Posted in 2010-2019, Film Review

Harry Potter and the Deathly Hallows Part 2 (2011)

Posted on by Martin: Through the Silver Screen
deathly-hallows-2
Image is property of Warner Bros and Heyday Films

Harry Potter and the Deathly Hallows Part 2 – Film Review

Cast:  Daniel Radcliffe, Emma Watson, Rupert Grint, Alan Rickman, Ralph Fiennes, Helena Bonham Carter, Robbie Coltrane, David Thewlis,  Michael Gambon, Julie Walters,

Director: David Yates

Synopsis: As Harry, Ron and Hermione continue their quest to destroy the Horcruxes, Lord Voldemort and his followers bring the battle between good and evil to Hogwarts, for one final showdown.

Review: For everyone who read these beloved series of books and went on this epic journey with Harry, Ron and Hermione on the big screen, this is where everything ends (or so we thought at the time!) After going on said journey, spanning eight films and ten years, it was important to ensure that the franchise went out in style, and go out in style, they certainly did.

The first part to this concluding story to the Harry Potter universe, while having its few moments of enjoyment was ultimately all set up for this conclusion. We pick up immediately with the events of the first film, with Dobby having bravely given his life for our key trio to help them escape the clutches of Lord Voldemort. For Harry, Ron and Hermione there is no time to dwell, and their search for those elusive Horcruxes continues. The pacing of the first part was a bit slow, as the relationships of our three leads was put under severe pressure. However, now the trio are united in their quest, and right from the off, this film is a pulsating, emotional ride that never lets up and delivers the satisfying conclusion that the legions of Potter fans around the world will have hoped for.

The franchise has certainly boasted some remarkable action sequences, but this time around we certainly have the biggest one, and maybe even the best of the lot. Yates once again directs these scenes with wonderful execution, from the Battle at Hogwarts to a brilliant mini skirmish at Gringotts. With Harry having returned to Hogwarts in search of a Horcrux, The Dark Lord moves in to attack, and the Battle of Hogwarts commences. It’s a visual spectacle and Yates once again helms it in magnificent fashion. Writer Steve Kloves also deserves credit for once again adding some brilliant lines of humourous dialogue. The best of these falls undoubtedly to Julie Walters’s Molly Weasley, with a superb line of dialogue lifted straight from Rowling’s novel, it’s wonderful to watch and Walters delivers the line in great style.

RALPH FIENNES as Lord Voldemort in Warner Bros. Pictures’ fantasy adventure “HARRY POTTER AND THE DEATHLY HALLOWS – PART 2,” a Warner Bros. Pictures release.
Image is property of Warner Bros.

Yet in spite of the wondrous visuals, this franchise has been built on the characters and there are some truly heart breaking moments where certain characters true natures are revealed. Alan Rickman did a wonderful job bringing Severus Snape to life, but the revelations that are disclosed here show him in a completely new light, and viewers may find themselves reaching for the tissues as Rickman’s performance is so powerful and emotionally heart-breaking, it is undoubtedly his best work in this franchise and reinforces what a wonderful and brilliant actor he truly was. Through all of this magical mayhem and carnage, this franchise has been built on excellent, well developed characters and Snape is one of the many perfect examples of this, with Harry, Ron and Hermione being among many others. Truth be told, every character was brought to life brilliantly by their respective actors, and full credit to each and every one of them for their sterling work.

It was quite a journey that we all went on over the course of a decade, watching these brilliant pieces of literature be brought to the big screen. Four directors, eight films and nearly eight billion dollars grossed at the worldwide box office, this is a franchise that captured the hearts and minds of film goers across the world, and although our journey with the Boy Who Lived might be done, there is still much to explore, With a further expansion of the wizarding world having arrived in Fantastic Beasts and Where to Find Them, and with four further films to come, the magic of Harry Potter and this incredible world we have all come to know and love, isn’t going anywhere any time soon, even more so when The Cursed Child is inevitably adapted for the big screen.

Sterling performances from just about everyone, some incredible action and breath-taking visuals, the franchise certainly signed off in beautiful and magical style. 

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Posted in 2010-2019, Film Review

Harry Potter and the Deathly Hallows Part 1 (2010)

Posted on by Martin: Through the Silver Screen
deathly-hallows
Image is property of Warner Bros and Heyday Films

Harry Potter and the Deathly Hallows Part 1 – Film Review

Cast:  Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Helena Bonham Carter, Robbie Coltrane, Brendan Gleeson, David Thewlis

Director: David Yates

Synopsis: Harry, Ron and Hermione, now armed with the knowledge of the Horcruxes, set off on a mission to destroy these evil objects to defeat Lord Voldemort once and for all.

Review: This is what the previous six movies of the Potter franchise has all been building towards, the final battle between good vs evil, between Harry Potter and the Dark Lord, except not quite in this film. Although the Deathly Hallows marks the final instalment in Rowling’s series of novels, the film-makers made the decision to split this final chapter into two movies. Although one can certainly make the argument that this was a decision done purely to make more money for the studio, the decision to do so does have its merits, but it does have its problems too, namely that this film is a little bit slow.

The dark tone that has been an ever present since almost Azkaban certainly does not diminish here. With Dumbledore now dead, Harry is armed with knowledge of the Horcruxes, the means that Voldemort uses to ensure immortality, but he knows very little about what they are or where to find them. As such, writer Steve Kloves goes into a bit more detail with certain elements. These are certainly interesting to watch, particularly the opening battle between our heroes and the bad guys, and the scene exploring the origin of the titular Deathly Hallows. Yet ultimately it is all just build up to the big climatic battle that we know is coming in part 2. That being said, writer Kloves is given the opportunity to spend more time on certain things. The origin of the Deathly Hallows is very interesting to watch, and is told in a very interesting manner. Yet, there are some bizarre additions that really don’t make a great deal of sense, namely a random dance scene between Harry and Hermione, it just feels all out of place and does not make much sense.

While there is interest in their quest, there is a severe lack of action, but the action that is given to us is enjoyable to watch. The initial battle of the Seven Potters is very well executed and very suspenseful, with that great bit of humour added in there once more. Yates once again ensures that the directing is of a very high calibre, whilst the film visually remains excellent once more. The explanation of the origin of the Hallows is done in a very interesting and visual way.

The key trio of Harry, Ron and Hermione, the centre pieces of this franchise are front and centre once again. Yet here, the friendship is severely tested as the magical objects they are seeking begin to stir up emotions, very much of the wrong sort. The performances of all three have for the most part been on point, but Radcliffe and Watson do give the more well rounded performances. The veteran actors such as Fiennes, Bonham Carter, Rickman and John Hurt merely have small cameos, but in spite of little screen time, they continue to excel.

With an exciting conclusion that sets the stage for what is to come, ultimately, this is merely the calm before the storm that is to come in part 2. Could this have been one big three and a half hour film? Yes it definitely could. While this does have its slow and tedious parts, there is plenty for Potterheads to appreciate and enjoy, but these are quite often very small moments. Yet there are a few really head-scratching moments. However, after seven films, the franchise was poised to close in a very exciting and epic manner.

The moments of magic are limited, and the pacing is slow, but with a thrilling conclusion that delivers an emotional pay off. The stage is set for the exciting conclusion.

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Posted in 2010-2019, Film Review

Arrival (2016)

Posted on by Martin: Through the Silver Screen
arrival
Image is property of FilmNation Entertainment, Lava Bear Films, 21 Laps Entertainment and Paramount Pictures

Arrival – Film Review

Cast:  Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Mark O’Brien, Tzi Ma

Director: Denis Villeneuve

Synopsis: When 12 alien ships mysteriously appear in places around the world, a team of experts are gathered to assess the extraterrestrial visitors and determine why they are here?

Review: Alien invasion, a classic trope of the science fiction genre, One that so often delivers films where you sit back and just watch a load of mayhem and destruction with cities getting blown to smithereeens and the aliens must be stopped at all costs. While these can be fun and very enjoyable, science fiction is a genre that has the potential to go really deep and provide the audience with a thought-provoking piece of storytelling that gets the brain working and leaves its audience in awe and spectacle. This latest film from director Denis Villeneuve ticks that box, and then some.

Adapted from the short story Story of Your Life by Ted Chiang, with a screenplay by Eric Heisserer, we focus on Dr Louise Banks (Adams) a brilliant linguistics professor who is called in by the US military to help deal with the mysterious alien invaders and to understand just who are they, what do they want, and above all are they a threat to humanity? Aiding her in her quest is physicist Ian Donnelly (Renner) and together these intelligent academics must decipher what these extraterrestrial beings are up to. Heisserer’s screenplay is excellent, exploring some interesting themes we have seen in science fiction. Yet these are told in such a brilliant and engaging way that it keeps your eyes firmly transfixed on the screen. The mystery is maintained throughout the film’s running time as for a while, the craft of the visitors is not revealed, and it brilliantly keeps the viewer engaged. It is a smart and very thought-provoking story-telling that keeps you hooked from the very first shot, all the way to the last shot.

The centrepiece of this story is of course Adams’s Dr Banks, a wounded soul who has suffered some terrible tragedies in her lifetime, and yet, she remains strong-willed, determined to do all she can to understand what the alien visitors are after, and not to bow to the will of her military superiors, most notably Forest Whitaker’s Colonel Weber. Adams has had a very distinguished career, earning five Oscar nods, and another one could very well be coming her way next year. She carries the film on her shoulders and reinforces her reputation as a very stellar actress. Renner also gives a very grounded and superb performance and does his best to sprinkle a bit of humour here and there into the story, but the limelight belongs to Adams and she absolutely bosses it.

arrival-movie

The directing from Villeneuve is masterful in its execution, aided by flawless cinematography from Bradford Young. The wide shots of the alien craft, as they appear in the sky, are truly something to behold. The flawless cinematography is aided by outstanding visuals and magnificent visual effects. The aliens themselves feel so real and authentic, that you don’t see it as a computer-generated image. Similarly, the alien crafts, though they do resemble pieces of a Terry’s Chocolate Orange, are beautifully designed and like their inhabitants feel very real and authentic. Re-teaming with Villeneuve after Sicario, Jóhann Jóhannsson’s score is mesmerising to the ears, as Villeneuve’s visual brilliance is appealing to the eyes.

Language and science are two subjects that rarely go hand in hand, but here, they most certainly do, and the results are a joy to behold. The mystery will hook you in and will not let go. With Villeneuve’s next film, the Blade Runner sequel, fans of Ridley Scott’s classic can rest assured knowing that the project is in very safe and capable hands.

A beautifully refreshing take on a common sci-fi trope, with thought-provoking themes and ideas, anchored by a powerful performance from Adams.

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Posted in 2000-2009, Film Review

Harry Potter and the Half Blood Prince (2009)

Posted on by Martin: Through the Silver Screen

Image is property of Warner Bros,Dreamworks and Heyday Films
Image is property of Warner Bros,Dreamworks and Heyday Films

Harry Potter and the Half-Blood Prince – Film Review

Cast:  Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, Jim Broadbent, Helena Bonham Carter, Maggie Smith, Robbie Coltrane, Alan Rickman, Evanna Lynch

Director: David Yates

Synopsis: Now into his sixth year at Hogwarts, and after a turbulent fifth year, Harry comes across a mysterious book belonging to someone known as the Half-Blood Prince and begins to delve deeper into Lord Voldemort’s past.

There will be spoilers ahead, so if you haven’t read the book or seen the film, turn back now you silly Muggle!

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Review:  The world of Hogwarts may have started off as a delightful adventure for the whole family to enjoy. Yet as the series has gone on, each film has gradually got darker, with some rather bleak events taking place for all who attend Hogwarts School of Witchcraft and Wizardry, in particular for one Harry James Potter. After a traumatic fifth year which culminated in the death of his uncle Sirius, Harry is now one detached individual. Yet, the work must continue to bring down Voldemort, and in this chapter, we learn quite a little bit more about the Dark Lord’s past and how he can be defeated.

After boasting some incredible action sequences in the fourth and fifth films, this is significantly reduced here, to allow for significant character development, and not just for Harry but for many others including Dumbledore, Draco Malfoy and Severus Snape. The screenplay by Steve Kloves once again is not perfect, there are some puzzling additions, such as the scene one scene The Burrows which was not present in Rowling’s novel, which just feels a bit out of place. Yet there is some great character development, although some characters are much better fleshed out than others. As with the previous films, there is humour to ensure the gloominess doesn’t become too overbearing.

The high standard of visuals is maintained here, and Yates steers the ship excellently through these dark waters. Although the action has given way for some crucial character development, the acting isn’t as good as it could be. The three leads have certainly grown into their roles but this is not applicable for everyone. What’s more, their is something of a lack of chemistry between Harry and new love interest Ginny Weasley (Bonnie Wright), as such you do not just buy their romance, which does detract from the story a little. It’s not cringe inducing but it could be so much better. By contrast, the romance between Ron and Hermione is where a bulk of the humour lies, as it’s a bit off and on between them with a new love interest entering the picture, namely Lavender Brown, but it never feels like a comedy, as the audience knows, it is dark times for all of those who inhabit the wizarding world.

Each film boasts a new arrival to the cast, and this time the key new introduction is Jim Broadbent’s Horace Slughorn. A man who has some crucial information connected to Voldemort’s past that must be obtained in order to defeat him. Broadbent is a welcome addition and reinforces the stellar standard of acting that the more experienced actors, such as Gambon and Rickman provide. Speaking of which, Gambon gives perhaps his best performance yet as Dumbledore, the scenes between him and Harry are extremely well executed and both actors really deliver. Of course this results in the crucial scene which results in Dumbledore’s death at the hands of Snape. Everything about this scene is just masterful in its execution and the resulting aftermath is heartbreaking, but incredibly well realised by Kloves and Yates, and the score by Nicolas Hooper in this sombre scene is just outstanding.

Every film has got darker than its predecessor, but with this heartbreaking twist, Hogwarts will never be the same again, and for Harry, there is no to mourn for the loss of Dumbledore, there is work to be done to ensure that Voldemort is defeated. It is the climax that all of these films have been building towards, the battle between good and evil is coming.

Darker perhaps than ever before, but with brilliant visuals, and franchise best performances from Radcliffe and Gambon, this is another fine addition to the Potter filmography.

Rating: A-

Posted in 2000-2009, Film Review

Harry Potter and the Order of the Phoenix (2007)

Posted on by Martin: Through the Silver Screen

order-of-the-phoenix
Image is the property of Warner Bros Studios and Heyday Films

Harry Potter and the Order of the Phoenix – Film Review

Cast:  Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, Imelda Staunton, Ralph Fiennes, Gary Oldman, Helena Bonham Carter, Maggie Smith, Robbie Coltrane, Alan Rickman, Evanna Lynch

Director: David Yates

Synopsis: With Voldemort now back in power, The Ministry of Magic is making every effort to dispel rumours of Lord Voldemort’s return, all the while Hogwarts finds itself under intense scrutinisation from the Ministry.

Review: The latter years of a person’s time at school certainly have their fair share of difficult situations such as puberty and undergoing the stress of exams, all of which can take a very heavy toll on an individual. Yet for one Harry Potter, these are somewhat minor when at the end of the last film, he had a bruising dual with the newly risen Voldemort and he must now contend with the fact that the wizard who killed his parents is back and out to get him once more.

With every year that goes past for Harry, the mood in and around Hogwarts keeps getting darker, and Harry is becoming a bit detached from those closest to him. And after a bruising hearing before his fifth year has begun, it isn’t long before things at Hogwarts are going a bit wrong, which doesn’t exactly help matters after his brush with death. The Ministry refuses to believe Harry’s claims that the Dark Lord has returned, and this is also applicable to some at Hogwarts. In addition to their refusal to believe Voldemort is back, the newly appointed Defence Against the Dark Arts teacher, Dolores Umbridge is taking matters at Hogwarts into her own hands, and indeed that of the Ministry’s as well.

Incoming new director David Yates, along with new screenwriter Michael Goldenberg manage to compress what is the longest of Rowling’s novels into a solid and compelling film, that despite the ever darkening tones and mood surrounding Hogwarts do their best to weave humour into the script whilst also keeping the focus on the core story. By this point you are completely invested in all things Hogwarts and that interest is maintained with more great action sequences. We got a glimpse of an exciting duel between Harry and Voldemort in the previous chapter and there are plenty more brilliant wizarding duels to witness and Yates helms these exciting battle sequences in this chapter with great style as his predecessors such as Newell and Cuaron did.

As ever with a new Potter film, there are a number of new additions to the cast, and yet again, the casting is excellent. Of the new arrivals the stand out by far is Imelda Staunton’s Umbridge, a woman of some rather twisted principles who is out to do the Ministry’s bidding. You thought you disliked Voldemort, but you WILL HATE Umbridge. She has such a loathsome on screen presence that it may want you to hurl something at the screen whilst shouting a lot of expletives. It is full credit to Staunton, as she gives the franchise a really memorable antagonist besides Voldemort of course. Also a new arrival for the Dark Lord is Helena Bonham Carter’s crazy (in every sense of the word) Bellatrix Lestrange, a witch and close associate of Voldemort. These ladies are in many ways the stand out performers of a cast of which each and every one delivers a sterling performance.

With some dramatic turn of events taking place, the suspense and excitement is maintained throughout through a solid script and excellent directing from Yates. The stakes are getting ever darker in the Wizarding world, and it is certainly gripping to watch these characters that you know and love go through tough times. By this point the Potter machine was casting its all powerful spell on its audience and as the franchise was reaching its climax, the audience were holding on to their metaphorical broomsticks, because as we will find out, things are about to get very interesting at Hogwarts.

It’s almost a cliche to say that with each film the Potter franchise gets darker, but there is effective use of humour, all the while ensuring this magical universe gets another compelling adventure.

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Posted in 2010-2019, Film Review

Doctor Strange (2016)

Posted on by Martin: Through the Silver Screen
Image is property of Marvel Studios and Walt Disney Studios
Image is property of Marvel Studios and Walt Disney Studios

Doctor Strange Film Review

Cast: Benedict Cumberbatch, Rachel McAdams, Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen, Benedict Wong

Director: Scott Derrickson

Synopsis: After a car accident ruins his hands and his career, brilliant but arrogant neurosurgeon Dr Stephen Strange, travels across the world in search of a cure and discovers mystic powers beyond anything he could have ever imagined.

Review: You have to hand it to Marvel Studios, and in particular its president Kevin Feige. Under his stewardship the MCU has blossomed into a very powerful cinematic machine, and certainly they have maintained audience interest by crucially throwing some variety in there. The studio is clearly choosing to take risks, rather than just pump out Iron Man 4 or 5. These risks that might not have paid off, but paid off they most definitely have. The likes of Guardians of the Galaxy and Ant-Man are perfect examples, and while there is usually some big superhero team up film or a film with heroes turning on each other. Nevertheless, the studio delivers, and they have managed to do so yet again with their fourteenth entry into the MCU, this time, they decided to go a bit mystical and dabble in the world of magic.

We meet Doctor Stephen Strange, a neurosurgeon and a rather good one at that, until a car accident leaves his career and life seemingly in ruins. Driven by desperation, he travels across the world in the hope of finding a cure but instead finds a temple of sorts, governed by the Ancient One, and she teaches Strange all about the mystic arts and dabbling in a world that has not graced the MCU stage up to this point, and it is rather thrilling to watch the MCU go in new directions and make a solid success out of it.

Marvel were desperately keen to recruit Cumberbatch for the titular role, going so far as to alter their schedule to accomodate him after he was committed to a theatre run as Hamlet, and it is easy to see why, as Cumberbatch really does shine in the role. After playing the role of the brilliant and cocky but ultimately tragic Alan Turing in the Imitation Game, he shows that cockiness again to great effect. Initially, Strange is about as arrogant as they come, but with good reason. Post-accident however is where Cumberbatch really shines, having truly realised how little he really knows.

Tilda Swinton might have seemed a strange (pun most definitely intended) choice to play The Ancient One, but she also delivers a capable performance. Yet besides these two characters, not one else really gets their chance to shine. Rachel McAdams and Chiwetel Ejiofor do not get the screen time and development actors of their immense talent deserve. Also the Achilles Heel for Marvel lets them down again, this being their villain. Mads Mikkelsen is without question a fine actor, but his performance as the villainous Kaecilius whilst menacing, does leave a lot to be desired.

Director Scott Derrickson, of horror movie fame, also on screenplay duties along with Jon Spaihts and C. Robert Cargill deliver a solid script is but certain things could have been better developed. Marvel have made their name delivering some great humour in many of their films, and this is no exception. There are more than a few great moments that will make you laugh out loud. Yet despite the great humour, the script does lack in a number of places as some scenes do feel a bit rushed. Yet the action sequences are directed exquisitely well and the special effects are mind-bendingly brilliant. It’s almost as if the film makers rolled Inception, The Matrix and Harry Potter into one and the end result is some REALLY trippy shit, but an absolute blast to watch, aided by great cinematography and a superb score by Michael Giacchino.

Marvel have shown they are not afraid to take risks, and while that does deserve praise, it does mean that there could be some trips further down the line. For some, Strange could have been this film that doesn’t deliver the goods, but thankfully that just isn’t the case. It’s another unique and incredibly interesting dimension that has been added into the Marvel Cinematic Universe and you certainly get the feeling that we will be going back into this world somewhere down the Phase 3 (or maybe even Phase 4) line. Yet so far it’s 14 and not out for Marvel Studios.

Anchored by an excellent performance from Cumberbatch with some astounding visuals, Marvel took their biggest risk to date, but the end result is one mind-bending and thrilling ride. 

Rating: A-

Posted in 2000-2009, Film Review

Harry Potter and the Goblet of Fire (2005)

Posted on by Martin: Through the Silver Screen
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Image is property of Warner Bros Studios and Heyday Films

Harry Potter and the Goblet of Fire – Film Review

Cast:  Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, Ralph Fiennes, Gary Oldman, Maggie Smith, Robbie Coltrane, Alan Rickman, Brendan Gleeson

Director: Mike Newell

Synopsis: Now in his fourth year at Hogwarts, the school is playing host to the Tri-Wizard Tournament, and Harry is somewhat unexpectedly selected to take part in this deadly contest.

Review: By the time a franchise reaches its fourth instalment, there is a risk that things could start to get a bit formulaic and a bit repetitive, and viewers may soon start to lose interest. Yet in the case of Harry Potter, after coming on the back of the quite brilliant Prisoner of Azkaban, the interest remained sky high, and to counter the argument that things may start becoming repetitive, this franchise has an answer to that: The Goblet of Fire.

After the dramatic end to the last instalment which went all sci-fi on the audience with the time turner adventure, the excitement picks up almost immediately with our key trio of Harry, Ron and Hermione along with members of the Weasley clan off to the Quidditch World Cup. Visually brilliant, it’s all smiles and joyful with everyone having a good time, until it all goes a bit dark and violent as hints of Voldemort are getting louder and louder. This sets everyone off in quite a melancholic mood as they board their train to start their fourth year at Hogwarts, all the while with Harry having some very dark and sinister nightmares.

With this new year, Hogwarts is the stage for something special, the aforementioned Tri Wizard Tournament in which three champions compete in deadly magical tasks, with one champion from the schools of Hogwarts, with the ladies of the Beauxbatons Academy and the fellas of the Durmstrang Institute, all chosen by the mysterious Goblet of Fire. However, this one champion per school situation is made a bit complicated when Harry is also chosen alongside the other champions. Faced with no other choice, Harry must compete in this competition.

After Alfonso Cuaron brought tremendous visuals to the preceding chapter, new director Mike Newell continues this trend, and also bringing perhaps some of the most gripping sequences of the franchise to date. The Tri-Wizard tasks are very well put together and edited supremely well, with excellent CGI to boot. Despite all the magic and danger involved in this chapter, Newell manages to bring something everyone has experienced at some points in their lives, growing up and falling in love. The hormones are raging throughout the story, as our lead characters in particular are having a tricky time displaying their feelings for one another.  The film’s screenplay is far from perfect, but Kloves does his best to squeeze the key elements from Rowling’s novel in just over 2 and a half hours.

As the actors age, their performances improve quite significantly, particularly the core trio of Harry, Ron and Hermione. The bickering between Ron and Hermione is at times funny but also at times sad, because you want them to get together, but with all those teenage angsty feelings they have going on it does make things difficult. The cast for all the movies to this point was perfect, and it remained so with the addition of some colourful new characters to the mix. The best of the bunch being Brendan Gleeson’s Mad Eye Moody. With him, the clue is in the name, he’s a colourful character, but also just a bit mental. Robert Pattinson also does a sterling job as the Hogwarts champion Cedric Diggory.

Yet the most important new piece in this puzzle was Lord Voldemort, who finally makes a full appearance and is played fantastically by Ralph Fiennes. Much like the core trio of Harry, Ron and Hermione, the casting of the Dark Lord had to be just right, and in Fiennes, they had just the actor to bring this fearsome dark wizard to the big screen. With a brilliant closing battle to close this chapter of the Potter saga, it sends a chilling reminder to its audience, the dark times are returning and no wizard that dwells in the world of magic is safe.

Blending the perils of growing up with great humour and adding in really dark terrifying stuff tremendously well, The Goblet of Fire demonstrated that this franchise may have started off as child’s play, but not any more. 

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Posted in 2000-2009, Film Review

Inglourious Basterds (2009)

Posted on by Martin: Through the Silver Screen
© The Weinstein Company, A Band Apart, and Universal Studios

Inglourious Basterds – Film Review

Cast:  Brad Pitt, Christoph Waltz,  Michael Fassbender, Eli Roth, Diane Kruger, Melanie Laurent, Daniel Brühl

Director: Quentin Tarantino

Synopsis: A group of Jewish American soldiers set out with the intention of killing Nazis in the heart of Nazi-occupied France, all the while, a plot to assassinate Nazi High Command is being devised by a cinema owner with a tragic past.

Review: The Second World War, was a truly dark and troubling part of European History in the 20th century. The rise of Fascism and Communism and a continent that was seemingly on the brink of tearing itself to pieces. A period that has been the subject of many textbooks. Therefore presenting a perfect opportunity it would seem for writer and director Quentin Tarantino, a chance to make a fun and violent movie during the period that quite literally throws the history textbook out of the window, and shoot it a couple, or maybe ten times.

Set in 1944 with the war raging across the continent, enter the Basterds led by Lt Aldo Raine (Pitt) a group of Allied soldiers who are killing Nazi soldiers with a large amount of glee as they do. Meanwhile, a cinema in Paris becomes the centre of a plot by the owner (Melanie Laurent) who is after one thing only, vengeance. The perfect ingredients for a three-hour Tarantino flick filled with violence superbly written dialogue and some truly memorable characters, and it sure is bloody entertaining stuff!

 

With what is without doubt one of the finest opening scenes in cinema history, we meet Colonel Hans Landa, (a magnificent Christoph Waltz) who’s on his way to meet a farmer, about the whereabouts of some missing Jews.  Although this conversation is initially warm and hospitable, it isn’t long before things go cold, and unwelcoming and become all the more tense with each passing scene. On this scene alone, Waltz deserved the many accolades that came his way for this performance, including the Academy Award for Best Supporting Actor. Tarantino has created many memorable characters in his filmography, but Landa is right up there with the best of them. Laurent is also spectacular as the cinema owner, Tarantino knows how to make compelling female characters, and he does so yet again as both Shoshanna (Laurent) and Bridget (Kruger) are intriguing and well-developed characters, the former more so than the latter though. Brad Pitt as the gruff Aldo Raine is also on spectacular form as the leader of the Basterds, with Michael Fassbender also lending his tremendous talents as a British Double Agent in what is a very talented cast.

Tarantino is one of the finest writers and directors working in the industry, and there are more than a few scenes that are just flawless in terms of the writing, the actors performances and the execution of the scenes are all just exceptional. The aforementioned beginning sequence jumps to mind, but so too does the quite brilliant restaurant scene, which has potential to be one of the finest Mexican stand off scenes ever put to film. The tension is almost unbearable at some points. Whoever knew that a scene where two characters eat strudel could be so tense? This being a Tarantino flick means that there will be violence, and there is plenty of that indeed, and it’s glorious to watch. The script also manages to fuse a perfect amount of comedy in there as well, watching Pitt try and mask his thick American accent to masquerade as an Italian is just extremely entertaining.

The length is often a gripe with some of Tarantino’s work, and yes at and at just over two and a half hours, Basterds is certainly a movie you need to sit down and invest your time in. Yet it’s a worthy investment when the climax is reached and the credits begin to roll. “This might just be my masterpiece,” says one character as the film reaches its conclusion. It almost feels as though that dialogue was from Tarantino himself directly to the audience, and on the evidence of this film, it is kind of hard to disagree with him.

With exceptional writing, tremendous acting, and a bloody exciting story set in the heart of the Second World War. This is vintage Tarantino and one of his best.

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Posted in 2000-2009, Film Review

Harry Potter and the Prisoner of Azkaban (2004)

Posted on by Martin: Through the Silver Screen
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Image is property of Warner Bros Studios and Heydey Films

Harry Potter and the Prisoner of Azkaban – Film Review

Cast:  Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon, David Thewlis, Gary Oldman, Maggie Smith, Robbie Coltrane, Alan Rickman

Director: Alfonso Cuarón

Synopsis: In his third year at Hogwarts, Harry Potter is facing a new threat, in the form of the dastardly Sirius Black who escapes from Azkaban Prison and is believed to be after Harry.

Review:  The Harry Potter fandom are certainly a passionate bunch, and although there are those out there who may not have enjoyed what he brought to the franchise, every Potter fan ought to raise their wands to Chris Columbus. The director behind the first two films brought a steady hand to both movies and ensured the solid foundations of the franchise were laid. For the third outing to Hogwarts however, Columbus chose not to direct. Instead the director’s wand was passed to Mr Alfonso Cuarón, and what an inspired choice that turned out to be.

After his brave battles in taking down You-Know-Who on the back of a man’s head and You-Know-Who again in his younger self, Harry has plucked up the courage and decided enough is enough with his ridiculously evil muggle family, and escapes into more familiar and friendly terrain, in the company of his best friends Ron and Hermione. Yet before he goes, there is a hilarious incident with another member of his nasty muggle relatives. He soon finds himself back on that train to Hogwarts for the commencement of his third year, and it’s on that train when the viewer realises, that this year at Hogwarts, things are going to get darker and creepier than ever before, not least with the sinister Dementors that are lurking around Hogwarts.

Cuaron is certainly an outstanding visual director, and with this film he shows off his considerable talent in more than a few brilliant sequences. The film’s visual qualities have certainly taken a big leap forward when compared to the first two movies, and the film takes on a considerably more darker tone which is epitomised by the presence of these Dementors who are at Hogwarts because of the man who has escaped from Azkaban and is said to be coming to kill Harry, this would be one Sirius Black, played excellently by Gary Oldman. Kloves is again penning the screenplay, and he understandably does have to axe some material to streamline the script, yet the translation from  page to screen remains at a consistently solid level. Additionally, the action is much more intense in this instalment and incorporates some very exciting elements such as time travel into the story.

The acting from the main trio remains at a steady pace, they’re certainly not Oscar worthy, but their performances are assured and it’s clear that they are growing in confidence. The performances of the veterans if you will such as Rickman and Oldman certainly help bring the acting standard up a couple of good pegs. This is further aided by the tremendous work of David Thewlis playing new Professor Lupin, and the introduction of Michael Gambon as Dumbledore, having taken over the role from the late Richard Harris, proved to be another excellent casting choice. The film’s effects are also for the most part, considerably improved, except in the case of the werewolf, well the less said about that the better, it could and should have been so much better.

Nevertheless, Azkaban marks a noticeable improvement in quality from Philospher’s Stone and Chamber of Secrets. The shift to a much darker, more ominous tone is immediately noticeable, and it helps to deliver a really engaging and gripping story that helps set the wheels in motion for the franchise. This is because as we all know, a certain dark wizard, thought to be long since dead, is stirring…

Darker in tone from the word go, but with plenty of humour too, Cuaron delivers terrific visuals and a really gripping story that can delight, and maybe intimidate, viewers of all ages in equal measure.

a

Posted in Film Review

The Girl on the Train (2016)

Posted on by Martin: Through the Silver Screen
girl-on-train-movie-poster
Image is property of Dreamworks, Universal Pictures and Reliance Entertainment

The Girl on the Train Film Review

Cast:  Emily Blunt, Haley Bennett, Rebecca Ferguson, Justin Theroux, Edgar Ramirez, Luke Evans and Allison Janney

Director: Tate Taylor

Synopsis: Rachel (Blunt) is an alcoholic, unemployed,  divorced, woman who becomes fixated on the people she sees while on her daily train journey, until one day, she sees something that turns her world upside down.

Review: Ah trains, don’t you just love them? For many of us, they are a valuable asset that we use to get to our day jobs, even if they can be a bit late or a bit too full on occasions. Whilst on board, many of us bury our heads in a newspaper or listen to music, but what if you saw something that shocked you? And before you know it, one thing leads to another and you find yourself entangled in a criminal investigation over a missing persons case? This is precisely the situation the lead character finds herself in in this missing persons thriller.

Adapting from Paul Hawkins’s best selling novel of the same name, Rachel having lost her job and seeing her marriage fall apart has become a hopeless alcoholic who seems destined to go off the rails (pun absolutely intended.) Her life has hit a red signal, and in order to maintain a routine she take the train every day and becomes attached to the people she sees, making up stories about their lives. This is until she finds herself right in the thick of a criminal investigation and after become a bit too intoxicated one particular evening and in a similar vein to Gone Girl, we have an intriguing mystery on our hands.

Hawkins novel is very unpredictable in terms of its narration and storytelling, and screenwriter Erin Cressida Wilson, manages to adapt it for the most part pretty well. The change of setting from London to New York will undoubtedly upset fans of the book, but it doesn’t detract from the story. The main character here is of course Blunt’s Rachel. Although the novel’s version of the book describes her as being overweight, Blunt does her level best and gives a wounded performance as Rachel. The film does a good job of making you feel sorry for her, but at the same time, makes her look like a terrible human being when she’s a drunken mess, giving subtle warnings over the dangers of booze. The blackout scenes are handled expertly by director Tate Taylor, and adds to the intrigue of the story, it begs the question, just what did Rachel see that night? Through a mixture of past and present storytelling, the blanks are slowly filled, and the tension is well built throughout.

Blunt is well aided by an excellent supporting cast some of whom like Rachel are a bit on the unstable side. Haley Bennett as Megan, the person at the centre of this investigation also gives an unpredictable performance. After showing what an unbelievable badass she was in Rogue Nation, Rebecca Ferguson also is excellent as Anna, the new love of Rachel’s ex husband Tom (Justin Theroux) These characters get the most character development, understandably so, yet you would have liked to have seen other characters such as Megan’s husband Scott (Luke Evans) get more screen time. The script does lack a bit of focus on occasion, but this does not derail the intrigue and suspense that has steadily been building up.

The comparisons between this and Gone Girl are to be expected, and while Gone Girl is a superior movie, this adaption certainly holds its own as a very suspenseful thriller, particularly for those who have not read Hawkins’s brilliant novel. Adaptations from page to screen can sometimes go awry, but thankfully not on this occasion.

Unpredictable, tense and expertly directed by Taylor with a superb performance from Blunt, be sure to catch this one before it leaves the platform.

Rating: A-