2020-2029, Film Review

Doctor Strange in the Multiverse of Madness (2022)

Posted on May 9, 2022 by Martin: Through the Silver Screen

Doctor Strange in the Multiverse of Madness – Film Review

Cast: Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, Rachel McAdams

Director: Sam Raimi

Synopsis: After an encounter with a girl who has the ability to travel in between different multiverses, Doctor Strange begins to fully grapple with the concept of the multiverse and the horrors it could unleash….

This review will be 100% spoiler-free…

Review: The Marvel Cinematic Universe has become such a gargantuan cinematic juggernaut of an impressively inter-woven universe that has successfully tackled a plethora of different genres across 28 different films. However, despite all of its incredible accomplishments, there is one particular genre that (for understandable reasons) the MCU has avoided tackling, and that is horror. Multiple projects of Phase Four have established the multiverse as a central aspect to their stories, and an endless number of doors have simultaneously been opened for Marvel in Phase Four and beyond. Now, with the Multiverse in full swing, it has allowed Marvel to fully embrace this concept, and what better director to bring this to life, than Sam Raimi.

Following on from the events of Spider-Man: No Way Home, Dr Stephen Strange is beginning to grapple with the multiverse and all of its infinite possibilities. Whilst at the wedding of his former co-worker and one-time love interest Christine (McAdams) he encounters a girl named America Chavez (Gomez) who has the power to travel in-between multiverses. Strange quickly realises that with the scope of her powers, it is extremely likely that some dangerous individuals will soon be making their play, wanting her power for their own ends. Fearing the consequences if that came to pass, he seeks the help of someone else who has knowledge of the multiverse, Wanda Maximoff (Olsen), to help protect America and prevent her power from falling into the wrong hands.

In what is his sixth time playing the ex-Sorceror Supreme, Benedict Cumberbatch once again excels in the role. It is clear when we meet him that this is a man with a lot on his mind, especially since he played such an integral role along with Spider-Man (remember him?) in establishing the multiverse and all of its perils as a very real danger to the world that he is sworn to protect. Furthermore, even though his actions helped restore the universe to undo the consequences of the Blip, there are some decisions that Strange is grappling with. Most notably, concerning his one-time flame Christine. However, with the arrival of America Chavez, Strange knows that he cannot afford to dwell on the past, because dangers both old and new, are threatening to reap unimaginable destruction on not just our world, but every world out there. Given how central her character is to the film, Xochitl Gomez brings likeability, fearlessness and determination to the role of America Chavez, and she stands toe to toe with the experienced MCU regulars.

While Cumberbatch excels, the even bigger star of the show here is Olsen’s latest portrayal of Wanda Maximoff. The events of WandaVision gave Olsen a chance to dive deep and fully explore the tragedy of this character. Having seen what her life could have been through those alternate realities, this is a woman who is on a deeply personal mission. Now fully embracing her Scarlet Witch mantra and fuelled by a frightening combination of rage, grief and heartache for her long lost family, it enables Olsen to demonstrate a side to Wanda that’s unlike anything we’ve seen before, an extremely powerful being who’s more than capable of giving any character in this universe a run for their money, and more than likely, a good arse-kicking.

With his experience with both the realm of Marvel with the original Spider-Man trilogy, along with the Evil Dead trilogy that launched his career as a director, it is fantastic to see Sam Raimi back in the director’s chair after a nearly decade long hiatus since his last project in 2013. The visual effects wizards once again bring the magic when it comes to the actions scenes, but it is no coincidence that with Raimi at the helm, the film really pushes the boundaries of the 12A/PG 13 rating, in a way that the MCU has never done up to this point. Some scenes definitely have a more noticeably horror movie element to them, and are much more violent. It could have been a match made in multiversal heaven. However, it’s really disappointing that Michael Waldron’s (who wrote the Disney+ TV show Loki) screenplay quickly becomes very convoluted and is filled with a frustrating amount of exposition that really drags the film down, with certain scenes serving as little more than fan service that doesn’t drive the plot forward.

With a title like In the Multiverse of Madness, audiences would surely have expected a thrilling ride that delves deep into the madness of the concept of a multiverse, especially given what the MCU has already explored with the concept thus far. Yet, the reality is that what’s presented here only really scratches the surface of what it could have explored in the 126 minute run time. Multiversal shenanigans are enjoying an unprecedented spell of popularity at this moment in time, and the potential was there for another great entry into this particular sub-genre. Yet, even with the recruitment of Raimi, not even his wizardry can conjure away the feeling that this is a massive missed opportunity.

It’s a joy to see Sam Raimi return to the realm of superhero filmmaking. Though, even with him working his magic, this multiversal adventure never fully lives up to the potential teased by its bonkers title.

2020-2029, Film Review, London Film Festival 2021

The Power of the Dog (2021)

Posted on January 5, 2022 by Martin: Through the Silver Screen

The Power of the Dog – Film Review

Cast: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee, Thomasin McKenzie, Genevieve Lemon, Keith Carradine, Frances Conroy

Director: Jane Campion

Synopsis: The relationship of two brothers in 1920s Montana is put to the test when one brother settles down and introduces his new wife, and her son, to the other brother…

Review: What does it to be a man? Even in modern times, the stereotype of the masculine man is someone who is expected to be hard, tough, and forbidden from displaying any sort of emotion that might deem them as being “weak” and “unmanly”. While someone on the outside may present themselves as tough and strong, inside they can easily be the polar opposite. They could potentially be hiding some pretty big insecurities. While we have broken down some of those absurd barriers of men being unallowed to express emotions, back in the 1920s, such an idea was unheard of. In her first film for 12 years, Jane Campion explores the concept of toxic masculinity from the perspective of two very different people.

The setting is Montana in 1925, and brothers Phil (Cumberbatch) and George Burbank (Plemons) are very successful ranch owners. Phil is the tough, masculine, and considerably more cruel brother. He regularly likes to throw around insults, especially towards George. George, by contrast, is in every sense, the polar opposite to Phil, who is considerably more friendly, gentle, and hospitable. When George meets Rose (Dunst), he becomes instantly smitten with her, and the two marry. When George brings Rose and her son Peter (Smit-McPhee) home to the Burbank ranch, it doesn’t sit well with Phil at all. Phil becomes determined to do all he can to make Rose’s and Peter’s lives a misery, which will only add further strain to the tense relationship that already exists between the two brothers.

When you picture the average Western, you may picture a scene that depicts cowboys standing outside a saloon with their guns drawn in some rural town in the Wild Wild West. While the setting is sort of the same (substitute the majestic hills of New Zealand for those of rural USA), Campion instead takes a considerably different approach to this story. Adapted from the 1967 novel of the same name by Thomas Savage, her screenplay takes a considerably slow-burn approach to the story, that’s bathed in the gorgeous cinematography from Ari Wegner. Campion is clearly not interested in those tense shootouts, and is instead more focused on who the characters are as human beings. This is a personal, emotionally character-driven piece that thrives by taking its time to thoroughly examine the internal conflicts that are brewing inside these characters, and how these can spill over into their relationships with the other characters.

As the man at the centre of this story, Benedict Cumberbatch gives a terrific performance as Phil Burbank. Due to his tendency to willfully bully and insult others around him, he is definitely not the easiest character to spend some time with. He takes great satisfaction and joy in the mistreatment of others. Yet, as the film progresses, that brash and cruel exterior is peeled away, as not everything is what appears to be with Phil, and Cumberbatch’s nuanced performance captures this superbly. There’s an internal struggle within himself, and with some of the other characters that keep you invested as the film goes on, especially between Phil and Peter. Initially, one of the targets of Phil’s cruel insults due to his lisp and some of his mannerisms, it becomes fascinating to see how the relationships change once certainly layers are peeled back. Like Phil, there’s more to Peter than what you see at first glance, and Smit-McPhee’s performance is as equally nuanced as Cumberbatch’s.

As the dynamic between Phil and Peter is the one that is given the most screentime, it does mean that some of the others, most notably between Phil and George and Rose are not given enough screentime as they maybe could and should have. Plemons is severely underutilised once we reach the second half of the film. What’s more, for all of her strengths as an actress, Dunst also doesn’t have much to do except cower in fear whenever she comes face to face with Phil. This fear of her brother-in-law leads her down a dark path of addiction. While Dunst excels with the material she’s given, there was scope for a further exploration of the demons that she’s facing. Nevertheless, Campion’s slow-burn approach to this story and to the characters ensures that the mysteries that are at the centre of the film are extremely compelling to watch as they unravel. The Power of the Dog packs plenty of both bark and bite in equal measure.

A Western unlike any other. Campion’s long-awaited return to the director’s chair bides its time with its story, which makes the film’s atmospheric journey, and the mysteries contained within, all the more enthralling to watch.

2020-2029, Film Review

Spider-Man: No Way Home (2021)

Posted on December 30, 2021January 1, 2022 by Martin: Through the Silver Screen

**© Marvel Studios, Sony and Columbia Pictures**

Spider-Man: No Way Home – Film Review

Cast: Tom Holland, Zendaya, Benedict Cumberbatch, Jacob Batalon, Jon Favreau, Marisa Tomei, J. B. Smoove, Benedict Wong, Jamie Foxx, Alfred Molina, Willem Dafoe

Director: Jon Watts

Synopsis: After his identity is revealed to the world, Peter Parker asks for the help of Doctor Strange in a desperate attempt to make everyone forget he is Spider-Man…

This review will be 100% spoiler-free…

Review: Back in 2019, when Marvel Studios released Avengers: Endgame to the world, it was the crowning and unprecedented achievement of a decade-long cinematic adventure. Unlike anything that had ever been accomplished before in cinematic history it broke box office records, and – for a time – held the title of the highest-grossing film of all time. After the conclusion of that thrilling journey, Marvel would have been forgiven for spending five or so years to take stock of what they’ve achieved. The pandemic might have forced them to wait a bit, but this year Marvel have gone full steam ahead with the continuation of their Cinematic Universe. Phase 4 is beginning to take shape, and now, perhaps the biggest film of this phase thus far, and certainly the biggest since Endgame, has arrived.

Set immediately after the events of Spider-Man: Far From Home, Spider-Man’s identity has, thanks to Quentin Beck/Mysterio been revealed to the world. Consequently, Peter’s whole life has been turned upside down. With his identity now a known fact, it’s having an adverse impact on the lives of his family and friends as well. Desperate for help, he turns to Doctor Strange and asks him to cast a spell that makes the world forget his secret identity. However, when Peter attempts to tamper with the spell, it goes horribly wrong and unleashes the Multiverse, as hinted at in Disney+’s Loki. The Multiverse is something that they know, as Strange puts it, “frighteningly little about.” The corrupted spell causes strange visitors and foes from different universes to arrive in our world, and it’s up to Peter to stop them and send them back to their own realities.

After two MCU Spider-Man films that very much dealt with the impact that Tony Stark/Iron Man had on Peter Parker and his early career as everyone’s friendly neighbourhood Spider-Man, this concluding chapter is a welcome departure from that. With Iron Man having passed on, it’s left Peter Parker with no choice but to grow up, stand on his own two feet and wrestle with the fallout from his identity being revealed. Though that’s all with the help of a certain magic Sorcerer, who thankfully is not predictably stepping up to the mentor void left by Iron Man. Tom Holland has proven himself to be a fan favourite in this role with his numerous appearances across the MCU, but it’s here which he gives his absolute best performance. Being the hero that he is, there’s a lot resting on his shoulders, to save the world and to also protect those he cares about from being harmed by his mistakes.

Having seen a previous, and beautifully animated, Spider-Man film brilliantly using the concept of a Multiverse; screenwriters Chris McKenna and Erik Sommers had the unenviable task of adapting the Multiverse into this iteration of the character. They also had to make this third MCU Spider-Man film live up to the lofty expectations that fans had hoisted upon the film from its announcement. Depending on what you have seen in the build-up to the film, it may or may not live up to those expectations. The first act is a little rough to start off with, but once we get to the tampered spell, and the opening up of the multiverse the film finds its feet. Previous Spidey films have often been left to rue their mistakes when one too many villains get dragged into the picture, and the plot as a result gets severely messy. Thankfully, lightning doesn’t strike twice – or perhaps thrice – here as director Jon Watts is able to weave all these threads into a satisfying narrative that never feels as bloated as a Russian rhinoceros.

It would be easy to see this film as nothing more than just an enormous helping of fan service. While it is most certainly true in that regard, it does definitely have its moments that will undoubtedly please long-time fans of this character. However, it doesn’t negate what matters most to the character of Peter Parker, and the core values that the revered hero stands for. The character is one that has been a favourite for generations of comic book fans and thanks to our friendly neighbourhood Spider-Man, Phase 4 of the MCU has now opened the multiverse good and proper, and the possibilities that brings are plentiful and very very fantastic.

Juggling a lot of different plot webs has proven to be a stumbling block before, but with a career-best performance from Holland and an excellent cast of supporting characters, this Spider-Man threequel triumphantly swings its way to success.

2010-2019, Film Review

1917 (2019)

Posted on January 13, 2020January 13, 2020 by Martin: Through the Silver Screen

**Image is property of Universal, DreamWorks and New Republic Pictures**

1917 – Film Review

Cast: Dean-Charles Chapman, George MacKay, Mark Strong, Andrew Scott, Richard Madden, Claire Duburcq, Colin Firth, Benedict Cumberbatch

Director: Sam Mendes

Synopsis: In the height of the First World War, two young English soldiers face a race against time in order to prevent a British battalion walking into a deadly enemy trap…

Review: When it comes to war films, filmmakers so often choose World War II, and/or the plethora of amazing human stories that took place during this time period as inspiration. However, for Sam Mendes, his inspiration for telling a story set in the heart of the First World War, came from a much more personal connection. After being inspired by the tales told by his grandfather during his time as a soldier, Mendes chooses World War I as the backdrop for his second foray into war film-making. He takes us straight to the front line, to the year seen by many as the turning point in the Great War, for an exhilarating cinematic experience that you’re unlikely to forget in a hurry.

Two young English soldiers, Privates Blake (Charles-Chapman) and Schofield (MacKay) are given an extremely perilous mission by their commanding officer. Intel has been received that one of their battalions is about to walk into a deadly enemy trap that would annihilate the battalion, and Blake’s brother is among their ranks. Setting off on a seemingly impossible mission, these two young soldiers must venture behind enemy lines and deliver the message calling off the attack, in order to prevent the massacre of his brother’s battalion.

As the two soldiers whose journey is at the centre of this pulsating story, the performances of Dean-Charles Chapman and George MacKay are phenomenal. The entire film is focused on their journey, meaning that it is all resting on their shoulders and they rise to that challenge in extraordinary fashion. The screenplay by Mendes and Krysty Wilson-Cairns, keeps things focused with military like precision on the two soldiers and their mission, while simultaneously fleshing both of them out to be so much more than just the uniforms they are wearing. The plethora of British acting talent that pop up throughout are welcome presences, but ultimately they are nothing more than extended cameos to drive the plot forward.

With the flawless acting in front of the camera, the work done behind the camera is equally sublime. In the build up to the film’s release, there was considerable promotion of the one shot method that Sam Mendes utilises to tell this story. While this could be a seen as a gimmick, its use here is tremendously effective to fully immerse the audience in this setting, which is likely to be in no small part down to Roger Deakins. After finally grabbing that long overdue Oscar, Deakins continues to be at the peak of his powers as a cinematographer. While Blade Runner 2049 showed him at his visual best, the work that he does in making the continuous tracking shot to be such an effective method of story-telling for this mission proves once again that in terms of cinematographers working today, he is almost second to none.

By all accounts, life in the trenches during WW1 was horrendous. and the work of the production design team to recreate these horrors are jaw-dropping. The sheer amount of meticulous details that are present in these sets is completely astounding, it only helps to add to the increasing suspense of the unfolding mission. Likewise for the sound teams, with every bullet fired and every time a plane flies overhead, you feel every moment of it, capturing the brutality of war with frightening realism. It makes you feel like you’re on that front-line with these men, every step of the way.

After a staggering fourteen Oscar nominations and no win to his name, this has to be the time for Thomas Newman to break his Oscar hoodoo, as his accompanying score is truly breath-taking and befitting of the emotional journey that is being depicted on screen. Mendes and every single member of his crew have pulled off an astonishing, remarkable cinematic triumph. Above all, thank you to Alfred Mendes for telling your stories, that will now live on forever.

From the powerfully emotional performances of its leading men, to the technical mastery behind the camera, 1917 is simply put, one of the finest war films that has ever been put to screen.

2010-2019, Film Review

Avengers: Infinity War (2018)

Posted on April 28, 2018September 3, 2018 by Martin: Through the Silver Screen

Avengers: Infinity War – Film Review

Cast: Spoilers!!

Directors: Joe and Anthony Russo

Synopsis: Thanos, the Mad Titan, is seeking possession of the Infinity Stones that would give him unrivalled power, and it’s up to the Avengers and the Guardians of the Galaxy to stop him as the fate of the Universe hangs in the balance…

This review will have no spoilers…

Review: Ten years in the making, with eighteen previous entries in this incredible cinematic universe that we have watched grow over the past ten years. It has been quite the fun and enjoyable ride, but this is what it has all been building towards. After all the work that was put in to establish this world and its characters in the previous decade of Marvel goodness, it would be fair to say the weight of expectation on this film was enormous. Therefore, one must give kudos to the Russo brothers, who return to the directors chairs of the MCU for the third time, and complete their hat-trick in spectacular style.

The plot, without straying into spoiler territory, focuses on the maniacal Thanos and his quest to obtain the infinity stones with the help of some underling servants known as the Black Order, to wreak unprecedented destruction on the universe, which understandably captures the attention of just about every MCU hero we have met thus far. Given the sheer number of heroes we have met thus far, there was understandable concern from certain quarters as to would they be able to balance the story with so many larger than life heroes? Well as they proved with Civil War, the Russos and returning screenwriters Christopher Markus and Stephen McFeely, do just that.

Each hero that we meet is given their chance to shine and there’s no one that feels out of place. They are all relevant pieces in this battle, and as such , everyone has ample screen time in this battle that simply put, has unprecedented stakes for all of our heroes. Yet despite these threatening stakes, as Marvel so often does, the film is peppered with plenty of humorous moments. But these never negate the moments of drama or danger that these heroes find themselves up against, as you feel that no one, no matter how big or how long they have been a part of the MCU, is in very serious peril.

Speaking of, it has been no secret that the MCU has had some trouble with crafting compelling villains. With a few exceptions, many of them have been very bland and forgettable. Thankfully, that is not applicable with Thanos. It is hard to humanise a villain who wants to kill at will, but he is given the crucial depth that a good villain needs to get in order to make them memorable. Furthermore, they need to be given a presence that our heroes feel, and they certainly feel Thanos’s presence alright, the much needed villain to truly break the villain curse that has plagued so many MCU movies.

As they demonstrated with both of their previous MCU entries, the Russos are once again right on the top of their game when it comes to delivering the compelling action scenes that were used so effectively in their previous MCU films. There are plenty of these throw-downs scattered throughout the film, you really feel the scale of the events that are taking place within this world that we as an audience have grown with over these past ten years. It is some heavy stuff and with this latest entry, again without straying into spoiler territory, it is a film that will have a major impact on the Marvel Cinematic Universe as we have known it.

With only a handful of films left in what has been the third phase of their cinematic universe, it is hard to not feel that all of this is all coming to a close. In a film like this, you need to just give the audience a complete and emotional sucker punch that leaves them reeling, and by the end of this movie, said sucker punch will have been delivered. Though there is still a second part in this story, and a few other films in Phase 3 to come, there is no escaping the fact that with this film, the Marvel Cinematic Universe has been shaken to its core.

It has all been building towards this, and it brought home the goods. So many heroes could have been problematic, but it is all weaved together tremendously well, and a truly memorable villain in Thanos sets things up perfectly for Avengers 4.

2010-2019, Film Review

Doctor Strange (2016)

Posted on October 28, 2016October 28, 2016 by Martin: Through the Silver Screen

Image is property of Marvel Studios and Walt Disney Studios

Doctor Strange Film Review

Cast: Benedict Cumberbatch, Rachel McAdams, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Benedict Wong

Director: Scott Derrickson

Synopsis: After a car accident ruins his hands and his career, brilliant but arrogant neurosurgeon Dr Stephen Strange, travels across the world in search of a cure and discovers mystic powers beyond anything he could have ever imagined.

Review: You have to hand it to Marvel Studios, and in particular its president Kevin Feige. Under his stewardship the MCU has blossomed into a very powerful cinematic machine, and certainly they have maintained audience interest by crucially throwing some variety in there. The studio is clearly choosing to take risks, rather than just pump out Iron Man 4 or 5. These risks that might not have paid off, but paid off they most definitely have. The likes of Guardians of the Galaxy and Ant-Man are perfect examples, and while there is usually some big superhero team up film or a film with heroes turning on each other. Nevertheless, the studio delivers, and they have managed to do so yet again with their fourteenth entry into the MCU, this time, they decided to go a bit mystical and dabble in the world of magic.

We meet Doctor Stephen Strange, a neurosurgeon and a rather good one at that, until a car accident leaves his career and life seemingly in ruins. Driven by desperation, he travels across the world in the hope of finding a cure but instead finds a temple of sorts, governed by the Ancient One, and she teaches Strange all about the mystic arts and dabbling in a world that has not graced the MCU stage up to this point, and it is rather thrilling to watch the MCU go in new directions and make a solid success out of it.

Marvel were desperately keen to recruit Cumberbatch for the titular role, going so far as to alter their schedule to accomodate him after he was committed to a theatre run as Hamlet, and it is easy to see why, as Cumberbatch really does shine in the role. After playing the role of the brilliant and cocky but ultimately tragic Alan Turing in the Imitation Game, he shows that cockiness again to great effect. Initially, Strange is about as arrogant as they come, but with good reason. Post-accident however is where Cumberbatch really shines, having truly realised how little he really knows.

Tilda Swinton might have seemed a strange (pun most definitely intended) choice to play The Ancient One, but she also delivers a capable performance. Yet besides these two characters, not one else really gets their chance to shine. Rachel McAdams and Chiwetel Ejiofor do not get the screen time and development actors of their immense talent deserve. Also the Achilles Heel for Marvel lets them down again, this being their villain. Mads Mikkelsen is without question a fine actor, but his performance as the villainous Kaecilius whilst menacing, does leave a lot to be desired.

Director Scott Derrickson, of horror movie fame, also on screenplay duties along with Jon Spaihts and C. Robert Cargill deliver a solid script is but certain things could have been better developed. Marvel have made their name delivering some great humour in many of their films, and this is no exception. There are more than a few great moments that will make you laugh out loud. Yet despite the great humour, the script does lack in a number of places as some scenes do feel a bit rushed. Yet the action sequences are directed exquisitely well and the special effects are mind-bendingly brilliant. It’s almost as if the film makers rolled Inception, The Matrix and Harry Potter into one and the end result is some REALLY trippy shit, but an absolute blast to watch, aided by great cinematography and a superb score by Michael Giacchino.

Marvel have shown they are not afraid to take risks, and while that does deserve praise, it does mean that there could be some trips further down the line. For some, Strange could have been this film that doesn’t deliver the goods, but thankfully that just isn’t the case. It’s another unique and incredibly interesting dimension that has been added into the Marvel Cinematic Universe and you certainly get the feeling that we will be going back into this world somewhere down the Phase 3 (or maybe even Phase 4) line. Yet so far it’s 14 and not out for Marvel Studios.

Anchored by an excellent performance from Cumberbatch with some astounding visuals, Marvel took their biggest risk to date, but the end result is one mind-bending and thrilling ride.

Rating: A-

2010-2019, Film Review

Star Trek Into Darkness (2013)

Posted on July 23, 2016April 29, 2018 by Martin: Through the Silver Screen

star_trek_into_darkness_xlg — Image rights belong to Paramount Pictures, Bad Robot Productions, Skydance Productions and K/O Paper Products

Star Trek Into Darkness – Film Review

Cast: Chris Pine, Zachary Quinto, Zoe Saldana, Simon Pegg, Benedict Cumberbatch, Karl Urban, John Cho, Anton Yelchin, Leonard Nimoy

Director: JJ Abrams

Synopsis: When Starfleet comes under attack, the crew of the Enterprise are challenged to apprehend the culprit, a man who goes by the name of John Harrison, a man who is on his personal mission of vengeance.

Review: JJ Abrams certainly undertook his own almost five year mission when it came to his work with the Star Trek franchise. After directing its enormously successful 2009 reboot, and with a little break in between in which he directed 2011’s Super 8, the director sat back down in the Star Trek director’s chair once again for its 2013 sequel. Under his guidance, the franchise returned to prosperity with the first movie in the rebooted franchise, and this installment of the franchise certainly helped to continue that trend.

Abrams certainly understood that what makes Star Trek is the relationship between Kirk and Spock. Despite being friends, they still have their differences and come to several disagreements which threaten to tear them apart. This is until a very frightening threat emerges against Starfleet in the form of Benedict Cumberbatch’s character, a man we initially know as just John Harrison, but if you have seen the movie, you know that he is hiding some secrets about his true identity. The first film suffered from a lack of a really compelling villain. However with Cumberbatch, there was no chance of that repeating as he is electric to watch. His work in the Hobbit movies certainly showed he has a very menacing and sinister way of delivering his lines, and he was completely compelling to watch, as he battles with the Enterprise, it makes for some really entertaining moments.

Although Cumberbatch steals the show, the Enterprise crew certainly also show their credentials once again, with Chris Pine remaining excellent as Kirk. Much like Cumberbatch, he is very compelling to watch, and even more so when the two of them clash. In addition, Zachary Quinto and Zoe Saldana certainly command more screen time than the others, with Simon Pegg once again providing the comic relief as Scotty. The acting remained of a very stellar quality and the action remains just as exciting here as it was in the first movie. Abrams once again demonstrated his tremendous skills when it came to the action sequences. Once scene in particular that takes place on the Klingon home-world shows Abrams at his best. The film never stops, and Roberto Orci and Alex Kurtzman back on script duties do some tremendous work to provide newer fans of the franchise to enjoy, whilst also throwing things in there that should satisfy every Trekkie on the planet.

The prosperity returned to the franchise under Abrams’s tutelage and direction without a doubt, despite what some Trekkies may tell you. The movie has suffered over the years and was voted the worst film in the franchise, yet it provides plenty of entertainment for everyone to enjoy. Although he moved on to direct this franchise’s great rival in Star Wars, it is hard to argue against the terrific job Abrams has done for the franchise, he brought it back to prominence and at the end of his four year mission, he has vacated the chair, and certainly left the franchise in a better position than when he found it, of that there is no question.

Certain Trekkies will undoubtedly argue otherwise, but this chapter continues from where the first film left off, with great action sequences, a really deep and emotional story and a tremendous performance from Cumberbatch as the antagonist. Live long and prosper indeed!

2010-2019, Film Review

The Imitation Game (2014)

Posted on February 22, 2015May 29, 2017 by Martin: Through the Silver Screen

The Imitation Game – Film Review

Cast: Benedict Cumberbatch, Keira Knightley, Mark Strong, Matthew Goode, Allan Leech, Rory Kinnear, Charles Dance,

Director: Morten Tyldum

Synopsis: An account of how mathematician Alan Turing and a team of analysts helped to crack the Enigma code to help the Allies in their efforts to win the Second World War.

Review: When images of World War II come to mind, you tend to think of aspects such as the air raids or the Normandy landings, and the heroes are those who took part in those Normandy raids. Yet the the breaking of the German enigma code was a vital part of the war effort that almost flew under the radar of history and behind this incredible feat lies the story of one particular war hero. A torn and brave man whose story is one that is not widely known among the general public, but a very important one that needs to be known by everyone, for the work he accomplished and for the gross injustice he suffered in the years following the war, this is the life of Alan Mathison Turing.

The film documents the vast majority of Alan Turing’s life, from his school years which included suffering from bullies, discovering cryptography and of course his vital work in the Second World War playing a key role in the breaking of the enigma code, through to his persecution as a homosexual, due to the fact it was a criminal offence at the time. A script that was on 2011’s Black List, and sold for a seven figure sum, a poignant and hard hitting story about a true war hero has been wonderfully brought to life thanks to the brilliant screenplay by Graham Moore and the wonderful direction of Norwegian director Morten Tyldum. He captures the period of late 1930s early 1940s England perfectly.

In a role that has landed him his first Oscar nomination, Benedict Cumberbatch is on stellar form as Alan Turing. Interestingly Leo Di Caprio was intended to play Turing, but it arrived on the busy shoulders of Cumberbatch, and although Di Caprio would have been an interesting choice, Cumberbatch was perfect in this role. The man, the genius, the outcast who was hated by his colleagues and superiors initially for his stubbornness and refusal to co-operate with his co-workers. Yet through all this his brilliance and incredible intelligence shone through. In equally outstanding form is Keira Knightley playing fellow code breaker Joan Clarke. The chemistry between her and Cumberbatch is wonderful. The rest of the cast also are outstanding, Matthew Goode as fellow code breaker Hugh Alexander and Charles Dance, channelling his inner Tywin Lannister from Game of Thrones, are the key stand out performances in an excellently acted movie.

With a movie set in the heart of the Second World War, not a single shot is fired, yet the film packs riveting scenes, that can get you off your seat as easily as an intense action scene, with some heartbreaking moments on top of that. The cracking of enigma was a major factor in the success of the Allies, and although the part the Polish played in the breaking of enigma is glossed over, the story triumphantly delivers . It is horrific to watch as we see Turing go through what he does after the war is over and what the brutal treatment of people, like Turing who were homosexual endured. It was something people incredulously at the time believed to be a curable condition and also was a crime on top of that.

The story does do a Tarantino and jumps back in time to his days as a schoolboy and back to his days at Bletchley and forward to his persecution, yet it all flows superbly and comes to a head incredibly well with an emotional punch with a heartbreaking closing scene. The work that Turing did was vital not only to the success of the Allies but for the future as through his work he is widely believed to be the father of computer science. An achievement like that cannot be ignored, and this film honours Turing in the best way possible.

Wonderfully acted, brilliant dialogue, directed beautifully with a gripping story that everyone the world over should know about, this is a film that gives one of Britain’s true war heroes the credit he strongly deserves.

2010-2019, Film Review

The Hobbit: The Desolation of Smaug (2013)

Posted on December 23, 2013May 29, 2017 by Martin: Through the Silver Screen

desolation of smaug.jpg — **Image is property of Warner Bros, Metro-Goldwyn-Mayer, WingNut Films and New Line Cinema**

The Hobbit: The Desolation of Smaug – Film Review

Cast: Martin Freeman, Sir Ian McKellen, Richard Armitage, Kenn Stott, Graham McTavish, Orlando Bloom, Evangeline Lilly, Aidan Turner, James Nesbitt, Benedict Cumberbatch, Luke Evans

Director: Peter Jackson

Synopsis: The Dwarven company along with Bilbo Baggins and Gandalf the Grey continue their quest to reclaim their homeland of Erebor. However, the villainous Smaug is waiting for them and evil is beginning to stir in Dol Guldur…

Review: A fiery return to Middle Earth and with the Desolation of Smaug comes a bigger and better adventure than An Unexpected Journey. The first instalment suffered from a slow start and thus it took its time to get going. Despite this, it was still a thoroughly enjoyable adventure. However, this second instalment wastes no time and immediately picks up from where the first film ended, as the company of Dwarves along with Bilbo and Gandalf continue their quest to reclaim Erebor.

Right from the get go, this film is immediately packed with some great scenes. From being chased from a bear-man to battling spiders that almost feast on our gang of little heroes. From there we have an enthralling chase down a choppy river as the Dwarves flee in wooden barrels, whilst being pursued by the pack of Orcs that continue to hunt them, as well as a group of elves led by Legolas (Orlando Bloom) and Tauriel (Evangeline Lilly). While these two characters did not feature in the work of J.R.R Tolkien, and while that may upset some of the die hard Tolkienites (hardcore fans of Tolkien’s work) they were both excellent characters who were exciting to watch and memorable.

On the subject of memorable, there is a character (or should I say beast) that is very memorable and is one of the best villains that has been put on the big screen in a long time. This beast is of course, Smaug the dragon, voiced and motion captured by the brilliant Benedict Cumberbatch. This beast was ENORMOUS and very menacing. The dialogue that Smaug and Bilbo share in this film is wonderful. With the sinister voice of Cumberbatch that sent shivers down my spine, this villain was superb and the scenes with him are among the best in the film.

Martin Freeman continued to excel in the role of Bilbo and Sir Ian McKellen was also ontop form as Gandalf. A number of the dwarves within the company unfortunately do fade into the background, but there are those who come to the fore, Thorin (Richard Armitage) being one of them. He is the strong courageous leader that he was in the first film. Meanwhile the elderly Balin (Ken Stott) is another member of the dwarf company that shines through as the wisest member of the company.

Unlike the first film, this adventure does not suffer any pacing issues and is packed with action in almost every scene. The arrival at Laketown does slow things down but this is not bad thing as the audience need the time to breath with all the action that leads up to it. Again there were a few CGI issues as some things did not look as authentic as they could have been. However, on the whole, this film is very well executed and is one of the best films of the year. It is packed with great action scenes and boasts one of the best villains in modern cinema. Be prepared for a fantastic cliff hanger that is definitely going to ensure you will want to come back to Middle Earth for the third and final instalment…