those smaller, not-so-big budget roles?

Michael Keaton, once the wearer of the great cape and cowl of the Batman, is on top form in a role that finally landed him his first Oscar nomination. His performance is invigorating and refreshing, like a phoenix rising from the ashes of what was once a stagnating career. Edward Norton, likewise is equally fascinating to watch. A method actor who really gets into the part he plays, in more ways than one. His back and forth with Keaton is some of the most enthralling dialogue that emerged from cinema in 2014. With two excellent male performances, one Emma Stone fights the ladies corner, and she definitely more than holds her own against these two accomplished actors, giving the performance of her career. The other key cast were all equally excellent in their roles, including a remarkably more laid back turn from Hangover funny man Zach Galifianakis. Keaton, Norton and Stone were well deserving of their nominations, with Stone arguably the most unlucky to lose out.

Visually, the film is extremely engaging and in many ways, revolutionary as it is made to look as if it is one single shot. The cinematography by Emmanuel Lubezki is magnificent, following on from his magnificent work on the Oscar winning Gravity. Lubezki is again on form here, delivering another visual sensation, and deservedly added another Oscar on top of the one he bagged for Alfonso Cuaron’s space drama. Evocative and incredible imagery are packed throughout the two hour run time. There are more than a few scenes that will get your mind racing and leave you breathless with the incredible technical skill that is on show.

The theatre setting would make the audience believe that the film is taking a stance on the theatre industry, but the messages are without a doubt about the film industry. Birdman is a must see for any fans of film, as it is smart, intelligent, original and humorous. The script packs lots of punches and provides audiences with a film going experience like nothing else we have ever seen before, and may never see again.

**Funny, original, emotional, visually mesmerising, acted and directed to perfection, Birdman takes flight and soars into cinematic history, and a significant amount of well deserved awards.**

2010-2019, Film Review

American Hustle (2013)

Posted on January 26, 2014May 29, 2017 by Martin: Through the Silver Screen

All image rights belong to Columbia Pictures , Atlas Entertainment and Annapurna Pictures — **Image is property of Columbia Pictures , Atlas Entertainment and Annapurna Pictures**

American Hustle – Film Review

Cast: Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner, Jennifer Lawrence, Louis C.K, Michael Peña, Robert DeNiro

Director: David.O Russell

Synopsis: Con artist partners Iriving Rosenfeld (Bale) and Sydney Prosser (Adams) are forced into working with FBI Agent Ritchie DiMaso (Cooper). Together they target and con people such as corrupt politicians to ensure Rosenfeld and Prosser do not run into trouble with the law.

Review: 1970s America, a place with jazziness and interesting fashion styles. Mixed in with all this are con artists, an FBI agent and some corrupt politicians. As the film’s tagline reads “everyone hustles to survive” In that we get a very enthralling and complex story with people hustling to make themselves a living, by any means necessary. A funny caption at the start of the film eludes to the fact that the film’s events are based on a true story, although some details may be fictitious.

The ensemble of Christian Bale, Amy Adams, Bradley Cooper, Jeremy Renner and Jennifer Lawrence were all fantastic in their roles. Russell seems to know how to get his actors to perform to their full potential. He worked with Bale and Adams on The Fighter and with Lawrence and Cooper in Silver Linings Playbook. In both of those films the actors were people who were a bit crazy but it worked as Bale and Lawrence both won Oscars for their roles in those films with Cooper and Adams receiving nominations. Again he finds roles for these actors that suit them perfectly and everyone was on top form.

The dialogue between them was a joy to behold as it felt so natural between each character It has come as little surprise to see that the performances of Bale, Adams, Cooper and Lawrence have all been recognised as the four are all nominated for Oscars once again. Bale and Cooper for Best Actor and Supporting Actor respectively and Adams and Lawrence for Best Actress and Best Supporting Actress respectively.

The dialogue between the characters was so intriguing and fascinating to watch. What is happening on screen keeps you glued to the screen as you watch their schemes unfold. As you watch the film run from scene to scene it never slows down and remains entertaining throughout. Special praise must go to Jennifer Lawrence who just continues to have incredible success. The Hunger Games franchise may have shot her to super stardom and into the hearts and minds of just about everyone. However, her roles under the guidance of Russell show just how versatile she is. There is one scene with her and Amy Adams in the ladies’ bathroom which just leaves you taken aback by her brilliant acting. In spite of the fact that everyone did a stellar job in their roles, Lawrence definitely stole the show and a second Oscar could definitely come her way.

Although the plot does keep you entertained throughout the film’s running time, a lot is happening that may cause confusion for viewers. The scam that takes place is complex that it is at times not entirely clear who is conning who. You think that person is being conned, but at the same time you wonder are they being conned? The dialogue ensures the audience is focused but they may have trouble keeping up with what’s going on. In spite of this confusion the film was a very entertaining film that kept the audience engaged throughout whilst at the same time maybe scrambling their brain cells a little bit.

David O Russell is again on top form with the directing and execution with brilliant acting from the ensemble cast. The leading ladies both bagged Golden Globes for their performances whilst the film scooped the Best Motion Picture for a Musical/Comedy. Furthermore there is a great chance the film could add one or two Oscars to its neat collection of awards.