Posted in 2020-2029, Film Review

The Batman (2022)

© Warner Bros and DC Comics

The Batman  – Film Review

Cast: Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, Colin Farrell

Director: Matt Reeves

Synopsis: In his second year of crime-fighting in Gotham City, Batman begins to investigate a series of crimes that appear to be connected to a serial killer known as The Riddler…

Review: Ever since the character of Batman made his comics debut in 1939, there has been something that’s inescapably appealing about this iconic character. It’s a testament to Batman’s creators Bob Kane and Bill Finger, that in the ensuing decades, his popularity has not waned (pun absolutely intended). For generations of comic book fans, he has continued to be arguably the most recognisable, and popular superhero of all time. Given the character’s popularity, it’s no surprise that numerous directors have taken on the challenge of adapting him for the big screen. Over the years, we’ve seen the sublime, and the ridiculous. Now, under the vision of Matt Reeves, a fantastic new interpretation of the Dark Knight has been born.

Bruce Wayne (Pattinson) is in his second year of fighting crime in Gotham City as the masked vigilante known as Batman. Gotham is a city that’s seemingly trapped in perpetual rainfall, combined with the murky cloud of the city’s extensive criminal underworld. It’s a grim combination that gives Gotham an ominous, foreboding atmosphere, where crime is running rampant and the police are overwhelmed. When a series of brutal murders start taking place in the city, Batman and the Gotham City Police Force begin to investigate. As they begin to piece together the sadistic clues left behind at these grisly crime scenes, they begin to uncover evidence that all of these crimes are linked to a masked serial killer known only as The Riddler.

Donning The Bat’s cape and cowl is an extraordinary responsibility for the actor to take on. Many great actors have taken on this challenge, and every time, each one has brought something unique to the role. With Pattinson’s portrayal, he proves what an outstanding choice he was to take on the mantle. Batman is a character who has multiple aspects to his personality, the man he is behind the mask is a very different one to the one who dons the mask. Any actor tasked with this role must differentiate between these personalities, and Pattinson hits the mark perfectly. However, the casting of Batman is just one piece of the puzzle. One cannot have Batman without his trusted Police ally, Jim Gordon. Side by side with Batman as they solve this riddle, Wright brings his usual charisma to this role, and the pair of them make an effective crime-fighting duo. Plus, one cannot talk about Bruce Wayne’s allies without mentioning Alfred. It’s rare to see him outside of motion-capture performances, but in what screen time he has, Andy Serkis excels.

Casting is such an important part of film-making and it’s high time these people were recognised for their work, especially when the choices, like in this film are flawless. Selina Kyle/Catwoman is always a nuanced and fascinating character to explore. Not quite a hero, but far from a villain, especially when compared to some of the citizens of Gotham. We see a very interesting element to her backstory that’s seldom been explored before, and the chemistry between Kravitz and Pattinson’s Batman is extremely palpable. Of all the iconic superheroes that have graced the big screen over the years, there’s arguably no superhero that has quite more the eclectic gallery of villains than Batman. Though we’ve seen certainly seen some villains more than others. Hence, it is extremely pleasing to see the film bring to the fore many villains that haven’t had as much exposure as others.

Caking an actor in a considerable amount of makeup is not a guaranteed recipe for success, but in this instance, it works perfectly. Unrecognisable under said makeup as the dastardly Penguin, Colin Farell is clearly having a ball with this villainous role. However, in Paul Dano’s portrayal of the Riddler, here’s an extraordinary, terrifying performance that is destined to join the ranks of iconic villains that we have seen in Batman films over the last several decades. From the moment the Riddler makes his first appearance, he immediately sends chills down the spine, delightfully taunting Batman and the Gotham Police with the crimes he’s carrying out. Plus, with all the clues that he leaves at the crime scenes, it makes for a fascinating game of Cat (or should that be Bat?) and Mouse as Batman faces a race against time to solve these clues and figure out what The Riddler is planning.

After his extraordinary work with the two most recent Planet of the Apes films, self-confessed Batman fan Matt Reeves proves he was the perfect choice to helm this new take on this character. The script, written by Reeves and Peter Craig, remains gripping right throughout the 175-minute running time, whilst perfectly illustrating that Batman’s skills as a detective are second to none. Hence, the decision to pit him against the Riddler was proved to be an absolute masterstroke, as he’s a character someone who is well equipped to take on Batman in those psychological mind games. Combined with Greg Fraser’s suitably brooding cinematography that captures Gotham’s ominous atmosphere, Reeves’s direction, especially with those action scenes that are drenched in a continuous downpour, is especially thrilling. For a film that’s just shy of three hours, questions are always going to be asked about that run time, and the editing by William Hoy and Tyler Nelson ensures that the film is perfectly paced.

Through all the decades that we’ve seen Batman on screen, there’s been no shortage of memorable scores that have accompanied the Caped Crusader. Danny Elfman and Hans Zimmer have both given this character an instantly recognizable theme. With his atmospheric score, Michael Giacchino can add his name to the list of composers who have provided iconic music for this character. Through each new portrayal, the enduring appeal of Batman has been passed down through generations of audiences. With this fantastic new incarnation, the legend of The Dark Knight continues to shine brightly, like the Bat-signal illuminating the skies of Gotham City. Bob Kane and Bill Finger would be immensely proud.

Dark and filled to the brim with nerve-shredding scenes that perfectly capture the essence of everything that makes Batman who he is. Matt Reeves’s vision of this iconic character is one that will stand the test of time, as one of the best versions ever produced. 

Posted in 2010-2019, Film Review

War for the Planet of the Apes (2017)

Image is property of 20th Century Fox and Chernin Entertainment

War for the Planet of the Apes – Film Review 

Cast:  Andy Serkis, Woody Harrelson, Steve Zahn, Karin Konoval, Terry Notary, Amiah Miller

Director: Matt Reeves

Synopsis: After the devastation caused by the skirmish between Apes and Humans, Caesar and his apes now face a new threat in the form of a vicious Colonel who’s intent on eradicating the Apes once and for all

Review: “Apes, together, strong!” These were some of the words that we saw written on one of the walls of what was once the stronghold of the colony of super-smart Apes led by Caesar. The Ape that kick-started the rise of the Ape revolution that we saw in the first chapter of this reboot. We watched in awe as he became the leader of that colony. Then came the second chapter, where Caesar saw his leadership and his ideals challenged. It was the dawn of the Ape uprising, as one ape went rogue, and things went a bit awry for mankind and ape-kind both, and the war that was triggered as a result of that conflict, is now upon us, and it ain’t pretty.

Continuing in the same vein as both Rise and Dawn, this is a very personal story for Caesar, once again voiced and mo-capped tremendously by Andy Serkis. After the events of Dawn, the actions of the mutinous Koba and the utter contempt for humanity  he had have had a lasting effect on Caesar. And when the humans and the apes clash once again, it proves to be the final straw for Caesar, and he sets out on the hunt for the vicious colonel (Harrelson) who is determined to eradicate Caesar and all of his apes, once and for all. Thus, this sets the wheels motion for another deeply personal and brilliantly told personal clash. Back once again after directing Dawn, Reeves has really showed himself to at the top of his craft, both as a writer and as a director, so it’s no wonder that he’s been handed the keys to the Batmobile.

The screenplay, co-written by Reeves and Matt Bomback, once again makes the smart decision to focus on Caesar and his apes, and their motivations for doing what they’re doing. Caesar stands out by far, but Maurice (Konoval) has a much greater role as Caesar’s most trusted adviser, and Rocket (Notary) likewise. A new addition to the Ape clan is Steve Zahn’s self named “Bad Ape” who certainly adds the humour this time around, but it’s gratefully kept to a minimum and thus it doesn’t become annoying. Dawn certainly offered plenty of exhilarating action sequences and once again Reeves delivers equally enthralling action sequences, whilst also delivering an intense psychological battle that pits Caesar against, by far the most compelling human antagonist of the franchise to date, Woody Harrelson’s Colonel, a man who is determined to ensure that humanity retains its place as the dominant species of the planet.

The CGI is once again, particularly for the Apes, is absolutely faultless. It’s so life like that once again you forget that they’re portrayed by actual actors in rather unusual suits. Though Serkis has often been overlooked for his work in these films in terms of awards recognition, he absolutely demonstrates his talents in bringing such emotional depth to a character, one who really makes the audience root for him, and want to see the obliteration of their own species. His performance is truly awards worthy, but award or not, his sterling work has ensured Caesar’s place as one of the most iconic film characters of the decade without a doubt. Michael Giacchino’s score is as you would expect, absolutely flawless.

Though there will almost certainly be more to come for this franchise, with Rise, Dawn and now War, we we have a trilogy that improves on what came before, and thus giving us one of one of the best trilogies of modern times. Apes, together, strong indeed.

The third chapter in trilogies so often disappoints, but no so here. With a thrilling personal story, combined with another excellent turn from Serkis as Caesar, to ensure that this trilogy is completed in great style, with the best film in the trilogy.