2020-2029, Film Review

Wonder Woman 1984 (2020)

Posted on January 16, 2021January 16, 2021 by Martin: Through the Silver Screen

Image is property of Warner Bros and DC Comics

Wonder Woman 1984 – Film Review

Cast: Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal, Robin Wright, Connie Nielsen

Director: Patty Jenkins

Synopsis: Having spent several decades quietly living among humanity in Washington DC, Diana Prince must spring into action as Wonder Woman when a nefarious businessman threatens to reap chaos across the world….

Review: Ever since superhero films have enjoyed a surge in popularity from the late 2000s onwards, the number of films that had women at the front and centre of them were few and far between. It wasn’t until 2017, that a major Hollywood studio produced a female led superhero film. That film was of course, Wonder Woman, which brought the DCEU back from a likely early demise, whilst blazing a trail for other studios to follow in DC’s wake. With the same creative minds returning to helm this sequel to its trailblazing predecessor, it’s extremely disheartening to say that that having worked wonders with the first film, these creative minds have returned to offer a sequel that is a colossal disappointment.

Swapping the trenches of World War I, for the bright lights of 1984 USA, Diana Prince has now settled down in Washington DC quietly living amongst humanity. Whilst occasionally suiting up as Wonder Woman, to protect humanity in any way she can, her life is quite a lonely one without her fellow Amazonians for company. However, whilst helping to collect rare artefacts as part of her job working for the Smithsonian Museum in Washington DC, she befriends Barbara Minerva (Wiig) a shy and awkward geologist. The pair of them encounter a rare artefact that intrigues them both, but also captures the attention of Maxwell Lord (Pascal), a business tycoon who wants this artefact for his own selfish purposes, that threatens to unleash catastrophic consequences for humanity.

One of the few saving graces for this sequel, is that of Gal Gadot’s performance as the titular heroine. Once again, she proves what an inspired casting choice she was to play this role, as she has no shortage charisma and charm to make the audience want to root for her. The dynamic between her and Chris Pine’s Steve Trevor proved to be one of the strongest aspects of the first film, as well as being ripe material for comedy. While it is good to have Pine back in this role, and the role reversal in their relationship is intriguing, the explanation for his return is merely given the most fleeting of mentions, which makes his whole return feel really undeserved and sloppily written.

This feeds into what amounts to be the film’s biggest problem, namely that the film’s script, written by Jenkins, Geoff Johns and David Callaham is extremely clichéd and shockingly lacklustre. While the first film, touched on fascinating themes of humanity, and the ugliness and devastation of war, the themes explored here are nowhere near as interesting. The plot goes in such a nonsensical and frankly ridiculous convoluted direction, that it feels like it would be far more appropriate for some kind of low-budget horror film, not befitting for one of the most iconic superheroes in comic book history. Furthermore, despite the best efforts of talented actors like Kristen Wiig and Pedro Pascal, the motivations for the film’s antagonists are extremely weak and are not given time to be properly explored and developed. Additionally, while Wiig tries her hardest to make Barbara/Cheetah a compelling villain, Pascal’s performance is so extremely hammy, that it dials the cheesiness to such an absurd degree that he’s more comical than threatening. While he was far from the perfect villain, the shortcomings of the antagonists here make Ares seem like the most cunning and ruthless villain ever seen in a comic book film to date.

While the action is once again competently directed by Jenkins, there’s nothing here that comes anywhere close to recapturing the thrills and the sheer awesomeness that is the No Man’s Land sequence in the first film. While that film’s climax came in for criticism for a overly CGI third act, there was heart to it that made it compelling to watch. That heart is nowhere to be found for WW84‘s anti-climatic third act, which is compounded by some inexcusably poor CGI for Cheetah. While Hans Zimmer doesn’t disappoint with his score, it’s a great shame that the film surrounding it falls woefully short of recapturing the wonder of the film’s predecessor.

Even with a stellar leading performance from Gal Gadot, Wonder Woman 1984 is an incredibly disappointing sequel falling far below the standards set by the first film, due to a messy script, and extremely nonsensical plot.

2010-2019, Film Review

Wonder Woman (2017)

Posted on June 3, 2017 by Martin: Through the Silver Screen

**Image is property of DC Films and Warner Bros**

Wonder Woman – Film Review

Cast: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright, David Thewlis, Danny Huston

Director: Patty Jenkins

Synopsis: After an American pilot crashes near her home of Themyscira, and speaks of a deadly war gripping humanity, Amazonian Princess Diana decides to stand up and be counted, and bring an end to the war that threatens to devastate humanity.

Review: Right now, there can be little doubt that superhero/comic book films is a genre that is thriving at this moment in time. Yet despite this domination, one thing had always been missing from the genre particularly since its renaissance post 2008, and that is the remarkable lack of a female superhero driven flick. A film showing that a woman can be if she wants to be, an absolute badass who will absolutely not let any man dictate what she does or where she goes. It has been quite remarkable that it has taken this long, but better late than never, and one can hope that more will soon follow.

It would be fair to say that much was riding on this film to be a success, given that the DC Extended Universe has not enjoyed the best of starts. Man of Steel was received fairly warmly, but the same cannot be said for Batman V Superman and Suicide Squad. Though all had varying degrees of entertainment to them, it would be putting it mildly to say that there were a fair amount of naysayers for each of them. In turn, the DC Universe was struggling to get off the ground, but now that is about to change, thanks to our titular heroine. She had already graced our screens with her small but significant role in BVS (as well as being one of the film’s saving graces!) Now director Patty Jenkins goes back to show how she became the invincible warrior, a journey that takes her to our human world, and more specifically World War I.

Of course, she’s not alone in this fight, with love interest Steve Trevor (Pine) involved in a covert plot to retrieve some vital information, all the while Diana is thinking there are some sinister forces at work, leaving her eager to march into battle and defeat the evil that she believes is corrupting mankind. Continuing from where she left off Gadot is superb to watch in the role, she has the charisma and compassion that makes you want to root for her. Furthermore, when she’s being the absolute boss that we know she is in the heart of the First World War, it’s simply fantastic to watch. The studio had always wanted a female director and Jenkins proved herself to be the perfect choice, as the action scenes are directed faultlessly and are visually mesmerising to look at, aided superbly by the awesome score from Rupert Gregson-Williams.

As to be expected, the theme of female empowerment is strong throughout and Diana embodies that to a T (or should that be a W?) At a time when a woman’s place was inferior to that of a man, Diana is having none of that! The chemistry between the two is what drives the movie forward. Humour is something that has become synonymous with the MCU and there’s plenty of good humour to be found here too. The plot is fast paced and gripping almost all of the time, yet when the third act arrives, this is where it begins to falter a little bit. It chooses to go down a route that is not exactly anything that we haven’t seen before. You would like to see studios try and avoid this somewhat cliched storytelling, but at least there are villains that are not completely disposable, unlike some of the MCU villains.

After three attempts to get their Universe up and running, it was beginning to feel like time was running out for DC and this was last chance saloon for the DCEU to get going in order to stand a chance of facing up to the might of Marvel. While that is still a bit of a way off for the time being, it fell on Wonder Woman’s shoulders to deliver, and well she certainly delivered those goods, and in wonderful style too!

A truly wonderful origin story that delivers compelling characters, pulsating action sequences and a truly awesome lead performance from Gadot, the DCEU finally achieves a proper lift off.

2010-2019, Film Review

Hell or High Water (2016)

Posted on September 15, 2016December 30, 2016 by Martin: Through the Silver Screen

hell-or-high-water-poster — Image is property of CBS Films, Lionsgate, Sidney Kimmel Entertainment and OddLot Entertainment

Hell or High Water – Film Review

Cast: Chris Pine, Ben Foster, Jeff Bridges

Director: David Mackenzie

Synopsis: Two brothers (Pine and Foster) begin robbing banks in order to keep their finances afloat. However, their crimes soon come to the attention of a Texas Ranger (Bridges)

Review: Chances are if the premise of a film that is centred on two guys who are resorting to robbing banks as a means of financial support, you’re unlikely to want to see these guys get away with their crimes and you hope that the full justice of the law catches up with them. You think the crooks are the bad guys and the law is the good guys? Well yes and no is the answer to that in the case of this enthralling crime heist movie with a modern Western vibe.

Toby (Pine) and Tanner (Foster) are the criminals in question, brothers who have remained close even after Tanner has had some spells in prison. The pair are in severe financial trouble and so in their desperation, they hatch carefully hatched plans to rob some local banks in order to stay afloat. However their deeds unsurprisingly begin to attract unwanted attention on their part and it is up to a Texas Ranger, played wonderfully by Jeff Bridges to investigate and foil their schemes.

The script from Taylor Sheridan, who also wrote last year’s Sicario, is absolutely tremendous. The winner of the 2012 Black List, it certainly borrows elements from movies in this genre. It is hard to not see the very obvious comparisons to the Coen brothers’ No Country for Old Men. That being said, it certainly holds its own as an excellent and riveting piece of storytelling. Though the brothers are far from perfect human beings, one certainly being far more unlikable than the other, it does a splendid job of making you want to root for these guys even in spite of the crimes they’re committing. Even when the rozzers soon start to piece together their investigation, there is a dilemma, as to whether you want the coppers to catch them or hope that they get away and rebuild their lives.

Pine and Foster are excellent in their roles. You buy their chemistry and even though it is clear Toby has a few misgivings with Tanner, their relationship and love for each other as brothers is absolute. Pine in particular has made his name as Captain James Tiberius Kirk, but here he arguably gives the finest performance of his career. Yet more could have done to flesh out and give bones to the brothers’ back story, as it could have been touched upon in a bit more detail. Bridges, in a very similar role to his eye patch wearing, half mumbling performance as Rooster Cogburn from the 2010 remake of True Grit, brings his very unique and very funny sense of humour to his role as the Texas Ranger, even if he is a bit hard to understand in places. The back and forth between him and his partner (Gil Birmingham) certainly provides the laughter. Yet it is the leading men who undoubtedly steal the show and don’t be surprised to see potential award nods come their way.

After directing Starred Up, David Mackenzie does a tremendous job of bringing this gritty story from Sheridan’s screenplay to the big screen. The cinematography is majestic with some tremendous wide and panoramic shots of the Eastern New Mexico landscape, cleverly doubling up as Texas. These are fused brilliantly with the scenes that take place in the town. In addition, the bank robbery scenes are masterfully executed, ensuring the tension and suspense is maintained right throughout. The movie does lag in parts as it is a slow paced film, the cat and mouse chase that ensues from the first bank robbery scene combined with brilliant performances and a first rate score. All of the aforementioned elements ensure that the film stakes its claim as an awards contender as awards season starts to come into view.

Tremendous performances from Foster and Bridges, with arguably a career high from Pine, combined with a tense and superbly written script. Come hell or high water, you should definitely see this film!

2010-2019, Film Review

Star Trek Beyond (2016)

Posted on July 25, 2016January 17, 2017 by Martin: Through the Silver Screen

startrekbeyondposter — Image rights belong to Paramount Pictures, Bad Robot Productions, Skydance Productions and Alibaba Pictures

Star Trek Beyond – Film Review

Cast: Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Idris Elba, Karl Urban, Sofia Boutella, John Cho, Anton Yelchin

Director: Justin Lin

Synopsis: In the middle of their five year mission, the Enterprise is lured into a trap by a deadly alien threat by the villainous Krall, who threatens to tear the Enterprise, and indeed Starfleet apart.

Review: It has been an incredible fifty years since Gene Roddenberry’s first television series carrying the title Star Trek burst onto small screens. Since then, thirteen feature films have made their way onto the big screen, and we have had plenty of spin-off TV shows. While not all of these have endured the kindest of reactions from Trekkies and critics alike, one thing cannot be disputed, the franchise has prospered through this half a century, making its mark on popular culture. When it came to the third installment of the rebooted franchise, with its golden anniversary on the horizon, fans were surely hoping that the franchise would strike gold once again, and well they are in luck, as its thirteenth feature film has done exactly that.

With the man behind Star Trek and Into Darkness, a certain Mr JJ Abrams going off to a galaxy far far away, a number of directors were in the frame to take over the responsibility of the director’s chair, with producer Roberto Orci at one stage at the helm. However, that responsibility ultimately went to Justin Lin, of Fast and Furious fame. When the first trailer dropped many feared that this would be Fast and Furious but in space. However, credit where credit is due, as Lin has put together a very enjoyable and extremely well made movie that feels like a Star Trek movie should. With Scotty himself, Simon Pegg helping to write the script, they certainly aimed for a film that would please fans, given how Into Darkness was not very well received by some sections of the Trekkie community. The action here is once again of a very high quality with more than a few pulse racing sequences, the best of these scenes are by far on the hostile alien world that the Enterprise crew find themselves on. A few shaky cam scenes aside the action is put together very well and there are more than a few very funny moments packed into the movie’s run time.

JJ Abrams may have returned in a producer capacity only, but full credit must go to him for putting together this amazing ensemble because once again, each and every one of them deliver great performances. Yet again it is Chris Pine who really shines the brightest, with major kudos also going to Quinto and Karl Urban as Spock and Bones respectively. The latter duo in particular share a lot more screen time in this installment, and all the better for it as they make an effective duo! In terms of new arrivals, the standout by a considerable distance is Sofia Boutella’s Jaylah. Her work in Kingsman showed how much of a badass she could be and likewise here. The real let down here is the villain played by Idris Elba, an actor of immense talent, but his character could have been a little bit more fleshed out, and given a little bit more to do. He’s better than Nero from the 2009 reboot, but he’s by no means on the level of Cumberbatch as Khan, not even close.

That being said, those who may have feared that this film would fall out of warp and crash and burn were proven to be very wrong indeed. The score by Michael Giacchino is once again of a very high quality. Thirteen maybe an unlucky number for some, but not for Star Trek, Star Trek is showing no signs of slowing down, and indeed, a fourth film is already in the works. Mr Roddenberry would undoubtedly be pleased to see the prosperity the franchise has enjoyed, and is continuing to boldly go where no franchise has gone before!

The foundations that were laid by Abrams have been greatly added to by Lin, the cast remain excellent, as does the chemistry between the leads, with the quality action sequences also being maintained. At this rate, the franchise is at full warp speed and nothing is going to stop it!

2010-2019, Film Review

Star Trek Into Darkness (2013)

Posted on July 23, 2016April 29, 2018 by Martin: Through the Silver Screen

star_trek_into_darkness_xlg — Image rights belong to Paramount Pictures, Bad Robot Productions, Skydance Productions and K/O Paper Products

Star Trek Into Darkness – Film Review

Cast: Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Benedict Cumberbatch, Karl Urban, John Cho, Anton Yelchin, Leonard Nimoy

Director: JJ Abrams

Synopsis: When Starfleet comes under attack, the crew of the Enterprise are challenged to apprehend the culprit, a man who goes by the name of John Harrison, a man who is on his personal mission of vengeance.

Review: JJ Abrams certainly undertook his own almost five year mission when it came to his work with the Star Trek franchise. After directing its enormously successful 2009 reboot, and with a little break in between in which he directed 2011’s Super 8, the director sat back down in the Star Trek director’s chair once again for its 2013 sequel. Under his guidance, the franchise returned to prosperity with the first movie in the rebooted franchise, and this installment of the franchise certainly helped to continue that trend.

Abrams certainly understood that what makes Star Trek is the relationship between Kirk and Spock. Despite being friends, they still have their differences and come to several disagreements which threaten to tear them apart. This is until a very frightening threat emerges against Starfleet in the form of Benedict Cumberbatch’s character, a man we initially know as just John Harrison, but if you have seen the movie, you know that he is hiding some secrets about his true identity. The first film suffered from a lack of a really compelling villain. However with Cumberbatch, there was no chance of that repeating as he is electric to watch. His work in the Hobbit movies certainly showed he has a very menacing and sinister way of delivering his lines, and he was completely compelling to watch, as he battles with the Enterprise, it makes for some really entertaining moments.

Although Cumberbatch steals the show, the Enterprise crew certainly also show their credentials once again, with Chris Pine remaining excellent as Kirk. Much like Cumberbatch, he is very compelling to watch, and even more so when the two of them clash. In addition, Zachary Quinto and Zoe Saldana certainly command more screen time than the others, with Simon Pegg once again providing the comic relief as Scotty. The acting remained of a very stellar quality and the action remains just as exciting here as it was in the first movie. Abrams once again demonstrated his tremendous skills when it came to the action sequences. Once scene in particular that takes place on the Klingon home-world shows Abrams at his best. The film never stops, and Roberto Orci and Alex Kurtzman back on script duties do some tremendous work to provide newer fans of the franchise to enjoy, whilst also throwing things in there that should satisfy every Trekkie on the planet.

The prosperity returned to the franchise under Abrams’s tutelage and direction without a doubt, despite what some Trekkies may tell you. The movie has suffered over the years and was voted the worst film in the franchise, yet it provides plenty of entertainment for everyone to enjoy. Although he moved on to direct this franchise’s great rival in Star Wars, it is hard to argue against the terrific job Abrams has done for the franchise, he brought it back to prominence and at the end of his four year mission, he has vacated the chair, and certainly left the franchise in a better position than when he found it, of that there is no question.

Certain Trekkies will undoubtedly argue otherwise, but this chapter continues from where the first film left off, with great action sequences, a really deep and emotional story and a tremendous performance from Cumberbatch as the antagonist. Live long and prosper indeed!

2000-2009, Film Review

Star Trek (2009)

Posted on July 18, 2016April 29, 2018 by Martin: Through the Silver Screen

Star Trek – Film Review

Cast: Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Karl Urban, John Cho, Anton Yelchin, Leonard Nimoy

Director: JJ Abrams

Synopsis: James Tiberius Kirk is a young man with seemingly no future ahead of him, until he is persuaded to join Starfleet and follow in the footsteps of his father.

Review: Reboots certainly are a very common occurrence in Hollywood movies these days, with every popular franchise getting one. So of course, it was only a matter of time until Star Trek underwent the reboot treatment. A franchise that has endured the test of time, and has had its fair share of setbacks and disappointments. Seven years after 2002’s Star Trek Nemesis was released, fresh after directing the third Mission Impossible Movie, JJ Abrams came on board, sat in the director’s chair and fired this franchise into warp speed and in very impressive style too.

The film focuses on a young James T Kirk, a man who is sort of on the road to nowhere and likes gets into a few fights. He is looking for something to give his life significance and meaning and he eventually finds this in Starfleet. Also arriving on the Starfleet scene is the Vulcan Spock, who due to his human mother is almost looked down upon by his fellow Vulcans. Through this the two of them form an understanding of what it’s like to be cast aside, and a friendship of sorts, is formed, but it’s not without its problems. With the timeline in this movie dramatically altered, Abrams almost gives himself a clean slate to work from, but he also knew how to make this reboot work and work well. Yes it is cool to see ships travel at Warp Speed and to see impressive planets, but at its heart, Star Trek is a franchise that focuses on its characters, as the brilliant pairing of William Shatner and the late Leonard Nimoy demonstrated in the older films.

The new cast certainly give credit where credit’s due, but they all make the roles their own. Special mentions must go to Chris Pine and Zachary Quinto. Much like Messrs Shatner and Nimoy, the pair of them are brilliant in the roles of Kirk and Spock respectively. They may bicker and clash about almost anything they can, but there is a connection, a mutual admiration in many ways between them. Also great is Karl Ubran as Dr Leonard McCoy AKA Bones. He gives off that typical Karl Ubran gruffness, and he is a little bit grumpy for sure, but there is sincerity and depth to his performance, as is just about everyone else. Star Trek is nothing without the crew of the Enterprise and this crew all give very fine performances, and you enjoy watching them work.

Abrams certainly showed with MI that he knows how to handle action, and here he displays it once again. The action is glorious to watch and there’s plenty of it too. From the epic clash in the opening sequence to a enthralling space jump sequence that is packed with his trademark lens flares in more than a few scenes. One could certainly never accuse Abrams of lacking style. He brings a very exciting style to the way he directs and it works very well for the film. However, the main thing dragging this movie down is the villain Nero played by Eric Bana. He looks menacing enough for sure, but he is in many ways a throw away villain, and will not leave the viewer with a lasting impression when the credits begin to role.

That being said, despite his predisposition to the Star Wars Franchise, Abrams gave the Trekkies just what they needed after seven years. Screenwriters Roberto Orci and Alex Kurtzman, along with Abrams certainly set out to please the fans, and bring new people on board to the franchise, and they certainly did just that! It was just about the perfect start for this new Star Trek franchise with all phasers set to thrill!