Posted in 2020-2029, Film Review

The Wild Robot (2024)

© DreamWorks Animation and Universal Pictures

The Wild Robot– Film Review

Cast: Lupita Nyong’o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O’Hara, Matt Berry, Ving Rhames

Director: Chris Sanders

Synopsis: After being shipwrecked on a deserted island, a robot must learn to adapt to its new surroundings and is put to the test when it has to care for an orphaned baby chick…

Review: Our world is home to a diverse range of fascinating wildlife and plant life. This may sound like something you’d hear in a nature documentary narrated by Sir David Attenborough (try reading that first sentence in his voice), but as those series demonstrate, the wonders of nature can be discovered anywhere on this magnificent planet. Since the dawn of humanity, we have explored and uncovered the marvels that the natural world has to offer. Now, imagine yourself as an outsider who has never encountered these wondrous sights or experienced nature’s beauty for the first time. You are a robot programmed to assist humanity, only to find yourself surrounded by an assortment of wildlife. The challenge of assimilation and finding your place in the world is beautifully captured in one of the year’s most compelling films.

Set on an unnamed island, the Universal Dynamics ROZZUM Unit 7134 (Nyong’o) washes up on the beach after a storm. Upon booting up, Roz, as she quickly becomes known, attempts to adapt to her new surroundings and offers to assist the island’s inhabitants. Unfortunately, the locals are immediately hostile towards her arrival and reject her help. After Roz comes under attack from a frightening predator, she inadvertently destroys a goose’s nest, resulting in the death of the mother goose and leaving only a single egg remaining. Overcome with guilt, Roz decides to raise the surviving gosling, whom she names Brightbill until he is ready to join the rest of his kind for migration. Although she admits that this task is “not in her programming,” Roz becomes determined to work tirelessly until Brightbill can swim, eat, and fly, and gain the strength to take his place among his own kind.

As the relationship between humanity and machines, specifically artificial intelligence (AI), is increasingly scrutinized, The Wild Robot offers a fascinating perspective on how a robot might interact in a natural environment devoid of human presence. Adapted from the book series by Peter Brown, having beautifully brought to life the journey of one boy who learns how to train his dragon, Chris Sanders’ script delves deeper than just the exploration of nature’s struggle against AI. In this touching and heartfelt story, Roz often finds herself at odds with her programming as she works to protect Brightbill, a gosling vulnerable to other animals in their habitat. This conflict only strengthens Roz’s determination to help Brightbill gain acceptance in his community. Throughout their journey, Roz and Brightbill encounter various unique creatures, including Fink (Pascal), a sly and cunning fox with a peckish who sees Brightbill as his prey. However, Roz’s persistence and determination to raise Brightbill as her own leaves a lasting impression on Fink, and Pinktail (O’Hara) and her legion of adorable little babies.

Even if someone has never had children, anyone and everyone will be acutely aware of the difficulties and challenges that come with parenthood and raising children, because let’s be honest, we’ve all done things when we were young with the sole intention to annoy our parents. Therefore Roz’s battle to become a mother, something she has no prior experience of, will undoubtedly strike a chord with those undertaking the most difficult task any living creature could put themselves through. Though parenthood is an immensely difficult challenge, it has its own rewards and the film chooses to celebrate those as well as a pertinent reminder of the healing power that community and togetherness can bring, because as Roz herself puts it: “Sometimes, to survive, you must become more than you were programmed to be.”

Speaking of Roz, a robot is not usually the most expressive and emotional being, on account of it being a robot. It therefore takes an extremely talented actor to bring such warmth and emotion to a life form designed with one specific purpose in mind. In Academy Award winner Lupita Nyong’o, you have the perfect actor to bring those qualities and more. Nyong’o radiates warmth and compassion, even though it goes completely against what the nameless corporate bigwigs at Universal Dynamics clearly intended Roz to be. Nyong’o is the unquestioned star of the show, but she is given excellent support in a glittering voice cast from the likes of one the internet’s favourite personalities, Pedro Pascal who is equally charming and delightful as Fink. The bond between a parent and their child can be a loving one, but it is usually not without its fraught moments, and Kit Connor’s voice performance as Brightbill captures this balance of that very complex and loving relationship that develops between himself and his surrogate mother.

With the likes of Sony’s Spider-Verse films, and last year’s Puss In Boots: The Last Wish, the bar for high-quality animation has been considerably raised in recent years by breaking new ground in what audiences thought possible, as well as combining 2D and 3D styles. Sanders and the animation wizards at DreamWorks have outdone themselves here, with utterly breathtaking visuals that feel so lifelike and realistic, if you didn’t know any better, also feel like they could easily have been pulled straight from one of those nature documentaries. In an increasingly hostile and chaotic world, if an outsider like Roz can against all odds, go against her programming and find her place in the world and work with the community around her, a lesson for all of us to take heed to.

Beautifully animated, with a powerfully resonant and emotional message at its core, Roz and her array of furry friends will charm their way into your hearts and never let go. 

Posted in 2000-2009, Film Review

Shaun of the Dead (2004)

Image is property of Studio Canal and WT²

Shaun of the Dead  – Film Review

Cast: Simon Pegg, Nick Frost, Kate Ashfield, Lucy Davis, Dylan Moran, Bill Nighy, Penelope Wilton, Jessica Stevenson, Peter Serafinowicz

Director: Edgar Wright

Synopsis: With his life going nowhere, stuck in a dead-end job and failing to win over his on-off girlfriend Liz, Shaun (Pegg) tries to get his life together, and must do all this, in the middle of a Zombie apocalypse…

Review: Like many fictional beings that don’t really exist in our world, humanity has seemingly always had an interest in all things Zombies. Ever since the first Zombie film debuted back in the 1930s, these horrifying creatures have been an ever present, creating their own sub-genre of horror films. But in the first film of what is now known, as the Cornetto trilogy, director Edgar Wright and his two leads Simon Pegg and Nick Frost, devoured this genre and blended a bit of romance and comedy, all while giving it a very uniquely British taste.

Shaun and his best mate Ed (Frost) are both aimless in their lives and careers, seemingly content with going nowhere, and more than happy to pass their time playing video games, and getting drunk at their favourite pub. However, when Liz (Ashfield) decides she has had enough with Shaun’s laziness, she dumps him.  Being jilted gives Shaun the kick up the backside he needs to get his act, and life together and win her back. To make matters even more complicated, the city of London is now experiencing a Zombie apocalypse that throws many undead obstacles in Shaun’s path, which Shaun and Ed must now do battle with, all while on a quest to win back Liz’s heart.

Impersonate a Zombie day was not a roaring success..

Right away, it’s clear that Shaun is not initially the most likeable of protagonists but, probably in no small part due to Simon Pegg’s charisma and charm, he has a good heart that ultimately brings you round to his cause. That being said, having Ed by his side definitely doesn’t help matters. Though Ed can be extremely entertaining in his own right, his lazy, reluctant attitude brings out the worst qualities in Shaun. Yet, despite the massive flaws in both their personalities, that there’s something that’s very sincere and hilarious about their friendship that you cannot help but want to see them succeed, even when Liz and her best friends Diane (Davis) and David (Moran) are less than supportive of Shaun’s efforts.

Edgar Wright and Pegg’s screenplay is consistently hilarious. From the very first shots of people on their commute, who already look like they are members of the undead, to the very first scuffle with a pair of zombies, to the moment where the Zombie Apocalypse has fully taken over the city. Much like a Zombie apocalypse, the comedy never lets up. Wright fuses the excellent comedy of the script and at the same time, turns on the style with the action. From a fight in a back garden to the climatic final showdown in a pub of all places, the comedy compliments the action, and vice versa.

Even in the midst of all the uproarious and absurd action scenes, there are quite a few moments of intense drama and emotion. In addition, of course it wouldn’t be a Zombie film, without its fair share of blood and guts, with a fair number of London’s citizens meeting some rather grim fates. However, having cut his teeth on A Fistful of Fingers and the Channel 4 TV show Spaced, it was just the start of an upward trajectory for Wright as a director, and likewise for Pegg and Frost as actors. Each of their careers, and indeed the Cornetto trilogy, would later go from strength to strength, whilst presumably giving sales of Cornettos an enormous boost at the same time.

Consistently hilarious, with an exciting blend of comedy, drama and horror, and an excellent ensemble cast ensured that the Cornetto trilogy got off to a tasty start.

Posted in 2000-2009, Film Review

Pirates of the Caribbean: Dead Man’s Chest (2006)

Image is property of Walt Disney Pictures, Jerry Bruckheimer Films and Buena Vista Pictures

Pirates of the Caribbean: Dead Man’s Chest – Film Review

Cast:  Johnny Depp, Keira Knightley, Orlando Bloom, Stellan Skarsgård, Bill Nighy, Jack Davenport, Jonathan Pryce, Tom Hollander, Kevin McNally

Director: Gore Verbinski

Synopsis: Captain Jack Sparrow and the crew of the Black Pearl set sail in search of a chest that contains an item belonging to the ominous Davy Jones, but this item is also sought after by several other people, all of whom want this item for their own ends…

Review: Pirates, there’s something about these scallywags that cinema audiences certainly seem to like, and enjoy watching, as was evident by the phenomenal critical and commercial success that the first film in this franchise enjoyed. A sequel (or two, or three) was always going to happen. Sequels, however can be the equivalent of cursed treasure, in that if you get them wrong, it can place upon the preceding film a terrible curse that’s hard to shake off. Or it can be like finding a glorious stash of treasure that makes everyone rich and happy. In the case of Dead Man’s Chest, this is perhaps somewhere in between it’s not a curse, but it’s not a perfect stash of treasure either.

We begin when the wedding of Elizabeth Swann and Will Turner is rudely interrupted by Lord Cutler Beckett (Hollander) who’s after one man, yes Captain Jack Sparrow of course! After the latter was allowed to escape by the hands of Will, Beckett condems the bride and groom to be to the hangman’s noose. Jack meanwhile is desperately seeking to avoid the debt that he owes Davy Jones (Nighy) and so begins a spiral of events that stretch out this film’s run time to an incredible two and a half hours, that really really could have been trimmed down in one or two places.

Screenwriters Ted Elliott and Terry Rossio do ensure that there is some fun to be had of course, but there’s quite a lot of meandering as this ship steers its way through some very exposition filled waters that threaten to run the film aground. A common path for sequels to sail, is to make the tone that bit more darker, and this is the route that this film chooses to take, and in doing so much of the wackiness and the fun that the first film brought is replaced by a more serious ominous tone, though the film doesn’t lack some very entertaining sequences that returning captain Gore Verbinski helms to a similar standard as he did with the first film.

The ominous is perhaps best exemplified by Davy Jones, though we don’t find out much about him and why he looks the way he does. Nighy brings a very menacing presence, that is aided by some truly excellent CGI. Being in this creature’s presence could cause even the bravest of souls to quiver in fear.  Though the CGI for some of his crew aboard The Flying Dutchman is very obvious, it is for the most part very well done and the recipient of the Oscar for Visual Effects. Despite the meandering script, there are some rather splendid action sequences to enjoy, and the acting across the board remains at a solid standard.

Not someone you want to mess with…

With Depp again on splendid form as Captain Jack, and Orlando Bloom and Keira Knightley also in fine form reprising their roles as Will Turner and Elizabeth Swann. Newcomers Stellan Skarsgård and Tom Hollander give the most memorable performances of the newcomers as Will’s father Bootstrap Bill and the pesky Cutler Beckett.  It’s not the swashbuckling adventure its predecessor was, but there’s more than enough rum on this ship to ensure it has the right amount of wind in its sails.

A choppy plot, coupled with some clunky dialogue could have resulted in an unpleasant shipwreck, but an ample amount of fun action ensures it’s steered home to a satisfying conclusion.