2010-2019, Film Review

X Men First Class (2011)

Posted on May 13, 2016April 29, 2018 by Martin: Through the Silver Screen

X Men – First Class Film Review

Cast: James McAvoy, Michael Fassbender, Nicholas Hoult, Jennifer Lawrence, Rose Byrne, Kevin Bacon, January Jones

Director: Matthew Vaughn

Synopsis: In the middle of the Cold War, the US government seeks the help of a young Charles Xavier aided by a young Erik Lensherr, to stop the rise of Sebastian Shaw, a mutant hell bent on mutant supremacy, and human extinction.

Review: When we were first introduced to characters such as Professor X, Mystique, Magneto and the rest of the X Men crew back in 2000, they were already well established as seasoned mutant veterans, and the battle lines were already firmly drawn particularly between Charles Xavier and Erik Lensherr with very different ideologies. However, the origins of that rivalry were ultimately not explored in a substantial amount of detail in the original trilogy. What made them into the enemies that they ultimately become? Matthew Vaughn after directing the brilliant Kick Ass, has the answers to the questions with this prequel tale of the story that was set in motion by Bryan Singer.

It is the 1960s, and we meet a young Charles Xavier (James McAvoy) , with a head full of hair and not wheelchair bound, and his loyal friend Raven (Jennifer Lawrence by his side. Through circumstances and the plucky wit of CIA Agent Moira McTaggert, they come across the brilliant but somewhat warped Sebastian Shaw (Kevin Bacon.) Shaw is a firm believer of mutant superiority and that mutants are the next step of the evolution process. His methods and madness certainly play on the mind of Erik Lensherr (Michael Fassbender) who is hunting Shaw with a vengeance after some brutal tests that he carried out on him when Erik was a teenager. Through circumstances, the two cross paths and become allies in their fight to take Shaw down. But of course there is a very obvious difference between the two men in terms of their philosophy, and despite their initial friendship, the cracks begin to show.

With a whole new cast of mutants we had grown to love over the course of the original trilogy, this new crop had a great challenge on their hands, and thankfully they all came through in flying colours, particularly from McAvoy and Fassbender. McAvoy gives the younger Xavier a youthful spirit and while he remains the incredibly powerful mutant he is, he clearly loves life and cherishes those closes to him, specifically Raven, played by Jennifer Lawrence. After Rebecca Romijin’s great work with the blue skinned mutant, but Lawrence manages to give the character terrific depth as she struggles to decide where her place in the world really lies. Fassbender’s Lensherr is a man driven by hatred and revenge after some deep personal tragedy, and his performance is also incredibly powerful. It’s the work of these three that ultimately helps drive the movie forward, in particular the relationship between Charles and Erik, added with a very fine cameo from everyone’s favourite claw wielding mutant. Yet there’s a plethora of new mutants on show, and not all of them get a chance to shine which is a bit bothersome to say the least.

After showing his hand in the superhero genre with Kick Ass, Vaughn does a tremendous job once again. The screenplay that Vaughn penned with Jane Goldman along with Zack Stenz and Ashley Edward Miller goes deep into what it means to be a mutant. Are they superior to us weak and pathetic human beings, or should they be a part of society. And for some, they want to just hide away altogether. Vaughn knows how to handle the big action scenes and once again he delivers some gripping moments, with the final throw down in the middle of the Cuban Missile Crisis conflict is enthralling to the maximum. After suffering a few trips, this prequel gave the franchise a welcome return to form, no doubt leaving fans Xstatic and keen to see more!

With exciting performances from the new cast, especially from McAvoy and Fassbender, combined with some expert direction and action sequences, the franchise returned with a triumph!

2010-2019, Film Review

True Grit (2010)

Posted on May 6, 2016April 29, 2018 by Martin: Through the Silver Screen

True Grit – Film Review

Cast: Jeff Bridges, Matt Damon, Josh Brolin, Hailee Steinfeld

Directors: Joel and Ethan Coen

Synopsis: A young woman (Steinfeld) seeks revenge for the murder of her father and enlists the help of a US Marshal (Bridges) to help track down her father’s killer.

Review: Remakes and retelling of stories we have seen before tend to have something of a curse upon them. Audiences may tend to moan and whine and say that the new effort to tell a story that has already been told is not worth telling. Well Messrs Joel and Ethan Coen might just have something to say about that, as their retelling of the novel of the same name by Charles Portis, which was first adapted for the big screen in 1969, is well, a remarkable triumph.

The story focuses on young Mattie Ross, a girl of 14 years of age, who after her father is murdered by an outlaw, seeks vengeance on her father’s killer. To do this however, she must enlist the help of the law in the shape of US Marshal Rooster Cogburn and Texas Ranger LaBoeuf, and so begins a manhunt. The Coens certainly showed that they understood the Western genre with the thrilling No Country for Old Men, albeit that was a Western set in modern times. Here however, it’s a traditional western tale fused with good ol’ fashioned revenge, and the Coen brothers absolutely nail it once again with a terrific story and a wonderful screenplay, that is aided in no small part by the phenomenal performances of its actors, and the quality of the source material.

In the lead role of Rooster Cogburn, a role that won John Wayne an Academy Award, Jeff Bridges is excellent as he re teams with the directors that brought to life one of the most iconic film characters of all time, that’s the Dude man! His accent is very thick and a little bit hard to understand in places, and while he may have been a bit hostile towards her in the early stages, his relationship with Ross is ultimately what drives the story forward and their chemistry is excellent. Speaking of which, Steinfeld as Ross is also fantastic, in what was an incredible breakthrough performance after she beat well over 15,000 people for the role. Matt Damon also puts in a superb performance as the Texas Ranger but it is the work of Bridges and especially Steinfeld that steal the show, as the two of them ensured Oscar nominations for Best Actor and Best Supporting Actress respectively came their way, and well deserved ones too.

As usual with the Coens, the film making here is of a very high quality, the cinematography by frequent Coen collaborator Roger Deakins is as usual glorious. Night time scenes feel realistic and one can almost feel the cold of winter as the Marshal and his employer set off and encounter some of that pesky snow. Deakins certainly knows how to set up a good shot and there are plenty of these packed throughout the movie, with the Coens once again showing they certainly know how to direct remarkable action sequences that are sure to leave the viewer on the edge of their seat.

The Coens certainly know how to leave their unmistakeable stamp on a project, as they did so in emphatic fashion with No Country for Old Men, and here they do so again. As well as the acting nominations, the film secured eight other nominations, and while it failed to secure any, make no mistake, this adaptation, likes its characters certainly is full of true grit, and of a very high calibre to rank itself as one of the finest films the Coens have ever put to the big screen.

Anchored by two tremendous performances from Bridges and Steinfeld, with a great story stamped with that distinctive Coen brothers seal, top drawer film making.

2010-2019, Film Review

Captain America: Civil War (2016)

Posted on April 30, 2016August 5, 2018 by Martin: Through the Silver Screen

Captain America: Civil War – Film Review

Cast: Chris Evans, Robert Downey Jr, Sebastian Stan, Anthony Mackie, Paul Rudd, Elizabeth Olsen, Scarlett Johansson, Don Cheadle, Paul Bettany, Daniel Bruhl

Directors: Joe and Anthony Russo

Synopsis: With tensions between the Avengers high following political interference, this results in a rift that divides the team with Captain America leading one faction and Iron Man the other, leading to all out war.

Review: The number thirteen is considered by many to be a very unlucky number, well not for Marvel Studios. After two successful phases and twelve films of their cinematic universe that have enjoyed phenomenal success with audiences across the globe, their thirteenth entry into their MCU, sees the return of the Russo brothers directing the story that many fans have been hoping to see, this of course being Civil War.

The actions of the Avengers in places such as New York, Washington DC and Sokovia have taken their toll, and the world has decided enough is enough. The actions of these superhero folk must now be put into check, and for some of the team this is the step they must take. For others, this is a step too far and the disagreements spill out into a proper war between heroes that have been friends for the most part for several movies now. For the majority of the MCU movies, we have seen the hero, whoever they may be, fighting a villain who is all too similar to them, you think Ant Man VS Yellow Jacket, Captain America VS Red Skull, Iron Man VS Iron Monger. This isn’t to say these battles were boring, but it did begin to get formulaic, well not any more. The formula is thrown completely out of the window.

The story penned by Winter Soldier writers Christopher Markus and Stephen McFeely does allow each character ample screen time. Each character is sufficiently fleshed out enough so that you understand why each character is on their respective side. In addition, while you may have picked your side before the film was released, the story does a tremendous job of making the audience conflicted. There is not a protagonist and an antagonist, the perspectives of both Steve Rogers and Tony Stark are well realised and you fully understand where both of them are coming from.

Chris Evans and RDJ have both owned the roles they have played since they first took them and here they once again both deliver excellent and sincere performances as the leads of what is a superb ensemble cast, each character is wonderfully portrayed by their respective actor. The new players making their debuts into this mad Marvel world are also outstanding with Chadwick Boseman excellent as Black Panther and Tom Holland’s portrayal as Peter Parker/Spider-Man is the best that has ever been put to screen. Marvel films certainly have an element of humour in plenty of them, as this comes from your friendly neighbourhood Spider Man and Ant Man, and it’s glorious. For many, there was a feeling that this was going to be Avengers 2.5, but fear not, because this is most definitely a Captain America movie, as it carries on themes that were present in The Winter Soldier.

The Russos certainly showed their hand when it came to action sequences with the Winter Soldier, and here once again, their work is excellent and shows that the Avengers: Infinity War movies are in very safe hands. Right from the very first sequence, the suspense is maintained throughout, and it’s helmed superbly. There is a little bit of shaky cam and some fast editing, but the directors manage to use them very effectively to get the heartbeat of the audience beating fast. Furthermore the airport battle that is shown in the trailers, can definitely lay claim to hands down, the best action battle that the MCU has seen to date, it certainly is a proper war between these guys and it’s just awesome to watch.

However, there are certain parts in which the story did play things safe but it is hard to deny the quality job that the Russos have done in making what are the two best movies of the MCU to date. Phase 3 has got off to the best start it possibly could have, and in this era of superhero movie dominance, Marvel for now at least, continues to lead the way over DC by a significant distance.

A thrilling ensemble cast with some superb performances from MCU veterans and the newbies alike, on top of some outstanding action sequences, the MCU is showing no signs of slowing down any time soon.

2010-2019, Film Review

Midnight Special (2016)

Posted on April 22, 2016October 13, 2023 by Martin: Through the Silver Screen

Midnight Special – Film Review

Cast: Michael Shannon, Kirsten Dunst, Adam Driver, Joel Edgerton, Jaeden Lieberher

Director: Jeff Nichols

Synopsis: A father, whose son holds special, not-from-earth powers, goes on the run in a bid to protect his son from various people who want to use his powers for their own ends.

Review: Imagine if you found out one day that your child possessed special and mysterious powers and that a range of different people, ranging from the government to a religious sect, wanted to take them away for their own means, be this saving the world from what is perceived as a potential extraterrestrial threat. Well chances are you’d be pretty scared and would find yourself on the run in a bid to protect your child from harm. This is precisely the situation that Roy (Michael Shannon) finds himself in as he bids to protect his son, Alton (Jaeden Lieberher) and with the help of Lucas, (Joel Edgerton) they must outrun all those that are coming after them.

Right from the get go, it is clear that director Jeff Nichols has been inspired by the likes of Steven Spielberg, with some very possible nods to some of Spielberg’s masterpieces such as ET and Close Encounters of the Third Kind. Not just Spielberg, but 80s sci-fi in general. Yet despite these influences, it does not feel in the slightest like a copy or a rip off, the film definitely has its own style. The intrigue is established from the opening shot, it’s not immediately apparent why these two men are moving this child across the country during the night, the news clearly has an agenda of its own though, perceiving this boy as a very dangerous alien threat with powers that could have dire consequences for the world. Nichols’s screenplay is not afraid to go to some uncomfortable places, such as religion, whilst at the same time going very deep with this and asking some very probing questions about faith. Science and religion are two things that don’t usually go together, but Nichols manages to fuse them both into the story very effectively.

The cinematography by Adam Stone is tremendous as visually the film is remarkable. With many scenes taking place at night, the camera work involved is superb as it actually looks like the characters are in the dead of night. What’s more these night scenes have an eerie feel about them. This eerie feel and tone is something that runs throughout the whole movie as there’s an eternal mystery of his powers. Jaeden Liberher’s performance is haunting and very powerful in equal measure. The chemistry he shares with his father is very believable and Shannon shows what a tremendous actor he is with another fine performance that shines the brightest in this movie.

For all of its mystery and intrigue, the film does suffer from pacing issues, there are some moments where the plot slows down to a frustratingly slow pace, which means a little bit of the initial intrigue is lost. Furthermore, the screenplay fails to touch upon certain plot points that would have made the story a lot more enjoyable. Specifically the lack of a back story surrounding Alton and where and or why he got his powers. However, the intrigue and excitement levels increase massively with a very exciting conclusion, that exemplifies the significant power of parenthood and how a bond between parent and child can be very deep indeed. A very ambitious and original premise, but not as rewarding as you’d like it to be.

An intriguing concept and premise, with some powerful acting and wonderful cinematography, but the expansion of certain plot points wouldn’t have gone astray.

2010-2019, Film Review

Looper (2012)

Posted on April 19, 2016April 29, 2018 by Martin: Through the Silver Screen

Looper – Film Review

Cast: Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Jeff Daniels, Paul Dano

Director: Rian Johnson

Synopsis: Joe (JGL) is a Looper, someone who’s hired to take out people who are sent back in time by the criminal underworld, but runs into some trouble when he’s tasked with taking out his older self.

Review: Time travel movies can be a risky endeavour, as the Doctor himself will probably tell you, the timelines can get very messy and the plot can get very confusing, which might make the viewer’s brain start to hurt. Fortunately, there’s no need to worry about your brain melting here as writer and director Rian Johnson delivers a very sharp screenplay and a very riveting and thought provoking story in equal measure.

In this time twisting tale, upon the invention of time travel, it is almost instantaneously outlawed, meaning only criminals use it to dispose of people to wipe them off the map. This is done courtesy of Loopers who do the deed once the person is zapped back in time, and then destroy their bodies, erasing them from existence. When the contract of a Looper expires, their older self is sent back to their younger self, which then”closes their loop.”

Joseph Gordon-Levitt; Bruce Willis

Yet for Joe, things go a bit awry as he’s faced with his older self, and he can’t bring himself to kill himself, and as a result, a hunting game begins. The screenplay by Johnson is tremendous, it delves deep into this futuristic world and the plot hooks you in, and goes in some very interesting directions that you might not expect. There are elements from other time travel movies for sure (Terminator 1), but the film certainly holds its own as a remarkable piece of science fiction storytelling.

In another collaboration with Johnson following 2005’s Brick, Joseph Gordon Levitt is terrific as the younger version of the film’s main character Joe. He has that cold and ruthless trait about his personality that helps him in this crazy job that he does. Similarly Bruce Willis is also first class in his role as the Older Joe. He’s a man who clearly believes with age comes experience, and watching these two on screen together, is insanely gripping and mental to watch. The make up to make JGL look like a young Bruce Willis is tremendously well done, to the point where you actually believe that he IS a young Bruce Willis. The arrival of Emily Blunt’s character on screen ensures the plot takes a very interesting turn, and she too gives a wounded, yet powerful performance.

However, despite all the interesting timey wimey time travel elements to the story, there’s plenty of fist flying and guns blazing to get the pulses racing. The story is paced for the most part very well, although there are moments where it does lull for a little bit, but never for any substantial period of time. The film looks incredible as well, the world of 2044 although we haven’t seen it yet (unless you’re reading this in 2044!) looks very detailed and futuristic. What’s more the action scenes looking crisp and are edited supremely well with superb cinematography. If Looper is the film that ensured that Star Wars: Episode VIII was put into the hands of Rian Johnson, then you have to say, Bravo! As it means the next instalment in a galaxy far, far away is in very capable hands.

A very unique and creative story with some superb writing, directing and acting especially from JGL and Willis, ensured that Johnson is a director to keep a firm eye on.

2010-2019, Film Review

Zootopia (2016)

Posted on April 17, 2016October 12, 2020 by Martin: Through the Silver Screen

**Image rights belong to Walt Disney Animation Studios**

Zootopia – Film Review

Cast: Ginnifer Goodwin, Jason Bateman, Idris Elba, J.K. Simmons, Octavia Spencer, Jenny Slate

Directors: Byron Howard and Rich Moore

Synopsis: Judy Hopps is a determined rabbit with ambitions of becoming Zootopia’s first rabbit police officer and making the world a better place, and she must put all of her skills to the test to crack a troubling case.

Review: When you do think of animated movies that have plenty to offer for viewers of all ages, young and old alike, the folks at Walt Disney Animation Studios certainly have a strong grip on this genre. Their last three films: Frozen, Big Hero 6 and Wreck it Ralph have all come along in this decade alone, grossing over two billion dollars combined, and thrilling audiences at the same time with heartfelt and very clever stories. Well for their latest adventure this decade, in almost a throwback to their roots of movies involving animals that talk, Wreck-It Ralph director Rich Moore teams up with Tangled co-director Byron Howard to give us a beautifully realised urban metropolis that happens to be full of animals, and once again, Disney delivers the goods in amusing and heartfelt style.

The centrepiece of this furry tale is a plucky bunny named Judy Hopps, who possess a fierce desire to buck the trend and become a police officer, the first bunny to do so, whilst at the same time she stubbornly refuses to conform to what’s expected of her which is become a carrot seller. She’s a very believable heroine that young female viewers can certainly look up to. Upon arrival in the big league, she is almost instantaneously looked down on by the other recruits, and given a pretty thankless task which stumbles her onto something quite substantial that will require all of her intelligence to help solve.

The story from Jared Bush and Phil Johnston is, somewhat surprisingly for a children’s film, really quite in depth. It is very apparent that the story’s inspiration is drawn from the crazy world we all inhabit, where everything should be a Utopia, but it really isn’t. Also as it often the case with Disney and Pixar films, there’s plenty of references that will fly over the heads of the younger viewers, but give adults watching a good chuckle, including some great references to some well known movies and TV shows.

The voice cast of these eccentric bunch of animals is also top of the range. Ginnifer Goodwin gives Judy that fierce determination so much so that you just cannot help but want her to succeed, with Jason Bateman also providing some great work as a crafty and devious fox. Their chemistry is perfect as they’re polar opposites in terms of the animals they are, but at the same time, there is a mutual understanding between the two, and it works to perfection There’s plenty of A list talent who lend their voices with the likes of Idris Elba, Octavia Spencer, J.K Simmons and somewhat surprisingly, Shakira all providing some tremendous work but is Goodwin and Bateman who definitely steal the show.

Most animated movies these days do cater for viewers of all generations, Pixar films have certainly got this nailed down but so too have their Disney Animated Studios counterparts. The themes and the message of this movie are surprisingly deep and thorough, and despite being a delightful work of fiction, will certainly give the older watching viewer plenty of food for thought when the credits begin to roll.

Superbly animated with some very sincere and well developed characters, added with excellent voice work. Another fine addition to the Disney animated collection.

2010-2019, Film Review

Eddie The Eagle (2016)

Posted on April 11, 2016April 29, 2018 by Martin: Through the Silver Screen

Eddie The Eagle – Film Review

Cast: Taron Egerton, Hugh Jackman

Director: Dexter Fletcher

Synopsis: A young British ski jumper has aspirations of going to the Olympics, finds his calling as a skier and harbours dreams of representing his country at the Winter Olympics.

Review: Everyone loves an underdog story, particularly when it comes to sport especially here in Britain given our questionable record when it comes to a handful of top international sporting tournaments. What’s more, everyone loves a story of one man pursuing his dream with seemingly every obstacle thrown his face and being ridiculed time after time, but no matter what, they keep on going. In the case of Michael “Eddie” Edwards AKA Eddie the Eagle, this is certainly the case as he stops at nothing to try and achieve his dream of becoming an Olympian, even it means making a fool out of himself in the process.

Fresh from his successful break out role in Kingsman: The Secret Service, along with a very humorous turn in the Kray brothers drama Legend, Taron Egerton really shines as the titular character. He is a bit of a dork, but at the same time he’s very sincere and genuine. What’s more, his indomitable spirit and desire to achieve his dream just make you want to root for him and will him to success. Aiding him on that quest is his fictional coach Bronson Peary, played by Wolverine himself Hugh Jackman. Haunted by his past in the sport, he decides to coach Eddie and himself becomes determined to do everything he can to help Eddie achieve success. The two actors make a formidable duo and it is their friendship that drives the movie forward. Of course the writers did take liberties with the story, but at the core, it’s a powerful true story.

The ski jumping scenes themselves are executed very well with some tremendous camera-work that shows the jumps from the jumper’s perspective,and that might just make anyone watching to never wish themselves to be in that position. Visually these scenes are excellent and the cinematography is tremendous. When Eddie is perched on the top of those ramps, the tension is kicked up a notch as you will him to succeed. The plot is a bit formulaic as we have seen many other sport movies where an underdog triumphs in the face of adversity.

It is a very by-the-numbers story, and it could have gone into more detail in places, but at the same time it is tremendously uplifting with a great feel good factor. Due to Eddie’s spirit and unwavering desire to succeed, you can’t help but smile by the time the credits begin to roll, and makes you think you can go and follow your dream yourself, even if time after time, obstacles keep blocking your road, or in Eddie’s case, his path to a frighteningly high ramp.

The plot is very by-the-numbers, but two very sincere performances from Jackman and Egerton, with enthralling jump sequences, mean Eddie The Eagle soars.

2010-2019, Film Review

Captain America: The First Avenger (2011)

Posted on April 9, 2016April 29, 2018 by Martin: Through the Silver Screen

Captain America: The First Avenger – Film Review

Cast: Chris Evans, Sebastian Stan, Hayley Atwell, Tommy Lee Jones, Hugo Weaving, Toby Jones, Stanley Tucci, Dominic Cooper

Director: Joe Johnston

Synopsis: A frail young man with aspirations of serving his country during World War II is given a chance to become the superhero Captain America via a super secret programme.

Review: When the world erupted in war back in 1939, countries the world over were all looking for able and strong men to sign up for their respective armies to take on and bring down the evil Nazi regime. In the case of one frail sickly young man, who was absolutely determined to sign up and fight for his country, yet his aspirations were forever getting trampled on due to his poor health. This is until, through a top secret programme, he has his chance to become a super soldier. This man is of course Steve Rogers, AKA Captain America.

the first avenger

Back when the all powerful Marvel machine was still in its first warming up phase, director Joe Johnston with screenwriters Christopher Markus and Stephen McFeely, provide an interesting take on the back story of one of the most popular heroes of the MCU. His journey from a weak young man, to a near invincible badass though was far from an easy one, but it is very interesting to watch. Beaten up by what seems like every kid in his neighbourhood as a child, the early scenes of the film show just how down on his luck he is, with everyone including his best friend, Sergeant James Barnes AKA Bucky (Sebastian Stan), going off to war without him.

Chris Evans in his second stint as a superhero, after two ill fated spells as the Human Torch in 2005 and 2007, is tremendous in the lead role. His humanity and compassion shines through, and it’s this along with his dogged determination, combined with some convincing CGI that makes him look very frail indeed. that brings him to the attention of Abraham Erskine (Stanley Tucci) the creator of the super soldier programme who fast-tracks Rogers for the programme, and for battle.

Yet despite this very intriguing opening, the film suffers from pacing issues, as Cap instead of being thrown immediately into battle, is made to wait. All the while the war rages on, and the dastardly Johann Schmidt (Hugo Weaving) AKA The Red Skull of HYDRA is preparing to unleash chaos on the world in the form of a very rare off world artefact. The pacing issues persist throughout though as while there are some great action scenes for us to enjoy, a lot of scenes are put together in a montage that almost feels like the studio had blown their production budget on certain effects and were forced to cut back on the action. That being said, there are some action scenes that are just flat out awesome, including taking a zip wire onto a moving train. These scenes do make for some spectacular viewing but a bit more action, and not montaging through considerable portions of it would have been great.

There are plenty of some very big names on display here, and all give great performances. Tommy Lee Jones is on fine form as a gruff US General, Hayley Atwell as the fierce but compassionate Agent Peggy Carter who has something of a soft spot for Cap, and she proved to be such a popular character that she got her own spin off series, and Cap’s best buddy, Bucky. Flying the HYDRA flag along with Herr Schmidt and Dr Arnim Zola (Toby Jones.) While both give solid performances, their accents are somewhat questionable. Yet Johnston managed to create a very gritty Superhero war movie that looks superb with great attention to detail, and he gives a character who has proved to become one of the MCU’s most popular heroes a solid introduction to the Marvel Universe and help build Marvel’s Phase 1 to an exciting climax.

Cap gets his stars and stripes good and proper, with some solid acting and directing, but more action set pieces wouldn’t have gone astray.

2010-2019, Film Review

Batman V Superman: Dawn of Justice (2016)

Posted on March 25, 2016December 31, 2016 by Martin: Through the Silver Screen

BVS — Image rights belong to Warner Bros, DC Entertainment, RatPac Entertainment and Atlas Entertainment

Batman V Superman: Dawn of Justice Film Review

Cast: Henry Cavill, Ben Affleck, Amy Adams, Gal Gadot, Jesse Eisenberg, Holly Hunter, Jeremy Irons, Laurence Fisburne

Director: Zack Snyder

Synopsis: In the wake of the devastation caused by Superman’s battle with Zod in Man of Steel, Bruce Wayne seeks to take down Superman, fearing his powers could wipe out humanity. All the while, Lex Luthor is scheming in an attempt to wreak havoc on the world.

Review: 2016 is certainly shaping up to be the year of the superhero movie, the Merc with a Mouth has come along, with apocalyptic doom for the X-Men, Marvel’s flagship heroes turning on each other, a group of anti heroes on suicide missions, and one sorcerer supreme still to come. Now, it’s the turn of arguably the two most recognisable comic book characters to take to the screen, in what is their very first time they are in the same movie. A movie that is finally propelling DC’s extended universe forward after watching Marvel dominate the market for many years. So much was riding on this film, and it was once again up to Zack Snyder to show DC’s universe can rival that of their great rivals.

Two years after the carnage that was unleashed on Metropolis, a certain Bruce Wayne saw the full extent of the devastation and now sees this as the time to put on his cape and cowl once again and take out this alien threat. We see through his perspective and you feel his rage. All the while, while some of humanity view Superman as their saviour, others like Bruce Wayne, see him as a threat. One of these individuals being Lex Luthor who is developing a few schemes in order to bring down the Man of Steel.

With a near two and a half hour run time, understandable given that this film is laying the foundations for the Justice League movies that are on the horizon, there is a lot to take in and a lot is going on. So much so in fact, that the first hour or so is a little choppy, you want to see the clash of the titans, but the road getting there is a little bit bumpy. As such a few of the side storylines could have been cut out, as there are some that don’t really add much of any value to the central story. Once we do finally get to the titular showdown, however, it is glorious, watching these two icons of comic books clash.

This is of course until they have to unite to take on something (if you’ve seen the trailers, you’ll know what this something is.) Snyder clearly likes destroying things as there’s a fair bit of destruction here, although it’s not quite on the same level that Metropolis suffered. Yet while it is enjoyable to watch, like Man of Steel, there is something of an over reliance on CGI and there are some scenes (and characters) that just look painfully artificial, which is remarkable given the budget of the film at 250 million dollars. Although the accompanying score by Hans Zimmer and Junkie XL, is once again excellent.

Taking up the mantle after Christian Bale’s terrific turn in the role, Ben Affleck certainly makes the role his own and gives a very strong performance both as Bruce Wayne and the Bat vigilante. Similarly, Jeremy Irons is also excellent as Alfred Pennyworth, which again was not exactly easy given Michael Caine’s tremendous work with the character. There is understandably a lot more screen time for Affleck as we have to get acquainted with him more than Kal-El. Furthermore, there is the matter of Wonder Woman. Although she is not in the limelight as much as her Justice League colleagues, Gal Gadot does a tremendous job in what is the character’s first big screen appearance, and more than holds her own, giving excitement for her solo movie out next year. However, while he does try his best, and does have his moments, Jesse Eisenberg does feel somewhat miscast as Luthor.

Despite the bumpy ride getting here, it is exciting to see the DC universe finally achieve proper lift off, and with solo movies for Wonder Woman, Aquaman and the Flash all in the pipeline, it is looking encouraging for DC fans. Yet this had potential for real greatness, that is ultimately really squandered on a weak script. Nevertheless, the Justice is coming, but first, it appears that there’s potential trouble at Arkham Asylum…

Affleck and Gadot deliver terrific performances, and you have to praise the scope and ambition of the story, but it is a bit scrappy and could have been a little bit more focused.

2010-2019, Film Review

Hail, Caesar! (2016)

Posted on March 19, 2016April 29, 2018 by Martin: Through the Silver Screen

Hail, Caesar – Film Review

Cast: George Clooney, Josh Brolin, Scarlett Johansson, Channing Tatum, Ralph Fiennes, Alden Ehrenreich, Frances McDormand, Tilda Swinton, Jonah Hill

Directors: Joel and Ethan Coen

Synopsis: 1950s Hollywood, and a film studio is in the middle of its big budget production of Hail, Caesar! Yet when things begin to go awry, the studio must battle to keep things afloat.

Review: The Oscar winning Coen Brothers on writing and directing duties? Check. An all star cast including Oscar winners and nominees? Check. A film set in a time that many would consider to be in the Golden Age of Hollywood? Check. With all these combined, you would think that the visionaries behind The Big Lebowski, the superb 2010 remake of True Grit and No Country for Old Men, would strike gold with this unique and original story, as they have done in the past? The answer, is unfortunately, no.

The centre piece of this whole wacky movie is that of Josh Brolin’s Eddie Mannix, the head of Physical Productions and also the man who is there to ensure that the studio’s dirty linen is not aired in public. Yet problems begin to arise here, there and everywhere, most notably the fact that the lead actor on the studio’s massive movie, Baird Whitlock (Clooney) suddenly disappears, after being kidnapped. Yet despite all this, the burden falls onto Mannix to keep everything afloat. The Coens certainly know how to do humour, and do it very well as The Big Lebowski demonstrates, and that humour is on display here and to the maximum with plenty of humorous moments.

Furthermore with a top cast of A list Hollywood talent assembled, all excel in their roles. However some are given more opportunities to shine than others, which is a shame as there are some very entertaining characters who you would like to have been given a bit more screen time. Ralph Fiennes in particular has one absolutely golden moment, but this is not followed up. Many of the talents are vastly underutilised and it is just a bit frustrating to watch as you would like to see them have more scenes.

In terms of plot, it is a bit of a mess to be honest. Mannix is the main man and its his story that is the centrepiece. Yet there are so many different stories running along at the same time, that it is a little confusing to keep up. What’s more, there are several plot points that are just left hanging. It feels like the Coens just thought of a bunch of random sketches, and concocted them together into one film. As such when the big reveal of what is arguably the film’s primary plot occurs, you just don’t care as much as you could, or maybe should as the script is just too messy and all over the place.

What is not out of place though is the detail, 1950s Hollywood has been captured tremendously well and with the one and only Roger Deakins as the cinematographer, you know the film will look absolutely immaculate, and it does. However, despite this incredible attention to detail, this was a real missed opportunity for the Coens to add another top drawer film to their incredible filmography. The film is seen as the Coens love letter to 1950s Hollywood, but it’s a shame that said letter is written in poor handwriting, to the point where it’s almost incomprehensible to read.